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The Historical and Social Context of Gwendolyn ... - Salem Press

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Hubbard, Stacy Carson. “‘A Splintery Box’: Race <strong>and</strong> Gender in the Sonnets <strong>of</strong><br />

<strong>Gwendolyn</strong> Brooks.” Genre 25.1 (1992): 47-64.<br />

Hughes, Gertrude Reif. “Making It Really New: Hilda Doolittle, <strong>Gwendolyn</strong><br />

Brooks, <strong>and</strong> the Feminist Potential <strong>of</strong> Modern Poetry.” <strong>Gwendolyn</strong> Brooks. Ed.<br />

Harold Bloom. Philadelphia: Chelsea House, 2000. 139-59.<br />

James, Jennifer C. A Freedom Bought with Blood: African American War Literature<br />

from the Civil War to World War II. Chapel Hill: University <strong>of</strong> North Carolina<br />

<strong>Press</strong>, 2007.<br />

Kent, George E. A Life <strong>of</strong> <strong>Gwendolyn</strong> Brooks. Lexington: University <strong>Press</strong> <strong>of</strong> Kentucky,<br />

1990.<br />

Melhem, D. H. <strong>Gwendolyn</strong> Brooks: Poetry <strong>and</strong> the Heroic Voice. Lexington: University<br />

<strong>Press</strong> <strong>of</strong> Kentucky, 1987.<br />

____________. Heroism in the New Black Poetry: Introductions <strong>and</strong> Interviews.<br />

Lexington: UP <strong>of</strong> Kentucky, 1990.<br />

Mootry, Maria K. “‘Down the Whirlwind <strong>of</strong> Good Rage’: An Introduction to<br />

<strong>Gwendolyn</strong> Brooks.” A Life Distilled: <strong>Gwendolyn</strong> Brooks, Her Poetry <strong>and</strong> Fiction.<br />

Ed. Maria K. Mootry <strong>and</strong> Gary Smith. Urbana: University <strong>of</strong> Illinois <strong>Press</strong>,<br />

1987. 1-17.<br />

Mullen, Bill V. Popular Fronts: Chicago <strong>and</strong> African-American Cultural Politics,<br />

1935-46. Urbana: University <strong>of</strong> Illinois <strong>Press</strong>, 1999.<br />

Stanford, Ann Folwell. “Dialectics <strong>of</strong> Desire: War <strong>and</strong> the Resistive Voice in<br />

<strong>Gwendolyn</strong> Brooks’s ‘Negro Hero’ <strong>and</strong> ‘Gay Chaps at the Bar.’” <strong>Gwendolyn</strong><br />

Brooks. Ed. Harold Bloom. Philadelphia: Chelsea House, 2000. 43-56.<br />

Washington, Mary Helen. “Rage <strong>and</strong> Silence in <strong>Gwendolyn</strong> Brooks’ Maud Martha.”<br />

<strong>Gwendolyn</strong> Brooks. Ed. Harold Bloom. Philadelphia: Chelsea House,<br />

2000. 43-56.<br />

Woolley, Lisa. American Voices <strong>of</strong> the Chicago Renaissance. De Kalb: Northern<br />

Illinois University <strong>Press</strong>, 2000.<br />

____________. “From Chicago Renaissance to Chicago Renaissance: <strong>The</strong> Poetry<br />

<strong>of</strong> Fenton Johnson.” Langston Hughes Review 14.1/2 (1996): 36-48.<br />

Wright, Stephen Caldwell. <strong>The</strong> Chicago Collective: Poems for <strong>and</strong> Inspired by<br />

<strong>Gwendolyn</strong> Brooks. Sanford, FL: Christopher Burghardt, 1990.<br />

Young, John K. Black Writers, White Publishers: Marketplace Politics in Twentieth-<br />

Century African American Literature. Jackson: University <strong>Press</strong> <strong>of</strong> Mississippi,<br />

2006.<br />

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