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Reading Ballroom Dance Scripts - Dance - Plussed.net

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There is an exception. In Rumba and Cha Cha, the definition of Fan Position includes a<br />

specification of the foot position. Fan Position is thus a static position.<br />

2.3 Explaining the holds and positions<br />

2.3.1 How many holds and positions is it worth defining?<br />

We do not name every physically possible hold and position that may occur during a figure. That<br />

would create a very long list. Rather, we name a relatively small set of holds and positions which<br />

cope with the key points in time in the majority of figures in the majority of ballroom dances.<br />

It is always possible to dig up a rare dance move that uses some hold or position seen in no other<br />

common dance. They are best dealt with by a footnote in the relevant script explaining the required<br />

hold or position.<br />

2.3.2 Which do we explain first – the hold or the position?<br />

Unfortunately descriptions of holds usually make some reference to position, while descriptions of<br />

positions make some reference to hold, leaving the conundrum of which should be described first.<br />

I’ve tried both ways, and they both have problems. Resign yourself to the idea that this section<br />

probably won’t make complete sense until you’ve read through both the hold and position<br />

descriptions several times.<br />

I’ll describe the holds first, but I’ll have to give some idea where to stand relative to your partner for<br />

the hold to work. This is only a suggested position to get you started. It is definitely not a restriction<br />

and there may be other valid positions in which the hold can occur.<br />

2.4 Position Diagrams<br />

2.4.1 What defines the position?<br />

Position refers to the relative position of the bodies of the two partners. Usually this is most easily<br />

described by the position of the hips. Usually the hips, chest and shoulders face the same direction,<br />

so a case could be made for using the shoulders, since it often the shoulder line which drives the<br />

lead. However, the difference between some holds, such Contact Position and Closed Position,<br />

depends on whether or not there is contact at the hips. Thus if you’re trying to summarise a position<br />

by looking at a single body part, hips are more useful than shoulders.<br />

2.4.2 Diagrams<br />

Books on dancing often include sketches or photos of the various positions. These are usually<br />

misleading in that they typically show the feet closed together and directly below the body.<br />

However, the foot position is largely irrelevant. In Quickstep it doesn’t matter whether your feet are<br />

doing a lock step, a check, or whether you’ve sprung half a metre in the air to clear the unfortunate<br />

couple who have fallen over in your path – from the hips up you should still be in normal position<br />

and normal hold.<br />

Due to the level of my drawing ability, I shall take the simpler approach of providing symbolic<br />

diagrams indicating the hip positions viewed from above. Standard politically incorrect colour<br />

stereotypes are used – pink for lady, blue for man. If the up direction on the page is North, here is a<br />

man facing North and a lady facing East. (Fan position, as described later.) In practice the absolute<br />

compass direction is irrelevant. The position defines the relative place and orientation of the couple.<br />

4

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