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Indonesia: Peoples and Histories - Tengku Muhammad Dhani Iqbal

Indonesia: Peoples and Histories - Tengku Muhammad Dhani Iqbal

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COMMUNITIES AND KINGDOMS<br />

struction of new mosques, not the exploration of old ones. The past which is<br />

preserved <strong>and</strong> presented for tourism <strong>and</strong> in textbook photographs appears detached<br />

from histories experienced by citizens of the world’s largest Muslim<br />

country.<br />

With no visible past, we turn again to things made of metal <strong>and</strong> stone. Unlike<br />

the machetes, axes, <strong>and</strong> drums that tell earliest histories, these objects have<br />

words written on them. The soil of <strong>Indonesia</strong>’s mountainsides, forests, <strong>and</strong><br />

plains has thrown up texts on stone, gold, copper, ceramic, <strong>and</strong> bone. Inscribed<br />

objects often exist outside of a context, not in relation to any other object<br />

or to the remains of an ancient building such as a palace, library or<br />

monastery. The oldest written text from <strong>Indonesia</strong> is chiseled on seven stone<br />

pillars, the only evidence that has survived of the fifth-century Kalimantan<br />

king, Mulavarman, <strong>and</strong> his subjects. The contents of inscriptions provide<br />

snapshots of moments in the ongoing life of a community. Inscriptions cannot<br />

be taken to describe centuries or society in all its classes <strong>and</strong> concerns. Nor do<br />

the materials preserving <strong>Indonesia</strong>’s ancient texts represent all forms of writing<br />

surfaces. Animal skins, tree bark, <strong>and</strong> leaves survive only from modern times.<br />

Even more durable writing materials may disappear. Rainfall <strong>and</strong> humidity<br />

wear away stones, <strong>and</strong> lichens <strong>and</strong> plants may render their surfaces unreadable.<br />

Stones may also be hauled away by later generations to build temples in honor<br />

of new gods.<br />

Inscribed objects retrieved from <strong>Indonesia</strong>’s modern l<strong>and</strong>scapes convey<br />

histories of communities <strong>and</strong> kingdoms that were located at intersections of<br />

l<strong>and</strong> <strong>and</strong> sea routes. They tell histories of itinerant men, of their employers, of<br />

communities stratified by wealth, occupation, physical mobility, <strong>and</strong> gender.<br />

They give a history of intellectual exchange <strong>and</strong> innovation, <strong>and</strong> a history of<br />

communities interacting within the archipelago <strong>and</strong> with cities on Asia’s mainl<strong>and</strong>.<br />

WRITING, LANGUAGE, AND SCRIPT<br />

Four components of writing are language, writing system, writing<br />

material, <strong>and</strong> content. The writing systems in which <strong>Indonesia</strong>n languages<br />

are rendered tell of a history of contact with other societies, of<br />

training <strong>and</strong> travel by professional writers, <strong>and</strong> of their links to skilled<br />

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