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Daleks' Invasion Earth<br />

2150 A.D.<br />

Sun 5 May, 16:00<br />

After Dr. Who And The Daleks became a British box office hit<br />

in 1965, producers Milton Subotsky and Max J. Rosenberg<br />

quickly set to work on a sequel. Bringing back Peter Cushing<br />

for the lead role and Scottish director Gordon Flemyng to<br />

helm the project, the second outing again adapts one of the<br />

BBC serials. Dr. Who and his companions (including Bernard<br />

Cribbins as a baffled police constable) travel into the future to<br />

discover that the Earth has been overrun by the Daleks, with<br />

the human race enslaved. Teaming up with underground<br />

resistance groups, can the time travellers foil the Daleks' plan<br />

to mine the Earth's core? As DVD Drive-In accurately sums<br />

up “the films are good juvenile fun with dazzling sets, a<br />

decent amount of action and the great Peter Cushing playing<br />

the Doctor in his own, unique and affable way.”<br />

Dir: Gordon Flemyng<br />

UK 1966 / 1h24m / Digital / English / U<br />

Kiss of the Damned<br />

Preview<br />

Sun 5 May, 20:45<br />

Following the acclaimed documentary Z Channel: A<br />

Magnificent Obsession, Xan Cassavetes makes her fictional<br />

feature debut with a film that pays homage to arthouse<br />

vampire classics such as Harry Kümel's Daughters of<br />

Darkness and the late Tony Scott's The Hunger. Djuna<br />

(Josephine de La Baume) is a beautiful vampire who tries to<br />

resist the advances of the handsome, human screenwriter<br />

Paolo (Milo Ventimiglia). Eventually they give in to their<br />

passion and a whirlwind romance ensues, but their<br />

relationship is thrown into turmoil when Djuna’s sister Mimi<br />

(Roxane Mesquida) comes to visit. Indiewire says that Kiss<br />

of the Damned “weaves an intoxicating spell... rarely seen<br />

outside of shopworn VHS tapes of old European horror<br />

movies.” This screening will be preceded by a chance to see<br />

Run (UK 2012, 7m), directed by Mat Johns.<br />

Dir: Xan Cassavetes<br />

USA 2012 / 1h37m / Digital / English / cert tbc<br />

24 www.dca.org.uk<br />

The ABCs Of Death<br />

Sun 5 May, 18:00<br />

Twenty-six short films, from 26 directors, illustrating 26 ways<br />

to die in what Fangoria describe as “a stunning roll call of<br />

some of the most exciting names in horror across the world”.<br />

Xavier Gens (The Divide), Ben Wheatley (Kill List) Ti West (The<br />

House Of The Devil), Simon Rumley (Red, White and Blue)<br />

and Jason Eisener (Hobo with a Shotgun) are among the<br />

filmmakers who contributed to perhaps the most ambitious<br />

anthology movie ever conceived. The directors were given<br />

free reign in choosing a word starting with each letter from<br />

the alphabet to create a story involving death. Provocative,<br />

shocking, funny and ultimately confrontational, The ABCs Of<br />

Death is the definitive vision of modern horror diversity. The<br />

BBFC have rated this film 18, due to “strong violence, gore,<br />

sex, sexual violence and hard drug use.” You have been<br />

warned.<br />

Dirs: Various<br />

USA-New Zealand 2012 / 2h4m / Digital / English / 18<br />

Body Double<br />

Sun 5 May, 22:30<br />

De Palma may have followed the bombastic gangster epic<br />

Scarface with this relatively small-scale thriller, but the<br />

filmmaker continued to court controversy with an unflinching<br />

blend of violence and sexuality. A string of bad luck finds<br />

actor Jake Scully (Craig Wasson) fired from a low-budget<br />

horror movie and homeless after discovering his girlfriend's<br />

infidelity. Things start to look up when he finds himself<br />

house-sitting, with a neighbour who dances erotically in front<br />

of her window every night, but Jake notices another man is<br />

also watching her. Seduction, mystery, and murder follow.<br />

Critics were harsh on Body Double when it was originally<br />

released in 1984, with many complaining that the plot is a<br />

blatant combination of Rear Window and Vertigo. This may<br />

be true, but De Palma's stylish cinematography, black<br />

humour and film industry in-jokes make the film his own,<br />

underrated classic.<br />

Dir: Brian De Palma<br />

USA 1984 / 1h54m / Digital / English / 18

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