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gills_et_all-third_wave_feminism_a_critical_exploration

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Notes on Contributors xi<br />

Her current research projects include two monographs: one on the Gothic<br />

and twenti<strong>et</strong>h-century women writers and the other on Angela Carter,<br />

Pierr<strong>et</strong>te Fleutiaux and the European Gothic.<br />

Denise deCaires Narain is a Senior Lecturer in the School of Humanities<br />

at the University of Sussex, UK. She has also taught at the Open University<br />

and the University of the West Indies. She has published widely on<br />

Caribbean women’s writing, including Contemporary Caribbean Women’s<br />

Writing: Making Style (2001). She was awarded a Leverhulme Research<br />

Fellowship in 2002 to work on a book-length study of contemporary postcolonial<br />

women’s writing. She is also compl<strong>et</strong>ing a monograph on the<br />

work of Olive Senior.<br />

Wendy O’Brien is a Lecturer in Literary and Cultural Studies at Central<br />

Queensland University, Australia. Her PhD Thesis, Queerest of the Queer,<br />

examined the fiction of Angela Carter and the politics of pornography<br />

in the context of contemporary Queer. With primary research interests in<br />

sexuality and contemporary literature, she is presently researching the<br />

nexus b<strong>et</strong>ween food imagery and sensuality in fiction. Her current projects<br />

include the joint editorship of a special issue on sexuality of the journal<br />

Transformations.<br />

Mary Orr is Professor of Modern French Studies at the University of Ex<strong>et</strong>er,<br />

UK. Her recent publications include Intertextuality: Debates and Contexts<br />

(2003) and Flaubert: Writing the Masculine (2000). Her current research projects<br />

include essays on death and on male costume in Flaubert, a co-edited volume<br />

of feminist reappraisals of male canonical writers and a monograph project<br />

to remap the history of ideas of nin<strong>et</strong>eenth-century France.<br />

Patricia Pender is currently compl<strong>et</strong>ing her PhD in English at Stanford<br />

University, US, where she works on early modern women’s writing and<br />

feminist literary history. She has published articles on Aphra Behn and<br />

Anne Bradstre<strong>et</strong>, as well as a previous piece on Buffy in Rhonda Wilcox and<br />

David Lavery’s Fighting the Forces: What’s at Stake in Buffy the Vampire Slayer<br />

(2003). She recently designed and taught a new class on <strong>third</strong> <strong>wave</strong> representation<br />

and production, Girls on Film, which she plans to develop as a<br />

postdoctoral project.<br />

Sherin Saad<strong>all</strong>ah is affiliated with Kvinnoforum in Sweden, a foundation<br />

working for gender and women’s rights issues internation<strong>all</strong>y. She has also<br />

acted as an expert on women’s empowerment on behalf of the UN (2001),<br />

and has had a career as a diplomat, specialising in Middle East Affairs. She<br />

holds an MA in Social Science, an MA in International Development, and<br />

is currently compl<strong>et</strong>ing a PhD at the University of Stockholm, Sweden. Her

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