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Re-Writing Trent, or What Happened to Italian Literature in the Wake ...

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Indeed, it is very hard, survey<strong>in</strong>g <strong>the</strong> list of twenty poetic w<strong>or</strong>ks <strong>in</strong>cluded f<strong>or</strong> <strong>the</strong> first time, <strong>to</strong><br />

identify any clear method <strong>or</strong> system beh<strong>in</strong>d <strong>the</strong>ir selection f<strong>or</strong> censure. Conta<strong>in</strong>ed <strong>in</strong> <strong>the</strong> list<br />

are poets clearly deemed <strong>to</strong> be imm<strong>or</strong>al, such as Nicolò Franco (c.1515-1570), whose opera<br />

omnia is prohibited. 15 It also <strong>in</strong>cludes illustrious names such as <strong>the</strong> Venetians Pietro Bembo<br />

(1470-1547) (whose Rime are banned until <strong>the</strong>y have been adequately expurgated) and<br />

Gabriel Fiamma (1533-85), alongside <strong>the</strong> now almost entirely unknown Bolognese Vitale<br />

Papazzoni (c.1530-after 1600), whose Rime were published once only, <strong>in</strong> Venice <strong>in</strong> 1572. 16<br />

Ra<strong>the</strong>r surpris<strong>in</strong>gly, three volumes of collected Petrarchism make an appearance, one by a<br />

group of Tuscan auth<strong>or</strong>s, one addressed <strong>to</strong> <strong>the</strong> gentlewomen of Rome, and <strong>the</strong> second volume<br />

only of Gabriel Gioli<strong>to</strong>‟s famous series of Petrarchan anthologies. 17 To give an idea of how<br />

unusual <strong>the</strong> Parma Index‟s concern with poetry is, twelve of <strong>the</strong> twenty w<strong>or</strong>ks censured <strong>in</strong><br />

Parma were subsequently <strong>in</strong>cluded on <strong>the</strong> Roman Indexes of 1590 and 1593, and only four<br />

new poetic w<strong>or</strong>ks were added <strong>to</strong> <strong>the</strong> Index <strong>in</strong> 1590. The Clement<strong>in</strong>e Index of 1596 <strong>in</strong>cludes<br />

none of <strong>the</strong> poetic w<strong>or</strong>ks previously cited.<br />

<strong>What</strong>ever <strong>the</strong> reasons f<strong>or</strong> a certa<strong>in</strong> paranoia about poetic texts <strong>in</strong> Parma <strong>in</strong> 1580, what<br />

is clear is that a <strong>to</strong>tal of twenty banned poetic texts is a laughably small number when we<br />

consider <strong>the</strong> production of <strong>the</strong> <strong>Italian</strong> presses throughout <strong>the</strong> sixteenth century <strong>to</strong> meet a<br />

15 Franco’s Rime contro Pietro Aret<strong>in</strong>o had already appeared <strong>in</strong> <strong>the</strong> Indexes of 1559 and 1564: see Thesaurus de<br />

la littérature <strong>in</strong>terdite, p.189. The auth<strong>or</strong> was beheaded <strong>in</strong> 1570 f<strong>or</strong> writ<strong>in</strong>g satirical verses aga<strong>in</strong>st <strong>the</strong> pope:<br />

f<strong>or</strong> m<strong>or</strong>e <strong>in</strong>f<strong>or</strong>mation see Paul F. Grendler, Critics of <strong>the</strong> <strong>Italian</strong> W<strong>or</strong>ld, 1530-1560: An<strong>to</strong>n Francesco Doni,<br />

Nicolò Franco, and Ortensio Lando (Madison: University of Wiscons<strong>in</strong> Press, 1969); Carlo Simiani, La vita e le<br />

opere di Nicolò Franco (Tur<strong>in</strong>-Rome: L. Roux, 1894).<br />

16 On Bembo’s Rime see Brian Richardson, ‘From Scribal Publication <strong>to</strong> Pr<strong>in</strong>t Publication: Pietro Bembo’s Rime,<br />

1529-1535’, Modern Language <strong>Re</strong>view, 95 (2000), 684-95. On Fiamma’s Rime Spirituali and o<strong>the</strong>r w<strong>or</strong>ks, see<br />

Carlo Ossola, ‘Il “que<strong>to</strong> travaglio” di Gabriele Fiamma’, <strong>in</strong> Letteratura e critica: studi <strong>in</strong> on<strong>or</strong>e di Natal<strong>in</strong>o<br />

Sapegno (Rome: Bulzoni, 1976), III, pp.239-86. On Papazzoni’s Rime see Walter L. Bullock, ‘Vitale Papazzoni: A<br />

Whimsical Petrarchista of <strong>the</strong> C<strong>in</strong>quecen<strong>to</strong>’, Italica, 12 (1935), 51-65.<br />

17 Primo volume della scielta di stanze di diversi aut<strong>or</strong>i <strong>to</strong>scani, raccolte da M. Agost<strong>in</strong>o Ferentelli (Venice: Gli<br />

eredi di Melchi<strong>or</strong>re Sessa ad <strong>in</strong>stantia dei Giunti di Firenze, 1571); Per donne romane. Rime di diversi raccolte<br />

et dedicate al Sign<strong>or</strong> Giacomo Buoncompagni da Muzio Manfredi (Bologna: Alessandro Benacci, 1575); Rime di<br />

diversi nobili huom<strong>in</strong>i et eccellenti poeti nella l<strong>in</strong>gua thoscana. Libro secondo... (Venice: Gioli<strong>to</strong>, 1547).<br />

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