22.07.2013 Views

Programme - Music - National University of Ireland, Maynooth

Programme - Music - National University of Ireland, Maynooth

Programme - Music - National University of Ireland, Maynooth

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Women and <strong>Music</strong> in <strong>Ireland</strong> Conference<br />

The <strong>Music</strong> Department, <strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong><br />

17 April 2010<br />

In association with The Society for <strong>Music</strong>ology in <strong>Ireland</strong> and An Foras Feasa<br />

9.00am: Registration (The <strong>Music</strong> Department)<br />

9.45am: Welcome (Bewerunge Room)<br />

<strong>Programme</strong><br />

10.00-11.30am: Session 1<br />

Session 1: Irish Women and <strong>Music</strong> in Europe. (Bewerunge Room)<br />

Chair: Pr<strong>of</strong>essor Harry White (<strong>University</strong> College, Dublin)<br />

Collette Moloney (Waterford Institute <strong>of</strong> Technology)<br />

Recording and Rediscovering: The Contribution <strong>of</strong> the Milligan Sisters to Irish<br />

<strong>Music</strong>.<br />

Dr. Margarethe Engelhardt-Krajanek (Independent Scholar)<br />

A life with the Violin: Mary Dickinson-Auner.<br />

Axel Klein (Independent Scholar)<br />

Adela Maddison (c. 1862-1929) and the difficultly <strong>of</strong> defining an Irish Composer.<br />

11.30-12.00: Tea/c<strong>of</strong>fee<br />

12.00-1.30: Session 2 & 3<br />

Session 2: Women and Contemporary <strong>Music</strong> in <strong>Ireland</strong>. (Bewerunge Room)<br />

Chair: Dr. Gareth Cox (Mary Immaculate College, Limerick)<br />

Eve O’Kelly (Contemporary <strong>Music</strong> Centre)<br />

‘What’s it like being a woman composer?’ The question no woman can answer.<br />

Barbara J. Dignam (<strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong>)<br />

Laptops and Lipstick: Women and Electro-acoustic <strong>Music</strong> in <strong>Ireland</strong>.<br />

Karen Power (Mary Immaculate College, Limerick)<br />

..Oh, ……. I thought you were a guy!<br />

Session 3: Women, Traditional <strong>Music</strong> and the Irish Harp. (O’Callaghan Room)<br />

Chair: Dr. Adrian Scahill (<strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong>)<br />

Tes Slominski (New York <strong>University</strong>)<br />

Playing a tune for the Nation: Women Traditional musicians and the boundaries <strong>of</strong><br />

Intelligibility in Early twentieth-century <strong>Ireland</strong>.<br />

Mary-Louise O’Donnell (Independent Scholar)<br />

‘<strong>Ireland</strong>’s only Harpist’ – Miss Emilie Glover and the ‘Grand Harp and Vocal<br />

Concerts <strong>of</strong> 1869.<br />

Helen Lyons (<strong>University</strong> College, Dublin and Dundalk Institute <strong>of</strong> Technology)<br />

A Gendered History <strong>of</strong> the Harp.<br />

1.30-2.30: Lunch (Pugin Hall)


2.30 – 3.30: Lunchtime Concert (Renehan Hall)<br />

3.30-4.00: Tea/ C<strong>of</strong>fee (<strong>Music</strong> Department)<br />

4.00 – 5.00: Session 4 and 5<br />

Session 4: Women and <strong>Music</strong> in Eighteenth-Century <strong>Ireland</strong>. (Bewerunge Room)<br />

Chair: Pr<strong>of</strong>essor Margaret Kelleher (An Foras Feasa)<br />

Jennifer O’Connor (<strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong>)<br />

Scandal and influence in the eighteenth century: Dublin’s musical ladies.<br />

Karol Mullaney-Dignam (<strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong>)<br />

Representations <strong>of</strong> musical activity in the Retrospections <strong>of</strong> Dorothea Herbert (1770-<br />

1829).<br />

Session 5: Women and <strong>Music</strong> in Twentieth-Century <strong>Ireland</strong> (O’Callaghan Room)<br />

Chair: Dr. Lorraine Byrne-Bodley (<strong>National</strong> <strong>University</strong> <strong>of</strong> <strong>Ireland</strong>, <strong>Maynooth</strong>)<br />

Teresa O’Donnell (St. Patrick’s College, Drumcondra)<br />

A woman’s touch: Olive Smith guiding the musical education <strong>of</strong> a generation.<br />

Alasdair Jamieson (<strong>University</strong> <strong>of</strong> Durham)<br />

Joan and Valerie Trimble – the emergence, development and significance <strong>of</strong> a piano<br />

duo.<br />

5.20- 6.30: Concert featuring Concorde (Renehan Hall)<br />

6.30- 7.15 Keynote Address (Renehan Hall)<br />

Chair: Pr<strong>of</strong>essor Barra Boydell<br />

Dr Ita Beausang: 'Daughters <strong>of</strong> Hibernia: Women and <strong>Music</strong> in <strong>Ireland</strong>'.<br />

7.15 Closing Remarks and Wine Reception

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!