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10<br />

Valérie Losa<br />

Sapore Italiano. Piccole Storie di Pranzi domenicali<br />

[A taste of Italy. Little stories about Italian Sunday meals]<br />

ZOOlibri, 2010 • ISBN 978-88-88254-57-9<br />

For several months, illustrator Valérie Losa<br />

visited Italian migrants living in Switzerland. She<br />

participated in their Sunday meals, she observed<br />

the families, took photos, and drew the people. In<br />

the picture book Sapore Italiano she revives these<br />

meetings. She takes us along to a family home<br />

where the Sunday meal is being prepared, she<br />

celebrates cooking traditions, she brings kitchen<br />

smells alive, and depicts impressively how the<br />

families are trying to keep strong ties with their<br />

native country and their country of origin by<br />

gathering at the table and sharing Sunday meals.<br />

For the topic of memory, the artist chooses a<br />

multi-layered sepia-coloured transparent paper,<br />

a technique that corresponds with the nostalgic<br />

memories of the migrants and at the same<br />

time shows their fragility. Losa does not only<br />

present idylls, however: the daily life in the new<br />

home country and the often difficult process of<br />

integration is brought up as well as the fact that<br />

social changes have taken place both in Italy and<br />

in Switzerland and little has stayed the same.<br />

For this topic, Losa uses coloured pen and ink<br />

drawings that bridge past and present. The only<br />

consistent things within all these changes are<br />

the recipes for the Sunday meals that have been<br />

passed on from generation to generation.<br />

the world through picture books • books from switzerland • 132<br />

L’illustratrice Valérie Losa per alcuni mesi ha<br />

frequentato famiglie di emigranti italiani che vivono<br />

in Svizzera, partecipando al pranzo domenicale; li ha<br />

osservati, disegnati, e fotografati. In “Sapore italiano”<br />

ha raccolto l’essenza di questi incontri. Ci conduce<br />

in una famiglia intenta a preparare il pranzo<br />

domenicale: una celebrazione della tradizione culinaria.<br />

L’illustratrice ci restituisce i profumi della cucina<br />

attraverso immagini evocative che mostrano come sia<br />

importante per queste famiglie mantenere il contatto<br />

con le proprie radici attraverso il rito del pranzo in<br />

comune. Per valorizzare il ricordo del passato, Valérie<br />

Losa ha scelto della carta trasparente color seppia<br />

che ha dipinto con diversi strati di colore. Una tecnica<br />

che corrisponde appieno ai ricordi nostalgici degli<br />

emigranti lasciando, nello stesso tempo, trasparire la<br />

loro fragilità. Losa, però, non ci racconta solo il lato<br />

idilliaco di queste famiglie. Raffigura anche le loro<br />

fragilità, la loro vita quotidiana a contatto con la realtà<br />

di un nuovo paese, il processo a volte difficoltoso<br />

dell’integrazione e i cambiamenti sociali intercorsi sia<br />

in Svizzera sia in Italia. Per illustrare quest’aspetto<br />

l’illustratrice usa la colorazione a china; una tecnica<br />

che fa da ponte tra passato e presente. Le ricette, alla<br />

base dei pranzi domenicali di queste famiglie, sono<br />

tramandate di generazione in generazione e hanno<br />

trovato posto anche in questo libro..<br />

1<br />

Books from the<br />

United Kingdom<br />

The co-ordination of the selection of the top ten picture books for the United<br />

Kingdom was undertaken by Annie Everall. In order to draw up a list of titles,<br />

members of the national committee of the Youth Libraries Group of CILIP<br />

(Chartered Institute of Librarians and Information Professionals) were asked<br />

to nominate titles against the criteria established for the project.<br />

In addition an article was published in the Youth Libraries Group newsletter<br />

also inviting nominations from librarians across the UK. 31 titles were<br />

nominated, although one (Eric Carle – The Very Hungry Caterpillar) was unable<br />

to be included as it was not first published in the United Kingdom.<br />

An electronic voting form was sent to all national committee members of the<br />

Youth Libraries Group and its branch members. It was also sent to national<br />

committee members of ASCEL (Association of Senior Children’s and Education<br />

Librarians) as well as to all ASCEL members with a request to forward it on to<br />

relevant staff in their Authorities. Every delegate at the Youth Libraries Group<br />

annual conference in September 2011 was given a voting form in their delegate<br />

pack and asked to complete it and hand it in before the end of conference,<br />

with two sets of the final ten titles being offered as a prize draw for completed<br />

application forms. In addition a notice was included in the Youth Libraries<br />

Group electronic newsletter inviting librarians to request a voting form.<br />

4,070 votes were received and when analysed the top ten titles for the UK<br />

are the following:<br />

Allan Ahlberg • Janet Ahlberg, ill.<br />

Each Peach Pear Plum<br />

Puffin • 1978 Viking Kestrel • 1989 Picture Puffin • ISBN 978 0 140 50919 9 Pbk<br />

Awarded the CILIP Kate Greenaway Medal<br />

for an outstanding book in terms of illustration<br />

for children and young people in 1978.<br />

Each Peach Pear Plum is a deceptively simple,<br />

engaging picture book in which Janet Ahlberg’s<br />

gentle pen and watercolour illustrations<br />

complement her husband Allan’s text to give<br />

young children the pleasure and satisfaction<br />

of using their knowledge of nursery rhymes to<br />

interact with the book, spot clues and find hidden<br />

characters…<br />

The book is very carefully designed to lead<br />

the reader through a range of settings filled<br />

with recognisable images from the literature<br />

of childhood. The reader is led from the opening,<br />

quilt like view of fields, cottage and an orchard<br />

of peach, pear and plum trees, into Mother<br />

Hubbards’s kitchen, up Jack and Jill’s hill and<br />

the world through picture books • books from the united kingdom • 133<br />

Contact: Annie Everall<br />

annie@alannie.demon.co.uk<br />

out into Robin Hood’s forest. Each double page<br />

spread follows a simple picture frame format<br />

with text and a small pictorial clue on one side,<br />

balanced by a detailed full-frame illustration<br />

with objects to find on the other…<br />

There is something very pleasing in seeing the<br />

domestic lives of familiar characters represented<br />

in such a witty way. The artists ability to depict<br />

a happily comfortable world, shown to great<br />

effect in the final full-page illustration where<br />

she completes the circular story and reunites all<br />

the characters makes this a very enjoyable and<br />

satisfying book.<br />

Extract of a review from: ‘Image & Imagination<br />

50 Years of the Kate Greenaway Medal’ by Ian Dodds<br />

and Sue Roe, CILIP Youth Libraries Group 2007<br />

13 978 0946 512 52

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