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Introduction to European Cinema - Filmhouse Cinema Edinburgh

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6 Maybe you missed...<br />

HUGO MARGARET<br />

MAYBEYOUMISSED<br />

Hugo<br />

Fri 6 <strong>to</strong> Thu 12 Jan<br />

Martin Scorsese • USA 2011 • 2h6m • Digital projection<br />

U – Contains mild scenes of danger<br />

Cast: Asa Butterfield, Chloë Moretz, Ben Kingsley, Sacha Baron<br />

Cohen, Ray Wins<strong>to</strong>ne.<br />

“The movies are our special place,” remarks Hugo’s title<br />

character, and his words go a long way <strong>to</strong>wards explaining<br />

how Martin Scorsese, with his well-documented and<br />

infectious passion for the his<strong>to</strong>ry of cinema, came <strong>to</strong> make<br />

a children’s fantasy.<br />

Adapted from an award-winning book by Brian Selznick,<br />

Hugo tells the s<strong>to</strong>ry of an orphan (Asa Butterfield) who<br />

lives inside the walls of a Parisian train station in the<br />

early 1930s, tending <strong>to</strong> its giant clock and scheming <strong>to</strong><br />

rehabilitate an antiquated au<strong>to</strong>ma<strong>to</strong>n his father left him.<br />

The boy’s quest leads him <strong>to</strong> the angry old proprie<strong>to</strong>r<br />

of a little <strong>to</strong>y shop, who turns out <strong>to</strong> be none other than<br />

the pioneering filmmaker Georges Méliès (A Trip <strong>to</strong> the<br />

Moon). Scorsese transforms this innocent tale in<strong>to</strong> an<br />

ardent love letter <strong>to</strong> cinema and a moving plea for film<br />

preservation.<br />

AUDIODESCRIPTION/SUBTITLES<br />

See page two for details.<br />

MAYBEYOUMISSED<br />

Margaret<br />

Fri 6 <strong>to</strong> Thu 12 Jan<br />

Kenneth Lonergan • USA 2011 • 2h30m • Digital projection<br />

15 – Contains very strong language, strong sex, a gory accident<br />

scene and drug use<br />

Cast: Anna Paquin, Mark Ruffalo, Jean Reno, Kieran Culkin, Matt<br />

Damon.<br />

Shot in 2005, Kenneth (You Can Count On Me) Lonergan’s<br />

film has spent six years in legal and edi<strong>to</strong>rial limbo. It’s a<br />

powerfully involving exploration of guilt and self-discovery,<br />

packed with as<strong>to</strong>nishingly complex moral maze of<br />

characters and situations.<br />

Lisa (Anna Paquin in an extraordinary performance) is a<br />

Manhattan teenager living with her single mother Joan,<br />

an actress starring in her breakout stage role while seeing<br />

a new man. One day Lisa distracts a bus driver, who hits<br />

a woman in the street, an accident that sends Lisa in<strong>to</strong> a<br />

spiral of sublimated guilt, as she lashes out in different<br />

ways at a nice classmate, her teachers and mostly her<br />

mother. And she doesn’t s<strong>to</strong>p there, meddling in people’s<br />

lives in her effort <strong>to</strong> achieve a sense of justice.<br />

Lisa’s real problem is that she hasn’t yet developed an<br />

adult sense of isolation and interdependence. So this is<br />

actually an intricate coming-of-age movie, even though it<br />

doesn’t feel like one. We watch in horrified recognition as<br />

we see ourselves in every character, even as each one goes<br />

through moments in which they are hugely unlikeable,<br />

reacting badly and/or doing things that are intensely<br />

selfish. Messy and overambitious, perhaps, but also an<br />

endlessly fascinating study on the things we do and why<br />

we do them.<br />

DREAMS OF A LIFE<br />

MAYBEYOUMISSED<br />

Dreams of a Life<br />

Fri 6 <strong>to</strong> Thu 12 Jan<br />

Carol Morley • UK 2011 • 1h35m • Digital projection<br />

12A – Contains brief moderate sex references and references <strong>to</strong><br />

domestic abuse<br />

Documentary featuring Zawe Ash<strong>to</strong>n, Neelam Bakshi, Jonathan<br />

Harden, Daren Elliott Holmes, Cornell John.<br />

Joyce Vincent died in her bedsit above a shopping mall<br />

in North London in 2003. Her body wasn’t discovered<br />

until three years later, surrounded by the Christmas<br />

presents she had been wrapping, and with the TV still on.<br />

Newspaper reports offered few details of her life – not<br />

even a pho<strong>to</strong>graph. Filmmaker Carol Morley, shocked<br />

and intrigued by Joyce’s s<strong>to</strong>ry, set out <strong>to</strong> find out how this<br />

awful, sad thing could happen <strong>to</strong> a seemingly popular, wellliked<br />

young woman without anyone noticing.<br />

Interweaving interviews with imagined scenes from Joyce’s<br />

life, Morley tells her s<strong>to</strong>ry with imagination and care,<br />

making us question the society we live in and how much<br />

attention we pay <strong>to</strong> those around us.

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