Priscilla D. Layne - The Carolina-Duke Graduate Program in ...
Priscilla D. Layne - The Carolina-Duke Graduate Program in ...
Priscilla D. Layne - The Carolina-Duke Graduate Program in ...
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<strong>Priscilla</strong> D. <strong>Layne</strong><br />
PROFESSIONAL EXPERIENCE<br />
2011 Assistant Professor, University of North <strong>Carol<strong>in</strong>a</strong> at Chapel Hill<br />
2006-2010 Instructor, University of California at Berkeley<br />
EDUCATION<br />
2005-2011 PhD <strong>in</strong> German with a Designated Emphasis <strong>in</strong> Film Studies<br />
University of California, Berkeley, CA<br />
Dissertation: Black Voices, German Rebels: Acts of Mascul<strong>in</strong>ity <strong>in</strong> Postwar German Culture<br />
Chair: Deniz Göktürk<br />
First Reader: Anton Kaes<br />
2006 MA <strong>in</strong> German, UC Berkeley, CA<br />
1999-2003 BA with Honors <strong>in</strong> Comparative Literature<br />
University of Chicago, Chicago, IL<br />
HONORS<br />
2008 Susan Sontag Prize for Translation<br />
2003 Wilhelm Meister Prize, University of Chicago<br />
BIBLIOGRAPHY<br />
Edited Book<br />
With Melissa Etzler. Rebellion and Revolution: Defiance <strong>in</strong> German Language, History and Art. New<br />
Castle upon Tyne: Cambridge Scholars Publish<strong>in</strong>g, 2010.<br />
Refereed Chapters <strong>in</strong> Edited Volumes<br />
“‘Schrei Whity, Schrei’: Sadomasochismus und Dynamiken der Macht <strong>in</strong> Fassb<strong>in</strong>ders Whity<br />
(1970).” M<strong>in</strong>oritäten bei Ra<strong>in</strong>er Werner Fassb<strong>in</strong>der. Nicole Col<strong>in</strong>, Özkan Ezli, Franziska Schößler<br />
and Nike Thurn (Eds.) Bielefeld: Transcript, expected to be published <strong>in</strong> 2012.<br />
With Krist<strong>in</strong> Dick<strong>in</strong>son and Rob<strong>in</strong> Ellis. “L<strong>in</strong>guistic Rebellion <strong>in</strong> Feridun Zaimoglu’s Koppstoff.”<br />
Contemporary German Culture: Feridun Zaimoglu. Tom Cheesman and Kar<strong>in</strong> E. Yesilada (Eds.) Wales:<br />
University of Wales Press, 2012.<br />
“Lessons <strong>in</strong> Liberation: Fassb<strong>in</strong>der’s Whity at the Crossroads of Hollywood Melodrama and<br />
Blaxploitation.” Companion to German C<strong>in</strong>ema. Terri G<strong>in</strong>sberg and Andrea Mensch (Eds.) Malden,<br />
MA: Wiley-Blackwell Press, 2012.<br />
“Unlikely Cous<strong>in</strong>s: Inszenierungen von Blackness <strong>in</strong> deutschen HipHop- und antirassistischen<br />
Sk<strong>in</strong>head-Szenen.” <strong>The</strong>y Say I’m Different: Populärmusik, Szenen und ihre AkteurInnen. Rosa<br />
Reitsamer and Wolfgang Fichna (Eds.)Vienna: Löcker Verlag, 2011.<br />
Book Review<br />
“Annette Brauerhoch’s Fräule<strong>in</strong>s und GIs.” TRANSIT. 2008. (electronic journal)<br />
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PRESENTATIONS<br />
Invited Talks<br />
“Polic<strong>in</strong>g and Transgress<strong>in</strong>g the Borders of the Berl<strong>in</strong> Republic <strong>in</strong> Doris Dörrie’s Die Friseuse<br />
(2010).”<br />
Women’s and Gender Studies Luncheon Colloquium, UNC-CH 2012<br />
“Leila Negra’s Struggle for a Black German Identity.”<br />
North <strong>Carol<strong>in</strong>a</strong> German Studies Sem<strong>in</strong>ar 2012<br />
With Krist<strong>in</strong> Dick<strong>in</strong>son and Rob<strong>in</strong> Ellis. “Translat<strong>in</strong>g Multi-L<strong>in</strong>gual Word-play <strong>in</strong> Feridun<br />
Zaimoglu’s Koppstoff: Kanaka Sprak vom Rande der Gesellschaft (1998)”<br />
Twenty Fourth Annual Semiotics Circle of California, UC Berkeley 2009 and Pomona College<br />
2009<br />
With Melissa Etzler. “Introduction to ‘Women of ‘68’: German Filmmakers and the Fem<strong>in</strong>ist<br />
Movement”<br />
Goethe Institute, San Francisco, CA 2008<br />
Conference Presentations (selected)<br />
“Between Play and Mimicry: <strong>The</strong> Limits of Humanism <strong>in</strong> Verrücktes Blut.”<br />
German Studies Association 2012<br />
“Teach<strong>in</strong>g Across the Color L<strong>in</strong>e: Whiteness and Black German Studies”<br />
2 nd Annual Black German Cultural Society Convention 2012<br />
“Polic<strong>in</strong>g and Transgress<strong>in</strong>g the Borders of the Berl<strong>in</strong> Republic <strong>in</strong> Doris Dörrie’s Die Friseuse<br />
(2010).”<br />
Society for C<strong>in</strong>ema and Media Studies 2012<br />
“‘Schwarz ist <strong>in</strong>’: <strong>The</strong> Fetishism of Black Mascul<strong>in</strong>ity <strong>in</strong> Lothar Lambert’s 1 Berl<strong>in</strong> Harlem<br />
(1974).”<br />
<strong>The</strong> First Convention of the Black German Cultural Society, Wash<strong>in</strong>gton, DC 2011<br />
“What Lies Beh<strong>in</strong>d the Star Power of Afro-German Rapper Lisi”<br />
German Studies Association, Oakland, CA 2010<br />
“Unravel<strong>in</strong>g Fassb<strong>in</strong>der’s Least Successful Film”<br />
50 th Annual Conference for the Society for C<strong>in</strong>ema and Media Studies, Los Angeles 2010<br />
“<strong>The</strong> Ethics of Provocation: Censor<strong>in</strong>g the Past <strong>in</strong> German Cold War Punk”<br />
18 th Annual Interdiscipl<strong>in</strong>ary German Studies Conference, UC Berkeley 2010<br />
“Reconcil<strong>in</strong>g Büchner with Schiller and Obedience with Emancipation Post Revolution”<br />
106 th Pacific Ancient and Modern Languages Association, Pomona College 2008<br />
“Adorno, Jazz and the Threat of Fascism”<br />
Exam<strong>in</strong><strong>in</strong>g the Avant Garde, German <strong>Graduate</strong> Student Conference, University of Michigan<br />
2008<br />
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“Distant Cous<strong>in</strong>s: Stag<strong>in</strong>g ‘Blackness’ <strong>in</strong> German Hip Hop and Sk<strong>in</strong>head Music”<br />
Crossovers Conference, Westfälische-Wilhelm-Universität, Münster, Germany 2006<br />
Respondent<br />
“Circulat<strong>in</strong>g Humor: Nonsense Politics.” University of California at Berkeley, 2012<br />
UNREFEREED WORKS<br />
Chapter <strong>in</strong> an Edited Volume<br />
“Wait<strong>in</strong>g for My Band: Music, Legacy and Identity <strong>in</strong> Peter Zadek’s Ich b<strong>in</strong> e<strong>in</strong> Elefant, Madame”<br />
<strong>in</strong> Rebellion and Revolution: Defiance <strong>in</strong> German Language, History and Art. Melissa Etzler and <strong>Priscilla</strong><br />
<strong>Layne</strong> (Eds.) New Castle upon Tyne: Cambridge Scholars Publish<strong>in</strong>g, 2010. 204-223.<br />
Article<br />
With Krist<strong>in</strong> Dick<strong>in</strong>son and Rob<strong>in</strong> Ellis. “Translat<strong>in</strong>g Communities: Reth<strong>in</strong>k<strong>in</strong>g the Collective <strong>in</strong><br />
Feridun Zaimoglu’s Koppstoff.” TRANSIT. 2008. (electronic journal)<br />
Translations<br />
Published<br />
“He Is Not as Sweet as He Seems.” Germany <strong>in</strong> Transit: Nation and Migration, 1995 - 2005. Deniz<br />
Göktürk, David Graml<strong>in</strong>g and Anton Kaes (Eds.) Berkeley: University of California Press, 2007.<br />
131-2.<br />
Unpublished<br />
With Krist<strong>in</strong> Dick<strong>in</strong>son and Rob<strong>in</strong> Ellis. Zaimoglu, Feridun. Koppstoff: Kanaka Sprak vom Rande der<br />
Gesellschaft.<br />
Subtitles<br />
Erpulat, Nurkan and Jens Hillje. Verrücktes Blut. Performed by the Ballhaus Naunynstraße 2011<br />
akademie der autodidakten lab I. Klassentreffen – die 2. Generation. Performed by the Ballhaus Naunynstraße<br />
<strong>in</strong> New York 2010<br />
With Krist<strong>in</strong> Dick<strong>in</strong>son and Rob<strong>in</strong> Ellis. Zaimoglu, Feridun. Schwarze Jungfrauen. Performed by the Ballhaus<br />
Naunynstraße <strong>in</strong> Amsterdam 2010<br />
TEACHING RECORD<br />
2012 German 880.001: Gender and Sexuality <strong>in</strong> German Film from (6 graduate students)<br />
2012 German 303.001: Introduction to German Literature (9 undergraduates)<br />
2012 German 896.007: Independent Study on the Works of Feridun Zaimoglu (1 graduate)<br />
2012 German 303.001: Introduction to German Literature (11 undergraduates)<br />
2012 German 301.002: Conversation and Composition,<br />
Jugend und Popkultur (8 undergraduates)<br />
2011 German 302.002: Conversation and Composition,<br />
Language and Culture (11 undergraduates)<br />
2010 German 160 D: Multicultural Germany<br />
2009 German R5A: “Rebels with a Cause”<br />
2008 Beg<strong>in</strong>n<strong>in</strong>g German 2<br />
2007 German 3: Intermediate German<br />
2007 Beg<strong>in</strong>n<strong>in</strong>g German 2<br />
2006 Beg<strong>in</strong>n<strong>in</strong>g German 1<br />
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DOCTORAL DISSERTATION COMMITTEES<br />
EXAMINATION COMMITTEE MEMBER<br />
Sara Budarz, Fall 2011<br />
WRITING PROFICIENCY REVIEW<br />
PRIMARY ADVISOR<br />
Steffen Kaupp, Spr<strong>in</strong>g 2012<br />
HONORS THESIS COMMITTEES<br />
EXAMINATION COMMITTEE MEMBER<br />
Matthew Bailey: Identities and Communities: A Look at Gay and Lesbian Life <strong>in</strong> the German Democratic Republic.<br />
(Honors)<br />
GRANTS<br />
Fall 2012 Interdiscipl<strong>in</strong>ary Arts and Sciences Initiative, Co-Applicant $9,500<br />
Fall 2012 German Embassy, German Campus Week, $5,100<br />
Summer 2012 Institute for African American Research Grant $2,250<br />
Spr<strong>in</strong>g 2012 Humanities Write Large Grant, Member of Steer<strong>in</strong>g Committee $22,040<br />
PROFESSIONAL SERVICE<br />
2012 Co-Organizer, Transnational German Film Workshop, NCGS, UNC<br />
2012 Panelist, <strong>The</strong> Importance of <strong>The</strong>ory <strong>in</strong> <strong>Graduate</strong> School, MURAP, UNC<br />
2012 Committee Member, Faculty Search Committee, Dept. of German and Slavic, UNC<br />
2012 Committee Member, Lecturer Search Committee, Dept. of German and Slavic, UNC<br />
2012 Steer<strong>in</strong>g Committee Member, North <strong>Carol<strong>in</strong>a</strong> German Studies Sem<strong>in</strong>ar<br />
2012 Judge for Extemperaneous Speak<strong>in</strong>g, German Day, AATG, Wake Forest University<br />
2005-2010 Research Assistant, Multicultural Germany Project, UC Berkeley<br />
2008 Co-Organizer, 16 th Annual Interdiscipl<strong>in</strong>ary German Studies Conference<br />
UC Berkeley<br />
2007 Co-Assistant Editor, TRANSIT Journal of Media, Mobility, and Migration<br />
2007 Book Review Editor, TRANSIT Journal of Media, Mobility, and Migration<br />
WORKSHOPS ATTENDED<br />
2011 DEFA Summer Film Institute, “Cold War, Hot Media”<br />
Smith College, MA<br />
MEMBERSHIPS<br />
American Association of Teachers of German<br />
German Studies Association<br />
Society for C<strong>in</strong>ema and Media Studies<br />
LANGUAGES<br />
Modern: German (near native), Dutch (read<strong>in</strong>g knowledge), Turkish (elementary knowledge)<br />
Older: Middle High German<br />
October 2012<br />
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