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Cinema

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New Films<br />

White Elephant<br />

Elefante blanco<br />

Fri 10 – Thu 16 May<br />

After his compelling looks at life in a women’s<br />

prison (Leonera) and insurance scams (Carancho)<br />

Argentinean filmmaker Pablo Trapero continues<br />

his trajectory of tackling difficult issues. White<br />

Elephant takes a serious look at the ever<br />

widening financial gulf between the social<br />

classes in his native country.<br />

Bringing together Trapero’s regular leading actor<br />

Ricardo Darín and the incomparable Martina<br />

Guzman (the director’s wife), White Elephant<br />

recounts the everyday problems encountered by<br />

those unsung heroes who are trying to make a<br />

difference in the community. Two priests (Darin<br />

and Belgian actor Jérémie Renier) who live in a<br />

shanty town called Villa Virgin are desperately<br />

working to open a new hospital in the region.<br />

When gang-related violence and growing<br />

tensions between the people on the streets come<br />

to breaking point, the two men find inspiration in<br />

the work of local social worker Luciana (Gusman),<br />

who brings hope and optimism to the project.<br />

As with all his work, Trapero focuses on the<br />

impact larger social problems have on the<br />

individuals who live with them on a daily basis.<br />

There is a sense of optimism in this film which<br />

centres around faith: not just in a religious sense,<br />

but in the possibility of people working together<br />

for a common good.<br />

Dir: Pablo Trapero<br />

Argentina / Spain / France 2012 / 1h50m /<br />

Digital / cert tbc<br />

Spanish with English subtitles<br />

8 www.dca.org.uk<br />

Mud<br />

Fri 17 – Thu 23 May<br />

Following the atmospheric marvel that was Take Shelter,<br />

writer-director Jeff Nichols’ new film Mud is a coming-of-age<br />

adventure story set in the deep South. It explores the very<br />

essence of the American male, codes of honour and<br />

traditional communities being threatened by modernity.<br />

Ellis (Tye Sheridan) and his best friend Neckbone (Jacob<br />

Lofland) live in an idyllic setting that most boys can only dream<br />

of. But their small community on the banks of the Arkansas<br />

Delta is far from a paradise, as their parents struggle with<br />

unemployment and inertia. When a mysterious stranger turns<br />

up on an island the boys are forbidden to visit, they find their<br />

quiet lives changed for ever. Ellis is drawn to Mud (Matthew<br />

McConaughey) and agrees to help him hide from the<br />

authorities and old enemies while they wait for Mud’s long-lost<br />

love Juniper (Reese Witherspoon) to show up. Their friendship<br />

will become a defining one in Ellis’ life as he learns that in the<br />

adult world, truth can be as murky as the water he calls home.<br />

While the perfectly cast McConaughey shows us once again<br />

that he was wasting his considerable talent for years with<br />

forgettable rom-coms, Mud’s rural setting is as important as<br />

the bit players who round out this great cast (including Sam<br />

Shepard and Michael Shannon). The film’s gentle pace allows<br />

the viewer to understand the complex history which motivates<br />

its characters. With references to Night of the Hunter and<br />

Huckleberry Finn, Nichols weaves a rich narrative and<br />

cements his reputation as a great American cinematic<br />

storyteller.<br />

Dir: Jeff Nichols<br />

USA 2012 / 2h10m / Digital / 12A<br />

Bring a Baby screening Thu 6 June, 10:30

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