1.) schw.weiss - StoneWatch

More documents

Recommendations

Info

207
List of Illustrations Plate 01: Giraffe, Silozwane Cave, Matobo National Park, 30 km south of Bulawayo, Zimbabwe Plate 02: Male porter, Silozwane Cave, Matobo National Park, 30 km south of Bulawayo, Zimbabwe Plate 03: Gathering woman, Silozwane Cave, Matobo National Park, 30 km south of Bulawayo, Zimbabwe Plate 04: Hunter bearing bow and arrow, Silozwane Cave, Matobo National Park, 30 km south of Bulawayo, Zimbabwe Plate 05: Human beings and animals, Bridge Paintings, Glen Norah, 13 km south of Harare, Zimbabwe Plate 06: Group of hunters, Somerby, 24 km south of Harare, Zimbabwe Plate 07: A pretty elephant, Bushman's Point, Lake Chivero National Park, 30 km south of Harare, Zimbabwe Plate 08: Human beings and animals, Lake Chivero National Park, 30 km south of Harare, Zimbabwe Plate 09: Kudus, Lake Chivero National Park, 30 km south of Harare, Zimbabwe Plate 10: The "White Elephant" with a red buck painted in, Philipp's Cave, Ameib Ranch, 30 km north of Usakos, Namibia Plate 11: Oryx with one exaggerated horn, Philipp's Cave, Ameib Ranch, 30 km north of Usakos, Namibia Plate 12: View down to the Maack Shelter protected with a lattice against vandalism,Namibia Plate 13: The famous "White Lady", Maack Grotto, Brandberg, 42 km northwest of Uis Myn, Namibia Plate 14: Fabulous creature, Maack Grotto, Brandberg, 42 km northwest of Uis Myn, Namibia Plate 15: Engravings of animals, in particular a seal, Twyfelfontein Site 1, 100 km west of Khorixas, Namibia Plate 16: Engraving of the "Large Elephant", Twyfelfontein Site 3, 100 km west of Khorixas, Namibia Plate 17: So-called Lion Plate, Twyfelfontein Site 5, 100 km west of Khorixas, Namibia Plate 18: Engraving of an ostrich, Twyfelfontein Site 7, 100 km west of Khorixas, Namibia Plate 19: Engraving of the so-called "Dancing Kudu", Twyfelfontein Site 8, 100 km west of Khorixas, Namibia Plate 20: Paintings of giraffes in yellow ochre, Manyana, 50 km west of Gaborone, Botswana Plate 21: Group of antelopes, Tsodilo Hills (Female), Botswana 208 Plate 22: White antelope or cattle, Tsodilo Hills (Female), Botswana Plate 23: Two outlined rhinos and a more recent cattle, Tsodilo Hills (Female), Botswana Plate 24: Paintings of elands and a group of men, Ha Baroana, 40 km east of Maseru, Lesotho Plate 25: Polychrome painting of an eland, Ha Makhutsetseng, area of Pulane, Lesotho Plate 26: Different groups of humans, Ha Makhutsetseng, area of Pulane, Lesotho Plate 27: Group of humans in bichrome painting technique, Liphofung, area of Butha-Buthe, Lesotho Plate 28: Different humans who may be assumed as ghosts, Liphofung, area of Butha-Buthe, Lesotho Plate 29: Monochrome paintings of a zebra and a group of humans, Sandlane, western border to South Africa, Swaziland Plate 30: Monochrome paintings of antelopes, Sandlane, western border to South Africa, Swaziland Plate 31: Engraving of a rhino in pecked outline technique, Bosworth Farm, near Klerksdorp, South Africa Plate 32: Engraving of a warthog in pecked filled-in technique, Wildebeestkuil, near Kimberley, SouthAfrica Plate 33: Geometric engravings in oval form with internal lines, Driekops Eiland, about 80 km west of Kimberley, South Africa Plate 34: Engraving of an elend in pecked technique, Keurfontein Farm, near Vosberg, South Africa Plate 35: A more recent engraving of an elephant in scractched technique, Keurfontein Farm, near Vosberg, South Africa Plate 36: Painting of a bird diving down, Bird Overhang, Mountain Pastures, near Uniondale, South Africa Plate 37: Painting of a winged human flying down (possibly to be interpreted as a ghost), Pot Cave, Mountain Pastures, near Uniondale, South Africa Plate 38: Painting of a mythical creature, Shaman Cave, Mountain Pastures, near Uniondale, South Africa Plate 39: Part of the Linton panel, man with antelope hoofs, South African Museum, Cape Town, South Africa Plate 40: A large group of people superimposed upon older images, Traveller's Rest, Sevilla Trail Site 1, near Clanwilliam, South Africa Plate 41: Painting of an archer, Traveller' Rest, Sevilla Trail Site 5, near Clanwilliam, South Africa Plate 42: A group of dancing women, Traveller' Rest, Sevilla Trail Site 6, near Clanwilliam, South Africa
Page 1 and 2:
Bruno Schmidt Messages from the Pas
Page 3 and 4:
Impressum: Edition: StoneWatch Soci
Page 5 and 6:
Contents List of Maps and Annexes 5
Page 7 and 8:
Acknowledgements I am grateful to t
Page 9 and 10:
Rock art of eastern and southern Af
Page 12 and 13:
I prefer much more the description
Page 14 and 15:
of the Torwa when Great Zimbabwe be
Page 17 and 18:
Most of the rock painting sites in
Page 19 and 20:
Tracings of human figures both show
Page 21 and 22:
concerning my topic of African rock
Page 23 and 24:
shelter is about 4 m broad and 2 m
Page 25:
y the cold Benguela Stream. We turn
Page 28 and 29:
It is today assumed that both engra
Page 30 and 31:
warriors or war scenes are not exis
Page 32 and 33:
The next morning we left the hotel
Page 34 and 35:
or San and the later following Bant
Page 37 and 38:
Mochudi, depicting numerous pecking
Page 39 and 40:
Next morning we departed to visit H
Page 42 and 43:
I wrote in the table above “paint
Page 44 and 45:
Close to the Elzuwini Valley and bo
Page 46 and 47:
These founds in South Africa were m
Page 48 and 49:
A medicine dance depicting dancers
Page 50 and 51:
Jan H. V. Viljoen, I had a telephon
Page 52 and 53:
After coming down we had to walk al
Page 54 and 55:
Then we spoke about the problem of
Page 57 and 58:
Coming back to South Africa: In Ann
Page 59 and 60:
Tracing from fishermen harpooning f
Page 61 and 62:
After the visit of the museum there
Page 63:
Valley, and it may be assumed that
Page 66 and 67:
Tracings from sun-like symbols (fro
Page 68:
The first discovery of rock art in
Page 71 and 72:
10. Zambia September 1998: It was a
Page 73 and 74:
ed with engravings of domestic and
Page 76 and 77:
not understand. The most famous sit
Page 78 and 79:
Tracings from a painting in white z
Page 80 and 81:
to say that the Nyau are still prac
Page 82 and 83:
names and a date from 1998. And eve
Page 84:
cribed costumes or masks of the Nya
Page 87:
The study of the rock painting site
Page 90 and 91:
At night of this first day in Kenya
Page 92:
Kenya, in Western Kenya including t
Page 95 and 96:
art in Uganda and ethnological rela
Page 97 and 98:
people who lived in these shelters
Page 99 and 100:
We now come to the paintings which
Page 101 and 102:
We now come to the Lake Victoria re
Page 103 and 104:
North-west near Jebel ‘Uweinat (t
Page 105 and 106:
engravings and colour. Near Jebel T
Page 107 and 108:
towns Adi Kaie, Senafe and Mai Aini
Page 109 and 110:
In the same way Prof. Steffen Wenig
Page 111 and 112:
19. Somalia There is nothing to be
Page 113 and 114:
as belonging to the Magdalénian (1
Page 115 and 116:
engraved slabs, mostly from Gestopt
Page 117 and 118:
main difference is given by the nat
Page 119 and 120:
But where and how were engravings d
Page 121 and 122:
Laga Oda (Ethiopia), from the Gambl
Page 123 and 124:
the east of our area, Kenya - east
Page 125 and 126:
Phase 4: Abstract and geometric sty
Page 127 and 128:
trons flooding). This new technique
Page 129 and 130:
showing datings in a range from 12.
Page 131 and 132:
10. The Mobiliary Art The term “m
Page 133 and 134:
Part 3: Broader Ethnic Picture of E
Page 135 and 136:
The San are (or shall we better say
Page 137 and 138:
Each evening the Sun is slaughtered
Page 139 and 140:
Dr. Hessel Visser was so kind to ha
Page 141 and 142:
140
Page 143 and 144:
The Nyae Nyae Development Foundatio
Page 145 and 146:
ge the weight of a digging stick. I
Page 147 and 148:
Whether present-day foragers (hunte
Page 149 and 150:
Another interesting population livi
Page 151 and 152:
The next group of immigrants then c
Page 153 and 154:
The people who introduced cattle we
Page 155 and 156:
13. Agriculture, Ceramics and Iron
Page 157 and 158: known and famous paintings of the b
Page 159 and 160: as “using for cultural-religious
Page 161 and 162: But what are shamans? By definition
Page 163 and 164: women. Then consequently the red an
Page 165 and 166: cattle held by human figures at its
Page 167 and 168: Kenya, Uganda and Tanzania, Lake Vi
Page 169 and 170: assistance of a young man joining u
Page 171 and 172: 3. National Monuments and Tourism A
Page 173 and 174: 242 cultural sites (52,1%) are layi
Page 175 and 176: friends: First I got in Kenya some
Page 177 and 178: Summary As the Spanish archaeologis
Page 179 and 180: 178
Page 181 and 182: 180
Page 183 and 184: 182
Page 185 and 186: 184
Page 187 and 188: 186
Page 189 and 190: 188
Page 191 and 192: 190
Page 193 and 194: 192
Page 195 and 196: 194
Page 197 and 198: 196
Page 199 and 200: 198
Page 201 and 202: 200
Page 203 and 204: 202
Page 205 and 206: 204
Page 207: 206
Page 211 and 212: Plate 01: Giraffe, Silozwane Cave,
Page 213 and 214: Plate 05: Human beings and animals,
Page 215 and 216: Plate 10: The “White Elephant”
Page 217 and 218: Plate 13: The famous “White Lady
Page 219 and 220: Plate 17: So-called Lion Plate, Twy
Page 221 and 222: Plate 22: White antelope or cattle,
Page 223 and 224: Plate 26: Different groups of human
Page 225 and 226: Plate 30: Monochrome paintings of a
Page 227 and 228: Plate 34: Engraving of an elend in
Page 229 and 230: Plate 38: Painting of a mythical cr
Page 231 and 232: Plate 42: A group of dancing women,
Page 233 and 234: Plate 45: Paintings of three humans
Page 235 and 236: Plate 50: Engravings from animals,
Page 237 and 238: Plate 53: Painting of an elephant,
Page 239 and 240: 238 Plate 58: White so-called Nyau
Page 241 and 242: Plate 61: White zoomorph and red ge
Page 243 and 244: Plate 66: Painted sun-like symbol w
Page 245 and 246: Plate 70: Paintings of concentric c
Page 247 and 248: Plate 74: Engravings of humans and
Page 249 and 250: Plate 78: Polychrome painting of a
Page 251 and 252: Plate 81: Three engraved figures as
Page 253 and 254: Plate 85: Vandalism on rock art, Ma
Page 255 and 256: 254
Page 257 and 258: Ju/’hoã Tribe of the Bushmen or
Page 259 and 260:
References Adams, Lorraine: A Touri
Page 261 and 262:
Curto, Silvio: Nubien, Geschichte e
Page 263 and 264:
Hugot, Henri J. und Bruggmann, Maxi
Page 265 and 266:
Moritz, Walter: Die Nara, das Brot
Page 267 and 268:
Smith, Benjamin W.: Zambia’s Anci
Page 269 and 270:
A Abatwa, 145 Abka (SU), 101; 102 A
Page 271 and 272:
ICOMOS, 173 Ihungo (TA), 100 Indaba
Page 273 and 274:
Nyang’oma (TA), 100 Nyanja, 152 N
show all

1.) schw.weiss - StoneWatch

Create successful ePaper yourself

Delete template?

Save as template?