Hiller - The Myth of Primitivism. Perspectives on Art - Esoteric Online
Hiller - The Myth of Primitivism. Perspectives on Art - Esoteric Online
Hiller - The Myth of Primitivism. Perspectives on Art - Esoteric Online
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Notes <strong>on</strong> c<strong>on</strong>tributors 294<br />
P.S.122. His work has recently been shown in Matt’s Gallery, L<strong>on</strong>d<strong>on</strong> and Orchard<br />
Gallery, Northern Ireland. Durham’s essays and his book <str<strong>on</strong>g>of</str<strong>on</strong>g> poems, Columbus Day (West<br />
End Press, 1983) have been translated into several languages. He currently lives and<br />
works in Cuernavaca, Mexico.<br />
Jean Fisher is an artist, a regular c<strong>on</strong>tributor to major internati<strong>on</strong>al art magazines, and<br />
has written numerous critical essays <strong>on</strong> the work <str<strong>on</strong>g>of</str<strong>on</strong>g> British, Irish, and American artists.<br />
Her specialities are c<strong>on</strong>temporary art and cultural studies. She has cocurated exhibiti<strong>on</strong>s<br />
in New York and L<strong>on</strong>d<strong>on</strong> devoted to extending the debate <strong>on</strong> cultural difference to<br />
include the particular situati<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> c<strong>on</strong>temporary Native American artists. She lives in<br />
New York and L<strong>on</strong>d<strong>on</strong>, and is currently teaching Fine <strong>Art</strong> at Goldsmiths’ College,<br />
University <str<strong>on</strong>g>of</str<strong>on</strong>g> L<strong>on</strong>d<strong>on</strong>. She is also associate editor <str<strong>on</strong>g>of</str<strong>on</strong>g> the quarterly journal Third Text.<br />
Edgar Heap <str<strong>on</strong>g>of</str<strong>on</strong>g> Birds was born in Wichita, Kansas, in 1954, and is a Cheyenne Arapaho<br />
artist. He studied at the California College <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>Art</strong>s and Crafts, at the Tyler School <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>Art</strong>,<br />
Temple University, Philadelphia; and the Royal College <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>Art</strong>, L<strong>on</strong>d<strong>on</strong>. He has lectured<br />
extensively in universities where he was artist-in-residence. An important part <str<strong>on</strong>g>of</str<strong>on</strong>g> his<br />
work is curating touring exhibiti<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> c<strong>on</strong>temporary Native American art. An exhibiti<strong>on</strong><br />
<str<strong>on</strong>g>of</str<strong>on</strong>g> his recent work was shown at Matt’s Gallery, L<strong>on</strong>d<strong>on</strong> in 1988.<br />
Susan <str<strong>on</strong>g>Hiller</str<strong>on</strong>g> is an artist whose work is exhibited internati<strong>on</strong>ally. She lives and works in<br />
L<strong>on</strong>d<strong>on</strong>.<br />
Signe Howell is pr<str<strong>on</strong>g>of</str<strong>on</strong>g>essor <str<strong>on</strong>g>of</str<strong>on</strong>g> Social Anthropology at the University <str<strong>on</strong>g>of</str<strong>on</strong>g> Oslo where she<br />
also is director <str<strong>on</strong>g>of</str<strong>on</strong>g> the University’s Ethnographic Museum. She studied at the universities<br />
<str<strong>on</strong>g>of</str<strong>on</strong>g> L<strong>on</strong>d<strong>on</strong> and Oxford and has previously taught in the Department <str<strong>on</strong>g>of</str<strong>on</strong>g> Social<br />
Anthropology at the University <str<strong>on</strong>g>of</str<strong>on</strong>g> Edinburgh and at Ecole des Hautes Etudes en Sciences<br />
Sociales, Paris. She has c<strong>on</strong>ducted ethnographic fieldwork am<strong>on</strong>g a hunter-gatherer<br />
society in Malaysia and in an eastern Ind<strong>on</strong>esian society. Am<strong>on</strong>g more recent<br />
publicati<strong>on</strong>s are Society and Cosmos: Chew<strong>on</strong>g <str<strong>on</strong>g>of</str<strong>on</strong>g> Peninsular Malaysia (1989[1984]),<br />
and an edited volume Societies at Peace: anthropological perspectives <strong>on</strong> peace and<br />
violence (1989). She has a l<strong>on</strong>gstanding active interest in c<strong>on</strong>temporary art.<br />
Anna Howells studied anthropology at L<strong>on</strong>d<strong>on</strong> University and is presently involved in a<br />
medical research project in L<strong>on</strong>d<strong>on</strong>.<br />
Jill Lloyd is an art historian and critic specializing in twentieth-century German art. She<br />
studied in L<strong>on</strong>d<strong>on</strong> and Berlin and currently lives and works in Paris, where she co-directs<br />
the magazine <strong>Art</strong> Internati<strong>on</strong>al. She is the author <str<strong>on</strong>g>of</str<strong>on</strong>g> German Expressi<strong>on</strong>ism: <str<strong>on</strong>g>Primitivism</str<strong>on</strong>g><br />
versus Modernity, published by Yale University Press in 1991.<br />
David Maclagan was born in 1940 and currently lectures <strong>on</strong> art and psychotherapy at<br />
Sheffield University and Birmingham Polytechnic. After reading history at Oxford, he<br />
studied painting at the Royal College <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>Art</strong> and taught for ten years in art colleges before<br />
training in <strong>Art</strong> <str<strong>on</strong>g>The</str<strong>on</strong>g>rapy at Goldsmiths’ College, University <str<strong>on</strong>g>of</str<strong>on</strong>g> L<strong>on</strong>d<strong>on</strong> (1979–80). He<br />
worked for five years in a therapeutic community under the Nati<strong>on</strong>al Health Service. He<br />
has written articles <strong>on</strong> myth, imaginati<strong>on</strong>, and psychopathology, and has carried out<br />
research <strong>on</strong> Ant<strong>on</strong>in <strong>Art</strong>aud, Adolf Wölfli, and Grace Pailthorpe. He is the author <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
Creati<strong>on</strong> <str<strong>on</strong>g>Myth</str<strong>on</strong>g>s (Thames & Huds<strong>on</strong>, 1977).<br />
Daniel Miller is a lecturer in Material Culture within the Department <str<strong>on</strong>g>of</str<strong>on</strong>g> Anthropology,<br />
University College L<strong>on</strong>d<strong>on</strong>. He has c<strong>on</strong>ducted fieldwork both as an archaeologist and as<br />
an anthropologist in Ind<strong>on</strong>esia, the Solom<strong>on</strong> Islands, India, and L<strong>on</strong>d<strong>on</strong>, and is currently<br />
working in Trinidad. His most recent book develops a theory <str<strong>on</strong>g>of</str<strong>on</strong>g> the nature <str<strong>on</strong>g>of</str<strong>on</strong>g>