Nov.-Dec. 2011 - Maryland Institute College of Art
Nov.-Dec. 2011 - Maryland Institute College of Art
Nov.-Dec. 2011 - Maryland Institute College of Art
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Monday <strong>Art</strong>ist at Noon:<br />
Joyce J. Scott ’70<br />
Monday, <strong>Nov</strong>ember 28, Noon<br />
Brown Center:<br />
Falvey Hall, 1301 W. Mount Royal Ave.<br />
knoWn as the “Queen <strong>of</strong><br />
beadWork,” Joyce J. Scott ’70 creates<br />
provocative beaded sculptural forms and<br />
neck pieces that address political and<br />
social issues such as gender, race, and<br />
class struggle. A native Baltimorean,<br />
Scott is inspired by the three generations<br />
<strong>of</strong> storytellers, quilters, basket makers,<br />
and wood, metal, and clay workers that<br />
came before her as part <strong>of</strong> her African-<br />
American, Native-American and<br />
Scottish heritage. At this talk, Scott will<br />
speak about her artwork, life, and career.<br />
Joyce J. Scott (Courtesy Goya Contemporary and John Dean)<br />
Paul Chaat Smith<br />
Monday, <strong>Nov</strong>ember 28, 7 pm<br />
Brown Center:<br />
Falvey Hall, 1301 W. Mount Royal Ave.<br />
Paul Chaat smith is a Comanche<br />
author and curator whose work focuses on<br />
the contemporary landscape <strong>of</strong> American<br />
Indian politics and culture. Smith joined<br />
the Smithsonian’s National Museum <strong>of</strong><br />
the American Indian in 2001, where<br />
he currently serves as associate curator.<br />
He is the co-author <strong>of</strong> Like a Hurricane:<br />
the Indian Movement from Alcatraz to<br />
Wounded Knee, a standard text in Native<br />
studies and American history courses,<br />
and author <strong>of</strong> Everything You Know about<br />
Indians Is Wrong. He served as creative<br />
consultant for the PBS television series<br />
We Shall Remain: A Native History <strong>of</strong><br />
America. This talk is sponsored by the<br />
Humanities Department. His residency is<br />
made possible by the MFA in Curatorial<br />
Practice and Rinehart School <strong>of</strong> Sculpture<br />
programs with the support <strong>of</strong> the Center<br />
for Race and Culture.<br />
Paul Chaat Smith<br />
EVENTS & EXHIBITIONS 41<br />
Joyce J. Scott, Tanzanian Flayed Albino Man’s Face, seedbeads and<br />
thread, 2008 (Courtesy <strong>of</strong> Goya Contemporary).<br />
the monday artist at noon<br />
leCture series is organized by the Drawing,<br />
General Fine <strong>Art</strong>s, Painting, and Printmaking<br />
Senior Thesis programs. The <strong>Art</strong>@Lunch lecture<br />
series is organized by the Department <strong>of</strong> <strong>Art</strong> History,<br />
Theory, and Criticism with support from the Office<br />
<strong>of</strong> Academic Services.