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<strong>The</strong> <strong>Furious</strong> <strong>Orlando</strong><br />
This is a great opera of the Italian literature!<br />
By students Savoia secondary school, 2nd year,<br />
class A.<br />
Liliana David and Iva Palombini are the teachers of<br />
Project.
THE FURIOUS ORLANDO<br />
LUDOVICO ARIOSTO<br />
He was born in Reggio Emilia in 1474.<br />
He was the first child of a big family<br />
and spent part of his life in Ferrara<br />
where he served the cardinal Ippolito<br />
of Este, brother of the duke Alfonso.<br />
Ariosto died in 1533 in Ferrara.<br />
It is a knightly poem. It deals with an invented story about<br />
<strong>Orlando</strong>, the famous Christian paladin, nephew of Carlo Magno,<br />
who falls in love with Angelica princess of Catai. <strong>Orlando</strong> has to<br />
afford good and bad adventures to follow Angelica who instead<br />
loves the squire Medoro. So <strong>Orlando</strong> becomes “furious” that is<br />
insane for pain.<br />
<strong>The</strong> poem also deals with the love between the warrior Ruggero<br />
and Bradamante: from their union the “Estense” line will be<br />
born; it will dominate Ferrara in XIV century.<br />
<strong>The</strong>re are a lot of stories interlaced to this: the wars between<br />
Christians and Saracens, the loves of other paladins for Angelica<br />
or for other women.<br />
It is a whole adventures that makes the plot very elaborated.
MAIN CHARACTER: ORLANDO<br />
THE PLACES<br />
<strong>The</strong> poem's acclimatized in a lot of places, both real and<br />
unreal. It happens from France and Spain to Catai or<br />
Africa. <strong>The</strong>re are unreal places such as the Moon world or<br />
the castle of Atlante and places of Christians and Pagans<br />
such as the Heaven and the Hell.<br />
<strong>Orlando</strong> is very different from the paladin who in the “Chanson de Roland” died<br />
sacrificing himself for the salvation of the Christians. Here, for love of Angelica,<br />
he forgets his honour, he faces dangers and inexpressible teste, he goes<br />
through spells, he is afraid, jealous and he became insane. <strong>The</strong> madness<br />
reduces him like a brute.
MAIN CHARACTER: ASTOLFO<br />
MAIN CHARACTER : ANGELICA<br />
She is the object of wish: all men are in love with her, Christian knights and<br />
Saracens. Princess of Katai, Angelica is ambitious, proud, astute and dispises the<br />
victims of her charm.<br />
<strong>Orlando</strong>’s cousin, he is an eccentric English prince and has magic powers and arms.<br />
He is the adventurous hero who arrives beyond the world, until the Moon to<br />
recover <strong>Orlando</strong>’s sense.<br />
He is a light and rational man who doesn’t involve himself for what happens
THE HIPPOGRIFF<br />
It is a mythological creature. Its name comes from the Greek words “hippos”<br />
(horse) and “grypos” (griffin). It is a winged creature with head and wings of an<br />
eagle, paws and chest of a lion and the rest of the body of a horse.<br />
<strong>The</strong> first description of it is by Ludovico Ariosto in his “<strong>Furious</strong> <strong>Orlando</strong>” in which<br />
Astolfo reaches the Moon to find <strong>Orlando</strong>’s lost mind.<br />
THE LOVE STORY BETWEEN ANGELICA AND MEDORO<br />
During her escape , Angelica arrives in a field where a beautiful young<br />
Saracen soldier lies hurted.<br />
That is Medoro, and Angelica falls in love with him: she cares him, she<br />
cures him, she marrys him and together leave the scene. But the signes<br />
of them love remain carved on the stones and the stones and on the tree<br />
trunks.
ORLANDO’S<br />
MADNESS<br />
Later <strong>Orlando</strong> passing in<br />
those places sees the<br />
inscriptions and knows<br />
the love of two lovers.<br />
Full of despair he flee in<br />
the wood, lies down<br />
three days and three<br />
nights, and than, at the<br />
break of fourth day, he<br />
gives himself up to a<br />
savage rage: trows his<br />
armour down, tears his<br />
wearing and, only with<br />
the power of his hands,<br />
upnoots the trees.
ASTOLFO ON THE HIPPOGRIFF<br />
Astolfo on the ippogriff goes to the Moon to look for<br />
<strong>Orlando</strong>’s mind.
ASTOLFO ON<br />
THE MOON<br />
In the white<br />
valleys of the<br />
moon there is all<br />
what the men<br />
have lost: the<br />
fame that doesn’t<br />
resist to the time,<br />
the prayers, the<br />
lovers’tears, the<br />
wasted time of<br />
players. People’s<br />
sense is closed in<br />
cruets on the<br />
Moon.
ORLANDO RECOVERS HIS SENSE<br />
To give <strong>Orlando</strong> his sense, it is sufficient top ut on his nose the cruet<br />
that Astolfo recovered on the moon and invale the contents. But it is<br />
easier to tell than to do with that mad. It takes five paladins to take him<br />
to the sense.<br />
By students Savoia secondary school, 2nd year, class A. Teachers: Liliana David and Iva Palombini