Scaliger and Castelvetro - Yavanika
Scaliger and Castelvetro - Yavanika
Scaliger and Castelvetro - Yavanika
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ldius Caesar <strong>Scaliger</strong> 119<br />
lauguage is used, the purpose, of course, is to acquaint the hcarer u'ith a<br />
fact or u'ith the thotght of the speaker, but because thc prinitivc poetry<br />
\vas sung, its design seemed nerelt' to please; ,vet underll"ing thc nusic rvas<br />
that for the sake of rvhich music u'as provided only as a sauce. In tirne this<br />
rude <strong>and</strong> pristinc invention u.as enriched bv philosophy, which rrade poetry<br />
thc mediun of its teaching. l,et it be fLrrthcr said that when poetrv de'<br />
scribcs nilitarv counscls, at one tirnc open <strong>and</strong> frank, at another craftvthe<br />
o,po,is11pn of the Greeks-u,hcn it tclls of tenpcsts, of wars, of routs,<br />
of various artificcs, all is for onc purpose: it iuritates that it mav teach.<br />
So in The Frogs of Aristophancs, to thc one uho asked hin, "\\ttat ncrit<br />
in a poet can arouse the grcatest aclniration for hin?" Euripidcs made a<br />
good ansg,er utcn hc rcpliccl, "'l'hc abilitl to irnprcss adroith,upon citlzens<br />
the need of being bctter rnen." . . .<br />
Non' is there not one cnd, <strong>and</strong> onc onlr', in philosophical exposition, in<br />
or:ttor\', ancl in the dranta? Assurcdh such is the casc. All have one <strong>and</strong><br />
thc same encl-persuasion; for, r'ou scc, just as we ucre saying abovc, uhenever<br />
language is uFdlT cither exprcsses a fact or the opinion of the speaker.<br />
The cnd of learning is knoulcclge, that is, knouledge, of course, interprcted<br />
in no narrorv scnsc. An accurate <strong>and</strong> sinplc de6nition of knorvlcclge is as<br />
follols: Belief based either upotr conclusive evidcnce, or upon a loose notion.<br />
'l}us "I<br />
u e sar. knol that Dido comnittcd suicide bccausc Aeneas departed."<br />
Nou u'e do not kuorv artt such thing, but this is popularly acccpted<br />
as the truth. Pcrsuasiou, again, neans that the hcarcr accepts thc Iords of<br />
the spcakcr. T'he soLrl of persuasion is truth, truth either fixed <strong>and</strong> absolute,<br />
or suscqrtible of qucstion. Its cnd is to corvince, or to securc the<br />
doing of something. Truth, in turn, is agreernent betrvccn that u'hich is<br />
sajcl about a thing <strong>and</strong> thc thinq itself. . . .<br />
. Comedl is a