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Absolute Sound

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S T A R T M E U P<br />

Meeting High-End Expectations on a Modest Budget<br />

Jerry Sommers<br />

Acrucial and exciting part of<br />

choosing gear is the search for<br />

synergy among components<br />

within your allotted budget. I<br />

recently had the chance to audition a<br />

system that included the Philips<br />

DVD963SA DVD/SACD player, a<br />

Portal Panache integrated amplifier, and<br />

Definitive Technology’s BP7004 loudspeakers.<br />

The system met all of my<br />

expectations and then some, giving me<br />

everything from deep satisfying bass to a<br />

tonally accurate rendering of midrange<br />

and treble instruments, complete with<br />

the spine-tingling sound of air and space<br />

around those instruments. In short, this<br />

system put the fun back in listening—<br />

and at a reasonable price. The system’s<br />

components had an uncanny complementary<br />

quality—each element playing<br />

off the strengths of the others.<br />

The Philips DVD963SA offers<br />

almost everything I would ever want in<br />

a digital player, including progressive-<br />

scan DVD playback, multichannel<br />

SACD playback, 96kHz and 192kHz<br />

CD upsampling, MP3 decoding, and<br />

CDR/RW playback. I first read about<br />

this post-modernistic-looking player in<br />

Wayne Garcia’s short review in the<br />

SACD, DVD-A, and Universal Players<br />

Special Feature in TAS 145. There,<br />

Wayne characterized the 963SA as<br />

“warm and sloppy,” but he tempered his<br />

comments with the observation that his<br />

interconnect cables cost more than the<br />

entire DVD963SA. My findings were<br />

considerably more positive, as I was<br />

using this player in a much more moderately<br />

priced system.<br />

The most notable, exciting, and useful<br />

feature in the DVD963SA is its<br />

upsampling circuitry. Audio CDs can be<br />

upsampled to either 96kHz or 192kHz,<br />

and I found the fun factor went up a<br />

notch as I heard subtle nuances that<br />

brought new life to my huge catalog of<br />

CDs. “The 3 rd Planet” from Modest<br />

Mouse’s The Moon and Antarctica [Sony],<br />

starts with a lightly plucked acoustic<br />

guitar that quickly shifts to full-on<br />

acoustic rage—a transition the Philips<br />

accomplished with ease, without sacrificing<br />

momentum or focus. As the<br />

rhythms became more complex, instruments<br />

didn’t bleed into one another;<br />

instead, I was able to discern each easily,<br />

without losing track of the rhythm of<br />

the piece. The acoustic guitars in the<br />

song’s introduction sounded full-bodied<br />

yet retained such subtle nuances as the<br />

pick scrapes and finger screeches you<br />

often hear when moving your hand from<br />

different neck positions on the guitar.<br />

These brilliantly reproduced details gave<br />

the illusion of musicians playing in a<br />

real space, and made the system so transparent<br />

it seemed to disappear.<br />

If you want to step up to a higher<br />

level of full-bodiedness and resolution,<br />

SACD on the 963SA certainly delivers.<br />

Pink Floyd’s The Dark Side of the Moon<br />

[Capitol] in stereo SACD was<br />

more three dimensional and<br />

revealing than its CD layer. On<br />

“Breathe,” the bass drums and<br />

cymbals sounded more robust;<br />

electric guitar, bass guitar, and<br />

synths were more open. If<br />

you’ve been wanting to get<br />

into SACD, the DVD963SA<br />

will make your transition to<br />

the new format quite satisfying.<br />

Indeed, with CD upsampling,<br />

SACD playback, popular<br />

format playability, and a<br />

progressive-scan DVD player,<br />

the DVD963SA has even more<br />

of what I want in a player than<br />

some respected high-end players<br />

I’ve auditioned in the past.<br />

The Portal Panache is a<br />

22 THE ABSOLUTE SOUND ■ JUNE/JULY 2004

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