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bio By-spiel Project - Andreas Fulgosi

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Nicola O rioli<br />

clar ine ts , a lto s ax aphone, co mposer, tea cher<br />

1 959 (It al y)<br />

<strong>By</strong>-Spiel <strong>Project</strong><br />

Nicola's plays the clarinet with powerful, seductive virtuosity. His past as a classical<br />

musician has given him a deep understanding of music's traditional idioms. He draws<br />

from the well of European musical culture to craft improvisations with a palette of<br />

colours that suprise and then subside to give way to flights of soaring lyrical beauty<br />

that propel his music ever higher. His mastery of the art of continual breath enables<br />

him to instil a mood that invites the ear to discover his instruments' hidden sounds.<br />

At the age of 12, he began playing the clarinet in his village band, which he later went<br />

on to lead for ten years. Together with the band, he won first prize at two<br />

international competitions (Arezzo 1984 and Florence 1992). Aged 16, he began to<br />

study the saxophone at the Parma Jazz School. He later studied clarinet at the<br />

Pescara Music College where he graduated with distinction in 1985. His career as<br />

clarinettist saw him join a number of symphony orchestras as well as the Catania<br />

Opera Theatre Orchestra (Italy).<br />

In 1992 he left Italy for Switzerlnd where he worked as a musician/composer for<br />

several theatre companies with whom he toured Europe, Western Africa and the<br />

United States. Since 1998 he has been working principally in theatre but also teaches<br />

the clarinet and the saxophone at the Lausanne School of Jazz (Switzerland).<br />

He leads the projects Virtual Sax and MAF quartet. He is also sideman in the Maf-Yo<br />

quartet, Edition Spéciale, Luca Pagano Quintet, Jazz Cookies, Les Chaussettes<br />

Synthétiques, Alain Della Maestra's Big Band and the <strong>By</strong>-Spiel <strong>Project</strong>.<br />

O l o m b e l o R i c k y<br />

percussio n, vo ice, t eache r, composer-per fo r mer<br />

1 964 (M adagas car)<br />

This artist gives himself completely, he projects himself into his work, body and soul.<br />

That's why Olombelo Ricky draws no dividing line between his spiritual, creative and<br />

analytical sides. And that's why his is such an outstanding artist; he has crafted his<br />

self in nature's image: brimming with diversity but resonating in harmony.<br />

Straight to the Source<br />

Traditional music and art in Madagascar is not seen as being separate from spirtuality,<br />

values and customs. Olombelo Ricky's wisdom and musical depth have their roots in<br />

the soil of this fertile culture. He was born into a world of music and nurtured by his<br />

grandmother, herself one of Madagascar's living legends. Here, in an environment<br />

where the stuff of tales and legend was daily fare, Olombelo Ricky built the very core<br />

of his creative drive.<br />

He continued his studies at Antananarivo and joined his uncle's group, the Salomon<br />

Band and Ramz Franck Melody Jazz as a singer-percussionist and perfected his art<br />

under the guidance of a talented Madagascan musician - Tovo Andrianandrainy.<br />

From 1979 to 1983 he played with the group Mahera at their folk concerts and<br />

subsequently embarked on a solo career in 1989. For almost 13 years Ricky has been<br />

researching his roots in the culture of the Vazimba, Madagascar's indigenous people,<br />

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