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| MARCH 2013 | CODAEX UK | RELEASE DATE 11.03.2013

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Captivating rhythms, profoundly moving melodies and<br />

winning hits with all-time-great potential distinguish the<br />

music of John Rutter. No great effort is required: he<br />

wrote his opera The Piper of Hamlin on the basis of the<br />

rat-catcher legend, and it was originally intended for a<br />

school performance.<br />

Hard to believe but it now appears for the first time on<br />

CD with the ECHO award-winning children and young<br />

people from Bobbys Klassik and the Beethoven<br />

Orchestra of Bonn.<br />

Despite its popularity, Rutter’s music is absolutely<br />

demanding and avails itself of means in keeping with its<br />

times. The piper’s iridescent leitmotif is based on a<br />

whole-tone scale and thus lends his appearance a touch<br />

of the mysterious and magical. The scenes featuring<br />

corrupt rat society are absolutely grotesque in their<br />

exaggeration; they are situated somewhere between<br />

march music and the hits of the 1920s.<br />

A thoroughly engaging release recorded to MDG’s<br />

customary high standards.<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

RUTTER<br />

The Piper of Hamelin<br />

Classix/Bobbys Klassik Choirs/Beethoven Orchester Bonn<br />

CAT NO. MDG 337 1789<br />

FORMAT 1CD<br />

LABEL MDG<br />

BARCODE 760623178929<br />

GENRE Opera<br />

TRACK LISTING<br />

1. In Hannahs Kinderzimmer 12‘25<br />

2.“Es war einmal...” - Ouvertüre 1‘33<br />

3. Song and Chorus “Hamlin was a happy town” 2‘02<br />

4. “Geld, Geld, Geld!” 4‘23<br />

5. Song and Chorus “As I understand it” 5‘05<br />

6. “Nein, es ist ganz einfach” 1‘14<br />

7. “Egal was man sagt”1‘13<br />

8. “Stell‘ dir das bloß vor” 1‘39<br />

9. “Wie willst Du sie alle alleine loswerden?”0‘43<br />

10. Song “Put your middel fi nger here” 2‘44<br />

11. “Peter, da bist du ja!” 1‘01<br />

12. “Wie soll ich es mir leisten können” 1‘30<br />

13. “Und dann wird er sie in die Weser hineinfl öten”1‘02<br />

14. “Und dann hat mir eine aus der Hand gefressen” 0‘15<br />

15. Duet “God, who made war” 2‘14<br />

16. “Nun sehen Sie, wie einfach der Plan ist!” 0‘56<br />

17. Procession 0‘24<br />

18. Proclamation Scene “Oyez, Oyez”4‘56<br />

19. Dance of Piper and Rats 1‘48<br />

20. Celebration Scene “Children can play again” 3‘21<br />

21. Procession and Song “I‘ve come for my money” 1‘28<br />

22. “So, die ganze Aktion muss erst einmal begossen warden” 4‘17<br />

23. Scene Link and Chorus “Yank this tail” 1‘33<br />

24. Song and Chorus “I can show you”5‘06<br />

25. Lame Boy‘s Song “It‘s dull in our town” 4‘01<br />

26. Karaoke 1: “Yank this tail” 0‘47<br />

27. Karaoke 2: “Second hand rat traps” 0‘50<br />

28. Präsentaion “Die Querfl öte” 3‘16<br />

www.codaex.com<br />

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Violinist GUY BRAUNSTEIN has been the concertmaster<br />

of the Berliner Philharmoniker since 2000. In <strong>2013</strong> he will<br />

step down to dedicate himself to his solo career. His<br />

extraordinary musicianship has been heralded equally as<br />

a soloist, a chamber musician and, more recently, he has<br />

enjoyed a considerable success as a conductor.<br />

He has played with some of the world's leading<br />

orchestras including the Berliner Philharmoniker,<br />

Tonhalle-Orchester Zürich, Israel Philharmonic and<br />

Filharmonica de la Scala, to name a few.<br />

He has collaborated with musicians such as Zubin<br />

Mehta, Issac Stern, Claudio Abbado, Yefim Bronfman, Sir<br />

Simon Rattle, Emanuel Ax, SemyonBychkov, Maurizio<br />

Pollini, Andris Nelsons, LangLang and Hélène Grimaud<br />

among others. He also has a special working relationship<br />

with Daniel Barenboim both as a soloist and in recital.<br />

Guy Braunstein plays a rare violin made by Francesco<br />

Ruggeri (Cremona, 1679).<br />

The Bamberg Symphony Orchestra has a strong record<br />

of providing first class performances and recordings for<br />

the Tudor label and this disc of romantic works will<br />

continue their high standards.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

BRUCH<br />

Scottish Fantasy, Violin Concerto No.1<br />

Guy Braunstein/Bamberger Symphoniker<br />

CAT NO. TUDOR 7188<br />

FORMAT 1SACD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Tudor<br />

BARCODE 812973011880<br />

GENRE Concerto<br />

TRACK LISTING<br />

1. Scottish Fantasy for Violin and Orchestra, Op. 46<br />

2. Concerto for Violin and Orchestra No. 1 Op. 26 in<br />

G minor<br />

3. Romance for Violin and Orchestra Op. 85 in F<br />

Major<br />

www.codaex.com<br />

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Ferdinando Paer (1771 – 1839) was an Italian composer<br />

of Austrian descent known for his operas and oratorios.<br />

Using the same subject matter as Beethoven did for his<br />

Fidelio, his opera is called Leonora and received its world<br />

premiere recording under Peter Maag for Decca, with a<br />

star-studded cast that included Siegfried Jersualem and<br />

Edita Gruberová.<br />

Here, it receives its first release on CD. The score was<br />

discovered by Maag in Parma, Paer’s birthplace.<br />

Eloquence has been systematically releasing the<br />

recorded repertoire of Peter Maag, and this is an<br />

important step in that journey.<br />

“Maag directs a piece for which he has an obvious<br />

affection with a care for both its lyrical and histrionic<br />

possibilities” Gramophone<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

PAER<br />

Leonora<br />

Koszut/Tadeo/Gruberova/Bayerisches Symphonieorchester<br />

CAT NO. ELQ 4804859<br />

FORMAT 2CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Eloquence<br />

BARCODE 028948048595<br />

GENRE Opera<br />

TRACK LISTING/ARTISTS<br />

PAER<br />

Leonora<br />

Ursula Koszut / Siegfried Jerusalem<br />

Giorgio Tadeo / Edita Gruberová<br />

Bayerisches Symphonieorchester / Peter Maag<br />

Recording producer: Ray Minshull<br />

Assistant producer: Michael Haas<br />

Recording engineers: James Lock, Stanley Goodall,<br />

Martin Atkinson<br />

Recording location: Herkulessaal, Munich, Germany, 26<br />

June to 3 July 1978<br />

www.codaex.com<br />

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Possibly the most thrilling, sexually-charged Walküre<br />

ever recorded, this recording features the sappy voices<br />

of Gré Brouwenstijn and Jon Vickers as Sieglinde and<br />

Siegmund, and two of the leading Wagnerians of their<br />

day – Nilsson and London – as Brünnhilde and Wotan.<br />

Also look out for the wind machine introduced in the<br />

Prelude to Act I! This is real aural theatre.<br />

‘…an exciting, eloquent, lyrical, an always vital<br />

account of the opera and draws splendid playing, of<br />

which the conductor must have been proud, and we<br />

should be, from the London Symphony Orchestra, all<br />

departments of which distinguish themselves. …<br />

GréBrouwenstijn gives a most musicianly, youthful<br />

sounding and touching rendering of Sieglinde …<br />

Nilsson is glorious here, but one hardly needs to praise<br />

the greatest exponent of her part today … This<br />

wonderful Brünnhilde has worthy partners in George<br />

London’s Wotan and Jon Vickers’s Siegmund’<br />

Gramophone<br />

‘…one of the finest Wagnerian casts in recent memory<br />

under a vastly experienced Ring conductor, and the<br />

result is a triumph… Perhaps the chief credit must go<br />

to the conductor, Erich Leinsdorf… possibly Leinsdorf’s<br />

greatest achievement is the way in which he maintains<br />

interest throughout the whole vast canvas. … and the<br />

final pages are more thrilling than I have ever heard<br />

them.’ Records and Recordings<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

WAGNER<br />

Die Walkure<br />

B.Nilsson/J.Vickers/G.Brouwenstijn/D.Ward/LSO<br />

CAT NO. ELQ 4807085<br />

FORMAT 3CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Eloquence<br />

BARCODE 028948070855<br />

GENRE Opera<br />

TRACK LISTING/ARTISTS<br />

WAGNER<br />

Die Walküre<br />

Birgit Nilsson / Jon Vickers / Gré Brouwenstijn<br />

David Ward / George London<br />

London Symphony Orchestra<br />

Erich Leinsdorf<br />

Recording producer: Erik Smith<br />

Recording engineers: Kenneth Wilkinson<br />

Recording location: Walthamstow Assembly Hall, <strong>UK</strong>, 9–<br />

16, 18 and 20–23 September 1961<br />

www.codaex.com<br />

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Distinguished pianist Antony Gray is an Australian who has<br />

based himself in London for over 30 years. He has recorded for<br />

ABC Classics for the last 20 years. Antony’s debut recording for<br />

ABC Classics was in the early 1990s; the piano music of Sir<br />

Eugene Goossens which was acclaimed for his ‘diligent and<br />

captivating pianism surpasses all competition’ and ‘technical<br />

assurance and expressivity are hugely impressive’. The other<br />

notable release is Malcolm Williamson’s complete music for<br />

solo piano, on which IRR notes Antony delivers ‘excellent<br />

performances … dispatched with considerable technical and<br />

artistic accomplishment. I cannot recommend this issue too<br />

strongly.’<br />

Williamson’s piano music is uncompromising and rarely speaks<br />

the same musical language and this J.S Bach project is no<br />

different. J.S Bach’s works are uncompromising and here<br />

Antony Gray has compiled excerpts from over 60 of Bach’s<br />

works; from note for note transcriptions through to liberal<br />

offerings where the transcriber very much adds his/her style to<br />

Bach’s original. The diversity of transcriptions here mark Gray’s<br />

trademark intelligence, energy and atmospheric emotion as<br />

musician and pianist.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

JS BACH<br />

Bach Transcribed for Piano<br />

Antony Gray<br />

CAT NO. ABC 476 5171<br />

FORMAT 3CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL ABC Classics<br />

BARCODE 0028947651710<br />

GENRE Solo Instrumental<br />

www.codaex.com<br />

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This is the second volume of the Paragon Ragtime<br />

Orchestra’s series of recordings paying tribute to the<br />

pioneering African-American composers of late<br />

nineteenth and early twentieth century New York City.<br />

The initial inspiration behind this effort was James<br />

Weldon Johnson’s fascinating 1930 history book Black<br />

Manhattan, which described the evolution of New York’s<br />

black music and theater communities from the 1890s<br />

through the 1920s. Through its pages, Johnson (1871–<br />

1938) brought to life an amazing group of<br />

achievers - musicians, writers, stage performers, and<br />

businessmen - whose work profoundly transformed the<br />

cultural life of this nation.<br />

Black Manhattan Vol. 1 centered on music composed by<br />

members of the legendary Clef Club. The present<br />

volume ranges a bit more widely, offering music from<br />

the theater, ballroom, and recital stage. All of the<br />

selections heard here are performed from original<br />

orchestrations using antique instruments; most have<br />

never before been recorded.<br />

The CD has already generated a lot of positive review<br />

attention and will shortly be reviewed in Gramophone<br />

Magazine to accompany this release.<br />

NW 80611 - Black Manhattan,<br />

Theater and Dance Music of Europe<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

VARIOUS<br />

Black Manhattan Vol. 2<br />

The Paragon Ragtime Orchestra<br />

CAT NO. NW 80731<br />

FORMAT 1CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL New World Records<br />

BARCODE 093228073123<br />

GENRE Vocal<br />

TRACK LISTING<br />

1. Shuffle Along Overture (Eubie Blake–Will H. Vodery)<br />

2. Nobody (Bert A. Williams)<br />

3. That’s Got ’Em—Rag (Wilbur C. Sweatman)<br />

4. Honey Lamb (Al. Johns)<br />

5. Brazilian Dreams (Will H. Dixon)<br />

6. Down in Honky Tonky Town (Chris Smith)<br />

7. Returned: A Negro Ballad (Will Marion Cook)<br />

8. The Bell Hop Rag (Frederick M. Bryan)<br />

9. Black Patti Waltzes (Will Accooe)<br />

10. Goodnight Angeline (James Reese Europe)<br />

11. The Castle Walk (James Reese Europe–Ford T. Dabney)<br />

12. Aunt Hagar’s Children Blues (W.C. Handy)<br />

13. Valse Angelique (J. Tim Brymn)<br />

14. At the Ball, That’s All (J. Leubrie Hill)<br />

15. When the Moon Shines (from the 1904 revival of In<br />

Dahomey) (James J. Vaughan)<br />

16. Oh! You Devil (Ford T. Dabney)<br />

17. Breath of Autumn (Will H. Dixon)<br />

18. Pine Apple Rag Song (Scott Joplin)<br />

19. Fizz Water (Eubie Blake)<br />

www.codaex.com<br />

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This recording marks the debut recording of the new<br />

principal conductor of the RSO Stuttgart, Stéphane<br />

Denève.<br />

He has achieved some fantastic reviews here in the <strong>UK</strong> so<br />

we welcome him to the Haenssler label with open arms!<br />

The release presents a well-balanced program which<br />

shows both sides of Poulenc ’s compositions.<br />

The recording has excellent artists including soprano<br />

Marlis Petersen who is a regular guest on the<br />

Metropolitan Opera, and is accompanied by the SWR<br />

Vokalensemble, and the NDR Choir<br />

Poulenc’s Stabat mater is one of the greatest sacred<br />

choral works of the 20th century and is released at a<br />

perfect time of year.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

POULENC<br />

Stabat Mater, Les Biches<br />

Radio-Sinfonieorchestra Stuttgart des SWR/NDR Chor<br />

CAT NO. HAEN 93297<br />

FORMAT 1CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Haenssler Classics<br />

BARCODE 4010276025795<br />

GENRE Choral<br />

TRACK LISTING<br />

Stabat mater<br />

For soprano, mixed choir and orchestra<br />

1 Stabat mater dolorosa. Très calme<br />

2 Cujus animam gementem. Allegro molto (très violent)<br />

3 O quam tristis. Très lent<br />

4 Quae moerebat. Andantino<br />

5 Quis est homo. Allegro molto<br />

6 Vidit suum. Andante<br />

7 Eja mater. Allegro<br />

8 Fac ut ardeat. Maestoso<br />

9 Sancta mater. Moderato<br />

10 Fac ut portem. Tempo de Sarabande<br />

11 Inflammatus et accensus. Animé et très rhytmé<br />

12 Quando corpus. Très calme<br />

Les Biches<br />

Ballet with song in one act for choir and orchestra<br />

13 Nr. 1: Ouvertüre. Tranquillo<br />

14 Nr. 2: Rondeau. Largo<br />

15 Nr. 3: Chanson dansée<br />

16 Nr. 4: Adagietto<br />

17 Nr. 5: Jeu<br />

18 Nr. 6: Rag-Mazurka<br />

19 Nr. 7: Andantino<br />

20 Nr. 8: Petite chanson dansée<br />

21 Nr. 9: Final. Presto<br />

www.codaex.com<br />

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Carus presents three fascinating works for the<br />

Passiontide on Volume 6 of the Complete Recording<br />

of Heinrich Schütz.<br />

Heinrich Schütz expressed musically the central message<br />

of the Christian thinking in the work The Seven Words of<br />

Jesus on the cross SWV 178, so this mostly enigmatic<br />

work is similarly in a theological and musical way<br />

fascinating.<br />

The mostly unknown sacred concert for four violins and<br />

voice, Have mercy upon me, O God SWV 447 is a world<br />

premiere recording for the Good Friday service and<br />

represents a delightful addition to The Seven Words of<br />

Jesus.<br />

The St Lukas Passion SWV 480 unfolds a kind of<br />

panorama which invites the listener to an intensive and<br />

quiet viewing of the passion.<br />

Performed by the talented collaboration of the Dresden<br />

Chamber Choir under the direction of Hans Christoph<br />

Rademann, we can enjoy the music in its most sublime<br />

form.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

SCHUTZ<br />

St Lukas Passion, The Seven Words<br />

Soloists/Dresdner Kammerchor<br />

CAT NO. CARUS 83253<br />

FORMAT 1CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Carus<br />

BARCODE 4009350832534<br />

GENRE Choral<br />

TRACK LISTING<br />

1-5. Die Sieben Worte Jesu am Kreuz SWV 478 15:39<br />

6. Erbarm dich mein, o Herre Gott SWV 447 4:06<br />

Weltersteinspielung – world premiere recording<br />

7-21. Lukaspassion SWV 480 50:43<br />

Also available:<br />

CAR 83239 SCHÜTZ: TWELVE SACRED CHANTS<br />

(COMPLETE RECORDING VOL.4)<br />

Klein/Knebel/Rademann/Dresdner Kammerchor<br />

CAR 83238 SCHÜTZ: MUSICAL EXEQUIES / DIRGE<br />

(SACD hybrid) Mields/Kobow/Van der<br />

Kamp/Rademann/Dresdner Kammerchor<br />

www.codaex.com<br />

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Carus’s complete recording with Frieder Bernius and<br />

the Kammerchor Stuttgart of Felix Mendelssohn’s<br />

sacred choral works represents a magnificent act of<br />

interpretation and editing. A better recording can hardly<br />

be imagined. After the release of a box set with<br />

Mendelssohn's smaller sacred choral works in 2012,<br />

Carus now presents all of Mendelssohn's oratorios,<br />

"St.Paul" and "Elijah" aswell as the unfinished oratorio<br />

"Christus" in a box set of 4CDs at the special price of 4 for<br />

the price of 2.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

MENDELSSOHN<br />

Paulus, Elias, Christus<br />

Kammerchor Stuttgart<br />

CAT NO. CARUS 83021<br />

FORMAT 4CD<br />

LABEL Carus<br />

BARCODE 4009350830219<br />

GENRE Choral<br />

TRACK LISTING<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

Paulus · St. Paul op. 36<br />

Oratorium nach Worten der Heiligen Schrift<br />

MWV (Ralf Wehner, Mendelssohn-Werkverzeichnis) A 14,<br />

Entstehungszeit [1832]–1836<br />

mit María Cristina Kiehr · Werner Güra · Michael Volle ·<br />

Deutsche Kammerphilharmonie Bremen<br />

CD 1 – Erster Teil · Part I<br />

CD 2 – Zweiter Teil · Part II<br />

Elias · Elijah op. 70<br />

Oratorium nach Worten des Alten Testaments<br />

MWV A 25, Entstehungszeit [1845]–1846/1847 (Revision)<br />

mit Letizia Scherrer · Renée Morloc · Werner Güra ·<br />

Michael Volle · Klassische Philharmonie Stuttgart<br />

CD 3 – Erster Teil · Part I<br />

CD 4 – Zweiter Teil · Part II<br />

Christus op. 97<br />

Rezitative und Chöre aus dem unvollendeten Oratorium<br />

MWV A 26, Entstehungszeit [1847]<br />

mit Christoph Prégardien · Mitglieder der Bamberger<br />

Symphoniker<br />

CD 2 Aus dem ersten Teil · Fragments from Part I<br />

25 Aus dem zweiten Teil · Fragments from Part II<br />

www.codaex.com<br />

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Although Homilius was the long time choir master of the<br />

Kreuzkirche, due to its destruction, the primary center<br />

where he performed this function was at the<br />

Frauenkirche in Dresden. With sensitive arias, unusual<br />

orchestral sounds and expressive turba choruses<br />

Homilius translated the traditional Passion into his time.<br />

Fritz Näf and the Ensemble Basler Madrigalisten<br />

recorded with his St. Mark Passion a piece that was<br />

considered by connoisseurs, like the Prussian Princess<br />

Anna Amalia, a particularly successful example of<br />

modern church music.<br />

Also available:<br />

CARUS 83262 HOMILIUS: CANTATA FOR PASSION<br />

(2SACDhybrid) Näf / Mauch / Bartosz / Brutscher /<br />

Begemann / Basler Madrigalisten / Neue Düsseldorfer<br />

Hofmusik<br />

CARUS 83261 HOMILIUS: ST JOHN PASSION<br />

(2SACDhybrid) Kreile / Reiner / Fischer / Vitzthum /<br />

Kobow / Berndt / Heidrich / Dresdner Kreuzchor<br />

Dresdner Barockorchester<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

HOMILIUS<br />

Markuspassion<br />

Soloists/Basler Madrigalisten/ l'arpa festante<br />

CAT NO. CARUS 83260<br />

FORMAT 2CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Carus<br />

BARCODE 4009350832602<br />

GENRE Choral<br />

TRACK LISTING<br />

CD 1 Teil 1<br />

1. Choral „So gehst du nun, mein Jesu“ 7:29<br />

2a. Recitativo „Und nach zween Tagen“ 0:23<br />

2b. Coro „Ja nicht auf das Fest“ 0:54<br />

2c. Recitativo „Und da er zu Bethanien“ 0:32<br />

2d. Coro „Was soll doch dieser Unrat“ 0:52<br />

2e. Recitativo „Und murreten über sie“ 1:19<br />

3. Aria „Mensch, empfinde doch Erbarmen“8:01<br />

4a. Recitativo „Und Judas Ischarioth“ 0:45<br />

4b. Coro „Wo willt du“ 0:24<br />

4c. Recitativo „Und er sandte“ 1:50<br />

5. Choral „Wo soll ich, der du alles weißt“ 0:35<br />

6. Recitativo „Und sie wurden traurig“ 1:11<br />

7. Choral „O weh demselben“ 0:59<br />

8. Recitativo „Und indem sie aßen“ 1:36<br />

9a. Aria „Wenn euch eure Sünden drücken“4:04<br />

9b. Coro „Dir Heiland, die weihn wir“ 1:11<br />

10. Recitativo „Und da sie den Lobgesang“ 1:53<br />

11. Choral „Hilf, dass ich stets“ 0:58<br />

12. Recitativo „Desselbengleichen“ 1:42<br />

13. Choral „Wache, dass dich Satans List“ 0:49<br />

14. Recitativo „Und ging ein wenig“ 3:00<br />

15. Aria „Ich geh, von Leiden ganz“ 11:20<br />

16. Recitativo „Und alsbald“ 1:01<br />

17. Choral „Sei getreu in deinem Herzen“ 1:03<br />

18. Recitativo „Die aber legten“ 1:53<br />

19. Choral „Mir nach, spricht Christus“ 0:49<br />

20a. Recitativo „Und er war da“ 0:44<br />

20b. Arioso „Wir haben gehöret“ 0:36<br />

20c. Recitativo „Aber ihr Zeugnis“ 1:05<br />

21. Choral „O Jesu, hilf zur selben Zeit“ 1:01<br />

22. Recitativo „Da zuriss der Hohepriester“ 0:26<br />

23. Aria „Verdammt ihn nur“ 5:19<br />

24a. Recitativo „Da fingen an etliche“ 0:12<br />

24b. Coro „Weissage uns“ 0:06<br />

24c. Recitativo „Und die Knechte“ 1:08<br />

24d. Coro „Wahrlich, du bist der einer“ 0:44<br />

24e. Recitativo „Und er fing an“ 0:13<br />

25. Aria „Verkennt ihn nicht“ 7:15<br />

26. Recitativo „Und der Hahn krähete“ 1:01<br />

27. Choral „O Vater der Barmherzigkeit“ 1:25<br />

Total time CD 1: 78:11<br />

www.codaex.com<br />

CD 2 Teil 2<br />

28. Choral „Weint, izt wird“ 1:11<br />

29. Recitativo „Und bald am Morgen“ 0:42<br />

30. Aria „Mit Preis und Ruhm gekrönt“ 6:54<br />

31a. Recitativo „Und die Hohenpriester“ 2:00<br />

31b. Coro „Kreuzige ihn“ 0:27<br />

31c. Recitativo „Pilatus aber sprach“ 0:13<br />

31d. Coro „Kreuzige ihn“ 0:30<br />

32. Choral „Herzliebster Jesu“ 0:51<br />

33a. Recitativo „Pilatus aber gedachte“ 0:42<br />

33b. Coro „Gegrüßet seist du“ 0:39<br />

33c. Recitativo „Und schlugen ihm“ 0:55<br />

34a. Accompagnato „Jerusalem“ 1:46<br />

34b. Aria „Er hat dich erretten wollen“ 2:36<br />

34c. Accompagnato „Nein, du hast nicht“ 1:31<br />

34d. Aria „Er will leiden“ 1:51<br />

35. Recitativo „Und sie brachten ihn“ 0:25<br />

36. Choral „Dein Durst und Gallentrank“ 0:36<br />

37a. Recitativo „Und da sie ihn“ 1:23<br />

37b. Coro „Pfui dich“ 0:41<br />

37c. Recitativo „Desselbigengleichen“ 0:09<br />

37d. Coro „Er hat andern geholfen“ 0:38<br />

37e. Recitativo „Und die mit ihm“ 0:11<br />

38. Choral „Ich werde dir zu Ehren“ 0:45<br />

39. Recitativo „Und nach der sechsten“ 1:45<br />

40. Aria „Verstummet, ihr Himmel!“ 6:44<br />

41a. Recitativo „Und etliche“ 0:08<br />

41b. Coro „Siehe, er rufet“ 0:07<br />

41c. Recitativo „Da lief einer“ 0:47<br />

42. Aria „Ihr Tränen fließt!“ 7:15<br />

43. Recitativo „Und der Vorhang“ 0:13<br />

44. Choral „Ihr Gräber brecht“ 0:46<br />

45. Recitativo „Der Hauptmann aber“ 2:10<br />

46. Choral „Der Hirt ist tot“ 0:51<br />

47. Recitativo „Und er kaufte“ 0:52<br />

48. Coro „Gott ist versöhnt“ 2:57<br />

Total time CD 2: 52:26<br />

Total time: 130:37<br />

A SHEET<br />

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The Kammerchor Stuttgart, under the direction of<br />

Frieder Bernius is one of the finest choirs worldwide.<br />

Their many prizewinning a cappella recordings have set<br />

a standard. Now Frieder Bernius presents Beethovens<br />

Missa in C major (op.86). With its tonal language of<br />

subjective avowal, the first of Beethoven’s two masses<br />

opens up new worlds of expression for the liturgical<br />

texts of the Mass which are expressly modern and point<br />

towards the future. Not to be considered a preliminary<br />

work to the Missa solemnis , it is an entirely independent<br />

work which set standards for the further development of<br />

settings of the Mass in the 19 th century. The world<br />

premiere recording of Luigi Cherubini's Sciant gentes<br />

(1892) rounds off this CD.<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

BEETHOVEN<br />

Missa in C<br />

Kammerchor Stuttgart/Hofkapelle Stuttgart<br />

CAT NO. CARUS 83295<br />

FORMAT 1CD<br />

LABEL Carus<br />

BARCODE 4009350832954<br />

GENRE Choral<br />

TRACK LISTING<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

Ludwig van Beethoven (1770 – 1827)<br />

Missa in C op. 86<br />

1. Kyrie 4:05<br />

2. Gloria 8:28<br />

3. Credo 10:40<br />

4.Sanctus 2:42<br />

5. Benedictus 5:31<br />

6. Agnus Dei 6:23 37:50<br />

Luigi Cherubini (1760 – 1842)<br />

Sciant gentes (1829) _<br />

7. Sciant gentes 3.41<br />

8. Deus meus 1:35<br />

9. Commovisti 4:59 10:15<br />

Total time: 48:13<br />

www.codaex.com<br />

A SHEET<br />

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Andreas Hammerschmidt (1611/12-1675) was one of the<br />

most important masters of the early German Baroque.<br />

His vocal works are known to the wider public today<br />

through just a few pieces such as “Machet die Tore weit”.<br />

Hammerschmidt ranks alongside the greatest<br />

Protestant-Lutheran church music composers including<br />

Schütz, Schein, Rosenmüller and Bach. His output<br />

encompasses a wide range of the most varied musical<br />

forms: sacred concertos and cantatas, motets and<br />

instrumental pieces, and secular vocal works. This CD<br />

with the ensemble Gli Scarlattisti presents Andreas<br />

Hammerschmidt’s vocal compositions for Passiontide<br />

and Easter as well as a "DixitDominus" by his<br />

contemporary Johann Rosenmüller (1619-1684). The<br />

vocal ensemble Gli Scarlattisti was founded in 1995 by<br />

Jochen M. Arnold and comprises professional singers<br />

from Germany and Switzerland.<br />

Also available:<br />

CARUS 83421 Händel: O PRAISE THELORD – PSALMS<br />

AND ANTHEMS Arnold, Gli Scarlattisti, Capella Principale<br />

CARUS 83375 Hammerschmidt: MACHET DIE TORE WEIT<br />

Arnold, Gli Scarlattisti<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

HAMMERSCHMIDT<br />

Also hat Gott die Welt Geliebt<br />

Gli Scarlattisti<br />

CAT NO. CARUS 83377<br />

FORMAT 1CD<br />

Codaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

LABEL Carus<br />

BARCODE 4009350833777<br />

GENRE Vocal<br />

TRACK LISTING<br />

Andreas Hammerschmidt<br />

1. Also hat Gott die Welt geliebet_ 3:01<br />

Coro SSATTB, 2 Zk, 3 Pos, Bc<br />

2. Herzlich lieb hab ich dich_ 4:24<br />

Soli TT, 2 Vl, Bc<br />

3. Jauchzet dem Herren_ 2:29<br />

Coro SSATTB, 2 Zk, 3 Pos, Bc<br />

4. Lobe den Herren, meine Seele_ 2:41<br />

Soli SS, Bc<br />

5. Vom Leiden Christi _ 5:25<br />

Coro SSATB, 2 Vl, Bc<br />

6. Oster-Dialog _ 6:54<br />

Soli SSSTTBB, Coro SSATTB, 2 Zk, 3 Trb, Bc<br />

7. Der Herr ist mein Hirt_ 3:08<br />

Coro SSB, Bc<br />

8. Schmücket das Fest mit Maien_ 2:37<br />

Soli SS, Coro SSATB, 2 Vl, Bc<br />

9. Danket dem Herrn_ 4:31<br />

Coro SSATTB<br />

Johann Rosenmüller: Dixit Dominus<br />

Soli SATTB, Coro SATB, 2 Vl, 3 Ga, Bc<br />

10. Dixit Dominus 1:31<br />

11. Virgam virtutis 3:49<br />

12. Iuravit Dominus 2:17<br />

13. Dominus a dextris tuis 3:10<br />

14. De torrente 2:01<br />

15. Gloria Patri 2:51<br />

15:39<br />

Total time: 50:56<br />

www.codaex.com<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

BRAHMS/MOZART/SCHUBERT/STRAVINSKY/YSAY<br />

The Art of Arthur Grumiaux<br />

Arthur Grumiaux<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ANDRCD 9116<br />

4CD<br />

£ 11.90<br />

Andromeda<br />

3830257491163<br />

Concerto<br />

Arthur Grumiaux’s skills are legendary and this new release of his performances of a mix of<br />

mainstream and more unusual repertoire will be a must for all his fans. This is a unique box with<br />

rare material in splendid sound.<br />

Features various violin concertos by Mozart, Brahms , Mendelssohn and Stravinsky plus popular<br />

sonatas from other composers.<br />

SCARLATTI<br />

Profano e Sacro -The Music of Alessandro Scarlatti<br />

Dominique Corbiau/La Cetra d’Orfeo<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

AVANTI 10442<br />

1SACD<br />

£ 9.25<br />

Avanti<br />

5414706104422<br />

Vocal<br />

Profano e Sacro, the new album by the young Belgian countertenor Dominique Corbiau, conveys you on a journey into<br />

the baroque music of Italy, exploring the vocal work of composer Alessandro Scarlatti (1660-1725).<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

Presenting four overtures and twenty infinitely contrasting yet refined arias made of simple, immediately appealing<br />

melodies, this disc is superbly performed by the sensual and mellifluous voice of Dominique Corbiau and accompanied<br />

by the many talents of La Cetra d'Orfeo under the ever inventive and colorful baton of Michel Keustermans.<br />

Profano e Sacro, will be for many a double discovery; that of a young singer with a growing reputation, and an exciting<br />

introduction to a fascinating but seldom recorded repertoire.<br />

This disc has already piqued a lot of interest across continental Europe and is currently at Number 1 in the Belgian<br />

Classical Chart!<br />

GOTTWALD<br />

Hymnus an das Leben<br />

Kammerchor Saarbrucken<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

CARUS 83458<br />

1CD<br />

£ 9.25<br />

Carus<br />

4009350834583<br />

Choral<br />

At the turn of the 19th to the 20th century, the interest of composers for a cappella choir music seemed to be weak.<br />

When composers like Mahler and Debussy wrote for choir, they mostly included them into orchestra works.<br />

In the 1960’s Ligeti opened up new perspectives with his piece for choir Lux aeterna and Gottwald’s transcriptions<br />

refer to Ligeti’s work, by applying the technique of writing for voices which gives us ultimately better understanding<br />

of the contemporary choir music.<br />

Also available<br />

CAR 831 82 GOTTWALD: ARRANGEMENT FOR VOCALS<br />

Grün/Kammerchor Saarbrücken<br />

CAR 831 81 GOTTWALD: TRANSCRIPTION FOR CHOIR<br />

Creed/SWR Vokalensemble<br />

www.codaex.com<br />

B SHEET<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

STRAUSS<br />

Der Rosenkavalier - Highlights<br />

Crespin/Söderström/Holecek/Wiener Philharmoniker<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

CAT NO. ELQ 4803149<br />

FORMAT 1CD<br />

PPD £ 5.95<br />

LABEL Eloquence<br />

BARCODE 028948031498<br />

GENRE Opera<br />

It is a pity that one of the most acclaimed recordings of Rosenkavalier was only recorded as<br />

excerpts, but at over an hour, and including some of the absolute plums of scenes from the opera, it<br />

is rightly regarded as a gem among great recordings of Strauss’s music. Included are the<br />

Marchallin’s Act I monologue, the Presentation of the Rose, and naturally, the trio and final duet.<br />

“impassioned and youthful sounding [Söderström] … sensuous charm exerted by singers …<br />

superlative recording … I was nearly consumed by the burning flames of eroticism that Silvio<br />

Varviso kindles in the first half of the prelude! ... This is, I am sure, the best recording and<br />

performance of the music selected we have had so far” Gramophone<br />

MOZART<br />

Le Nozze di Figaro<br />

RIAS-Kammerchor/Radio-Symphonie-Orchester Berlin<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ELQ 4806557<br />

3CD<br />

£ 12.25<br />

Eloquence<br />

028948065578<br />

Opera<br />

One of Fricsay’s last recordings, this sublime Figaro is once more restored to the catalogue.<br />

It boasts a Who’s Who of great Mozarteans from the late-1950s/early 1960s, including Irmgard<br />

Seefried, Maria Stader and Hertha Töpper, with, of course, the magnificent Fischer-Dieskau in<br />

incomparable form as the Count Almaviva.<br />

The extensive booklet notes include a synopsis, notes on the provenance of the opera and on the<br />

artists.<br />

BEETHOVEN<br />

Fidelio<br />

Chor der Bayerischen Staatsoper & Orchester<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ELQ 4806561<br />

2CD<br />

£ 8.30<br />

Eloquence<br />

028948065615<br />

Opera<br />

After a spell of recording with Decca, the legendary Wagnerian conductor Hans Knappertsbusch<br />

recorded for Westminster, and among his best recordings for this label is this 1961 recording of Fidelio.<br />

Boasting a cast of great singers at the Austrian and German opera houses, this recording includes the<br />

much-loved Sena Jurinac.<br />

“Sena Jurinac gives a deeply affecting performance in the Prison Scene … Jan Peerce was an<br />

unexpected but good choice for the hero. His singing is strong and clear; both words and musical<br />

phrases are firmly moulded; ardour and the ring of conviction inform his singing.” Gramophone<br />

www.codaex.com<br />

B SHEET<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

VERDI<br />

Falstaff<br />

Rundfunkchor Berlin/Berliner Philharmoniker<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ELQ 4806564<br />

2CD<br />

£ 8.30<br />

Eloquence<br />

028948065646<br />

Opera<br />

The reissue of this recording marks a double celebration – the bicentenary of Verdi’s birth and the<br />

centenary of Solti’s.<br />

Solti’s second recording of Verdi’s Falstaff returns here to the catalogue. Recorded ‘live’ at the<br />

Philharmonie in Berlin, it boasts a thoroughly imaginative cast and magnificent recorded sound.<br />

Long deleted, Eloquence is delighted to see this presented here on their label.<br />

WAGEMANS<br />

Legede<br />

Soloists/Netherlands RPO/Nederlanse Opera<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

KTC 1443<br />

2CD<br />

£ 11.50<br />

Etcetera<br />

8711801014432<br />

Opera<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

Peter-Jan Wagemans (1952) occupies a unique place amongst Dutch composers. Despite the fact that<br />

he was born and educated in The Hague, his music has little in common with the ‘Haagse School’ and its<br />

minimalist roots, even though repetition does play a role in his opera Legende.<br />

The opera is based on the (in)famous 19th century comic book “Histoire de M. Vieux Bois” which are<br />

known in English as “The adventures of Mr. Obadiah Oldbuck” written and drawn by the Swiss author<br />

Rodolphe Töpffer (1799-1846). He intertwined comic stories about a lepidopterist (a man that catches<br />

and studies butterflies) with stories that are very serious, tragical and at times mystical.<br />

This recording features De Nederlandse Opera, the Chorus of De Nederlandse Opera, the Netherlands<br />

Radio Philharmonic Orchestra and is conducted by Reinbert de Leeuw. It is a mid priced 2 CD set.<br />

BARTOK<br />

Concerto for Trumpet, Concerto for Trombone<br />

E.Aubier/F.Millischer/Republican Guard Wind Ensemble<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

INDE 050<br />

1CD<br />

£ 8.98<br />

Indesens<br />

3760039839527<br />

Concerto<br />

With several premiere recordings, the tracks on this CD are the perfect reflection of Henri Tomasi’s aesthetic<br />

development and progression in his quest for light and a lyricism which never departs from its profound<br />

affinity with mankind.<br />

The composer affirms that the true force of man lies in his love for humanity despite its failings. These are the<br />

world premieres of the orchestrated arrangements for large wind ensembles of these concertos.<br />

Concerto pour trompette (1948) - World premiere<br />

Concerto pour trombone (1956) - World premiere<br />

Les Noces de cendres (1952)<br />

Suite pour 3 trompettes (1964)<br />

Éric Aubier, trompette, trumpet<br />

Fabrice Millischer, trombone<br />

Victoires de la musique 2011<br />

www.codaex.com<br />

B SHEET<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

Haenssler is delighted to announce the celebration of Helmuth Rilling’s 80th birthday in May this year<br />

and starts the commemoration by making three iconic choral works available at mid-price.<br />

DVORAK<br />

Stabat Mater<br />

Oregon Bach Festival Chorus & Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HAYDN<br />

The Creation<br />

Gachinger Kantorei/Bach-Collegium Stuttgart<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HAEN 98007<br />

2CD<br />

£ 17.96<br />

Haenssler<br />

4010276025825<br />

Choral<br />

Featuring legendary voices like Ingeborg Danz and Andreas Schmidt , this re-release represents a<br />

best seller from Haenssler Classics.<br />

"A great deal in its favor" (Gramophone)<br />

MENDELSSOHN<br />

Paulus<br />

Gachinger Kantorei/Prager Kammerchor/Tschechische-Philharmonie<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HAEN 98006<br />

2CD<br />

£ 17.96<br />

Haenssler<br />

4010276025818<br />

Choral<br />

A timely reissue on a double mid-price disc, this was recorded during the Oregon Bach Festival in<br />

1995. At the time, Soundscapes said of the disc: "Beautifully crafted and very lovely."<br />

HAEN 98016<br />

2CD<br />

£ 17.96<br />

Haenssler<br />

4010276026143<br />

Choral<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

Other plaudits at the time included "... A consummate performance leaving nothing to be desired"<br />

(Süddeutsche Zeitung) .<br />

This recording has iconic artists such as: Juliane Banse (Soprano), Ingeborg Danz (Alto), Michael<br />

Schade (Tenor), Andreas Schmidt (Bass), who are accompanied by the Gächinger Kantorei Stuttgart,<br />

Prager Kammerchor, and the Tschechische Philharmonie all under the expert baton of maestro<br />

Helmuth Rilling.<br />

www.codaex.com<br />

B SHEET<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

SCIARRINO<br />

Quartetto No.7 & No.8 Sei Quartetti Brevi<br />

Quartetto Prometeo<br />

CAT NO. KAI 0013212<br />

FORMAT 1CD<br />

PPD £ 9.25<br />

LABEL Kairos<br />

BARCODE 9120010281822<br />

GENRE Chamber<br />

Kairos is proud to announce the release of three string quartets by renowned Italian composer Salvatore Sciarrino,<br />

recorded by the brilliant Quartetto Prometeo. The group has worked closely with the composer for years, leading<br />

him to dedicate two pieces to it, one of which is included on this CD, the Quartetto No. 8.<br />

The three quartets, Quartetto No. 7, Quartetto No.8, and Sei quartette brevi were written over a time span of fortyone<br />

years, but despite this long range of time, Sciarrino’s idiosyncratic musicality is recognizable in every piece.<br />

However, each of the three pieces included in this collection is starkly individual, an ‘interruption’ within the<br />

‘continuity’ of Sciarrino’s oeuvre. In Quartetto No. 7, we are confronted with the composer’s attempt to transfer<br />

techniques he developed for voice writing to strings, and in Sei quartette brevi with the enduring legacy of both<br />

Beethoven and the post-war avant-garde. This concept of a conscious historical dialog through a personal filter is<br />

also present in the Quartetto No.8.<br />

VARIOUS<br />

David Oistrakh<br />

D.Oistrakh/S.Richter/Moscow Philharmonic Orchestra/LSO/USSR State SO etc.<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MELCD 1001931<br />

5CD<br />

£ 21.75<br />

Melodiya<br />

4600317019311<br />

Compilation<br />

CD 1<br />

Pyotr Tchaikovsky (1840–1893)<br />

Violin Concerto in D major, Op. 35<br />

Sergey Taneyev (1856–1915)<br />

Concert Suite in G minor, Op. 28<br />

CD 2<br />

Johannes Brahms (1833–1897)<br />

Violin Concerto in D major, Op. 77<br />

Violin Concerto in A minor, Op. 53<br />

CD 3<br />

Johannes Brahms (1833–1897)<br />

Violin Sonata No. 2 in A major, Op. 100<br />

Violin Sonata No. 3 in D minor, Op. 108<br />

César Franck (1822–1890)Violin Sonata in<br />

CD 4<br />

Giovanni Battista Viotti (1755–1824)<br />

Violin Concerto No. 22 in A minor<br />

Ludwig van Beethoven (1770–1827)<br />

Violin Concerto in D major, Op. 61<br />

CD 5<br />

Johann Sebastian Bach (1685–1750)<br />

Violin Concerto No. 2 in E major, BWV 1042<br />

Wolfgang Amadeus Mozart (1756–1791)<br />

Violin Concerto No. 3 in G major, K. 216<br />

Felix Mendelssohn (1809–1847)<br />

Violin Concerto in E Minor, Op. 64<br />

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Moscow Philharmonic Orchestra,<br />

London Philharmonia Orchestra,<br />

Moscow Radio Symphony Orchestra<br />

USSR State Symphony Orchestra<br />

Conductor – Kirill Kondrashin<br />

David Oistrakh, violin<br />

Sviatoslav Richter, piano<br />

USSR State Symphony Orchestra,<br />

Moscow Radio Symphony Orchestra,<br />

Philadelphia Orchestra,<br />

Philharmonia Orchestra,<br />

USSR State Symphony Orchestra,<br />

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TCHAIKOVSKY<br />

The Maid of Orleans<br />

Soloists/The Academic Choir & Symphony Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

BEETHOVEN<br />

Fürfwangler conducts Beethoven<br />

Wiener & Berliner Philharmoniker<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MELCD 1002053<br />

3CD<br />

£ 14.50<br />

Melodiya<br />

4600317120536<br />

Opera<br />

Melodiya presents a recording of The Maid of Orleans, a rare opera masterpiece by Pyotr Ilyich Tchaikovsky<br />

realized by the outstanding contemporary conductor Gennady Rozhdestvensky with the great Russian<br />

singer Irina Arkhipova performing the main part.<br />

The opera was recorded by the All-Union Radio Big Symphony Orchestra and Choir led by Rozhdestvensky<br />

(he was an artistic director of the collective during 1961to 1974). Among other soloists, we would like to<br />

mention two remarkable baritones – Sergei Yakovenko as Lionel and Vladimir Valaitis as Dunois.<br />

Forming part of their recent box sets of major Russian works, this opera is presented in a 3 CD digipack.<br />

BORODIN<br />

Prince Igor<br />

Soloists/Choir & Orchestra State Academic Bolshoi Theatre<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MELCD 1002080<br />

3CD<br />

£ 14.50<br />

Melodiya<br />

4600317120802<br />

Opera<br />

It took Borodin nineteen years to compose this opera based on the old Russian epic poem The Tale<br />

of Igor’s Campaign and also incorporating material from other sources. Eternally busy, the author<br />

combined composing with a chair in chemistry and active social life and never finished the work.<br />

Prince Igor reached us thanks to the effort of the composer’s friends Nikolai Rimsky-Korsakov and<br />

Alexander Glazunov who managed to complete Borodin’s masterpiece.<br />

MA 4049<br />

4CD<br />

£ 18.90<br />

Music & Arts<br />

017685404924<br />

Orchestral<br />

Reissuing one of Music and Arts’ best selling discs, these are the best World War II performances of<br />

Beethoven’s symphonies under the baton of Furtwängler.<br />

Previously released versions on our label were acclaimed in Fanfare, American Record Guide, Pulse!,<br />

Absolute Sound, Diapason, Musica, and numerous other journals. Symphony No. 9 has been<br />

completely re-mastered for this edition<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

BAX/BLISS/VAUGHAN WILLIAMS<br />

English Music for Viola and Piano<br />

Christian Euler/Paul Rivinius<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

STOLZ<br />

Die Rosen der Madonna<br />

E.Waechter/A.Pernerstorfer/W.Kmentt/G.Janowitz<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MDG 903 1796<br />

1SACD<br />

£ 9.25<br />

MDG<br />

760623179667<br />

Chamber<br />

MCD 00327<br />

1CD<br />

£ 3.60<br />

Myto Historical<br />

0801439903272<br />

Choral<br />

Robert Stolz as well as being the composer of this unusual work, Die Rosen der Madonna, also<br />

conducts.<br />

This repertoire will be a welcome addition back to the catalogue and is therefore a definitive<br />

performance with these forces.<br />

Issued on a single disc at budget price, this is sure to become a best selling disc on the Myto label.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

English Music for Viola and piano is a disc comprised of: Arnold Bax, Sonata / Arthur Bliss, Sonata and Ralph<br />

Vaughan Williams, Suite.<br />

Lionel Tertis is regarded as “the father of the viola.” Although he was not its inventor, he wasthe first musician<br />

to perform internationally as a soloist on this marvelously multifaceted instrument and to inspire leading<br />

composers to produce music for it. While retracing his path, the viola player on this recording, Christian Euler<br />

chanced on three English compositions by Bliss, Bax, and Vaughan Williams.<br />

With delight, he presents these rediscoveries with the critically acclaimed pianist Paul Rivinius. The works could<br />

not be more different and display the viola’s overwhelming potential in all its great breadth.<br />

WAGNER<br />

Das Rheingold<br />

O.Wiener/G.Stolze/G.Hofmann/G.Janowitz<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MCD 00323<br />

2CD<br />

£ 6.75<br />

Myto Historical<br />

0801439903234<br />

Opera<br />

Making a welcome addition to the catalogue, this iconic Bayreuth recording of Das Rheingold is<br />

brought to you by Myto in this budget 2 CD set.<br />

FIRST <strong>RELEASE</strong> ON ANY FORMAT OF BAYREUTH 1962 RUDOLF KEMPE WAGNER DER RING<br />

DES NIBELUNGEN – recording is from the private collection of Grace Hoffmann preserved,<br />

sound quality good but not state of the art due private control recording.<br />

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VERDI<br />

The Art of Verdi-Baritone<br />

Various<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

OLSSON/WIDOR<br />

Credo Symphoniacum/Simphonie Romane<br />

Georges Athanasiades<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

PR 93485<br />

1CD<br />

£ 6.75<br />

Preiser<br />

717281934855<br />

Opera<br />

The privileged position of the baritone-voice in Verdi´s operas was something new at the time and developed<br />

into a vocal category of its own: the "Verdi-baritone".<br />

TUDOR 7190<br />

1CD<br />

£ 8.98<br />

Tudor<br />

812973011903<br />

Solo Instrumental<br />

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Verdi's baritone-roles can roughly be divided into two categories: the fathers and rulers, who are in moral<br />

conflict between the love for their children and moral and/or political duties (Rigoletto, Amonasro, Simon<br />

Boccanegra, Nabucco, Jacopo Foscari, Guido di Montfort or father Germont), and youthful men of honour<br />

and/or villains, who usually turn out to be the tenor's rival (CarIo in "Forza", Renato, Carlo V, lago. Cote di Luna).<br />

Forming part of Presier’s celebration of the 200th anniversary of Verdi, this collection is a unique and<br />

fascinating account of the performances over the years 1904-1950.<br />

MAYERL<br />

Piano Music by Billy Mayerl Vol. 1<br />

Philip Martin<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

SOMM 0124<br />

1CD<br />

£ 6.30<br />

Somm Recordings<br />

748871012424<br />

Solo Instrumental<br />

Post World War 1, broadcasting became ever more popular and most of the music played on the<br />

radio in those early days could be categorized as jazz or ragtime. The main element of these styles<br />

of music was of course syncopation and in Britain, Billy Mayerl had arguably become one of the<br />

most famous ‘syncopaters’ regularly broadcast on the radio at that time.<br />

The distinguished Irish pianist and composer Philip Martin is the pianist introducing us here to<br />

Volume 1 of the series of Billy Mayerl’s music from Somm Records.<br />

Somm has established itself as a great exponent of British piano music and this series is sure to be<br />

revered in the same light as previous releases of Bridge and Bax’s music.<br />

Otto Olsson was one of the greatest virtuoso organists of his time. He displays a particular affinity for the<br />

French organ, and choral and instrumental compositions were caracterised both by an interest of Gregorian<br />

Chant, and by incursions into polytonality.<br />

The Symphonie Romane by Widor takes its inspiration from the romanesque Basilica of St. Sernin in Toulouse<br />

and its famed Cavaillé-Coll organ, and is based on the Gradual “Haec dies” from the Mass for Easter Sunday.<br />

Georges Athanasiadès has been the organist titular for over sixty years in Saint-Maurice where the<br />

remarkable organ is the perfect instrument for these symphonic masterpieces.<br />

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PAISIELLO<br />

Il ré Teodoro in Venezia (22.04.1962)<br />

Fusco/Sukmawati/Monti/I Virtuosi di Roma Torini<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ANDRCD 5153<br />

2CD<br />

£ 6.75<br />

Andromeda<br />

3830257451532<br />

Opera<br />

Renato Fasano conducts in this performance taken from April 1962 in a reissue of this recording presented<br />

in a 2 CD set. a unique box with rare material in splendid sound. It is the only recording available – with the<br />

perfect masters on duty I Virtuousi di Roma; a must for every opera collector.<br />

BEETHOVEN<br />

Piano Concerto No.3 (Milan 15.11.1962)<br />

Svjatoslav Richter/RAI Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ARPCD 0541<br />

1CD<br />

£ 3.60<br />

Archipel<br />

4035122405415<br />

Concerto<br />

Presenting Richter’s performances of the Beethoven Piano Concerto No 3 taken from a performance from<br />

late 1962.<br />

BRAHMS<br />

Piano Concerto No.2 (Torino 19.10.1962)<br />

Svjatoslav Richter/RAI Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ARPCD 0542<br />

1CD<br />

£ 3.60<br />

Archipel<br />

4035122405422<br />

Concerto<br />

Accompanying his performance of Beethoven’s Piano Concerto, this disc presents Brahms’ Piano Concerto<br />

No.2 in a performance taken from around the same time in 1962.<br />

DE BREVILLE/KOECHLIN/TOURNEMIRE<br />

Sonatas & Suite<br />

Steven Dann/James Parker<br />

CAT NO. ACD2 2519<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Atma Classique<br />

BARCODE 722056251921<br />

GENRE Chamber<br />

This new ATMA recording allows us to get reacquainted with three composers and contemporaries of Claude Debussy and<br />

Maurice Ravel who have been unfairly forgotten. Two of these, Charles Tournemire (1870-1939) and Pierre de Bréville<br />

(1861-1949), were students of César Franck. The third, Charles Koechlin (1867-1950), was a pupil of Gabriel Faure.<br />

Since 1990 Steven Dann has been a member of the Smithsonian Chamber Players in Washington D.C and James Parker is<br />

the pianist for one of Canada’s foremost ensembles, the Gryphon Trio.<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

VARIOUS<br />

Nouveaux Territoires<br />

Soloists/Ensemble Contemporain de Montreal<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ACD2 2582<br />

1CD<br />

£ 8.98<br />

Atma Classique<br />

722056258227<br />

Contemporary<br />

Since its inception in 1987, the Ensemble Contemporain de Montreal (now known as ECM+1), has been offering<br />

these trailblazers a space in which to develop their new creations. Featuring four pieces composed by eminent<br />

Canadian composers in their field, these works are representative of the early part of the 21st Century.<br />

RAMEAU<br />

Pieces de clavecin en Concerts<br />

Ensemble Masques/Oliver Fortin<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ACD2 2624<br />

1CD<br />

£ 8.98<br />

Atma Classique<br />

722056262422<br />

Chamber<br />

Written during a successful part of his life in 1741 and surrounded by a circle of artistic friends, Rameau<br />

wrote his Les Pieces de clavecinen concerts. Ensemble Masques is comprised of some of the best young<br />

Canadian musicians who perform on period instruments and since their formation in 1998 they have<br />

rapidly won distinction on the world stage.<br />

VARIOUS<br />

Opera de Montreal - Le Gala du 30th Anniveraire<br />

Orchestre Metropolitan<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ACD2 2627<br />

2CD<br />

£ 8.98<br />

Atma Classique<br />

722056262729<br />

Opera<br />

Celebrating the thirtieth anniversary of the Opera de Montreal with a stunning two disc set (at the price of one), the<br />

Directors said about this release: “Our great annual celebration of opera gives us the opportunity to present a magnificent<br />

showcase of Canadian talent. Brought together on the same stage are some of our finest voices who, along with the Orchestre<br />

Metropolitain conducted by Alain Trudel, perform some of the most beautiful arias and ensembles in the repertoire.”<br />

POULENC<br />

Pentaedre<br />

D.Bourget/C.Carpentier/N.Forget/L-P.Marsolais/Luss<br />

CAT NO. ACD2 2646<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Atma Classique<br />

BARCODE 722056264624<br />

GENRE Chamber<br />

To mark the 50th anniversary of Francis Poulenc’s death (1899-1963), Pentaèdre offers a wide range of chamber music by<br />

this famous French composer.<br />

Pentaèdre is composed of five musicians whose talent, technique, and precision are renowned. Flute, oboe, clarinet,<br />

horn, and bassoon each provide their very specific colour to create a rich, unique, and homogeneous sonority that is the<br />

ensemble’s distinctive trademark. Canadian pianist David Jalbert joins the group for the works with piano.<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

MEHUL<br />

Le chant du depart<br />

Les Jacobins<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ACD2 2659<br />

1CD<br />

£ 8.98<br />

Atma Classique<br />

722056265928<br />

Chamber<br />

Méhul: Le Chant du départ includes arrangements of the overtures to six of Méhul’s successful operas. At<br />

the end of the 18th century, it was common practice to arrange extracts from fashionable operas for small<br />

ensembles, often wind octets, to allow them to be performed in a range of contexts. Several revolutionary<br />

pieces are also included, such as Le Chant du Départ, a war song for the Revolutionary French armies.<br />

SCHNITTKE<br />

Chamber Music Vol.2<br />

Molinari Quartet<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ACD2 2669<br />

1CD<br />

£ 8.98<br />

Atma Classique<br />

722056266925<br />

Chamber<br />

Internationally acclaimed by the public and the critics since its foundation in 1997, the Molinari Quartet has<br />

established a mandate to perform works from the 20th and 21st centuries, repertoire for string quartet, and<br />

to commission new works. Recipients of 14 Opus Prizes awarded by the Quebec Music Council, the Molinari<br />

Quartet is described by the critics as "Canada's answer to the Kronos or Arditti Quartet."<br />

BRADY<br />

Atacama Symphony No.3<br />

Bradyworks/Vivavoce<br />

CAT NO. ACD2 2676<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Atma Classique<br />

BARCODE 722056267625<br />

GENRE Symphony<br />

Atacama Symphony No. 3 is a new work by Montreal-born composer Tim Brady performed by Bradyworks,<br />

VivaVoce Vocal Ensemble, and the composer himself at the electric guitar. The composer’s initial inspiration<br />

for the piece was a book of poems by Chilean-born poet Elías Letelier. Each of the first five movements<br />

focuses on one poem and on one central musical idea, albeit with many variations. The final movement is<br />

more like a suite, using three poems and moving through several different musical landscapes.<br />

BERLIOZ/CHAUSSON/RAVEL<br />

Nuits D'Ete<br />

Stella Doufexis/Deutsche Staatsphilharmonie Rheinland<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

0300523BC<br />

1CD<br />

£ 8.98<br />

Berlin Classics<br />

885470005232<br />

Vocal<br />

Featuring three poem-based orchestral works, the German-Greek mezzo soprano Stella Doufexis makes her<br />

debut for Berlin Classics. She is one of the most sought-after mezzos currently on the international platform<br />

and has performed with many of the world’s leading orchestras and conductors, including the BBC Symphony<br />

Orchestra, the Israel Philharmonic, the Mahler Chamber Orchestra and the London Symphony Orchestra.<br />

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DEBUSSY<br />

Poems<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

Stella Doufexis/Daniel Heide<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

0300524BC<br />

1CD<br />

£ 8.98<br />

Berlin Classics<br />

885470005249<br />

Vocal<br />

Stella Doufexis has the ability to shape her lucid singing in accordance with the cadence of the language<br />

and, with the sensitive support of her accompanist Daniel Heife, to form poems in music that are rich in<br />

mysteries and small miracles.<br />

TESARINI<br />

Sonatas for Violin and Harpsichord<br />

Marco Pedrona/Marco Montanelli/Ensemble Guidantus<br />

CAT NO. CAL 1208<br />

FORMAT 1CD<br />

PPD £ 9.25<br />

LABEL Calliope<br />

BARCODE 3760039836076<br />

GENRE Chamber<br />

The repertoire of Tessarini is only instrumental and the sonatas are mainly in three movements, "Allegro -<br />

Adagio - Allegro", typical form of the Vivaldi concertos. They demand of the soloist a great technique, brilliantly<br />

illustrated here. Tessarini, in the maturity of his career, offers instrumental compositions certainly more<br />

concise than a few decades before, in which in the brevity of a few pages, he experiments with solutions of<br />

great rhythmic vitality and good melodic inspiration.<br />

QUADRO NUEVO<br />

End of the Rainbow<br />

Quadro Nuevo/NDR Pops Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

FM 172<br />

1CD<br />

£ 9.25<br />

Fine Music<br />

4014063417220<br />

World<br />

This is a wonderful disc of tango inspired songs arranged for the Quadro Nuevo musicians:<br />

(Accordian/Bandoneon/Vibraphone/Saxophones/Clarinets/Mandolin/Bass and Percussion) and<br />

accompanied by the wonderfully full sound of the NDR Pops Orchestra. Pure delight!<br />

VARIOUS<br />

Bach Metamorphosis<br />

Angelika Nebel<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HAEN 98004<br />

1CD<br />

£ 8.98<br />

Haenssler<br />

4010276025672<br />

Solo Instrumental<br />

This disc includes transcriptions by W. Braunfels, C. Tausig, Vaughan Williams, I. Iljin, C. Lucas, S. W. Didenko,<br />

I. Philipp, A. Malheiro Prado, and A. Brieskier performed by German pianist Angelika Nebel and includes<br />

some premiere recordings.<br />

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ALREADY AVAILABLE<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

HAYDN<br />

Symphonies No 26, 27 & 42 (Vol. 19)<br />

Heidelberger Sinfoniker<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

Les Ballets Russes Vol. 1<br />

Igor Stravinsky: Le Sacre du printemps<br />

Claude Debussy: Jeux<br />

Paul Dukas: La Péri<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Sylvain Cambreling (conductor).<br />

1 CD | HAEN 93196<br />

Les Ballets Russes Vol. 2<br />

Maurice Ravel: Daphnis et Chloé<br />

Francis Poulenc: Les Biches (Suite)<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

EuropaChorAkademie<br />

Michael Gielen (conductor)<br />

Marcello Viotti (conductor).<br />

1 CD | HAEN 93197<br />

Les Ballets Russes Vol. 3<br />

Claude Debussy: Prélude à l’après-midi d’un faune<br />

Florent Schmitt: La Tragédie de Salomé<br />

Igor Stravinsky: Pétrouchka<br />

SWR Vokalensemble Stuttgart<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Sylvain Cambreling (conductor).<br />

1 CD | HAEN 93223<br />

Les Ballets Russes Vol. 4<br />

Peter Tchaikovsky: Swan Lake (exc.)<br />

Tchaikovsky/Stravinsky (arr.): Dornröschen<br />

Igor Stravinsky: Le Chant du Rossignol<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Yuri Ahronovich (conductor)<br />

Hiroshi Wakasugi (conductor)<br />

Ernest Bour (conductor).<br />

1 CD | HAEN 93234<br />

HAEN 98005<br />

1CD<br />

£ 8.98<br />

Haenssler<br />

4010276025801<br />

Symphony<br />

The recording of the complete Haydn Symphonies with the Heidelberg Symphony Orchestra and Thomas<br />

Fey continues with this performance of Symphonies No’s 26, 27and 42. Critically acclaimed, this series has<br />

perfectly developed the ‘Haydn Sound’ created by orchestra and conductor alike.<br />

MILHAUD/SCARLATTI/TOMMASINI/SAUGET<br />

Les Ballets Russes Vol. 9<br />

Deutsche Radio Philharmonie. Saarbrucken Kaiserslauten<br />

CAT NO. HAEN 93296<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Haenssler Classics<br />

BARCODE 4010276025689<br />

GENRE Ballet<br />

Another installment in the unique series of compositions for the famous Ballet Russes commissioned by<br />

Diaghalev. Featuring some unusual works, this disc includes Milhaud’s ‘Le train bleu’ (which celebrates the train<br />

from Paris – Deauville, a luxury modernization of its time!), and Tommasini’s homage to Scarlatti’s compositions<br />

(1878-1950). Henri Saguet’s ‘Le Chatte’ is one of the most important works of the late Diaghalev era.<br />

Les Ballets Russes Vol. 5<br />

Manuel de Falla: El sombrero de tres picos<br />

Serge Prokofiev: Chout (Suite)<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Ofelia Sala (mezzosoprano)<br />

Fabrice Bollon (conductor)<br />

Kirill Karabits (conductor).<br />

1 CD | HAEN 93253<br />

Les Ballets Russes Vol. 6<br />

Igor Stravinsky: Pulcinella (compl.); Feu d’artifice op. 4<br />

Richard Strauss: Till Eulenspiegels lustige Streiche<br />

Maurice Ravel: La Valse (Poème choréographique)<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Christopher Hogwood (conductor)<br />

Sylvain Cambreling (conductor).<br />

1 CD | HAEN 93237<br />

Les Ballets Russes Vol. 7<br />

Georges Auric: Les Fâcheux; La Pastorale<br />

Deutsche Radio Philharmonie Saarbrücken<br />

Kaiserslautern<br />

Christoph Poppen (conductor).<br />

1 CD | HAEN 93265<br />

Les Ballets Russes Vol. 8<br />

Nikolai Rimsky-Korsakov: Scheherazade op. 35 Serge<br />

Prokofiev: Scythian Suite op. 20 (Ala und Lolly)<br />

SWR Sinfonieorchester Baden-Baden und Freiburg<br />

Kirill Karabits (conductor)<br />

Alejo Perez (conductor).<br />

1 CD | HAEN 93289<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

ELMS<br />

Instrumental Music<br />

Aurora Ensemble/J.Smith/V.Green/S.Nicholson/R.Elms<br />

CAT NO. HAVP 380<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Herald AV<br />

BARCODE 094638038023<br />

GENRE Chamber<br />

Twelve Astrological Preludes is a concert piece with six movements for piano and wind quintet. Originally<br />

conceived in 2005, the composer left it until 2011 when it became this work. Performed by the Aurora<br />

Ensemble , the music is quite Arnold-esque in its orchestration but with richer, more modern harmonies.<br />

Better known as principle accompanist to Rostropovich, composer Roderick Elms studied at the Royal<br />

Academy of Music and has made many recordings appearances on BBC Radio as a soloist.<br />

VARIOUS<br />

Catholic Meditations with Music<br />

Oxford Oratory<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HAYDN<br />

In the Estarhazys’ Library<br />

Yasuko Uyama Bouvard<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

HOR 098<br />

1CD<br />

£ 8.98<br />

Hortus<br />

3487720009808<br />

Solo Instrumental<br />

A refined musician and sought-after performer on all keyboard instruments, Yasuko Uyama Bouvard appears<br />

as soloist, in duo with Isabelle Poulenard, or with various ensembles such as the Sacqueboutiers de<br />

Toulouse, Les Passions, A Sei Voci, Les Éléments… As a soloist or as a continuo player she has made several<br />

records, for which reviews acknowledge the finesse and virtuosity of her playing.<br />

VARIOUS<br />

The Legend of Alirio Diaz Vol.1 Recordings 1956/60<br />

Alirio Diaz<br />

HAVP 381<br />

1CD<br />

£ 8.98<br />

Herald AV<br />

794638038121<br />

Vocal<br />

Catholic Meditations with Music is for the Season of Lent and is performed by Father Jerome Bertrum C.O.<br />

from the Oxford Oratory.<br />

CAT NO. IDIS 6661<br />

FORMAT 1CD<br />

PPD £ 5.75<br />

LABEL Istituto Discografico Italiano<br />

BARCODE 8021945002753<br />

GENRE Solo Instrumental<br />

Digitally remastered, these studio recordings from 1956-1960 from legendary guitarist Alirio Diaz mark<br />

Volume 1 of an ongoing series.<br />

Featuring a variety of repertoire including Frescobaldi, Scarlatti, Villa-Lobos and Albeniz.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

JS BACH<br />

Glen Gould Plays Bach Vol. 3<br />

Glen Gould<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MOZART/HAYDN<br />

Sonatas<br />

Ziad Kreidy<br />

CAT NO. LDN 001<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL LDN<br />

BARCODE 3775000086114<br />

GENRE Solo Instrumental<br />

With this CD, dedicated to the friendship between Mozart and Haydn, we are far removed from a studio<br />

atmosphere. Recorded live, the recording is very faithful to the concert, to that special communication which<br />

exists between a musician and his audience. Following two of the most famous Mozart sonatas, two Haydn<br />

sonatas in two movements combine seriousness and exuberance, apparent simplicity and studied sophistication.<br />

GRIEG<br />

Lyric Pieces<br />

Ziad Kreidy<br />

IDIS 6662<br />

1CD<br />

£ 5.75<br />

Istituto Discografico Italiano<br />

8021945002760<br />

Solo Instrumental<br />

Volume 3 in Idis’ ongoing series of Glenn Gould performances, this disc presents Bach’s Concerto No 1 in D<br />

minor fortepiano and orchestra BWV 1052 coupled with the Goldberg Variations, both taken from 1958.<br />

CAT NO. LDN 002<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL LDN<br />

BARCODE 3775000086121<br />

GENRE Solo Instrumental<br />

LdN presents what is probably the first recording on a upright piano of the second half of the 19th century.<br />

This magnificent small-sized Erard from 1867 is perfectly suited to the poetry of the first four opuses of the<br />

Lyric Pieces of Grieg, performed live by Ziad Kreidy. Author of the must-read Les avatars du piano, published<br />

by Beauchesne, Ziad Kreidy is an advocate of piano diversity adapted to everyone.<br />

CHOPIN/SCRIABIN<br />

24 Preludes<br />

Rudolf Kehrer<br />

CAT NO. MELCD 1002066<br />

FORMAT 1CD<br />

PPD £ 7.25<br />

LABEL Melodiya<br />

BARCODE 4600317120666<br />

GENRE Solo Instrumental<br />

Presenting Rudolf Kehrer, one of the most extraordinary and original representatives of the Russian piano school of<br />

the 20th century. This remarkable musician is a rare example of a combination of scientific and creative talents. Born<br />

to a music family, Kehrer studied music at an early age but later became a mathematics teacher after graduating<br />

physical and mathematical college. After a long break, he returned to his music studies. After Rudolf Kehrer won at<br />

the All-Union Competition of Music Performers in 1961 (1st prize), he achieved his so long-awaited fame.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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WIDOR<br />

Piano Trios<br />

Trio Parnassus<br />

VERDI<br />

Aida<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

CAT NO. MDG 303 1794<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL MDG<br />

BARCODE 760623179421<br />

GENRE Chamber<br />

Organist, composer, author, critic, teacher – Charles-Marie Widor was a man of many talents and extremely successful<br />

in all of these endeavors throughout his life. His organ works, especially the magnificently virtuosic toccata from the<br />

fifth sonata continue to enjoy the greatest popularity. On their latest release the musical discoverers of the Trio<br />

Parnassus introduce us to the superb quality of his chamber music, which today is almost entirely forgotten.<br />

POULENC<br />

Melodies sur des Poems, Eluard et de Vilmorin<br />

Holger Falk/Alessandro Zuppardo<br />

CAT NO. MDG 603 1776<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL MDG<br />

BARCODE 760623177625<br />

GENRE Chamber<br />

The friendship between the poet Paul Éluard and the composer Francis Poulenc was more than just an<br />

artistic relationship. Éluard wrote to Poulenc, “It was first through your music that I really understood my<br />

poems”; and it was first through Éluard that Poulenc learned to express the deepest secrets of his<br />

personality. On this splendid new release in their Poulenc series, Holger Falk and Alessandro Zuppardo<br />

enable us to experience for ourselves the happy symbiosis formed by these two creative artists.<br />

GERSHWIN<br />

Rhapsody in Blue - Piano Works<br />

Corinna Simon<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

Rysanek/Madeira/Hopf/London/Frick/Wien1955<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

MDG 604 1795<br />

1CD<br />

£ 8.98<br />

MDG<br />

760623179520<br />

Solo Instrumental<br />

This is of course a disc of outstanding music, and it is shown in a new light by pianist Corinna Simon. She presents<br />

to us as yet entirely unknown treats from Gershwin’s magnificent piano world with selected songs from his papers<br />

– performed on the legendary “Manfred Bürki” Steinway of 1901, perhaps even qualifying as a New York Steinway.<br />

MCD 023267<br />

2CD<br />

£ 6.75<br />

Myto<br />

0608974502676<br />

Opera<br />

With a recording of some of the world’s finest voices, this version of Verdi’s Aida is well worth hearing again.<br />

Leoni Rysanek is on top form in this particular performance and is beautifully accompanied by the other<br />

musicians on this recording.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

Heinrich Ernst Erwin Walther (1920–1995) must not only be considered one of the pioneers of graphic scores, as the phenomenon was<br />

far more than a passing fad in his case. Correlations between visual art and music had been a central aspect of his work from the start. He<br />

had made his first attempts at graphic notation as early as 1938, while still a student of conducting at the Würzburg Conservatory. In 1949,<br />

after the war and captivity, he made his debut as a pianist in Nuremberg with improvisations on drawings by Franz Xaver Fuhr. From the<br />

mid-1950s on – continuing until his death – Walther produced what he termed “audiograms”. More than 300 of this graphic scores have<br />

survived – and, as can be heard on the present CD, they are among the most inspiring examples of the genre. That they have remained<br />

virtually unknown is due not least to the character of a composer who scarcely seemed interested in any more than regional renown; one<br />

could almost say that he stubbornly obstructed the dissemination of his own works.<br />

These two CDs show the music’s stylistic breadth that Walther was a composer who was acutely aware of contemporary idioms, but also<br />

that he found, with a certain quirkiness and sense for hidden meanings, a path of his own which did not follow any one aesthetic tendency.<br />

ERWIN WALTHER<br />

Chamber Music<br />

Ib Hausmann/Peter Bruns/Frank Gutschmidt<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

ERWIN WALTHER<br />

Vocal Music<br />

Y.Friedli/J.Vogt/W.Tessmer/F. Gutschmidt<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

NEOS 11210<br />

1CD<br />

£ 8.98<br />

Neos Music<br />

4260063112102<br />

Vocal<br />

ELIASSON<br />

John-Edward Kelly plays Anders Eliasson<br />

J-E.Kelly/B.Versteegh/Arcos Orch./Finnish Radio SO<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

NEOS 11209<br />

1CD<br />

£ 8.98<br />

Neos Music<br />

4260063112096<br />

Chamber<br />

NEOS 11301<br />

1CD<br />

£ 8.98<br />

Neos Music<br />

4260063113017<br />

Symphony<br />

John-Edward Kelly said of this recording: “Anders Eliasson shines as a brilliant light among the hundreds<br />

of composers I have worked with. There is no composer whose music I have performed more frequently,<br />

nor whose music has touched me more deeply.”<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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VARIOUS<br />

La Phenix<br />

-<br />

Folk Songs 2<br />

East Drive<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

C.Hoock/F.Birsak/B.Nussbaum/T.Martin/T.Jauch/Bauer<br />

NEOS 21301<br />

1CD<br />

£ 8.98<br />

Neos Music<br />

4260063213014<br />

Chamber<br />

Le Phénix: Solo Double Bass in Baroque and Contemporary Music.<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

Christine Hoock is a versatile virtuoso. She can be heard in the most varied constellations in classical music, world<br />

music and jazz. Concert tours have taken her all around the world. Today, Christine Hoock is Professor of Double<br />

Bass at the Mozarteum University Salzburg. She plays an English instrument by William Tarr built in 1848.<br />

CAT NO. NCD 4069<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Neuklang<br />

BARCODE 4012116406931<br />

GENRE Jazz<br />

On June 1st 2011 their debut CD "Folksongs" was released on Neuklang Records. With this new recording<br />

they’re taking you on a journey around their world of sounds, rhythms and melodies; reflecting their widespread<br />

personal and musical roots. Call it contemporary jazz: it´s both lyrical and rocking, with a huge<br />

portion of the East - from the Balkans to India; always full of energy and joie de vivre!<br />

BYRD<br />

NYC 1960-1963<br />

American Contemporary Music Ensemble/A.Zimmerman<br />

CAT NO. NW 80738<br />

FORMAT 1CD<br />

PPD £ 9.25<br />

LABEL New World Records<br />

BARCODE 093228073826<br />

GENRE Contempory<br />

The imaginative and carefully crafted music of Joseph Byrd (b. 1937) assumes an astonishing variety of guises: he was an<br />

integral part of the experimental arts scene in New York and Los Angeles in the 1960s and he founded the psychedelic<br />

rock band The United States of America, and its successor Joe Byrd and the Field Hippies, to name just the most salient.<br />

*There will be a full page review in the relevant issue of The Wire Magazine to accompany this important release.*<br />

PORTUGAL/MARCOT/LOPEZ<br />

Outre-Mers<br />

Choeur L'Echelle<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

PARATY 312214<br />

1CD<br />

£ 8.98<br />

PARATY<br />

3760213650078<br />

Vocal<br />

The young Marcos Portugal composed one of the most widely performed works of the New World. The<br />

Échelle Choir and guest conductor Bruno Procopio recreate this great Mass, with the help of the exceptional<br />

sound palette of Cuenca Cathedral’s Historic Organ (Spain). The Mass is coupled with Quetzal by Caroline<br />

Marçot, creating a link that spans the Atlantic.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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GETTY<br />

Piano Pieces<br />

Conrad Teo<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

CAT NO. PTC 5186505<br />

FORMAT 1SACD<br />

PPD £ 9.25<br />

LABEL PentaTone<br />

BARCODE 827949050565<br />

GENRE<br />

Solo Instrumental<br />

This album comprises all works for piano solo composed by Gordon Getty between the nineteen sixties and<br />

today. This is what the composer wrote about them in the liner notes: “The five called Homework Suite date from<br />

my year at San Francisco Conservatory of Music (1962). Andantino and Scherzo Pensiersoso were written this year.<br />

It might as easily been the other way around. Fifty years ago, I could steal unconsciously from others and now more from<br />

myself, but the language and perspective are the same”.<br />

VERDI<br />

Tribute to Giuseppe Verdi<br />

Various<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

PR 93484<br />

2CD<br />

£ 6.75<br />

Preiser<br />

717281934848<br />

Opera<br />

To celebrate the 200th anniversary of Giuseppe Verdi, Preiser Records is delighted to offer this 2 CD<br />

digipack at a special price. A Tribute to GIUSEPPE VERDI features iconic recordings of his most famous<br />

works and recordings from various labels over the period 1914-1962. A true collectors’ edition.<br />

BEETHOVEN<br />

Piano Sonatas No.28 & No.29<br />

Evgeni Koroliov<br />

CAT NO. TACET 206<br />

FORMAT 1CD<br />

PPD £ 8.98<br />

LABEL Tacet<br />

BARCODE 4009850020608<br />

GENRE Solo Instrumental<br />

A music lover who goes to a concert or listens to a recording always expects something human, from the composer<br />

as from the artist that relates to him personally, moves him or is even similar to him. Not least, the listener wishes to<br />

find himself/herself in the work and in the sounds. Evgeni Koroliov makes this easy for the listener. As a matter of<br />

course, he takes one by the hand and shows something familiar - so much that one already knew but just could not<br />

express in words or tones. He speaks in a way that makes one believe one is listening to a relative.<br />

VARIOUS<br />

Koussevitsky Conducts Philharmonic Symphony-Orch.<br />

New York Philharmonic-Symphony Orchestra<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

WHRA 6049<br />

2CD<br />

£ 12.60<br />

West Hill Radio Archives<br />

5425008378916<br />

Orchestral<br />

The long-time dictator of the Boston Symphony appeared at Carnegie hall in early 1942 in a series of historic concerts that breathed new<br />

life into the moribund New York Philharmonic. TIME Magazine had nicknamed them “The Dead End Kids”, and Koussevitzky had just two<br />

weeks to whip this recalcitrant band of notorious musical delinquents into shape. The orchestra had flourished under Toscanini, but<br />

Barbirolli allowed performance standards to slip precipitously, and quite a few of the younger members had been called up for military<br />

service and were replaced by new players. This new release documents this difficult period in the New York Phil’s history.<br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

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VARIOUS<br />

Something<br />

Tuija Komi/Walter Lang/Peter Cudek/<br />

Martin Kolb<br />

CAT NO. EC 555<br />

FORMAT 1CD<br />

PPD £ 9.25<br />

LABEL Edition Collage<br />

BARCODE 4014063155528<br />

GENRE Jazz<br />

ARLT<br />

Terra Distante<br />

Michael Arlt/Braziliana<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

FM 175<br />

1CD<br />

£ 9.25<br />

Fine Music<br />

4014063417527<br />

World<br />

| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />

www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />

VARIOUS<br />

Headbang<br />

Le Bang Bang<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

EC 558<br />

1CD<br />

£ 9.25<br />

Edition Collage<br />

4014063155825<br />

Jazz<br />

BRAM WEIJTERS<br />

Urban Nightingale<br />

CAT NO.<br />

FORMAT<br />

PPD<br />

LABEL<br />

BARCODE<br />

GENRE<br />

Introducing new labels now available from Codaex <strong>UK</strong>:<br />

Chad McCullough Quartet<br />

WERF 108<br />

1CD<br />

£ 8.98<br />

W.E.R.F.<br />

5413905111088<br />

Jazz<br />

A full listing of all our Easter titles will be available soon. Please note: We will be closed for Easter from the 29th March - 1st April<br />

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D SHEET<br />

YOUR INDEPENDENT PARTNER IN MUSIC

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