Lars Müller Publishers 2009/2010 Architecture Design Photography ...

More documents

Recommendations

Info

Claude Lichtenstein PLAYFULLY RIGID Swiss Architecture, Graphic Design, Product Design, 1950–2006 Design: Integral Lars Müller 16,5 × 24 cm, 300 pages, 370 illus., hardcover 2006, ISBN 978-3-03778-090-9, English 2006, ISBN 978-3-03778-089-3, German EUR 24.50 GBP 23.– USD 37.40 This broad selection of swiss architecture, graphic design, and design from 1950 to 2006 demonstrates that playful humor and clarity are by no means opposites, but a highly unusual duo of qualities that mingle and interpenetrate. The question addressed by this publication is: are these examples from three professions, various regions and languages, and a period of more than fifty years bound together by a common denominator? Hans Richter NEW LIVING Edited by Andres Janser and Arthur Rüegg Design: Integral Lars Müller 16,5 × 24 cm, 128 pages 500 illustrations, hardcover 2001, ISBN 978-3-907078-22-8, English EUR 44.– GBP 39.– USD 60.– This publication includes detailed sequences from the New Living film, as well as numerous documents that illustrate the new style of architecural modernism. Hans Arp and El Lissitzky THE ISMS OF ART 1914–1924 Reprint, original 1925 With an essay by Alois M. Müller 14,5 × 26,5 cm, 60 pages 75 illustrations, hardcover, 1990, ISBN 978-3-906700-28-1, English / French / German EUR 14.90 GBP 13.50 USD 30.– This surprising collection of “isms” ranks among the most important publications on avant-garde art in the 1920s. Hans Arp and El Lissitzky took a refreshing, frankly opinionated inventory of artistic attitudes and movements from 1914 to 1924. Lissitzky’s exuberant design of the book epitomizes the style of the times. Peter Erni DIE GUTE FORM Programm des Schweize rischen Werkbundes Design: Lars Müller 30 × 22 cm, 160 pages 600 illus., hardcover ISBN 978-3-906700-01-4, German, 1983 EUR 15.– GBP 13.50 USD 13.20 GEFESSELTER BLICK 25 profiles and articles on designers in advertising Edited by Heinz and Bodo Rasch Reprint, original 1930 15,5 × 21 cm, 112 pages 140 illustrations, hardcover 1996, ISBN 978-3-907044-02-5, German EUR 45.– GBP 40.– USD 60.– Gefesselter Blick, the captivated gaze, is one of the most important publications on the state of commercial art in the late 1920s. The Rasch brothers invited 25 designers to write brief “monographs and contributions.” Their publication launches a radical reversal of classic advertising design. The most revolutionary artists of the time are represented. Annemarie Bucher SPIRALE Eine Künstler zeitschrift 1953–1964 Design: Lars Müller 30 × 22 cm, 224 pages, 450 illus., softcover, 2001 ISBN 978-3-906700-21-2, German EUR 58.– GBP 52.– USD 65.– 56 Design 57
Naoto Fukasawa, Jasper Morrison SUPER NORMAL Sensations of the Ordinary Design: Integral Lars Müller 14,8 × 20 cm, 128 pages, 264 illus., softcover 2007, ISBN 978-3-03778-106-7, English EUR 24.90 GBP 23.– USD 34.90 Jasper Morrison and Naoto Fukasawa have compiled 204 everyday objects in search of super normal design: alongside examples of anonymous design, there are design classics like by Jacobsen, Rams, Bill or Noguchi. With products by Newson, Grcic, the Azumis, and the Bouroullecs, it also represents the generation to which Morrison and Fukasawa belong. The phenomenon of the super normal is located, beyond space and time; and point to a future that has long since begun. The super normal is lying exposed before us, it is real and available: Fukasawa and Morrison make it visible for us. Jasper Morrison EVERYTHING BUT THE WALLS Design: Integral Lars Müller 22 × 28 cm, 256 pages, 300 illus., softcover 2006, ISBN 978-3-03778-064-0, English EUR 39.90 GBP 36.– USD 49.90 The name Jasper Morrison stands for simple an enduring form, functional, and doing justice to its materials. He has developed an unmistakable, excitingly modern formal language, and became one of the best-known and most influential European product designers. Jasper Morrison is giving us an insight into his approach and way of working, which he defines as “utilism.” His succinct essays describe the development of individual products from the idea to manufacture. A product list since 1981 completes the lavishly presented selection. HELVETICA FOREVER Story of a Typeface Edited by Lars Müller and Victor Malsy With contributions by Axel Langer and Indra Kupferschmid Design: Victor Malsy and Lars Müller with Integral Lars Müller 19 × 26 cm, 160 pages, 150 illustrations, hardcover 2009, ISBN 978-3-03778-121-0, English 2008, ISBN 978-3-03778-120-3, German EUR 29.90 GBP 27.– USD 39.90 Designed in 1957, the Helvetica font is an icon of swiss graphic design. This publication retraces Helvetica’s fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields – from signal design to party flyers. Lars Müller HELVETICA Homage to a Typeface Design: Integral Lars Müller 12 × 16 cm, 256 pages 400 illustrations, softcover 2005, ISBN 3-03778-046-6, English EUR 14.95 GBP 13.50 USD 20.– “Helvetica is the perfume of the city.” Lars Müller “A declaration of love of a particular kind in a small but elegant format. No design library should be without it.” Novum 58 Design 59
Page 1 and 2: 0108S Lars Müller Publishers 2009/
Page 3 and 4: Architecture Our publishing house f
Page 5 and 6: Günther Vogt MINIATURE AND PANORAM
Page 7 and 8: SHIFT SANAA and the New Museum Page
Page 9 and 10: Jack Masey and Conway Lloyd Morgan
Page 11 and 12: SHIFT SANAA AND THE NEW MUSEUM Edit
Page 13 and 14: CONSTRUCTION SITE Metamorphoses in
Page 15 and 16: AS FOUND, THE DISCOVERY OF THE ORDI
Page 17 and 18: Design Our publishing house makes n
Page 19 and 20: HELVETICA FOREVER Story of a Typefa
Page 21 and 22: Ulrike Felsing DYNAMIC IDENTITIES I
Page 23 and 24: BRAKIN Brazzaville - Kinshasa Visua
Page 25 and 26: POSTER COLLECTION 20 HELP! Appeals
Page 27 and 28: NATURE DESIGN From Inspiration to I
Page 29: Karl Gerstner DESIGNING PROGRAMMES
Page 33 and 34: Pierre Mendell POSTERS FOR THE OPER
Page 35 and 36: Photography A meticulous and attent
Page 37 and 38: Yann Mingard, Alban Kakulya EAST OF
Page 39 and 40: Christian Lutz PROTOKOLL Design: In
Page 41 and 42: Klaus Merkel THE READING OF TIME IN
Page 43 and 44: Art The highly distinctive publicat
Page 45 and 46: Silvia Bächli LIDSCHLAG How It Loo
Page 47 and 48: THE WORLD OF GIVING Edited by the N
Page 49 and 50: FAITH IS. The Quest for Spiritualit

Lars Müller Publishers 2009/2010 Architecture Design Photography ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?