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10 FRIDAY, APRIL 8, 1994 THE RICE THRESHER ARTS & ENTERTAINMENT<br />

DENMARK ON THE ANDES<br />

Much lost in adaptation of Allende's 'House of the Spirits'<br />

B Y K R I S T I A N L I N<br />

"And he takes her <strong>to</strong> the wretched<br />

movies<br />

Where the heroes are horses or<br />

passionate princes."<br />

—Pablo Neruda<br />

One can only wonder what Neruda<br />

might have thought of Hollywood's<br />

treatment of a novel by Isabel Allende,<br />

one of his literary disciples. The House<br />

of the Spirits isn't bad in an overtly<br />

offensive way. That is, unless you remember<br />

Allende's splendid novel, on<br />

which this ill-conceived film is based.<br />

Allende's novel is a 50-year political<br />

his<strong>to</strong>ry of Chile seen through the<br />

eyes of one Chilean family. Esteban<br />

Trueba Qeremy Irons) earns a fortune<br />

in gold mines and marries Clara<br />

del Valle (Meryl Streep). They live at<br />

Esteban's huge estate, called Tres<br />

Marias, with his spinster sister Ferula<br />

(Glenn Close).<br />

As the political predominance of<br />

Chile's Conservative Party comes <strong>to</strong><br />

an end, revolution threatens the opulent<br />

Trueba lifestyle. Esteban and<br />

Clara's daughter, Blanca (Winona<br />

Ryder), becomes involved with a revolutionary<br />

peasant (An<strong>to</strong>nio Banderas).<br />

Danish writer/direc<strong>to</strong>r Bille Au-<br />

gust seems <strong>to</strong> have had many problems<br />

adapting Allende's highly<br />

uncinematic noveL The film was shot<br />

on location in Portugal and in Danish<br />

film studios, so the film's ambience is<br />

colonial European rather than Chilean.<br />

A more serious flaw is that entire<br />

characters have been cut from the<br />

film or neglected. What emerges is<br />

The result is<br />

uniformly dull, and<br />

in view of what<br />

went in<strong>to</strong> the<br />

making of this<br />

film, that's a huge<br />

disappointment.<br />

the barest skele<strong>to</strong>n of the book's plot<br />

August's concentration on the novel's<br />

melodrama has shortchanged the socioeconomic<br />

aspects of the rise and<br />

fall of Chilean Communism.<br />

In this context, Allende's <strong>to</strong>uches<br />

of magical realism are wildly out of<br />

place. Clara's clairvoyance and ability<br />

<strong>to</strong> move objects with her mind don't<br />

add <strong>to</strong> your u nderstanding of her character.<br />

Another problem is that August,<br />

who isn't a native English speaker, is<br />

trying <strong>to</strong> adapt a Spanish-language<br />

novel in<strong>to</strong> English. This explains lines<br />

of dialogue such as, "I curse you,<br />

Esteban," and "Papa, you stubborn<br />

old fool!" but doesn't make them any<br />

less hard on the ears.<br />

The hugely talented cast is badly<br />

misused; obviously none of the stars<br />

are remotely Chilean. Streep ages well<br />

during the course of the film, but filmmakers<br />

have long since learned that<br />

you don't getvery far by making Streep<br />

the emotional core of your film. The<br />

script has given her nothing, so she<br />

passes in and out of the film without<br />

making any impression. The character<br />

has none of the spiritual and intellectual<br />

force that Allende conveyed so<br />

powerfully in the noveL<br />

August makes a huge mistake in<br />

having Ryder do the voice-over narration.<br />

Dramatic pictures tend <strong>to</strong> drain<br />

the color from her voice, and this<br />

one's noexception. Her character also<br />

has a daughter, and if there's one<br />

thing Ryder definitely isn't, it's<br />

someone's mother.<br />

But August pulls most of his<br />

punches. He manages one genuine<br />

shock in the whole film an<br />

unobtrusive cut <strong>to</strong> Ryder, lying in the<br />

corner of a room, beaten and <strong>to</strong>rtured<br />

almost beyond recognition by soldiers.<br />

But be<strong>cause</strong> her character is so poorly<br />

developed, you either pity her in an<br />

abstract way (people should not be<br />

treated this way) or you feel sorry for<br />

Ryder as an actress rather than as a<br />

Sampler<br />

FROM PAGE 8<br />

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SON OF ALTERED BEAST<br />

Remix/live albums are annoying.<br />

If you want <strong>to</strong> heara songyou like live,<br />

go see the fucking band! If you want <strong>to</strong><br />

hear the tunes played straight, get the<br />

studio album; if you want <strong>to</strong> hear it<br />

<strong>to</strong>ssed around and rocked out, well, I<br />

doubt many live albums have ever<br />

captured the energy of a live show<br />

very well.<br />

Enough bitching; now I get <strong>to</strong> be<br />

hypocritical. I like thisalbum, butthat's<br />

partly be<strong>cause</strong> I never got around <strong>to</strong><br />

getting Altered Beast myself, and so<br />

most of these tunes are new <strong>to</strong> me.<br />

No matter how I look at it, "Devil<br />

With The Green Eyes" is a master-<br />

character.<br />

Thefilmversion of The House of the<br />

Spirits sacrifices the novel's social his<strong>to</strong>ry<br />

and whimsical <strong>to</strong>uches in favor of<br />

trying <strong>to</strong> capture the book's epic sweep<br />

— and be<strong>cause</strong> it's so chopped-up, it<br />

fails even in that The result is uniformly<br />

dull, and in view of what went<br />

in<strong>to</strong> the making of this film, that's a<br />

huge disappointment<br />

piece of pained brilliance. The other<br />

studio track on here, "Ultrasuede," is<br />

decent, <strong>to</strong>o — it grooves.<br />

On the remaining five tracks, all<br />

live in-concert takes, there's one key:<br />

guitar. Whoa Richard Lloyd is a guitar<br />

genius; he throws off bluesy,<br />

screaming leads with an ease that<br />

doesn't take anything at all from their<br />

manic intensity. More grimy, gritty,<br />

blues-ridden guitar than a whole convention<br />

of R.E.M.S (however much<br />

that might be).<br />

"Superdeformed," a tune released,<br />

as far as I know, only on the No Alternative<br />

benefit album, does much better<br />

when free of all the studio gimmicks.<br />

The voice-synth stuff here is<br />

much less up-front — it comes out<br />

sounding like Sweet's singing harmony<br />

with DarthVader, which is kinda<br />

cool.<br />

"Don't Cry No Tears," on the other<br />

hand, is a treat—a rockin' Neil Young<br />

cover full of overdriven guitars so thick<br />

you can feel the dirt through the headphones.<br />

So—not all live albums suck. Just<br />

most live albums. Some, like this one,<br />

have the power <strong>to</strong> make you sit up and<br />

wonder why in the hell you didniljust<br />

go see the band the last time they<br />

came through.<br />

And there's something <strong>to</strong> be said<br />

for vicarious pleasure, I guess.<br />

Just don't get me started on remix<br />

albums.<br />

m ..<br />

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Penny beer 10-12, OJ "Mr. Ed" Madonio,<br />

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anything goes w/our Thursday house band<br />

FRIDAY - Lounge Rock Sounds<br />

NO COVER the rest of Fridays in April<br />

4/8 - R&B from San An<strong>to</strong>nio's THE INFIDELS<br />

SATURDAY - Blues Doubleshot<br />

2 blues bands, 2 stages. 1 cover, just S3<br />

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