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Vintage film<br />
On The Waterfront<br />
Sun 5 May, 14:15<br />
A massively controversial film upon its initial release,<br />
Elia Kazan and Budd Schulberg’s drama about union<br />
corruption on the New York docks won eight Academy<br />
Awards, but was also condemned as an apology for the<br />
director and writer’s mutual decision to testify before the<br />
House of Un-American Activities. However, with the<br />
benefit of hindsight, On the Waterfront is simply one of<br />
the great Hollywood films. This is one of those rare<br />
works in which absolutely everything comes together.<br />
There’s Kazan’s amazingly atmospheric direction;<br />
Schulberg’s poetic, slang-laden script; Boris Kaufman’s<br />
remarkable cinematography; and Richard Day’s art<br />
direction which pulls off the difficult trick of merging a<br />
realist docudrama aesthetic with noirish melodrama and<br />
more than a hint of religious allegory. Then there are the<br />
flawless, method-inspired performances of Marlon<br />
Brando, Rod Steiger, Karl Malden, Lee J Cobb, and<br />
Eva Marie Saint, which changed the face of American<br />
screen acting. Essential viewing.<br />
Dir: Elia Kazan<br />
USA 1954 / 1h48m / Digital / PG<br />
22 26 www.dca.org.uk<br />
Scarecrow<br />
Sat 18 May, 13:00<br />
Scarecrow, Jerry Schatzberg's poignant road movie, is<br />
one of those eccentric and risky gems that Hollywood<br />
seemed to make a habit of producing in the late 1960s<br />
and early 70s. However, it has undeservedly fallen into<br />
cultish obscurity. Indeed, no film with such an<br />
impressive pedigree deserves to be so little known. It<br />
stars two of Hollywood's finest actors, Al Pacino and<br />
Gene Hackman, as a pair of lonely drifters who form an<br />
unlikely friendship and both are on peak form (this is<br />
Hackman’s own favourite performance). Sadly, the<br />
American public did not take to this highly unusual film,<br />
which is more interested in character than plot, and<br />
which is by turns comic and tragic, dream-like and<br />
realistic, poetic and violent. But it was rightly hailed as<br />
a masterpiece on the continent, where it went on to win<br />
the Palme d'Or at the 1973 Cannes Film Festival.<br />
Dir: Jerry Schatzberg<br />
USA 1973 / 1h50m / Digital / 18