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The Top 100 NGOs 2013. - Akshaya Patra

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TIPPING THE URBAN FABRIC<br />

torre david: inforMal<br />

vertical coMMUnitieS<br />

urBan-Think Tank<br />

lars müller PuBlishers<br />

€45.00<br />

<strong>The</strong> third tallest building in Venezuela<br />

stands proudly in the heart of Caracas’<br />

former central business district,<br />

Libertador. Originally conceived as a<br />

landmark commercial development,<br />

construction was abandoned in the<br />

wake of a national banking crisis in<br />

1994, and the postmodern skyscraper –<br />

now known as ‘Torre David’ – became<br />

a magnet for squatters. A building in<br />

a constant state of resident-generated<br />

flux, at last count it served as home to<br />

more than 750 families living in a selforganized<br />

“vertical slum.”<br />

In Torre David, Zurich-based<br />

interdisciplinary design firm, Urban-<br />

Think Tank, in collaboration with<br />

noted architectural photographer<br />

Iwan Baan, have produced a vividly<br />

<strong>The</strong> gloBal review + illusTraTeD Books <strong>The</strong> gloBal review + illusTraTeD Books<br />

illustrated paean to a fascinating – and<br />

ongoing – informal urban experiment.<br />

<strong>The</strong> book’s austere opening images<br />

presage an improvised community built<br />

amidst soaring concrete and industrial<br />

residue – perched precariously above<br />

a sea of urban sprawl beating back<br />

the vegetation cascading down from<br />

surrounding valleys.<br />

Progress further into the book, however,<br />

and one is drawn instead to what is not<br />

immediately evident from a perspective<br />

framed by external structures and<br />

architectural cross sections – the<br />

remarkable social life at the heart of<br />

an evolving occupancy. In claiming<br />

Torre David as their own, its residents<br />

have transformed the building’s sense<br />

of possibility. Despite an absence of<br />

<strong>The</strong> gloBal Journal + January & FeBruary 2013<br />

elevators, electrical infrastructure,<br />

running water and windows, shops,<br />

services and sporting facilities have<br />

emerged alongside work-in-progress<br />

living spaces through an organic process<br />

of bottom-up urbanism.<br />

Most evocative are a series of in situ<br />

family portraits, capturing the myriad<br />

ways in which those seeking refuge<br />

from the chaotic forces shaping the<br />

city beyond have sought to transform<br />

their corner of a skeletal commercial<br />

ruin into a space fit to host the richness<br />

of everyday life. In the proud faces<br />

of those living amidst even the most<br />

rudimentary conditions, one finds a<br />

common sense of humanity.<br />

- AK<br />

<strong>The</strong>gloBalJournal.neT<br />

124 125

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