Hiller - The Myth of Primitivism. Perspectives on Art - Esoteric Online

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Illustrations Display case, Berlin Ethnographical Museum, c. 1910. 2.1 Anon, Le Voyageur Francais, Composition aux Fleurs. 2.2 Le Facteur Cheval, Palais Idéal, Hauterives. 2.3 ‘Emmanuel’, dessin no. 2. 2.4 Johann Hauser, drawing. 2.5 Simon Lewty, Preparations for <strong>The</strong>ir Arrival (detail) (1983). 2.6 Valerie Potter, drawing 9/7/82. 3.1 <strong>The</strong> ‘oriental style’, Palampore, India. 3.2 Miniature ebony ‘tourist’ version <strong>of</strong> a canoe prow ‘guardian spirit’ figure from the western Solomon Islands. 5.1 Emil Nolde, Pentecost (1909). 5.2 Emil Nolde, Slovenes (1911). 5.3 Emil Nolde, Yoruba Wood Carving (1911–12). 5.4 Emil Nolde, Mask Still Life II (1911). 5.5 Emil Nolde, Man, Woman, and Cat (1912). 5.6 Emil Nolde, <strong>The</strong> Missionary (1912). 6.1 African carving <strong>of</strong> an Englishman (nineteenth century). 6.2 Carved drum in the form <strong>of</strong> a liquor-swigging European sailor.
6.3 Tshibumba Kanda-Matulu, Colonie Belge. 6.4 Inuit soapstone sculpture <strong>of</strong> Elvis Presley c. 1963. 6.5 Hélio Oiticica, Cape 6 and Bólide 5 (1965). 6.6 Lygia Clark, Antrop<strong>of</strong>agia (Cannibalism) (1973). 6.7 David Medalla, Eskimo Carver (details) (1977). 7.1 A.R.Penck, Exchange I (1982). 7.2 Malcolm Morley, Arizonac (1981). 7.3 Jean-Michel Basquiat, untitled (1982). 7.4 Lucas Samaras, Box No. 4 (1963). 7.5 Lee Jaffe, <strong>The</strong> Life and Times <strong>of</strong> Sally Hemmings, Part II. 7.6 Bill Woodrow, Car Door, Ironing-Board and Twin-Tub with North American Head-dress (1981). 9.1 Plan <strong>of</strong> the upper floor <strong>of</strong> the British Museum, 1899. 9.2 Plan <strong>of</strong> the Franco-British Exhibition held at White City, London, 1908. 9.3 Pitt-Rivers Museum, Oxford c. 1895. 9.4 9.5 Henry Balfour in the gallery demonstrating a typological classification system c. 1895. Interior <strong>of</strong> the ‘Senegalese Village’, Franco-British Exhibition, 1908. 9.6 Entrance to the ‘Irish Village’, Franco-British Exhibition, 1908. 9.7 Interior <strong>of</strong> the ‘Irish Village’, Franco-British Exhibition, 1908. 10.1 Facial expression <strong>of</strong> fear.
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‘Remember, you are the stranger.
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Editor’s introduction The
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5 Emil Nolde’s ‘ethnographic’
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From primitivism to ethnic arts 133
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PART III
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Ethnography and the formation <stro
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10 Art and meaning SIGNE HOWELL In
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Art and meaning 181 which the sculp
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Art and meaning 183 overall social
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Art and meaning 185 woven into syst
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Art and meaning 187 anthropologists
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Art and meaning 189 and visited Mus
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Art and meaning 191 ultimate ‘oth
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Art and meaning 193 10.5 Jah Hut me
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Art and meaning 195 The</st
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Art and meaning 197 without models
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11 Dark continents explored by wome
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Dark continents explored by women 2
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Leonardo’s ‘Last Supper’ in F
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PART IV
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14 Unsettled accounts of</s
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15 Locality fails IMANTS TILLERS Al
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16 Aboriginal representation and ki
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17 Born from sharp rocks Edgar Heap
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Notes on contributors 294 P.S.122.
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Index aboriginality, as Australian
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Brecht, Bertholdt 53, 56 Breton, An
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Index 300 Eurocentrism 14-15, 21, 8
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Kirchner, Ernst Ludwig 99, 144, 240
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School Museum Committee 204 mutilat
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Index 306 ‘soft
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Tower monument 126 technology, and
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