Professor Andrew Rothwell's publications - Swansea University

Professor Andrew Rothwell
Books
Publications
La Chute des temps / Time-Fall, by Bernard Noël (a new Translation, with
Critical Introduction). Halifax, NS: VVV Editions, 2006, 45 + 135pp. ISBN
0-9732098-8-7.
Thérèse Raquin, by Émile Zola (a new Translation, with Critical Introduction
and Notes). Oxford: Oxford University Press (World’s Classics), 1992.
Revised and reprinted 1998, reissued 2008. xl + 211pp. ISBN 970-0-19-
953685-6.
Textual Spaces: The Poetry of Pierre Reverdy. Amsterdam: Rodopi (Faux
Titre 42), 1989, 309pp. ISBN 90-5183-150-1.
Journal articles and book chapters
‘Bernard Noël et l’autre corps aéré de la peinture’, in Fabio Scotto (ed.),
Bernard Noël: le corps du verbe (Colloque de Cerisy). Lyon : ENS Editions,
2008, pp. 213-32. ISBN 978-2-84788-128-8
‘From Aquarium to Anatomist’s Table: Les Yeux Chimères and the Early
Poetics of Bernard Noël’, Modern Language Review, 102, 2007, pp.701-722
(including the complete text of Les Yeux Chimères in an appendix).

‘Robert Desnos parle surréaliste à volonté’, in Robertson, Eric and Marie-
Claire Barnet (ed.), Robert Desnos: Surrealism in the 21st Century. Peter
Lang, 2006, pp.76-106.
‘Traduire l’espace’, in René Piniès (ed.), Bernard Noël – Ecrire, Voir.
Carcassonne: Centre Joë Bousquet et son Temps, 2002 (n.p.).
(With Robert Clark and Mark Shuttleworth.) ‘Integrating Language
Technology into a Postgraduate Translation Programme’, in Belinda Maia et
al. (eds), Training the Language Services Provider for the New Millennium –
Proceedings of the III Encontros de Traduçâo de AsTra-FLUP. Porto:
Faculdade de Letras, Universidade de Porto, 2002, pp.63-70.
‘Dorny, Noël, Debré: Two Creative Dialogues’, in Jean Khalfa (ed.), The
Dialogue between Painting and Poetry: Livres d’Artistes 1874-1999.
Cambridge: Black Apollo Press, 2001, pp.127-151. ISBN 1-900355-256.
‘Incoherence and Allegory: Dada, Surrealism, and “La Glace sans tain” of
the First Automatic Text’, in Elmer Peterson (ed.), Paris Dada: The
Barbarians Storm the Gates (volume VI of Stephen C. Foster [Gen. Ed.],
Crisis and the Arts: The History of Dada). Detroit and London: Gale Group,
2001, pp.198-249. ISBN 0-8161-7374-5.
‘Le Surréalisme et la Peinture: a Spatial Hermeneutics’, in Ramona Fotiade
(ed.), André Breton – the Power of Language. Exeter: Elm Bank
Publications, 2000, pp.97-109.
‘Bernard Noël: Espace, Regard, Sens’, eds. Martin Heusser et al. Text and
Visuality: Word and Image Interactions 3. Amsterdam: Rodopi, 1999, pp.57-
64.
‘Commitment or Lip-Service ? Le Surréalisme au service de la révolution,
no. 1’, in James Dolamore (ed.), Making Connections. Essays in French
Culture and Society in Honour of Philip Thody. Bern, Berlin etc.: Peter
Lang, 1998, pp.109-124.
‘Espace du poème, chemins de la poésie: Pierre Albert-Birot en dialogue
avec Pierre Reverdy’, in Madeleine Renouard (ed.), Pierre Albert-Birot,
Laboratoire de la modernité. Paris: Jean-Michel Place, 1997, pp.41-51.
‘Revolution and Commitment in the Early French Avant-Garde’, Journal of
the Institute of Romance Studies, 4 (1996), pp.217-228.
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‘L’Or: Cendrars between Realism and Post-Modernism’, Essays in French
Literature, 32-33 (November 1995-1996), pp.81-115.
‘Représentation et Création dans La Joie des sept couleurs, de Pierre Albert-
Birot’, Australian Journal of French Studies, XXXII, 2 (1995), pp.187-218.
Articles on Théophile Gautier’s ‘L’Art’ and Nathalie Sarraute’s Tropismes,
in Reference Guide to World Literature. Detroit and London: St James Press,
1995, pp.460-61, 1076-7.
‘The “Querelle du poème en prose”: Pierre Reverdy’s Polemical Portraits of
Max Jacob, 1915-1925’, Nottingham French Studies, 31, 1 (1992), pp.51-66.
‘La deuxième manière de Reverdy et le “cœur” du poète’, in Y. Leclerc and
G. Cesbron (eds), Le Centenaire de Pierre Reverdy. Angers: Presses de
L’Université d’Angers, 1990, pp.169-192.
‘Reverdy’s Les Jockeys camouflés: from Aesthetic Polemic to Art poétique’,
in B. McGuirk (ed.), Pierre Reverdy 1889-1989. Reverdy Centenary issue of
Nottingham French Studies, 28, 2 (1989), pp.26-44.
‘Cubism and the Avant-garde Prose-Poem: Figural Space in Pierre Reverdy’s
Au Soleil du Plafond’, French Studies, XLII, 3 (1988), pp.302-319.
Translations
English translations of poetic texts by Béatrice Bonhomme, Michel Butor,
Alain Freixe, May Livory, Bernard Vargaftig, in Maccheroni: Books/Works
(ed Jean Khalfa), Trinity College, Cambridge, 2007, pp.40-44, 46-7, 70-77.
Bernard NOËL, Kijno: Stations of the Cross of Love (Kijno: Chemin de
croix de l’amour). Nice: Galerie Sapone, 2004, 99pp.
Arlette FONTAN, ‘The Female Sex in Religions’, in Danièle Rivière (Ed.),
Keep This Sex Out Of My Sight. Paris: Editions Dis Voir, 2003, pp.67-85.
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Bruno DUMONT, Humanity. Paris: Editions Dis Voir, 2001, 128pp.
Bruno DUMONT, Life of Jesus. Paris: Editions Dis Voir, 2001, 123pp.
Jacques BONNAVAL, ‘The Simple Story of a Little Chair’, in Jacques
Bonnaval , Claire Fayolle, François Bauchet. Paris: Editions Dis Voir, 2000,
pp.11-50.
Danièle RIVIERE / TSAÏ Ming-liang, ‘Scouting’, in Jean-Pierre Rehm,
Olivier Joyard, Danièle Rivière, Tsaï Ming-liang. Paris: Editions Dis Voir,
1999, pp.79-118.
Pascale CASSAGNAU, ‘Design in the 90s: Subtraction Objects’, in Pascale
Cassagnau and Christophe Pillet, Beef, Brétillot/Valette, Matali Crasset,
Patrick Jouin, Jean-Marie Massaud: Starck’s Kids ? Paris: Editions Dis Voir,
1999, pp.9-61.
Charles-Arthur BOYER, ‘Experience Made Sensible’, in Charles-Arthur
Boyer and Federica Zanco, Jasper Morrison. Paris: Editions Dis Voir, 1999,
pp.11-40.
Jacques DERRIDA, ‘Pregnant with Meaning’ (‘Prégnances’), in Colette
Deblé (Exhibition Catalogue). Leeds: University Gallery, 1998, pp.6-17.
Philippe LOUGUET, ‘The Flamboyant and Melancholic World of Borek
Sipek’, in Philippe Louguet and Dagmar Sedlicka, Borek Sipek. Paris:
Editions Dis Voir, 1998, pp.9-34.
David MARTINEZ, ‘Chasing the Metaphysical Express: Music in the Films
of Wong Kar-Wai’, in Jean-Marc Lalanne, David Martinez, Ackbar Abbas,
Jimmy Ngai, Wong Kar-Wai. Paris: Editions Dis Voir, 1997, pp.29-35.
Raymond GUIDOT, ‘From Jerusalem to London’, in Raymond Guidot,
Olivier Boissière, Ron Arad. Paris: Editions Dis Voir, 1997, pp.11-39.
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Bernard NOËL, ‘Opalka’s Details’ (‘Détails d’Opalka’), in Christine
Savinel, Jacques Roubaud, Bernard Noël, Roman Opalka. Paris: Editions Dis
Voir, 1996, pp.47-96.
Bernard NOËL, Exercice d’amour (libretto, for CD notes). Paris: Radio
France, 1996.
Jacques DUPIN, selections from Chansons troglodytes (1989) and Rien
encore tout déjà (1990), in David Kelly and Jean Khalfa (eds), The New
French Poetry. Newcastle upon Tyne: Bloodaxe Books, 1996, pp.66-91.
Jean-Michel MAULPOIX, extracts from Dans l’interstice (1991), in Kelly
and Khalfa, The New French Poetry, pp.204-211.
(With Maxim Silverman). English translations of 5 essays by Colette
GUILLAUMIN, in Racism, Sexism, Power and Ideology. London:
Routledge, 1995 (chs. 1, 3, 4, 5, 13).
Difference and Subjectivity (translation of Francis JACQUES, Différence et
Subjectivité. Paris: Aubier-Montaigne, 1982). New Haven and London: Yale
University Press, 1991, 374pp.
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