SIGHT UNSEEN catalog - California Museum of Photography ...

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Exhibition generously supported by: Henry W. Coil Jr. of Tilden-Coil Constructors Marriott Riverside Pip Printing is printmystuff.com Guide by Cell Blindness Support Services Impact Printing Important assistance from: Centro Fotográfico Manuel Álvarez Bravo, Oaxaca, Mexico Inverleith House, Royal Botanic Garden, Edinburgh, Scotland Jonathan Ferrara Gallery, New Orleans Palo Alto Art Center, Palo Alto, California Universidad del Claustro de Sor Juana, Mexico City Alberto Constantino, Mexico City Gina Badenoch, Mexico City Mark Daly, Palo Alto, California Tom Donahue, Riverside, California Andrea Duplessis, New Orleans Jonathan Ferrara, New Orleans Ted Fisher, New York City Susann Gandolfo, New Orleans Larisa González, Mexico City Kelly Hill, Riverside, California Patrice Hughes, Los Angeles Beatriz Mejia Krumbein, Riverside, California Sarah Lappe, San Francisco Christine Leahey, Los Angeles Iris Lee, New York City Donlyn Lyndon, Berkeley, California Benjamin Mayer Foulkes, Mexico City Signe Mayfield, Palo Alto, California Charles Megnin, New Orleans Pedro Meyer, Mexico City Ana Karen Muciño, Mexico City Joe Mazariegos, Victorville, California Paul Nesbitt, Edinburgh, Scotland Kristina Newhouse, Los Angeles Peter Benevidez, Riverside, California Rozenn Quéré, Paris Chris Rourke, London Ryan Swoverland, Tokyo Madoka Takahashi, Tokyo Anayatzin Trejo, Mexico City Joan Trujillo, Mexico City And, of course, the staff of UCR/CMP and UCR ARTSblock This book is published by UCR ARTSblock on the occasion of the exhibition Sight Unseen: International Photography by Blind Artists on view from May 2 to August 29, 2009 at the UCR/California Museum of Photography. Curator: Douglas McCulloh Graphic design and production: Lisa van Olden UCR ARTSblock Executive Director: Jonathan Green UCR/CMP Director: Colin Westerbeck © 2009 The Regents of the University of California UCR/California Museum of Photography UCR ARTSblock University of California, Riverside UCR/California Museum of Photography ISBN 978-0-9823046-1-7 All rights reserved. UCR ARTSblock University of California, Riverside 3824 Main Street Riverside, CA 92501 www.artsblock.ucr.edu www.sweeney.ucr.edu www.cmp.ucr.edu Cover photograph: A Close Up View, Evgen Bavcar Photographs reproduced with the permission of the artists. All rights, copyright, and reproduction rights remain with the artists. Essays © 2009 Douglas McCulloh Printed in the United States
nd revelation. the ground zero of lts are pure, unfiltered e my head. ely realized internal t, photographs second. nifestations of images Curatorial Essay by Douglas McCulloh 2 I. Shooting Blind 2 II. Blind to Our Own Blindness 4 III. Seeing Beyond Sight 6 Ralph Baker 8 Evgen Bavcar 12 Henry Butler 22 Pete Eckert 28 Bruce Hall 34 Annie Hesse 42 Rosita McKenzie 50 Gerardo Nigenda 58 Michael Richard 80 Seeing with Photography Collective 90 Kurt Weston 100 Alice Wingwall 114 1
Page 1: ubject full of par his exhibition o
Page 5 and 6: He photographs in order to see, but
Page 7 and 8: of our cultural memory, and in his
Page 9 and 10: could communicate with the deities.
Page 11 and 12: He shrugs off question about photog
Page 13 and 14: Untitled 11
Page 15 and 16: immediately but little by little, i
Page 17 and 18: A Dream of Motion 15
Page 19 and 20: I didn’t become blind immediately
Page 21 and 22: y nths, well I had most es of stial
Page 23 and 24: The Eyes of the Night 21
Page 25 and 26: Happy Feet When he he reache intell
Page 27 and 28: Big Ol Kiss 25
Page 29 and 30: When he makes photographs, he reach
Page 31 and 32: Electroman “Vision is so it masks
Page 33 and 34: Stations 31
Page 35 and 36: always talk about the difficulty of
Page 37 and 38: frenetic James is eight years old,
Page 39 and 40: Without cameras, my ife would be bl
Page 41 and 42: limpet Are you looking at me? A sta
Page 43 and 44: see things twice. First, I see an i
Page 45 and 46: For someone who’s been visually i
Page 47 and 48: For someone who’s been visually i
Page 49 and 50: India, 2002 (Mme. Singh) 47
Page 51 and 52: India, 2002 49
Page 53 and 54:
Growth Lights 51
Page 55 and 56:
Shade Tunnel and Tractor 53
Page 57 and 58:
Meconopsis with Netting 55
Page 59 and 60:
Calton Hill 57
Page 61 and 62:
Patio del Centro Fotográfico Manue
Page 63 and 64:
Sergio 61
Page 65 and 66:
El inmenso aroma de mi afecto (The
Page 67 and 68:
punch texts directly into the photo
Page 69 and 70:
hen the artist used Braille writer
Page 71 and 72:
La convivencia de una frontera natu
Page 73 and 74:
The images unify the graphic repres
Page 75 and 76:
Multimiradas en el ascenso corporal
Page 77 and 78:
But they perform additional trick:
Page 79 and 80:
La sutileza del perfil se antepone
Page 81 and 82:
The images unify graphic represen o
Page 83 and 84:
, he ual so focused graphs layered
Page 85 and 86:
To compensate, h cultivated a visua
Page 87 and 88:
There 85
Page 89 and 90:
ivated a visual centration so berat
Page 91 and 92:
To compensate, he cultivated a visu
Page 93 and 94:
Portrait of Alan (Seeing With Photo
Page 95 and 96:
ut here impaired people are trying
Page 97 and 98:
Portrait in Paper (Seeing With Phot
Page 99 and 100:
ut here impaire people are trying m
Page 101 and 102:
Carnival (Seeing With Photography C
Page 103 and 104:
Peering Through the Darkness 101
Page 105 and 106:
Visor Vision 103
Page 107 and 108:
There is no shutter click. Instead,
Page 109 and 110:
Ultimate Rush 107
Page 111 and 112:
String Theory: The Space Between Us
Page 113 and 114:
Wiser Than Dreams 111
Page 115 and 116:
l of paradox and revelation. ition
Page 117 and 118:
Self-Portrait at San Trovaso 115
Page 119 and 120:
Rumba at Dendur 117
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SIGHT UNSEEN catalog - California Museum of Photography ...

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