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ecommended products<br />

PROAC TABLETTE REFERENCE 8<br />

Price: $1200<br />

www.proac-usa.com<br />

A two-way loudspeaker for connoisseurs who<br />

prize precision, ProAc’s Tablette Reference 8<br />

has a slightly forward midrange—emphasizing<br />

vocalists—and open highs. <strong>Sound</strong>stage dimensionality<br />

is its specialty, particularly when it<br />

comes to height. To offset its light tonal balance,<br />

however, the Reference 8 requires careful<br />

room placement to enhance bass reinforcement.<br />

Although remarkable on its own, it<br />

requires the best subwoofers to keep up with<br />

its transient acrobatics. Benefits from the use<br />

of high-quality stands. In spite of its obvious<br />

dynamic and amplitude limits, this speaker is<br />

required listening. Reviewed by NG in Issue 141<br />

RED ROSE MUSIC SPIRIT STUDIO<br />

MONITORS<br />

Price: $1490<br />

www.redrosemusic.com<br />

The two-way, ribbon-plus-cone-driver-equipped<br />

Red Rose Spirit Studio Monitors “deliver what<br />

most small monitors only promise—world-class<br />

imaging, a deep and wide soundstage, reasonable<br />

volume capabilities, and respectable bass<br />

extension (to just below 60Hz).” Better still, the<br />

speaker is brilliantly balanced, offering plenty<br />

of resolution, but with smooth, extended treble<br />

and a gentle “middle-of-the-hall” perspective<br />

that tends not to overemphasize recording<br />

flaws. Plan on using good, rigid speaker<br />

stands, and a clean-sounding (though not necessarily<br />

high-powered) amp to get the most<br />

from the Spirits. Reviewed by CM as part of the<br />

Red Rose Spirit system in AVguide, April 2003<br />

$1500–$2000<br />

INFINITY INTERMEZZO 2.6<br />

Price: $1500<br />

www.infinitysystems.com<br />

Another small two-way design, the Intermezzo<br />

features a curvilinear aluminum enclosure,<br />

ceramic-composite drivers, a self-powered<br />

mid/bass driver, and Infinity’s RABOS system,<br />

which impressively smoothes the dominant resonant<br />

peak of the room. The 2.6 is transparent,<br />

with excellent bass extension and a cool,<br />

somewhat clinical personality. It is dynamically<br />

unflappable at nearly any volume. Best performance<br />

comes when mounted on the dedicated<br />

(optional) floorstands. Reviewed by NG in<br />

Issue 134<br />

VANDERSTEEN 2CE SIGNATURE<br />

Price: $1549<br />

www.vandersteen.com<br />

This classic three-way floorstander delivers<br />

excellent top-to-bottom balance and an engaging<br />

musicality. Though not as transparent as<br />

comparably priced Magnepans, Vandersteen’s<br />

baffle-less time-and-phase-coherent design can<br />

nonetheless suggest the spatial focus usually<br />

heard with planars. It benefits from bi-wiring,<br />

should be placed away from walls, and careful<br />

attention must be given to adjusting the backtilt<br />

via the optional stands. Shane Buettner<br />

considers it “…a high performance speaker<br />

that might just be the best value in the industry.”<br />

Reviewed by SB in Issue 139<br />

MAGNEPAN MG 1.6<br />

Price: $1725<br />

www.magenpan.com<br />

Magnepan’s MG 1.6 is simply one of the great<br />

high-end speaker values. The bass is defined<br />

and tuneful down to a respectable 40Hz, and<br />

the highs are a little soft, but with its top-tobottom<br />

frequency coherence, great speed,<br />

wide-open soundstaging, and transparency, this<br />

moderately priced Maggie is a music lover’s<br />

pleasure. JV’s Recommended Systems, Issue 124<br />

POLK AUDIO LSI-15<br />

Price: $1740<br />

www.polkaudio.com<br />

A three-way tower,<br />

standing 45" tall,<br />

the LSi-15’s<br />

strengths are its<br />

smooth and detailed<br />

treble, which never<br />

irritates even at loud<br />

listening levels,<br />

thanks to the exceptional<br />

Vifa XT254<br />

ring-radiator tweeter,<br />

and an equally<br />

smooth and open<br />

midrange. Where the<br />

speaker falls short<br />

is in the bass, which<br />

has a lot of energy<br />

but not quite the<br />

tightness and control<br />

that would raise<br />

this otherwise excellent<br />

effort up a notch. Not tricky to set up, and<br />

works with a wide range of amps from<br />

20–250W. Reviewed by Anthony H. Cordesman<br />

in Issue 135<br />

AUDIO PHYSIC YARA<br />

Price: $1995<br />

www.immediasound.com<br />

Despite its small cabinet,<br />

this two-way, downward-firing<br />

bass-reflex design possesses<br />

exceedingly natural and<br />

extended low-frequency<br />

response, a rich midrange,<br />

and silky highs.<br />

<strong>Sound</strong>staging, too, is excellent,<br />

thanks in no small part<br />

to the ultra-narrow 6-inch<br />

front baffle. Its output limitations<br />

make this highly musical<br />

little floorstander best in<br />

smaller rooms with average<br />

ceiling heights. Reviewed by<br />

NG in Issue142<br />

PSB PLATINUM M2<br />

Price: $1995<br />

www.psbspeakers.com<br />

The aluminum-sheathed<br />

Platinum M2 shines in its<br />

40 THE ABSOLUTE SOUND ■ JUNE/JULY 2004

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