Names and Naming in Young Adult Literature - Scarecrow Press
Names and Naming in Young Adult Literature - Scarecrow Press
Names and Naming in Young Adult Literature - Scarecrow Press
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<strong>Names</strong> <strong>and</strong> <strong>Nam<strong>in</strong>g</strong> <strong>in</strong> <strong>Young</strong> <strong>Adult</strong> <strong>Literature</strong> xv<br />
their children ethnic-sound<strong>in</strong>g names as a reflection of pride <strong>in</strong><br />
their heritage. Of course when an author writes a book focused<br />
on explor<strong>in</strong>g ethnic differences, there is much more <strong>in</strong>volved<br />
than simply giv<strong>in</strong>g the characters ethnic-sound<strong>in</strong>g names. Nevertheless,<br />
it is the titles of such books as When My Name Was<br />
Keoko by L<strong>in</strong>da Sue Park, Call Me Maria by Judith Ortiz Cofer,<br />
<strong>and</strong> Miss<strong>in</strong>g Angel Juan by Francesca Lia Block that serve to let<br />
readers know that the books are go<strong>in</strong>g to have someth<strong>in</strong>g to say<br />
about particular ethnicities.<br />
In this book, we def<strong>in</strong>e young adult literature as whatever readers<br />
between the ages of twelve <strong>and</strong> eighteen choose to read for their own<br />
pleasure or enlightenment. Such read<strong>in</strong>g might be related either to<br />
school assignments or to leisure-time read<strong>in</strong>g. Also, we do not restrict<br />
our def<strong>in</strong>ition to books published by youth divisions of publish<strong>in</strong>g<br />
houses; for example, we are <strong>in</strong>clud<strong>in</strong>g books published for<br />
general adult audiences by Sherman Alexie, Maya Angelou, Orson<br />
Scott Card, S<strong>and</strong>ra Cisneros, Yann Martel, <strong>and</strong> Amy Tan, but<br />
“found” by young adults, who relate to them at least partly because<br />
of the young protagonists, but also, we th<strong>in</strong>k, because of how observant<br />
<strong>and</strong> clever these authors are <strong>in</strong> their uses of nam<strong>in</strong>g as a literary<br />
technique.<br />
We hope to encourage teachers <strong>and</strong> librarians to add names <strong>and</strong><br />
nam<strong>in</strong>g to their book discussions with young readers, but we shudder at<br />
the thought of fill-<strong>in</strong>-the-blank tests where students lose po<strong>in</strong>ts for forgett<strong>in</strong>g<br />
the names of m<strong>in</strong>or characters or misspell<strong>in</strong>g the names of major<br />
characters. We hope to <strong>in</strong>spire readers to make deeper connections<br />
<strong>and</strong> thereby ga<strong>in</strong> added pleasure from read<strong>in</strong>g many of the well-written<br />
books be<strong>in</strong>g produced for today’s young adults.<br />
In clos<strong>in</strong>g, we want to thank the late Robert Cormier, who when we<br />
<strong>in</strong>terviewed him <strong>in</strong> 1979, gave us so many <strong>in</strong>sights <strong>in</strong>to what skilled authors<br />
can do with names, that we began read<strong>in</strong>g with <strong>in</strong>creased pleasure<br />
<strong>and</strong> a new <strong>in</strong>terest <strong>in</strong> names. Without his generosity, we probably<br />
would not have thought of writ<strong>in</strong>g this book. We also want to express<br />
thanks to Arizona State University students Lisa Arter, S<strong>and</strong>ra Cr<strong>and</strong>all,<br />
Elizabeth Dern, Morgan Langhofer, <strong>and</strong> Barbara Yost, who made<br />
numerous contributions both through their knowledge <strong>and</strong> enthusiasm,