ArchiAfrika-April-Magazine-English-final-v2
ArchiAfrika-April-Magazine-English-final-v2
ArchiAfrika-April-Magazine-English-final-v2
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
My Vista<br />
Let us look at the conservation of town<br />
planning, landscaping and architecture from<br />
1895 onwards. The year 1895 is not chosen<br />
arbitrarily. Being the year the East African<br />
Protectorate was founded, it becomes the<br />
year before which all tangible artefacts are<br />
automatically protected according to the<br />
National Museums and Heritage Act of<br />
Kenya (2006).<br />
Since my first encounter with Kenya in 1978<br />
I have been impressed by the surprisingly<br />
high quality of architecture. During my<br />
annual trips to Kenya since 2007 I have<br />
photographed buildings with a great passion.<br />
A lecture called “Built Beauty” was written as<br />
an account of this interaction and delivered<br />
to a professional audience in Kenya in 2012.<br />
Many were surprised by the presented<br />
buildings and cultural landscapes.<br />
Largely inspired by a variety of imported styles,<br />
modern and recent constructions also make<br />
a striking impression with their individual<br />
style. Slowly, however, at the present moment<br />
buildings and structures from the first half of<br />
the 20th century are disappearing. This was<br />
the epoch in which Kenya was suddenly - and<br />
with force - pushed into the modern world<br />
and became a part of a global community. In<br />
fact, lots of new structures remind us of this<br />
fascinating (and often frustrating) period.<br />
However, since Kenya is a relatively young<br />
nation, much attention has gone to other<br />
priorities rather than to research and document<br />
the built past. The enormous increase in<br />
both population and economic growth are<br />
determining the course of development.<br />
Concerned individuals see that this tendency<br />
of uncoordinated demolitions also destroys<br />
the sources from which contemporary<br />
architecture has consistently been drawn.<br />
78 79