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GABRIEL TROP - The Carolina-Duke Graduate Program in German ...

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PROFESSIONAL EXPERIENCE<br />

EDUCATION<br />

PUBLICATIONS<br />

<strong>GABRIEL</strong> <strong>TROP</strong><br />

Department of <strong>German</strong>ic and Slavic Languages and Literatures<br />

University of North <strong>Carol<strong>in</strong>a</strong><br />

Chapel Hill, NC 27499-3160<br />

[updated October 18, 2012]<br />

2010-PRESENT Assistant Professor, University of North <strong>Carol<strong>in</strong>a</strong> at Chapel Hill<br />

2012 <strong>German</strong> School Faculty, Middlebury College<br />

2004-2010 <strong>Graduate</strong> Student Instructor, University of California at Berkeley<br />

2003-2010 Ph.D. <strong>German</strong> and Medieval Studies, UC Berkeley, CA<br />

Dissertation: Aesthetic Exercises and Poetic Form <strong>in</strong> the Works of Hölderl<strong>in</strong>, Novalis,<br />

and Rococo Poets<br />

Chair: W<strong>in</strong>fried Kudszus<br />

First Reader: Niklaus Largier<br />

2002-2003 Maîtrise Modern Literature, University of Paris IV-Sorbonne<br />

<strong>The</strong>sis: Pouvoir et échec de la poésie orphique dans Le Tombeau d'Orphée<br />

de Pierre Emmanuel<br />

Director: Dr. Jean-Louis Backès (Mention "Très Bien")<br />

1998-1999 M.A. <strong>German</strong> Studies, Stanford University, CA<br />

1994-1999 B.A. Philosophy and Religious Studies, Modern Thought and Literature,<br />

<strong>German</strong> Studies, Stanford University, CA<br />

Book<br />

Poetry as a Way of Life: Aesthetics and Askesis <strong>in</strong> the <strong>German</strong> Eighteenth Century. Under formal<br />

contract at Northwestern UP (projected publication date <strong>in</strong> 2013).<br />

Refereed Articles<br />

"Modal Revolutions: Friedrich Hölderl<strong>in</strong> and the Task of Poetry." Submitted to MLN.*<br />

"Aesthetic Askesis: Aesthetics as a Technology of the Self <strong>in</strong> the Philosophy of Alexander<br />

Baumgarten." Accepted <strong>in</strong> Das achtzehnte Jahrhundert pend<strong>in</strong>g m<strong>in</strong>or revisions.*<br />

"<strong>The</strong> Persistence of the Fragile World: Poetic Cognition <strong>in</strong> Hölderl<strong>in</strong>'s Poetological Writ<strong>in</strong>g<br />

and 'Der Rhe<strong>in</strong>.'" IJGLSA 14.1: Spr<strong>in</strong>g 2009. 55-83.*<br />

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PRESENTATIONS<br />

Non-Refereed Articles<br />

"<strong>The</strong> Vitality of Form: Hans Richter and the Tra<strong>in</strong><strong>in</strong>g of the Soul." In: G und<br />

Konsumkultur: Neues Leben und Überfluss. Spuren der Avantgarde im Alltag der 1920er<br />

und 1930er Jahre. Ed. Kar<strong>in</strong> Fest, Sabr<strong>in</strong>a Rahman, Marie-Noëlle Yazdanpanah. Vienna:<br />

Turia. Forthcom<strong>in</strong>g.<br />

"Confession and Silence. Reflections on Thomas Bernhard's Das Kalkwerk." Das Geständnis<br />

und se<strong>in</strong>e Instanzen. Ed. Anders Engberg-Pedersen, Michael Huffmaster, Eric Nordhausen,<br />

Vrääth Öhner. Vienna: Turia, 2011. 163-188.<br />

"Zwischen Erotik und Bildung: Die Rokoko-E<strong>in</strong>bildungskraft <strong>in</strong> Wielands 'Musarion.'"<br />

Wieland-Studien 5. Heidelberg: W<strong>in</strong>ter, 2005. 34-44.<br />

Book Reviews<br />

"Read<strong>in</strong>g Riddles: Rhetorics of Obscurity from Romanticism to Freud (review)." Monatshefte 104.1<br />

(2012): 123-25.<br />

"<strong>The</strong> Ontology of Non-Observables: Attraction, Repulsion, and Aesthetic Cognition <strong>in</strong><br />

Goethe’s Poetry and Thought." Observation <strong>in</strong> Science and Literature, <strong>German</strong> Studies<br />

Association, October 6, 2012.<br />

"Flows of Control. Some Reflections on Fritz Lang's Mabuse der Spieler." <strong>The</strong> Dark Side of<br />

Modernity, Jahrestagung des Forschungsnetzwerks BTWH, May 18, 2012.<br />

"<strong>The</strong> Afterlife of Immanence: <strong>The</strong> Rise and Fall of the Anacreontic Ode." Historical Poetics,<br />

ACLA, March 31, 2012.<br />

"Hölderl<strong>in</strong> and the Modalization of Poetic Experience," Teach<strong>in</strong>g the Power of Poetry,<br />

SAMLA, November 5, 2011.<br />

"On the Corruption of Time: <strong>The</strong> Betrayal of the Div<strong>in</strong>e <strong>in</strong> Hölderl<strong>in</strong>'s <strong>The</strong>ory of Tragedy,"<br />

<strong>The</strong> Sacrality of Language, <strong>German</strong> Studies Association, September 23, 2011.<br />

"<strong>The</strong> Everyday Life of Forms: Hans Richter, Josef Frank, and the Construction of Total<br />

Design," Avantgarde 1923. Diskurse der Zeitschrift G—Material zur elementaren Gestaltung.<br />

Tüb<strong>in</strong>gen, June 3, 2011.<br />

"Joesph Beuys: Form, Power, Energy," Ackland Art Museum, Chapel Hill, May 4, 2011.<br />

"Between M<strong>in</strong>d and Nature: <strong>The</strong> Movements of Attraction and Repulsion <strong>in</strong> Schell<strong>in</strong>g's<br />

Naturphilosophie and Novalis' Poetry," American Comparative Literature Association,<br />

Vancouver, Canada, April 1, 2011.<br />

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FELLOWSHIPS & AWARDS<br />

"Aesthetic Freedom and the Exercise of the Self," American Society for Eighteenth-Century<br />

Studies, Vancouver, Canada, March 19, 2011.<br />

"<strong>The</strong> Spectral Life of Words: <strong>The</strong> Legacy of Johann Wolfgang von Goethe," Literary Lions:<br />

Authors as National Icons, UNC Humanities <strong>Program</strong> of the College of Arts and Sciences<br />

and the General Alumni Association, Chapel Hill, February 25, 2011.<br />

"<strong>The</strong> Dissonances of Perfection: Perception and Temporality <strong>in</strong> Hölderl<strong>in</strong>'s Last Poems,"<br />

Semiotic Circle of California, Berkeley, January 22, 2011.<br />

"Feel<strong>in</strong>g, Reflection, and Stimulation <strong>in</strong> Novalis' <strong>The</strong>ory of Poetic Language," Semiotic<br />

Circle of California, Berkeley, January 23, 2010.<br />

"<strong>The</strong> Impossibility of Confession <strong>in</strong> the Age of Deception: Reflections on Thomas<br />

Bernhard’s Das Kalkwerk," Geständnis und Urteil, IFK Internationales Forschungszentrum<br />

Kulturwissenschaften and the University of Vienna, Vienna, June 11-14, 2009.<br />

"<strong>The</strong> Depth of the Surface: Anacreontic Play and Reflexivity," American Society for<br />

Eighteenth-Century Studies, Richmond, March 25-28, 2009.<br />

"Instabilität, Potentialität, Neuheit: Hölderl<strong>in</strong>s Poetik der Verzweigung," ZwischenRäume<br />

15, Berl<strong>in</strong>, February 20, 2009.<br />

"Kurtag Fragments and Holistic Semiotics," Semiotic Circle of California, Berkeley, January<br />

28, 2008.<br />

"<strong>The</strong> Aesthetics of Surveillance," Public Space & Media – Medien, öffentlicher Raum und<br />

Öffentlichkeit. Eberhard Karls Universität, Tüb<strong>in</strong>gen, June 14-17, 2007.<br />

"Poetry and the Critical Moment: Reflections on Durs Grünbe<strong>in</strong>," Media and Mobility,<br />

University of California, Berkeley, March 22-25, 2006.<br />

"Narrative and Urban Space <strong>in</strong> Uwe Johnson's Jahrestage," Dest<strong>in</strong>ations of Desire – Routes of<br />

Agency, IFK Internationales Forschungszentrum Kulturwissenschaften and the University<br />

of Vienna, June 23-26, 2005.<br />

"Dynamic Systems <strong>The</strong>ory and Literary Analysis: A Read<strong>in</strong>g of Hölderl<strong>in</strong>'s 'Patmos',"<br />

Metaphor / Formula, Johns Hopk<strong>in</strong>s University, December 3-5, 2004.<br />

"Musarions Lücke," Christoph Mart<strong>in</strong> Wieland – E<strong>in</strong> Mensch des Rokoko, Biberach,<br />

<strong>German</strong>y, July 14-18, 2004.<br />

2010 <strong>Graduate</strong> Division Summer Grant, UC Berkeley<br />

2009 Dean's Normative Time Fellowship, UC Berkeley<br />

2008-2009 DAAD (<strong>German</strong> Academic Exchange Service), Humboldt-Universität, Berl<strong>in</strong><br />

2008-2009 Ph.D. Net Das Wissen der Literatur, Humboldt-Universität, Berl<strong>in</strong><br />

2008-2009 Chancellor's Dissertation Year Fellowship (Decl<strong>in</strong>ed)<br />

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TEACHING RECORD<br />

2008 Ste<strong>in</strong>way Award for Best <strong>Graduate</strong> Student Paper<br />

2003-2006 Berkeley Fellowship<br />

2001-2002 Ernst-Reuter-Stipendium<br />

2000-2002 Fulbright Grant, Film Studies and Philosophy, Freie-Universität, Berl<strong>in</strong><br />

1999 Firestone Award for Excellence <strong>in</strong> Undergraduate Research<br />

AT UNC:<br />

2012 <strong>German</strong> 615: Cultural Foundations I<br />

2012 <strong>German</strong> 303: Introduction to <strong>German</strong> Literature<br />

2012 <strong>German</strong> 281: Freedom and Terror<br />

2012 <strong>German</strong> 373: <strong>German</strong> Lyric Poetry<br />

2011 <strong>German</strong> 302: Modern <strong>German</strong> Society<br />

2011 <strong>German</strong> 301: <strong>German</strong> Pop and Youth Culture<br />

2011 <strong>German</strong> 301: <strong>German</strong> Pop and Youth Culture<br />

2011 <strong>German</strong> 390: Overwhelm<strong>in</strong>g Attractions: Read<strong>in</strong>gs <strong>in</strong> Catastrophic Literature<br />

2010 <strong>German</strong> 301: <strong>German</strong> Pop and Youth Culture<br />

2010 <strong>German</strong> 840: Figures of Perturbation: Aesthetics and Novelty <strong>in</strong> Eighteenth-Century<br />

Literature and Philosophy<br />

AT UC BERKELEY:<br />

2010 <strong>German</strong> 131: Goethe (taught <strong>in</strong> <strong>German</strong>)<br />

2009 <strong>German</strong> 157: Heidegger and Arendt<br />

2008 <strong>German</strong> R5B: "Romantic Imag<strong>in</strong>ations"<br />

2008 <strong>German</strong> R5B: "Knowledge/Art"<br />

2007 <strong>German</strong> R5A: "Eros and Truth"<br />

2007 <strong>German</strong> R5B: "Romanticiz<strong>in</strong>g the World"<br />

2006 <strong>German</strong> 4: Intermediate <strong>German</strong><br />

2005 <strong>German</strong> 3: Intermediate <strong>German</strong><br />

2005 Philosophy 6: From gods to God and Back<br />

2004 <strong>German</strong> 2: Beg<strong>in</strong>n<strong>in</strong>g <strong>German</strong><br />

2004 <strong>German</strong> 10: Intensive First and Second Semester <strong>German</strong><br />

2004 Philosophy 7: Existentialism <strong>in</strong> Literature and Film<br />

PROFESSIONAL SERVICE AT UNC<br />

2011-2012 Co-organizer of <strong>Carol<strong>in</strong>a</strong>-<strong>Duke</strong> <strong>German</strong> Studies Work <strong>in</strong> Progress Series<br />

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PROFESSIONAL SERVICE<br />

LANGUAGES<br />

2011 Committee to Create <strong>German</strong> and Slavic Languages and Literatures Personnel<br />

Document<br />

2011 Co-organizer of Film Series "In the Shadows of Catastrophe: <strong>German</strong> C<strong>in</strong>ema 1977-<br />

1992" shown <strong>in</strong> conjunction with Ackland Art Museum's Exhibit De-Natured:<br />

<strong>German</strong> Art from Joseph Beuys to Mart<strong>in</strong> Kippenberger<br />

2010 Member on Search Committee for Tenure-Track Assistant Professorship, UNC<br />

2008-2010 MLA Special Interest Delegate, Region 7<br />

2007 Co-Editor <strong>in</strong> Chief, TRANSIT Journal of Media, Mobility, and Migration<br />

2006 Assistant Editor, TRANSIT Journal of Media, Mobility, and Migration<br />

Modern: <strong>German</strong> (near native), French (fluent), Russian (<strong>in</strong>termediate knowledge), Italian<br />

(read<strong>in</strong>g knowledge), Spanish (read<strong>in</strong>g knowledge).<br />

Older: Middle High <strong>German</strong>, Old Occitan, Lat<strong>in</strong>, Ancient Greek.<br />

-5-<br />

October 2012

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