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ecommended products<br />

tom SEAS silk-dome tweeter. Both are mounted<br />

in a small, rear-ported, and beautifully finished<br />

enclosure. Rated at 92dB sensitivity, they can<br />

be effectively used with amps (especially tubed<br />

ones) from 8 watts up, and really shine when<br />

paired with a first-rate subwoofer.<br />

Reviewed by Aaron Shatzman in Issue 132<br />

VON SCHWEIKERT VR-2<br />

Price: $2500<br />

www.vonschweikert.com<br />

Von Schweikert’s VR-<br />

2 (“VR” for Virtual<br />

Reality) is a towertype,transmissionline<br />

design with three<br />

forward-facing drivers<br />

plus a rear-firing<br />

“ambience recovery”<br />

driver. The VR-2<br />

offers deeply extended<br />

(mid-20Hz range)<br />

bass, a midrange<br />

and treble whose<br />

clarity scales upward<br />

with that of associated<br />

electronics, and<br />

lively and expressive<br />

dynamics. The ambience<br />

recovery driver—when<br />

used judiciously—helps<br />

add<br />

plausible depth to<br />

the soundstage. For<br />

best bass definition<br />

and clarity, install 25 pounds of lead shot in<br />

the damping chamber provided in the bottom of<br />

each speaker. In our tests, the VR-2s opened<br />

up and imaged best when positioned relatively<br />

far apart (as the manual suggests). Experiment<br />

patiently with positioning for finest results.<br />

Reviewed by CM in AVguide, July 2003<br />

SPENDOR SP-1/2<br />

Price: $2999<br />

www.qsandd.com<br />

This medium-sized box speaker with three drivers,<br />

two of them tweeters, offers some of the<br />

most musically accurate sound available at any<br />

price, within the limitations of no deep bass<br />

and somewhat restricted loudness (SP1/2s are<br />

dynamically lively on transients, but are not<br />

intended to fill really large rooms with high volumes).<br />

Stand-mounting (around 14–16" is best)<br />

is needed, with some space around. Properly<br />

set up and listened to on axis, the SP1/2s<br />

have a truth to instrumental timbre that few<br />

speakers come close to. The declining dollar<br />

has forced the American price of this UK speaker<br />

up a little, but it remains well worth the<br />

money if correct tonal balance and accuracy of<br />

timbre are priorities. Reviewed by REG in Issue 90<br />

MARTINLOGAN AEON I<br />

Price: $3295<br />

www.martinlogan.com<br />

Utilizing the first significant<br />

upgrade to ML’s electrostatic<br />

technology in more<br />

than 15 years, the Aeon i’s<br />

Generation 2 ESL panel<br />

achieves a remarkable<br />

level of clarity, smoothness,<br />

and transparency<br />

from 400Hz on up. To<br />

complement the new<br />

panel, a freshly designed<br />

8" aluminum-cone woofer<br />

has been added, as well<br />

as a more rigid bassreflex<br />

enclosure. Most of<br />

the time the blend is<br />

quite seamless, but the<br />

deepest bass notes will<br />

reveal the slight slowness<br />

of the woofer compared<br />

to the ’stat. A new<br />

rear-firing tweeter helps<br />

off-axis listening, but<br />

totally screws up the<br />

speaker’s mostly excellent<br />

coherence, so leave<br />

it switched off. These<br />

babies sound best with<br />

about three feet behind<br />

them and a few to the<br />

sides, and also sing their<br />

sweetest with a powerful amp.<br />

Reviewed by WG in Issue 146<br />

SOUNDLINE AUDIO SL2<br />

Price: $3495<br />

www.soundlineaudio.com<br />

This terrifically well-integrated hybrid speaker<br />

mates a planar-magnetic linesource midrangetweeter<br />

with a 10.4" dynamic woofer. The<br />

blend is good and, of course, from 250Hz on<br />

up coherence is total as there is only one driver.<br />

Being a dipole, it needs to be away from<br />

walls, and since it is a linesource early room<br />

reflections are just about nil. Frequency<br />

response is notably flat, the midrange is quite<br />

natural, the bass is deep, if not subwooferlevel,<br />

and soundstaging is wide and well<br />

defined. This speaker comes into its own with<br />

large-scale music. Reviewed by REG in Issue 144<br />

VANDERSTEEN 3A SIGNATURE<br />

Price: $3495<br />

www.vandersteen.com<br />

Like all Vandersteen designs,<br />

the 3A Signature is time-andphase<br />

accurate. Its driver<br />

complement features the<br />

patented midrange and tweeter used in the<br />

vaunted Vandersteen 5. The 3A Signature,<br />

which sounds more relaxed than others in this<br />

price category, is musically seductive, and will<br />

appeal to those who want to forget about the<br />

sound and enjoy the music. The 3A Signature<br />

trades off some dynamic contrast and<br />

midrange resolution for its overall ability to<br />

involve the listener in the music’s meaning.<br />

Excellent bass extension, combined with a<br />

good balance between bass warmth and articulation,<br />

round out this outstanding effort. The<br />

3A Signature is a world-class speaker at a realworld<br />

price. Reviewed by RH in Issue 122<br />

COINCIDENT SPEAKER<br />

TECHNOLOGY PARTIAL ECLIPSE<br />

Price: $3499<br />

www.coincidentspeaker.com<br />

Albeit on a smaller scale,<br />

this 3-way floorstander<br />

shares many of the same<br />

sonic virtues that earned<br />

its big brother, Total<br />

Eclipse, a 2001 Golden<br />

Ear Award. The midband<br />

tilts slightly to the warm<br />

side, with gloriously open<br />

and extended highs and a<br />

tight, well-controlled bass.<br />

Mirror-image side-firing 8"<br />

woofers can be positioned<br />

facing in or out, necessitating<br />

some experimentation<br />

for proper room setup.<br />

The Partial is an especially<br />

synergistic match with<br />

higher-powered OTL tube<br />

designs, but mates nicely<br />

with solid-state as well.<br />

Reviewed by SK in Issue 146<br />

44 THE ABSOLUTE SOUND ■ JUNE/JULY 2004

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