muSiC AT EmorY ConCErT SEriES - Arts at Emory - Emory University
muSiC AT EmorY ConCErT SEriES - Arts at Emory - Emory University
muSiC AT EmorY ConCErT SEriES - Arts at Emory - Emory University
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program<br />
hymn for n<strong>at</strong>ions united richard Prior<br />
2<br />
(b. 1966)<br />
Symphony no. 9 in D minor, op. 125 Ludwig van Beethoven<br />
Allegro ma non troppo e un poco maestoso (1770–1827)<br />
Molto vivace<br />
Adagio molto e cantabile<br />
Finale: Presto<br />
maria Valdes, soprano; Tabitha iwamoto, mezzo soprano;<br />
Bradley Howard, tenor; Jason Hardy, bass<br />
with the <strong>Emory</strong> university Chorus<br />
from the podium<br />
on behalf of the hundreds of <strong>Emory</strong> university students and the faculty and<br />
staff who have had the distinct pleasure of calling this extraordinary space their<br />
artistic home for the past ten years: a very warm welcome to this evening’s<br />
celebr<strong>at</strong>ory performance. much has been written—articles, dissert<strong>at</strong>ions, and<br />
entire books—on Beethoven’s 9th Symphony. it is a truly iconic work in the<br />
canon of western art music and so clearly foreshadows other gre<strong>at</strong> works by<br />
compositional titans such as Johannes Brahms and gustav mahler. This music,<br />
in particular the choral Finale, has graced occasions th<strong>at</strong> are veritable turning<br />
points in human history such as german reunific<strong>at</strong>ion and the tearing down<br />
of the Berlin wall; it is the anthem for the European union; it is the consistent<br />
cultural lightning rod for the universal themes of unity th<strong>at</strong> are celebr<strong>at</strong>ed in<br />
Johann friedrich Von Schiller’s text.<br />
This is also the tenth anniversary of the premiere of the hymn for n<strong>at</strong>ions<br />
united, premiered <strong>at</strong> The Hague, netherlands, and graciously selected for<br />
inclusion this evening by Eric nelson as w. H. Auden’s poem dwells on not<br />
dissimilar subject m<strong>at</strong>ter.<br />
This performance of Beethoven’s work is both a testament to the meteoric<br />
rise of the arts nurtured in this space and to <strong>Emory</strong>’s outward and visible<br />
commitment to th<strong>at</strong> mission. As we celebr<strong>at</strong>e the previous ten seasons, may<br />
this evening also be a foreshadowing of the decades to come.<br />
—Richard Prior