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DAWSONOPERAHOUSE<br />
Program<br />
MONDAY, JULY 11—<br />
TUESDAY, JULY 1- ><br />
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“TrumpetIsland”Is Big it of theAge==<br />
APictureThatIsDifferentinEveryRespect<br />
Showg Life in Three Phases, Several Spectaculm<br />
Thrills, Magnificent SWnic ~Backgrounds, All-<br />
.<br />
, $tar Cast and Strar ge Story.<br />
(Prepared as Newspapel Review. )<br />
~ife has many queer twi~ and tu 7ns. It re=mbles a road<br />
winding in and out tiward the horimn ting and recro=ing’ oth-<br />
er roadn, joining them or running par them. The life of one<br />
may be a ath of roaen, tiile another WaYOf rOck~; a third<br />
is plunge i headlong into mire and mud. Jt is thes three road~ and<br />
the livm that compare * them fiat a re ex-pl 1fled<br />
In the Tom<br />
Terrim production’ “MtnpetIida~ w Iich will be shown at the<br />
Da- theatre, tiednenday, July 18. ;* is a strange story, well<br />
bundled and cleverly acmd. T<strong>here</strong> is w much variet in the productien<br />
that it ia diffimdt to salect BUg on e part w the { emt It iu all<br />
good and you are sure to enjoy it.<br />
EveI rppresenti the life of WM an i they hnve thornu = the<br />
irl smon found. The role 16 capabl ha died hy Ofargueriti De La<br />
kotte. She is pretty, attractive an~ab~ ti expr- the most difficult<br />
apmtionu in realistia m~ssner, ~ar at the period when she<br />
Iosea bcr memorp in exceptionally wd.<br />
ticke fill the path @ken’by RIc road rune parallel b<br />
&e]e and tkoqgh<br />
is well developed<br />
the two do no$<br />
they ‘have learne<br />
is in the hanti of Waflace MaoDon<br />
geuth on him Uppere, an the work<br />
cave man he is good. He has unlimitud<br />
of eavh anglu.<br />
w Re and he makea tie mont<br />
ent<br />
A character that atnnds out<br />
1s that of Vdlnsky. He rep<br />
T<strong>here</strong> are only a. f ew flashes of<br />
ti mun who might have been a<br />
lions and<br />
audience.<br />
yet he<br />
Percy<br />
died in a hov<br />
~hallenger w<br />
ncarcely more than, a bit and yet impo~ 1t b tie action. One cannot<br />
imaginw Valinsky in other hands. .<br />
It ia eiround these three that Gouv eur Morris wove a fami,<br />
id George ~ndolph Che,-<br />
;~%%i~gi~~~m To‘hi’ the‘]e latter ~llian~ belo ss the credit for the symbolism<br />
and ef ective htlei They are m i teresting as the plot The<br />
titles show * step in the right direction. It is a pleauure b am fig.<br />
nres and background Bymbolic of the ac !ion in ttit part of a film<br />
which is = nec-ry to the continuity, bu t which is ao often dull and<br />
- unattractive,<br />
Henw Caron, a wealthy fienchman<br />
young wife in in capable handn. Arthur<br />
out of the role and has the spectator i<br />
akut forty in search of a<br />
yt geb s1l that ie pomible<br />
quandarg ne whether h<br />
laugh at this pertitent auiton<br />
ri~iing a bsnutiful flow= like<br />
en * d<br />
Eve W th<br />
an his aelfinhneea in aso-<br />
tie fiusve ~annern and court~m<br />
mettle in handli~ an airplane.<br />
for an actir’ of Fare ability.<br />
Joseph Swickard<br />
Marincour~ and Allen<br />
and<br />
M<br />
H.aUam Coole: r are good as Jacque~ de<br />
willin @ sacrifice hia dawrhter in o?der<br />
good fia word. The latter s~nda for<br />
go-lucky and ready @ nhare hie bread wi<br />
The t~m h- who minister to<br />
tion.<br />
bW<br />
Tkey depict the Faks, Cloti<br />
litt!e @ do in *h@pictura and<br />
I?vt Pe!r yk~-~p and c>a~ac~ri<br />
cannot ~caf t e