Developing Brand Personality Through Colour Construct – A ...
Developing Brand Personality Through Colour Construct – A ...
Developing Brand Personality Through Colour Construct – A ...
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looked beyond the aesthetic value of colour and investigated its functional value. This<br />
functional value originates from specific meanings that colours convey in different contexts<br />
and has implications for psychological functioning; their studies demonstrate that the mere<br />
perception of the colour evokes affect, cognition, and behavior congruent to the meaning<br />
(Elliot et al, 2007). Cool colours such as green, blue, and white clustered together are<br />
associated with gentle, peaceful, and calming meanings; whereas, warm colors such as<br />
yellow, gold, orange, red, and purple clustered together and are associated with vibrant, hot,<br />
active, and sharp meanings (Madden et al, 2000). Recent research on brand personality<br />
defines the construct as “the set of human characteristics associated with a brand” and<br />
documents a stable set of personality dimensions that are thought to underlie the construct<br />
(Aaker, 1997)<br />
• sincerity, typified by traits such as wholesome, down-to-earth, and honest;<br />
• excitement, typified by traits such as daring, imaginative, and exciting;<br />
• competence, typified by traits such as intelligent, secure, and confident;<br />
• sophistication, typified by traits such as glamorous, smooth, and charming; and<br />
• ruggedness, typified traits such as strong, masculine, and western.<br />
<strong>Brand</strong> personality scale (BPS) measures, as proposed by Aaker (1997), the extent to which a<br />
given brand possesses any of these personality traits. <strong>Brand</strong> personality influences<br />
consumers’ perceptual processing of product information. <strong>Brand</strong> personality is a nonphysical<br />
piece of product knowledge that shapes perceptions about that product and deals with the<br />
importance of relations in social activities and gives the brand higher positions in the mind of<br />
consumers and makes the brand as their friends and belongings (Rajagopal, 2006); and it is<br />
all the attitudes, perspectives, feelings and views customers have about a brand. <strong>Brand</strong><br />
associations are important to marketers and to consumers. Marketers use brand associations<br />
to differentiate, position, and extend brands, to create positive attitudes and feelings toward<br />
brands, and to suggest attributes or benefits of purchasing or using a specific brand.<br />
Consumers use brand associations to help process, organize, and retrieve information in<br />
memory and to aid them in making purchase decisions. Another advantage of the personality<br />
association is that it establishes direct relationship with the customers (Taft, 1997). Therefore,<br />
we propose the following hypothesis:<br />
H1: <strong>Brand</strong> colour blue is associated with the personality trait, competence (intelligence,<br />
secure, & confident);<br />
H2: <strong>Brand</strong> colour purple is associated with personality trait, sophistication (glamorous,<br />
smooth, & charming);<br />
H3: <strong>Brand</strong> colour orange is associated with personality trait, excitement (daring,<br />
imaginative, & exciting);<br />
H4: <strong>Brand</strong> colour red is associated with personality trait, sincerity (wholesome, down-toearth,<br />
& honest).<br />
3. Research Methodology<br />
Our sample frame includes 700 Pakistani youth, with an age bracket of 18-26, who<br />
constitutes the highest usage of cellular services in Pakistan (Pakistan Telecom Authority,<br />
2011), the sampling method used is stratified random sampling. We analysed brand colours’<br />
impact on developing brand personalities of five telecom companies operating in Pakistan,<br />
The brands include: Mobilink, Telenor, Ufone, Warid, and Zong. Mobilink’s brand colour is<br />
purple, Telenor’s brand colour is blue, Ufone’s brand colour is orange, Warid’s brand colour<br />
is red, whereas, Zong does not have any one predominant brand colour, instead it is a<br />
combination of yellow, red, and blue. We used a questionnaire survey, wherein, the questions