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2 Roster Fui the latest information on tlie denizens of CCRMA. see their individual home pages.' Below is ,\ tabulation organized by group. The home page URL for each person is constructed from the login name as "littp: www-ccrrna.stanford.edu/ "login 2.1 Staff and Faculty Login cc big jos mvm jdh nando juy bil gary vibeke jc lcs jrp mab esf n /a Name Chris Chafe .Jonathan Berger Julius 0. Smith III Max V. Mathews Jonathan Harvev Fernando Lopez-Lezcano Jav Kadis William Schottstaedt Garv Scavone Vibeke Cleaver John Chowning Leland Smith John R. Pierce Marina Bosi Eleanor Selfridge-Field Walter B. Hewlett iitp www-cCI nia.ilanloiil edu CCRMA HomePiijjes.litnil Position Associate Professor of Music. CCRMA Director Associate Professor of Music Associate Professor. Music and (by courtesv) Electrical Engineering Professor of Music (Research) Professor of Music Svstem Administrator ' Lecturer Audio Engineer / Lecturer Research Associate Technical Director Administrative Assistant Professor of Music. Emeritus Professor of Music. Emeritus Visiting Professor of Music. Emeritus Consulting Professor of Music Consulting Professor of Music Consulting Professor of Music 3
2.2 Music Graduate Students [ Login cburns lonnv pchordia pph tkunze randal unjung cnichols norton sile juan craig serafin taiuara savd rswilson leigh aguiar oded mburtner ching falk rj fleck cwjoues dkeller senylee bobby jugend cprestia kotoka be hippie kikuno jleuoeuf anrow issac Name Christopher Burns Lonny Chu Parag Chordia Patty Huang Tobias Kunze Randal Leistikow Unjung Nam Charles Nichols Jonathan Norton Sile 0 Modhrain Juan Pampin Craig Sapp Stefania Seraiin Tamara Smyth Scott \"an Duyne Scott Wilson Leigh VanHandel Celso Aguiar Oded Ben-Tal Matthew Burtner Ching-Wen Chao Chris Falk Robert Fleck Christopher Jones Damian Keller Seungyon-Seny Lee Bobby Lombardi Jugend Nurit Chrysa Prestia Kotoka Suzuki Brook Eaton Aaron Hippie Kimberley Johnsen Jay LeBoeuf Andrew Roper Issac Roth Degree Program PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Compute:-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD Computer-Based Music Theory and PhD CCRMA-cology DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition DMA Composition MA Science and Technology MA Science and Technology MA Science and Technology MA Science and Technology MA Science and Technology (on leave) MA Science and Technology (on leave) i Acoustics Acoustics Acoustics Acoustics Acoustics ion Acoustics Acoustics Acoustics Acoustics Acoustics Acoustics (on Acoustics Acoustics Acoustics Acoustics (on Acoustics leave | leave) leave)
Page 1 and 2: CENTER FOR COMPUTER RESEARCH IN MUS
Page 3 and 4: 6.2.1 Synthesis of Transients in Cl
Page 5: 1 General Information CENTER FOR CO
Page 9 and 10: 2.5 Visiting Scholars Login ban jdc
Page 11 and 12: Studio D is CCRMA's digital editing
Page 13 and 14: • Music 151 Psychophysics and Cog
Page 15 and 16: accessed from the CCRMA WWW Home Pa
Page 17 and 18: 5 Compositional Activities 5.1 Over
Page 19 and 20: • Strum for four-channel tape (19
Page 21 and 22: • Sounds'ates (1998) for percussi
Page 23 and 24: textures. TheM transformations will
Page 25 and 26: MIDI pitcli is often harmonized thr
Page 27 and 28: due to lack of interest" that recei
Page 29 and 30: 6 Research Activities Computer musi
Page 31 and 32: track. The effects, as well as the
Page 33 and 34: lieaphone or speakei listening envi
Page 35 and 36: 6.1.10 Stanford Computer-Music Pack
Page 37 and 38: clear that composer.-- would be wel
Page 39 and 40: With simple extensions, this approa
Page 41 and 42: The psychophysical basis for Scanne
Page 43 and 44: waves and on the shape of the frict
Page 45 and 46: References • Music -421 (EE 367B)
Page 47 and 48: 6.2.17 Antialiasing for Nonlinearit
Page 49 and 50: produced by their instrument, there
Page 51 and 52: 6.4.2 Text on Psychoacoustics Perry
Page 53: 6.5.2 Realtime Chord Recognition of
Page 56 and 57:
Scoie Finale Sibelius capella SoteW
Page 58 and 59:
The MARL WWW pages currently provid
Page 60 and 61:
7 Recordings Recordings of works re
Page 62 and 63:
Kim. V.. Franco. H.. and Xeumeyer.
Page 64 and 65:
Scavone. G. P. (199Sci Tlie musical
Page 66:
vail Walstijll. M and Smith. J. O.
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