| MARCH 2013 | CODAEX UK | RELEASE DATE 11.03.2013
| MARCH 2013 | CODAEX UK | RELEASE DATE 11.03.2013
| MARCH 2013 | CODAEX UK | RELEASE DATE 11.03.2013
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
| <strong>MARCH</strong> <strong>2013</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 11.03.<strong>2013</strong><br />
VERDI<br />
The Art of Verdi-Baritone<br />
Various<br />
CAT NO.<br />
FORMAT<br />
PPD<br />
LABEL<br />
BARCODE<br />
GENRE<br />
OLSSON/WIDOR<br />
Credo Symphoniacum/Simphonie Romane<br />
Georges Athanasiades<br />
CAT NO.<br />
FORMAT<br />
PPD<br />
LABEL<br />
BARCODE<br />
GENRE<br />
PR 93485<br />
1CD<br />
£ 6.75<br />
Preiser<br />
717281934855<br />
Opera<br />
The privileged position of the baritone-voice in Verdi´s operas was something new at the time and developed<br />
into a vocal category of its own: the "Verdi-baritone".<br />
TUDOR 7190<br />
1CD<br />
£ 8.98<br />
Tudor<br />
812973011903<br />
Solo Instrumental<br />
www.codaex.comCodaex <strong>UK</strong> Ltd | Unit 4 Phoenix Court | Hawkins Road | Colchester | Essex | t: +44 (0)1206 861332 | e: sales@codaex.co.uk<br />
Verdi's baritone-roles can roughly be divided into two categories: the fathers and rulers, who are in moral<br />
conflict between the love for their children and moral and/or political duties (Rigoletto, Amonasro, Simon<br />
Boccanegra, Nabucco, Jacopo Foscari, Guido di Montfort or father Germont), and youthful men of honour<br />
and/or villains, who usually turn out to be the tenor's rival (CarIo in "Forza", Renato, Carlo V, lago. Cote di Luna).<br />
Forming part of Presier’s celebration of the 200th anniversary of Verdi, this collection is a unique and<br />
fascinating account of the performances over the years 1904-1950.<br />
MAYERL<br />
Piano Music by Billy Mayerl Vol. 1<br />
Philip Martin<br />
CAT NO.<br />
FORMAT<br />
PPD<br />
LABEL<br />
BARCODE<br />
GENRE<br />
SOMM 0124<br />
1CD<br />
£ 6.30<br />
Somm Recordings<br />
748871012424<br />
Solo Instrumental<br />
Post World War 1, broadcasting became ever more popular and most of the music played on the<br />
radio in those early days could be categorized as jazz or ragtime. The main element of these styles<br />
of music was of course syncopation and in Britain, Billy Mayerl had arguably become one of the<br />
most famous ‘syncopaters’ regularly broadcast on the radio at that time.<br />
The distinguished Irish pianist and composer Philip Martin is the pianist introducing us here to<br />
Volume 1 of the series of Billy Mayerl’s music from Somm Records.<br />
Somm has established itself as a great exponent of British piano music and this series is sure to be<br />
revered in the same light as previous releases of Bridge and Bax’s music.<br />
Otto Olsson was one of the greatest virtuoso organists of his time. He displays a particular affinity for the<br />
French organ, and choral and instrumental compositions were caracterised both by an interest of Gregorian<br />
Chant, and by incursions into polytonality.<br />
The Symphonie Romane by Widor takes its inspiration from the romanesque Basilica of St. Sernin in Toulouse<br />
and its famed Cavaillé-Coll organ, and is based on the Gradual “Haec dies” from the Mass for Easter Sunday.<br />
Georges Athanasiadès has been the organist titular for over sixty years in Saint-Maurice where the<br />
remarkable organ is the perfect instrument for these symphonic masterpieces.<br />
www.codaex.com<br />
B SHEET<br />
YOUR INDEPENDENT PARTNER IN MUSIC
Change language