gills_et_all-third_wave_feminism_a_critical_exploration
gills_et_all-third_wave_feminism_a_critical_exploration
gills_et_all-third_wave_feminism_a_critical_exploration
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Stacy Gillis <strong>et</strong> al. 5<br />
‘<strong>third</strong> <strong>wave</strong>’ feminists as well as those, like ourselves, who are excluded by<br />
both of these categories to engage with the notion of a <strong>third</strong> <strong>wave</strong>. 6 ‘What is<br />
<strong>feminism</strong>? Who is a feminist? Contention rather than accord is what we<br />
must explore in answering such questions today’ (Segal 4). This collection is<br />
not asking so much what is the <strong>third</strong> <strong>wave</strong>; rather, through an <strong>exploration</strong><br />
of the versions of the <strong>third</strong> <strong>wave</strong> that are circulating in Anglo-American<br />
feminist discourses, it is asking how and if another <strong>wave</strong> contributes to the<br />
future of <strong>feminism</strong>. Bearing in mind Judith Butler’s reminder that laughter,<br />
in the face of serious categories, is indispensable for <strong>feminism</strong> (viii), we<br />
indicate a crossroads where the past and present me<strong>et</strong> in order to mark out<br />
trajectories for future feminist praxis.<br />
Notes<br />
1. See Rosalind Delmar for a clear and concise introduction to the question of ‘What<br />
is Feminism?’<br />
2. There are four publications which g<strong>et</strong> referenced repeatedly in <strong>third</strong> <strong>wave</strong> feminist<br />
debates: Baumgardner and Richards’ Manifesta, Heywood and Drake’s Third Wave<br />
Agenda, Jacqueline N. Zita’s special issue of Hypatia and, more recently, Dicker and<br />
Piepmeier’s Catching a Wave. The circulation of references and cross-references<br />
around these texts cannot be avoided and the chapters in this collection are repl<strong>et</strong>e<br />
with the same.<br />
3. This has been parti<strong>all</strong>y aggravated by the fact that over the past twenty years academic<br />
<strong>feminism</strong> has come to ‘belong’ to departments of philosophy, English and, increasingly,<br />
cultural studies. That many young adults, at least in the humanities, come to<br />
<strong>feminism</strong> through, for instance, Elaine Showalter’s A Literature of Their Own (1977)<br />
or Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic (1979) needs to be<br />
analysed.<br />
4. For more on this see Kristin Aune and Louise Livesey.<br />
5. See Stacy Gillis and Rebecca Munford for more on the relationship b<strong>et</strong>ween backlash<br />
politics and <strong>third</strong> <strong>wave</strong> <strong>feminism</strong>.<br />
6. This uses the same model as Rebecca Walker’s collection To be Real, with its foreword<br />
by Gloria Steinem and afterword by Angela Y. Davis. However, Walker’s collection<br />
repudiates the supposed inflexibility of second <strong>wave</strong> feminist discourses: ‘For many<br />
of us it seems that to be a feminist in the way that we have seen or understood<br />
<strong>feminism</strong> is to conform to an identity and way of living that doesn’t <strong>all</strong>ow for<br />
individuality, complexity, or less than perfect personal histories.’ (xxxiii)<br />
Works cited<br />
Aune, Kristin, and Louise Livesey. ‘Reclaiming the F word – Young Women and Feminism.’<br />
Crossing Boundaries: 16th Annual Women’s Studies N<strong>et</strong>work Conference. London. 5<br />
July 2003.<br />
Bailey, Cathryn. ‘Making Waves and Drawing Lines: The Politics of Defining the<br />
Vicissitudes of Feminism.’ Third Wave Feminisms. Ed. Jacquelyn N. Zita. Spec. issue<br />
of Hypatia 12.3 (1997): 17–28.<br />
Baumgardner, Jennifer, and Amy Richards. Manifesta: Young Women, Feminism, and<br />
the Future. New York: Farrar, Straus and Giroux, 2000.