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OW 73 - Outweek.net

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,<br />

••<br />

.<br />

meSsase is cloaked in music so adored by the establishment<br />

th!lt nobody could say no. But AIDS-phobia, it seems,<br />

proved much stronger than they anticipated and not so<br />

easily veiled.<br />

~ ,.. .' ... . .<br />

.<br />

. For starters, despite many months of m~g'with CEOs<br />

of over 75 majOr international corporations, Red Hot and<br />

Blue .never found a sPollJiOf to help them defray the costs of<br />

p.toduction. Even after Chrysalis signed 011 as the record<br />

~y batidling the project, not a single corporation cJare9<br />

, .to breiak with the pack by lending even token support to the<br />

· , .fight against AIDS. Only Entertainment Weekly stepped for-<br />

\Vard, sponsoring a dinner party for Red Hot and Bi~ in Los<br />

· . . ~geIes that garnered a 19t of press. It was an exercise that<br />

..' left; Blake quite astounded.<br />

:..... ," "~" ~ ' .<br />

. '.<br />

.'· . '.<br />

:, '~e were turned down for<br />

. ~..<br />

'.' ..~ ., .<br />

sponsorship by everyone you<br />

. :.".<br />

;:;,<br />

." cO,illd ilJ)agine;<br />

.""want ~oget ~to<br />

I don't really<br />

nameS at .this<br />

.: poiDt--l'dJike to get into names<br />

• •<br />

, on Dec, " though-because,<br />

,<br />

who knows? I've still got this<br />

. , ,<br />

op~mism that maybe· someone<br />

Will come. out of the woodwork,<br />

what with all thepress.B~t<br />

.' essentially we were turned<br />

,:;,;:,'" . !iown py eyeryone: sneaker<br />

'. , companies, Soft drink comiYanies<br />

and eV~r:Yone for whom t4ese<br />

artists' . images were images<br />

yOu!d assume' that they'd want<br />

•,<br />

~ , "<br />

:, .. ;',<br />

to i~tifywith. '<br />

.,". .<br />

."I.saJd to them, 'You ,know, .<br />

, . .<br />

'; . ,~peopl~ wit? HIV and AIDS<br />

.'<br />

,<br />

-l"" - k f' ',-'. • ,<br />

,<br />

•<br />

•<br />

••<br />

,'.<br />

.' ,<br />

wear jeans; They wear sneakerli.<br />

They:, do e:verythingthat<br />

evetfbOdy else does~No't:ruinks<br />

to you, though.' Their excuses<br />

were things like, ':That's not our<br />

prime focus for 1990:' Well,<br />

their prime focus is bullshit,<br />

quite honestly.",' .<br />

At ABC-TV, which had<br />

. bou8ht the rights to air the video,<br />

program in America, <strong>net</strong>work<br />

execs were saying no to a number<br />

9,f'the more provocative .<br />

. (and effective) videos, cutting,<br />

large portions of the original<br />

~ and niIiog in the gaps,<br />

with their.oWn script. As we go<br />

to press, nobody working on the<br />

project seems able or willing<br />

.....to'say just how similar·<br />

ASC's shoW will be to the original<br />

[~estory .·on page 4i], but<br />

riobody'isharboring any illusions.<br />

Nor have BritiSh music crit-<br />

, ics helped matters any, accOrding,to<br />

Wainer. Much In'keeplng<br />

with the tradition' of macho<br />

•<br />

•<br />

38 OUTWII.K Dao..... _r" f_<br />

,<br />

•<br />

Above: Era......<br />

Video, directed<br />

by Adelle Lutz<br />

and Sandy McLeod,<br />

may)_t·<br />

prove to be<br />

"'1'00 Darn Hot."<br />

Optioalte, left: David .<br />

Byrne. directed hi.<br />

,<br />

own video of "Don't<br />

•<br />

Fence Me In.''<br />

Right: .gD Pop<br />

and DebbleHany<br />

.pelr off In<br />

... e •••Did You .vahl"<br />

• •<br />

..rock criticism, British Pop journalists sOund jaded at best and<br />

doWnright spiteful at worst. ,. , ,<br />

"Here in England, a lot of music journalists .nave<br />

attacked the actual record, saying that Cole P9rter would<br />

tum in his grave," explains Watney. "How th!'! hell do they<br />

know what Cole Porter would think? I, think Cole 'Porter<br />

•<br />

would cheer. As a man (acing an epidemiC and thinking that<br />

,<br />

his music could help raise some money and win'over some<br />

minds, I think he'd. be absolutely cheering. How can they<br />

say that you can't tamper with something a$ sacred as Cole<br />

Porter? It's like saying that you can't paint a picture [a certain]<br />

way because the Sistine Chapel will decompOse. That's<br />

so absurd., It's just lightly veiled homophobia, spoken by<br />

male' rock critics who are just Jbcious little &hits, really.<br />

They're only revealing th~ depthS of their own ignorance,<br />

and they contribute to the' ignorance, sadly, because they<br />

are the gate-k~ to mass culture."<br />

. Overall, the album is a wonderful presentation of Cole<br />

Porter" with styles ranging from Sinead O'Coniler's spine-tin-<br />

81ing rendition of "You Do Something to Me" to the apocalyptic<br />

spoof of "Well Did You Evah!" interpreted by Debbie<br />

Harry and Iggy Pop. The videos are breathtakingly beautiful, .... :"<br />

with Jean-Baptiste Mondino's ~on of Neneh Cherry in. :"j<br />

"I've Got You Under My,Skin" settlDg new standards. On the .• ,.:<br />

otµer hand, while it is unrealistic to expect that'all of the<br />

Songs in this package could be' manipulated to give a blata.(ltly·AIDS-related<br />

message, the:videos offered a perfect<br />

oppo~unity to contextualize the music with thoughtful<br />

imagery that would have carried .the 'theme·a little further.<br />

S?ffie of the artists jumped at the opportunity by Including<br />

sex-positive imagery, documenta'ly footage or Simple sloga~

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