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Titel Kino 2-2000 - German Films

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50<br />

Höre nie auf anzufangen –<br />

Der Ufa-Star Carola Höhn<br />

NEVER STOP BEGINNING – THE UFA-STAR CAROLA HÖHN<br />

Genre Documentary Director/Screenplay<br />

Robert Fischer Directors of Photography<br />

Florian Sutor, Dieter Hohnhausen, Leo Potesil,<br />

Hermann Sojewa, Achim Hepers, Brian Scully<br />

Editor Natalie Kurz Producer Loy W. Arnold<br />

Production Company BR, Munich, in coproduction<br />

with Transit Film, Munich, in cooperation<br />

with Friedrich-Wilhelm-Murnau-Foundation,<br />

Wiesbaden With Carola Höhn, Bruni Löbel,<br />

Hansi Wendler, Johannes Heesters, Eric Pleskow<br />

Length 50 min., 1.425 m. Format 35 mm,<br />

colour and b&w, 1:1,66 Original Version<br />

<strong>German</strong> Sound Technology Mono Comopt<br />

<strong>German</strong> Distributor Transit Film GmbH,<br />

Munich<br />

World Sales:<br />

Transit Film GmbH · Loy W. Arnold<br />

Dachauer Str. 35 · D-80335 Munich<br />

phone: +49-89-5 99 88 50 · fax: +49-89-59 98 85 20<br />

email: transitfilm@compuserve.com<br />

Percy Adlon<br />

Carola Höhn<br />

Between 1934 and the end of the war, Carola Höhn<br />

appeared in over 30 films. In April, April and Zu<br />

neuen Ufern she starred in films directed by<br />

Douglas Sirk. Johannes Heesters was her partner in<br />

Der Bettelstudent, Willi Forst in Königswalzer,<br />

Hans Moser in Liebe streng verboten and Heinz<br />

Rühmann in Hurra, ich bin Papa. Unlike the<br />

femme fatale Zarah Leander or the sing and dance<br />

queen Marika Rökk, Carola Höhn specialised in<br />

playing modern, intelligent, open-minded young<br />

women. After 1945 she made appearances on stage<br />

in Berlin, Vienna, Munich, Bremen and Hannover.<br />

She was the <strong>German</strong> voice of stars like Katherine<br />

Hepburn, Irene Dunne, Maureen O’Hara and<br />

Danielle Darrieux. Theses dubbing assignments<br />

brought her from Berlin to Munich in 1950.<br />

In 1994 Carola Höhn returned to the Berlin stage,<br />

playing the role of Mrs. Higgins in My Fair Lady at<br />

the Theater des Westens. ”Don’t ever begin to give<br />

up – don’t ever give up beginning“ is the motto of<br />

the ever-young and full-blooded actress.<br />

Robert Fischer has made this lively and passionate<br />

portrait, presenting numerous film clips, and newly<br />

shot footage of colleageus, friends and family, but<br />

above all – and in detail – Carola Höhn herself.<br />

Robert Fischer was born 1954 in Greven, Westphalia.<br />

He soon became one of <strong>German</strong>y’s foremost film historians,<br />

publishing books on Alfred Hitchcock, Orson Welles, David<br />

Lynch, Quentin Tarantino, Bernhard Wicki and François<br />

Truffaut. Together with Joe Hembus he wrote a history of<br />

the new <strong>German</strong> Cinema. After a five-year stint as Vice<br />

Director at the Munich Film Museum, Fischer switched to<br />

full-time filmmaking in 1999. His documentary film<br />

Monsieur Truffaut Meets Mr. Hitchcock was<br />

shown at numerous film festivals, including Locarno and<br />

Pordenone. He is currently developing a feature-length documentary<br />

on child actors as well as two feature films. His films<br />

are: Strange Behaviour Of Moving Pictures (1978,<br />

short), Monsieur Truffaut Meets Mr. Hitchcock<br />

(1999, documentary) and Never Stop Beginning -<br />

The Ufa Star Carola Höhn (<strong>2000</strong>, documentary.)

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