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Editorial Board / Comite de redaction \ JSpJ p~~ 5` °y 0 ~° c°° o~ No°~"° ~° ` pc '~e a 0 \p ~JS~ 0va0 Editor in Chief l Chef de la r6daction Peter E . Rider CANADIAN MUSEUM OF CIVILIZATION / MUSI;E CANADIEN DES CIVILISATIONS Associate Editor and French-Language Review Editor/ Rddacteur ad joint et responsable des comptes rendus en franFais Jean-Pierre Hardy CANADIAN MUSEUM OF CIVILIZATION / MUS$E CANADIEN DES CIVILISATIONS Managing Editor l Directeur administratif Geoff Rider NATIONAL MUSEUM OF SCIENCE AND TECHNOLOGY / MUSI;E NATIONAL DES SCIENCES ET DE LA TECHNOLOGIE Contributing Editors l R6dacirices invit6es Catherine Cooper Cole ALBERTA CULTURE Pamela Blackstock CANADIAN PARKS SERVICE Members / Membres Norman R. Ball UNIVERSITY OF WATERLOO G6rard Collomb CENTRE D'EI'HNOLOGIE FRANGAISE A . Gregg Finley KINGS LANDING, FREDERICTON Adrienne Hood ROYAL ONTARIO MUSEUM Robert B . Klymasz CANADIAN MUSEUM OF CIVILIZATION / MUSI".E CANADIEN DES CIVILISATIONS Jocelyne Mathieu UNIVERSIT$ LAVAL W. John McIntyre SENECA COLLEGE Dianne Newell UNIVERSITY OF BRITISH COLUMBIA Sharon Reilly MANITOBA MUSEUM OF MAN AND NATURE Thomas J . Schlereth UNIVERSITY OF NOTRE DAME 0 '`"°c~ ' ec`05 © National Museum of Science and Technology 1991 / Mus6e national des sciences et de la technologie 1991 ISSN 1183-1073 The contents of contributions to Material History Review are solely the responsibility of the individual authors and are not to be attributed to Material History Review, its editors, production staff or Editorial Board, or the National Museum of Science and Technology. La teneur des articles de la Revue d'histoire de la culture mat6rielle n'engage qua les auteurs desdits articles . La responsabilitt' n'en saurait 8tre attribu6e A la Revue d'histoire de la culture mat6rielle, A ses r6dactetus et rtsviseurs, ia son personnel de production ou ia son comit6 de rtsdaction, ni au Mus6e national des sciences et de la technologie . Editor & Production Co-ordinator / Rdviseuse anglaise et coordonnatrice de la production Lynn M . Wilson French Editor / Rdviseuse frangaise Gisi'le Cyr Word processing / OpEratrice de traitement de textes Lori Polger Graphic Designer / Graphiste Eiko Emori Inc . All cover illustrations are taken from text inside ; clockwise from top right, see pages 34, 11, 33 and 89 . Les illustrations de la couverture sont tir6es du corps de 1'ouvrage ; en haut a droite, puis dans le sens des aiguilles d'une montre, voir pages 34, 11, 33 et 89 .
Material History Review FALL 1991 / ALTTOMNE 1991 Revue d'histoire de la culture materielle Table of Contents / Table des maiieres Articles Caveats in the Use of Corporate Literature by Costume Historians CATHERINE C. COLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..1 Documents from the Tailoring Trade as a Research Source CATHERINE ROY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 La courtepointe quebecoise : creation ou emprunt? MARIE DURAND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Photographic Archival Sources for Costume Research THERESA ROWAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Bibliography / Bibliographie Costume in Canada : The Sequel JACQUELINE BEAUDOIN-ROSS AND PAMELA BLACKSTOCK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..42 Conference Report /Rapport de conference American Dress as Social History PAMELA BUELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..68 Research Notes / Notes de recherche The Labels of Thomas Nisbet TIM G. DILWORTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .-. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..70 Clothing the Past : Costume Research at the Canadian Parks Service GAIL CARIOU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..72 Notes and Comments / Notes et commentaires Our Contributing Editors / Nos r6dactrices invitees PETER E. RIDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..75 Recent Acquisitions, Newfoundland Museum, St. John's WALTER W. PEDDLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76 Invitation to join the Regional Furniture Society WALTER W. PEDDLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 Reviews / Comptes rendus Thomas J . Schlereth, Cultural History and Material Culture: Everyday Life, Landscapes, Museums ANN GORMAN CONDON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79 Catherine C. Cole, ed ., Norwegian Immigrant Clothing and Textiles DOROTHY K. BURNHAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Page 1: 34 ~ NATIONAL Mc rst:I!m c~~ Sc.'IE
Page 5 and 6: Resume Caveats in the Use of Corpor
Page 7 and 8: Fig. 2 Photographs sach as this one
Page 9 and 10: 1 Fig . 4 "Blue Diamond" overalls,
Page 11 and 12: Fig . 6 Eaton's Spring and Sunnier
Page 13 and 14: were in many cases more important t
Page 15 and 16: Fig . 9 Advertisement showing the G
Page 17 and 18: Resume Documents from the Tailoring
Page 19 and 20: The holistic practice of the crafts
Page 21 and 22: insect infestation or earlier use,
Page 23 and 24: 1 . C . M . Depew, ed ., 1795-1895
Page 25 and 26: qu'on possede et on ajoute, si on l
Page 27 and 28: 1 Fig. i Detail d'une courtepointe
Page 29 and 30: 1 Fig . 4 Courtepointe au rnotif de
Page 31 and 32: 1 Fig . 7 Courtepointe. au motif d'
Page 33 and 34: La courtepointe : creation ou empru
Page 35 and 36: Haute-Ville, Qu6bec, Archives natio
Page 37 and 38: Figs. 1(a) - (c) These images illus
Page 39 and 40: td) from the carte de visite, which
Page 41 and 42: were the wearer's models? how succe
Page 43 and 44: 1 Fig. 41a1 Photographers at Me- Sa
Page 45 and 46: 1 Fig. 5(6) This portrait of an Ott
Page 47 and 48: which discussed scholarship on the
Page 49 and 50: nologie et de folklore/Journal of t
Page 51 and 52: the contents of the album. The arti
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19, no . 2 (Summer 1989) : 7 . A sh
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e ordered, and their possible appea
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factory workers in 1980 at Edna Man
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1986-87) : 8-11 . Extracts from a t
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History, edited by Mary Kinnear. Re
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gests further experimentation is re
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good background on socio-economic c
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ections . Glossary . Good bibliogra
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1976 . 52 pp . Good overview of the
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the subjects was greater when the i
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judgements on the aesthetic propert
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Fig . 3 The second label used bv Th
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Between 1984 and 1986 three of the
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Our Contributing Editors PETER RIDE
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1 Fig . 3 Chip-carved detail on the
Page 83 and 84:
Thomas J . Schlereth, Cultural Hist
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'em, must be one part entertainer,
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sions but the Farvolden exit from N
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The. Turning Point : The Deichmann
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1 Fig. 4 George Ohc Handled vase, c
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Fig . 6 Erika Deichmann . Little an
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served for the 27 years since their
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JACQUELINE BEAUDOIN-ROSS is Curator
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Material History Review The Materia
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