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Vintage film<br />

On The Waterfront<br />

Sun 5 May, 14:15<br />

A massively controversial film upon its initial release,<br />

Elia Kazan and Budd Schulberg’s drama about union<br />

corruption on the New York docks won eight Academy<br />

Awards, but was also condemned as an apology for the<br />

director and writer’s mutual decision to testify before the<br />

House of Un-American Activities. However, with the<br />

benefit of hindsight, On the Waterfront is simply one of<br />

the great Hollywood films. This is one of those rare<br />

works in which absolutely everything comes together.<br />

There’s Kazan’s amazingly atmospheric direction;<br />

Schulberg’s poetic, slang-laden script; Boris Kaufman’s<br />

remarkable cinematography; and Richard Day’s art<br />

direction which pulls off the difficult trick of merging a<br />

realist docudrama aesthetic with noirish melodrama and<br />

more than a hint of religious allegory. Then there are the<br />

flawless, method-inspired performances of Marlon<br />

Brando, Rod Steiger, Karl Malden, Lee J Cobb, and<br />

Eva Marie Saint, which changed the face of American<br />

screen acting. Essential viewing.<br />

Dir: Elia Kazan<br />

USA 1954 / 1h48m / Digital / PG<br />

22 26 www.dca.org.uk<br />

Scarecrow<br />

Sat 18 May, 13:00<br />

Scarecrow, Jerry Schatzberg's poignant road movie, is<br />

one of those eccentric and risky gems that Hollywood<br />

seemed to make a habit of producing in the late 1960s<br />

and early 70s. However, it has undeservedly fallen into<br />

cultish obscurity. Indeed, no film with such an<br />

impressive pedigree deserves to be so little known. It<br />

stars two of Hollywood's finest actors, Al Pacino and<br />

Gene Hackman, as a pair of lonely drifters who form an<br />

unlikely friendship and both are on peak form (this is<br />

Hackman’s own favourite performance). Sadly, the<br />

American public did not take to this highly unusual film,<br />

which is more interested in character than plot, and<br />

which is by turns comic and tragic, dream-like and<br />

realistic, poetic and violent. But it was rightly hailed as<br />

a masterpiece on the continent, where it went on to win<br />

the Palme d'Or at the 1973 Cannes Film Festival.<br />

Dir: Jerry Schatzberg<br />

USA 1973 / 1h50m / Digital / 18

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