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chapter 3 - Pearson Learning Solutions

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2009934667<br />

group’s operation. If, for example, people are seated in a tight circle, they will<br />

probably feel more comfortable and interact more than they would if they were<br />

sitting in straight rows. They will be able to see each other’s nonverbal reactions,<br />

and because there is no inhibiting physical distance, they will lose their selfconsciousness<br />

as they become members of the group.<br />

Business organizations make considerable use of such nonverbal strategies in<br />

small-scale conferences. One technique is to seat key members of the group in<br />

prominent positions to stimulate discussion or even direct it.<br />

Paravocalics: Vocal Communication<br />

Chapter 3 Nonverbal Communication 77<br />

The vocal effects that accompany words, such as tone of voice—but not the words<br />

themselves—are called paravocalics. 85 Vocal quality communicates nonverbally to<br />

the listening ear. The rate (speed), volume (power), pitch (such as soprano or bass),<br />

pause (stopping), and stress (intensity) of sounds all have particular meanings.<br />

These paravocal tools are often referred to as vocal cues.<br />

Vocal cues offer clues to determine the sex, age, and status of a speaker. We<br />

also can make some pretty accurate judgments about the emotions and feelings of<br />

the people with whom we communicate by their paralinguistic presentation. If you<br />

are very angry, the pitch of your voice may go up. And when you are very, very<br />

angry, you sometimes say words slowly and distinctly, pausing after each word for<br />

special effect.<br />

Research indicates that the voice also may be important in some aspects of persuasion.<br />

86 A faster rate of speech, more intonation, greater volume, and a less halting<br />

manner seem to be related to successful attempts at persuasion. If a person sounds<br />

assured, the receiver credits him or her with a higher degree of credibility. Network<br />

television anchors, for example, work to cultivate an assured broadcast voice.<br />

Vocal cues can provide much information about a speaker, and our overall<br />

reaction to another person is colored at least somewhat by our reactions to these<br />

cues. Perceptions of vocal cues, combined with other verbal and nonverbal stimuli,<br />

mold the conceptions we use as bases for communicating. 87<br />

Formal time is the way in<br />

which a culture defines its<br />

time and the role it plays in<br />

regulating our lives.<br />

Communicating: A Social and Career Focus, Tenth Edition, by Roy M. Berko, Andrew D. Wolvin, and Darlyn R. Wolvin. Published by Allyn & Bacon.<br />

Copyright © 2007 by <strong>Pearson</strong> Education, Inc.

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