SIGHT UNSEEN catalog - California Museum of Photography ...

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38 of double vision. “I always see things twice. First, I see an impression. I take what I think I see, later I can see what I saw. I have certain aims, guesses, impressions, but the photographs are always a surprise.” exit Patient and aware, I wait for the sea to reveal something new. It always does - always. These brief trips below water are never the same and always remarkable. I must trust my compass to return to the boat after fifty minutes below, as my eyesight is poor, and often unreliable. I see the anchor rope… time to return.
limpet Are you looking at me? A stable simple creature, like a guide, to a place where I am in control, confident, serenely relaxed. I have license to make all decisions. I’m driving now. Driving. This strange creature, underwater, clings to the reef, in 20 ft. of water, always felt like a guide watching over the ever curious nearsighted guy snooping around in world mostly unseen. Shaw’s Cove, Laguna Beach, CA. 39
Page 1 and 2: ubject full of par his exhibition o
Page 3 and 4: nd revelation. the ground zero of l
Page 5 and 6: He photographs in order to see, but
Page 7 and 8: of our cultural memory, and in his
Page 9 and 10: could communicate with the deities.
Page 11 and 12: He shrugs off question about photog
Page 13 and 14: Untitled 11
Page 15 and 16: immediately but little by little, i
Page 17 and 18: A Dream of Motion 15
Page 19 and 20: I didn’t become blind immediately
Page 21 and 22: y nths, well I had most es of stial
Page 23 and 24: The Eyes of the Night 21
Page 25 and 26: Happy Feet When he he reache intell
Page 27 and 28: Big Ol Kiss 25
Page 29 and 30: When he makes photographs, he reach
Page 31 and 32: Electroman “Vision is so it masks
Page 33 and 34: Stations 31
Page 35 and 36: always talk about the difficulty of
Page 37 and 38: frenetic James is eight years old,
Page 39: Without cameras, my ife would be bl
Page 43 and 44: see things twice. First, I see an i
Page 45 and 46: For someone who’s been visually i
Page 47 and 48: For someone who’s been visually i
Page 49 and 50: India, 2002 (Mme. Singh) 47
Page 51 and 52: India, 2002 49
Page 53 and 54: Growth Lights 51
Page 55 and 56: Shade Tunnel and Tractor 53
Page 57 and 58: Meconopsis with Netting 55
Page 59 and 60: Calton Hill 57
Page 61 and 62: Patio del Centro Fotográfico Manue
Page 63 and 64: Sergio 61
Page 65 and 66: El inmenso aroma de mi afecto (The
Page 67 and 68: punch texts directly into the photo
Page 69 and 70: hen the artist used Braille writer
Page 71 and 72: La convivencia de una frontera natu
Page 73 and 74: The images unify the graphic repres
Page 75 and 76: Multimiradas en el ascenso corporal
Page 77 and 78: But they perform additional trick:
Page 79 and 80: La sutileza del perfil se antepone
Page 81 and 82: The images unify graphic represen o
Page 83 and 84: , he ual so focused graphs layered
Page 85 and 86: To compensate, h cultivated a visua
Page 87 and 88: There 85
Page 89 and 90: ivated a visual centration so berat
Page 91 and 92:
To compensate, he cultivated a visu
Page 93 and 94:
Portrait of Alan (Seeing With Photo
Page 95 and 96:
ut here impaired people are trying
Page 97 and 98:
Portrait in Paper (Seeing With Phot
Page 99 and 100:
ut here impaire people are trying m
Page 101 and 102:
Carnival (Seeing With Photography C
Page 103 and 104:
Peering Through the Darkness 101
Page 105 and 106:
Visor Vision 103
Page 107 and 108:
There is no shutter click. Instead,
Page 109 and 110:
Ultimate Rush 107
Page 111 and 112:
String Theory: The Space Between Us
Page 113 and 114:
Wiser Than Dreams 111
Page 115 and 116:
l of paradox and revelation. ition
Page 117 and 118:
Self-Portrait at San Trovaso 115
Page 119 and 120:
Rumba at Dendur 117
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SIGHT UNSEEN catalog - California Museum of Photography ...

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