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Daleks' Invasion Earth<br />
2150 A.D.<br />
Sun 5 May, 16:00<br />
After Dr. Who And The Daleks became a British box office hit<br />
in 1965, producers Milton Subotsky and Max J. Rosenberg<br />
quickly set to work on a sequel. Bringing back Peter Cushing<br />
for the lead role and Scottish director Gordon Flemyng to<br />
helm the project, the second outing again adapts one of the<br />
BBC serials. Dr. Who and his companions (including Bernard<br />
Cribbins as a baffled police constable) travel into the future to<br />
discover that the Earth has been overrun by the Daleks, with<br />
the human race enslaved. Teaming up with underground<br />
resistance groups, can the time travellers foil the Daleks' plan<br />
to mine the Earth's core? As DVD Drive-In accurately sums<br />
up “the films are good juvenile fun with dazzling sets, a<br />
decent amount of action and the great Peter Cushing playing<br />
the Doctor in his own, unique and affable way.”<br />
Dir: Gordon Flemyng<br />
UK 1966 / 1h24m / Digital / English / U<br />
Kiss of the Damned<br />
Preview<br />
Sun 5 May, 20:45<br />
Following the acclaimed documentary Z Channel: A<br />
Magnificent Obsession, Xan Cassavetes makes her fictional<br />
feature debut with a film that pays homage to arthouse<br />
vampire classics such as Harry Kümel's Daughters of<br />
Darkness and the late Tony Scott's The Hunger. Djuna<br />
(Josephine de La Baume) is a beautiful vampire who tries to<br />
resist the advances of the handsome, human screenwriter<br />
Paolo (Milo Ventimiglia). Eventually they give in to their<br />
passion and a whirlwind romance ensues, but their<br />
relationship is thrown into turmoil when Djuna’s sister Mimi<br />
(Roxane Mesquida) comes to visit. Indiewire says that Kiss<br />
of the Damned “weaves an intoxicating spell... rarely seen<br />
outside of shopworn VHS tapes of old European horror<br />
movies.” This screening will be preceded by a chance to see<br />
Run (UK 2012, 7m), directed by Mat Johns.<br />
Dir: Xan Cassavetes<br />
USA 2012 / 1h37m / Digital / English / cert tbc<br />
24 www.dca.org.uk<br />
The ABCs Of Death<br />
Sun 5 May, 18:00<br />
Twenty-six short films, from 26 directors, illustrating 26 ways<br />
to die in what Fangoria describe as “a stunning roll call of<br />
some of the most exciting names in horror across the world”.<br />
Xavier Gens (The Divide), Ben Wheatley (Kill List) Ti West (The<br />
House Of The Devil), Simon Rumley (Red, White and Blue)<br />
and Jason Eisener (Hobo with a Shotgun) are among the<br />
filmmakers who contributed to perhaps the most ambitious<br />
anthology movie ever conceived. The directors were given<br />
free reign in choosing a word starting with each letter from<br />
the alphabet to create a story involving death. Provocative,<br />
shocking, funny and ultimately confrontational, The ABCs Of<br />
Death is the definitive vision of modern horror diversity. The<br />
BBFC have rated this film 18, due to “strong violence, gore,<br />
sex, sexual violence and hard drug use.” You have been<br />
warned.<br />
Dirs: Various<br />
USA-New Zealand 2012 / 2h4m / Digital / English / 18<br />
Body Double<br />
Sun 5 May, 22:30<br />
De Palma may have followed the bombastic gangster epic<br />
Scarface with this relatively small-scale thriller, but the<br />
filmmaker continued to court controversy with an unflinching<br />
blend of violence and sexuality. A string of bad luck finds<br />
actor Jake Scully (Craig Wasson) fired from a low-budget<br />
horror movie and homeless after discovering his girlfriend's<br />
infidelity. Things start to look up when he finds himself<br />
house-sitting, with a neighbour who dances erotically in front<br />
of her window every night, but Jake notices another man is<br />
also watching her. Seduction, mystery, and murder follow.<br />
Critics were harsh on Body Double when it was originally<br />
released in 1984, with many complaining that the plot is a<br />
blatant combination of Rear Window and Vertigo. This may<br />
be true, but De Palma's stylish cinematography, black<br />
humour and film industry in-jokes make the film his own,<br />
underrated classic.<br />
Dir: Brian De Palma<br />
USA 1984 / 1h54m / Digital / English / 18