New T itles Architecture - Lars Müller Publishers
New T itles Architecture - Lars Müller Publishers
New T itles Architecture - Lars Müller Publishers
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<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />
Autumn 2010<br />
<strong>Architecture</strong><br />
Design<br />
Photography<br />
Art<br />
Society<br />
Our program, in particular its most recent t<strong>itles</strong>, demonstrate just<br />
how irreplaceable the book is as a repository and conveyor of<br />
complex contents, how multifarious book design can be, and hence<br />
the appearance of the book as an object as well.<br />
Young photographer Iwan Baan’s extraordinary perspectives of<br />
Oscar Niemeyer’s Brasilia and of Le Corbusier’s Chandigarh – both<br />
icons of modernist architecture – provide a contrast with the tenacity<br />
of Louis Kahn’s design process for the Dominican Motherhouse in<br />
the 1960s, and with Andrea Palladio’s conceptions for the Venice of<br />
the Renaissance.<br />
In addition to these and other new publications on architecture, design,<br />
photography, and art, we are proud of the considerable number of<br />
t<strong>itles</strong> which enjoy the continued interest of the reading public. Our<br />
backlist forms the backbone of our activities as a publisher.<br />
We thank you for your interest, and we are gratified by your continuing<br />
and productive collaboration with us.<br />
<strong>Lars</strong> <strong>Müller</strong><br />
1
From: Thomas Flechtner, Indien – Sehen, 1997<br />
Available August 2010<br />
24 x 30 cm, 9 ½ × 11 ¾ in, 240 pages<br />
approx. 200 illustrations, softcover<br />
ISBN 978-3-03778-228-6, English<br />
EUR 39.90 GBP 40.– USD / CAD 60.–<br />
Everything is monumental, human,<br />
“ simple, grandiose, and ascetic<br />
in the purity of its forms, which are<br />
reduced to the necessary minimum.<br />
Lúcio Costa ”<br />
Iwan Baan<br />
Brasilia – Chandigarh<br />
Living with Modernity<br />
Edited by <strong>Lars</strong> <strong>Müller</strong><br />
With texts by Cees Nooteboom and Martino Stierli<br />
An illustrated book by acclaimed photographer Iwan Baan<br />
With an essay by Cees Nooteboom<br />
50 years<br />
Brasilia<br />
In 1960, Brasilia was celebrated as the realization of an urban planning vision based<br />
on designs by Lúcio Costa and Oscar Niemeyer. At the same time, the sectoral<br />
city of Chandigarh was rising according to plans by Le Corbusier. The “ test tube<br />
city” arose as an export of modernity from a Western planning euphoria that displayed<br />
utopian traits. In both cities, foreign architecture entered into a harmonious<br />
rela tionship with indigenous culture, forming new and independent identities.<br />
This publication addresses the question of how modernism has been appropriated<br />
in both cities, and how the people who live in them deal with it. Commonalities and<br />
differences are identified and images of everyday urban life showcased.<br />
On the initiative of the publisher, the young photographer Iwan Baan has taken<br />
stock of contemporary life in both cities.<br />
With commentary in the form of essays by Cees Nooteboom on the photographs<br />
and by Martino Stierli on the architectural and planning history.<br />
IWAN BAAN, architecture and documentary photographer, works in Domus,<br />
a+u, The <strong>New</strong> Yorker, NY Times, etc. He is working with SANAA, Koolhaas /OMA,<br />
Herzog & de Meuron, Toyo Ito, Steven Holl, Zaha Hadid.<br />
2 3<br />
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />
Available September 2010<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
approx. 320 pages<br />
approx. 200 illustrations, softcover<br />
ISBN 978-3-03778-220-0, English<br />
EUR 35.– GBP 35.– USD / CAD 55.–<br />
Michael Merrill<br />
Louis Kahn:<br />
On the Thoughtful Making of Spaces<br />
The Dominican Motherhouse and a Modern Culture of Space<br />
In-depth study of Louis Kahn’s unbuilt masterpiece as an introduction<br />
to an evolving paradigm of architectural space<br />
Essential complement to Louis Kahn: Drawing to Find Out<br />
It was not by chance that Louis Kahn’s move into his profession’s spotlight coincided<br />
with the crisis of modern architecture: representing, as his work increasingly did,<br />
those aspects of space which modernism had so ambitiously removed from its program.<br />
Kahn’s rethinking of modern architecture’s paradigm of space belongs to<br />
his most important contributions to the métier. In tracing the genesis of the unbuilt<br />
project for the Dominican Motherhouse (1965–69), we are given a close-up view of<br />
Kahn at work on a few fundamental questions of architectural space: seeking the<br />
sources of its meaning in its social, morphological, landscape and contextual dimensions.<br />
This rich and multivalent project opens the way to a second section, which<br />
sheds new light on several of major works in a timely reappraisal of Kahn’s work.<br />
The result of extensive research, illustrated with unpublished archival material and<br />
new analytic drawings, this affordable volume is an indispensible companion to Louis<br />
Kahn: Drawing to Find Out.<br />
MICHAEL MERRILL, Dr.-Ing., is a practicing architect in the USA and Germany and<br />
assistant professor for Architectural Design at the Karlsruhe Institute of Technology.<br />
Available September 2010<br />
30 × 24 cm, 11 ¾ × 9 ½ in<br />
approx. 240 pages<br />
approx. 160 illustrations, hardcover<br />
ISBN 978-3-03778-221-7, English<br />
EUR 59.– GBP 60.– USD / CAD 85.–<br />
Louis Kahn, sketch for the Dominican Motherhouse<br />
Michael Merrill<br />
Louis Kahn:<br />
Drawing to Find Out<br />
Designing the Dominican Motherhouse<br />
An ideal introduction to Kahn’s thinking<br />
Over two hundred drawings, most published for the first time,<br />
in a generous, high-quality volume<br />
A narrative in drawings sheds light on a profound culture of designing<br />
Like few others, Louis Kahn cultivated the craft of drawing as a means to architecture.<br />
His personal design drawings – seen either as a method of discovery or for themselves<br />
– are unique in the twentieth century. Over two hundred – mostly unpublished –<br />
drawings by Kahn and his associates are woven together with a lively and informed<br />
commentary into an intimate biography of an architectural idea. Unfolding around the<br />
iconic project for the Dominican Motherhouse (1965 – 69) the drawings form a narrative<br />
which not only reveals the richness and hidden dimensions of this unbuilt masterpiece,<br />
but provides compelling insights into Louis Kahn’s mature culture of designing.<br />
Kahn – long considered an “architects’ architect” – emerges as a vivid and instructive<br />
guide, provoking reflection on questions which continue to remain relevant: on how<br />
works are conceived, on how they might be perceived, on how they become part<br />
of human experience. Fascinating not only in their beauty, the drawings open a new<br />
and stimulating perspective on one of the past century’s great architects.<br />
“ While drawing, I’m always waiting for something to happen.<br />
I don’t want it to happen too quickly, though. ” Louis Kahn<br />
4 5<br />
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />
Available September 2010<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
approx. 480 pages<br />
approx. 250 illustrations, softcover<br />
ISBN 978-3-03778-219-4, English<br />
EUR 39.90 GBP 40.– USD / CAD 60.–<br />
MIT dormitory project by Steven Holl,<br />
sponge computer model<br />
Construction site of the Statue of Liberty<br />
Guy Nordenson<br />
Patterns and Structure<br />
Selected Writings 1973–2008<br />
This publication helps fill the void of writings regarding the field<br />
of engineering and its advances and collaborations<br />
Essays on structural engineering, architecture, design, and seismic research<br />
This rich collection of writings and criticisms by structural engineer and Princeton<br />
University professor Guy Nordenson, brings together previously published<br />
essays on structural engineering, architecture, design, and seismic research from<br />
1973 to 2008.<br />
Decade by decade, Nordenson’s essays provide the unique viewpoint of the<br />
struc tural engineer and design collaborator, adding context that relates not only<br />
to the history of architecture and engineering, but locates these fields in a larger<br />
network of cultural relevance. Originally commissioned by publications like The <strong>New</strong><br />
York Times, Domus, The Harvard Design Magazine, Perspecta, Lotus, Earthquake<br />
Spectra, and MoMA’s Tall Buildings exhibition catalog, Nordenson’s writings<br />
investigate a wide range of genres: from technical reports on seismicity, methods<br />
and technologies in structural engineering, architectural criticisms, the importance<br />
of collaboration in design, to the metaphor of tall buildings, design democracy<br />
at Ground Zero, and engineering history and theory. This compilation is a wonderful<br />
reflection on Nordenson’s career thus far and the changing pace and stature of<br />
structural engineering.<br />
GUy NORDENSON is a structural engineer and professor of architecture and<br />
structural engineering at Princeton University.<br />
Jubilee Church, Rome (Richard Meier) under construction<br />
Available August 2010<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages<br />
approx. 150 illustrations, hardcover<br />
ISBN 978-3-03778-214-9, English<br />
ISBN 978-3-03778-215-6, Norwegian<br />
ISBN 978-3-03778-213-2, German<br />
EUR 39.90 GBP 40.– USD / CAD 60.–<br />
RELATED TITLES<br />
Snøhetta Works Page 20<br />
Hamsun, Holl, Hamarøy<br />
Edited by Erik Fenstad Langdalen, Aaslaug Vaa, and Nina Frang Høyum<br />
Publication on Steven Holl’s architecture<br />
With photographs by Iwan Baan<br />
Steven Holl has set up a documentation centre for the Norwegian author Knut<br />
Hamsun (1859 –1952) on Hamarøy, in northern Norway. This unconventional building<br />
reflects the author's no less unusual personality.<br />
The centre in the barren landscape of Hamarøy, where Hamsun lived and worked, the<br />
silence and solitude, challenge visitors to involve themselves with him and his work.<br />
The book records the connection between Hamsun, the architecture and the landscape.<br />
Photographer Iwan Baan relates the landscape and the building to each other,<br />
and historical documents illustrate Hamsun's contradictory life and influential work,<br />
et al. the novel Hunger (1890), with which Hamsun achieved his fame. In 1920 the poet<br />
was awarded with the Nobel Prize for Literature.<br />
AASLAUG VAA, Art Historian<br />
NINA FRANG HøyUM, Historian<br />
ERIK FENSTAD LANGDALEN, Architect<br />
6 7<br />
English<br />
Norwegian<br />
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />
Available September 2010<br />
15 × 24 cm, 6 × 9 ½ in<br />
approx. 208 pages<br />
approx. 200 illustrations, hardcover<br />
ISBN 978-3-03778-222-4, English<br />
EUR 39.90 GBP 40.– USD / CAD 60.–<br />
With contributions by Kurt W. Forster,<br />
Hubertus Adam, Gianni Jetzer, and the<br />
architects<br />
Available October 2010<br />
19 × 26 cm, 7 ½ × 10 ¼ in<br />
approx. 240 pages<br />
approx. 250 illustrations, hardcover<br />
ISBN 978-3-03778-240-8, English<br />
ISBN 978-3-03778-224-8, German<br />
EUR 35.– GBP 35.– USD / CAD 60.–<br />
English<br />
Antonio Foscari<br />
Andrea Palladio – Unbuilt Venice<br />
<strong>New</strong> research strands for the future<br />
A revolutionary proposition on Palladio<br />
After the successful conclusion of the centenary celebrations of Andrea Palladio’s<br />
birth, there are still many unanswered questions about his work. Antonio Foscari<br />
retraces Andrea Palladio’s life and offers new perspectives on the architects built and<br />
unbuilt work. The author reveals an image of Venice that differs from the one we<br />
all know: a city that projects herself into the modern age by abandoning the accepted<br />
principles of late medieval culture that had so profoundly influenced its formation.<br />
ANTONIO FOSCARI is an architect and professor of History of <strong>Architecture</strong> at the<br />
University IUAV of Venice since 1971.<br />
Santa Lucia in Venice (London R.I.B.A., XIV, 10 r) Project for Palazzo Porto in Vicenza (London R.I.B.A., XVII, 3)<br />
Fuhrimann Hächler<br />
Parallel of Life and <strong>Architecture</strong><br />
Edited by <strong>Lars</strong> <strong>Müller</strong><br />
First publication about Fuhrimann Hächler’s architecture<br />
A detailed presentation of eight residential buildings<br />
The Zürich architects Fuhrimann Hächler take on the most diverse building commissions.<br />
The present volume is devoted in particular to private residences, most of<br />
them realized for clients who are at home in the architectural and art scenes. These<br />
homes captivate by virtue of the clarity and simplicity of their constructive materials,<br />
their economically effective construction, and their haptic, sensual surfaces and<br />
flowing spatial transitions. Outstanding examples of their architecture include the<br />
Haus Presenhuber in Vnà (2007), the Haus <strong>Müller</strong> Gritsch in Lenzburg (2007) and their<br />
own residence in Zurich (2003). The text contributions take the reader beyond the<br />
featured residences while situating these within the overall oeuvres of the architects.<br />
Swiss architects GABRIELLE HäCHLER and ANDREAS FUHRIMANN cooperate<br />
since 1995 in Zurich. Visiting professors of Architectural Design, ETH Zurich.<br />
Available October 2010<br />
24 × 33 cm, 9 ½ × 13 in, 320 pages<br />
approx. 600 illustrations, softcover<br />
ISBN 978-3-03778-218-7, English<br />
ISBN 978-3-03778-217-0, German<br />
EUR 35.– GBP 35.– USD / CAD 55.–<br />
Dominique Ghiggi<br />
Tree Nurseries – Cultivating the Urban Jungle<br />
Plant production worldwide<br />
Edited by the Chair of Günther Vogt, Department of <strong>Architecture</strong>, ETH Zürich<br />
The relationship between man and the environment explained through<br />
plant production<br />
This publication reports on tree nurseries all over the world, their contexts, the historical<br />
backgrounds to their emergence, the ways in which they influence town and<br />
landscape planning and the relevant economic factors. Here the relationship between<br />
man and his environment is always in the foreground of the investigation; this has<br />
been shown from time immemorial in terms of plant production in all regions. The<br />
desire to produce and the ability to transform things, to be creative, have characterized<br />
human existence and man’s environment from the outset. Each chapter c ontains<br />
essays and travel reports with photographs of the present situation.<br />
DOMINIqUE GHIGGI, landscape architect, academic assistant at the Institute of<br />
Landscape <strong>Architecture</strong>, ETH Zurich. GüNTHER VOGT, landscape architect,<br />
associate professor of landscape architecture, ETH Zurich.<br />
8 9<br />
English<br />
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>
<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />
Available October 2010<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
approx. 240 pages<br />
appox. 500 illustrations, softcover<br />
ISBN 978-3-03778-229-3, English<br />
EUR 29.90 GBP 30.– USD / CAD 49.95<br />
With contributions by Iñaki Ábalos,<br />
Solano Benitez, Alexander Brodsky,<br />
Isabel Concheiro, Frederick Cooper<br />
Llosa, Hans Ibelings, Krunoslav Ivanisin,<br />
Julio Martinez Calzon, Josep Lluís<br />
Mateo, Richard Sennett, Wang Shu,<br />
and Ramias Steinemann<br />
Available October 2010<br />
16.5 × 22 cm, 6 ½ × 8 ¾ in, 160 pages<br />
approx. 200 illustrations, softcover<br />
ISBN 978-3-03778-230-9, English<br />
EUR 25.– GBP 25.– USD / CAD 39.95<br />
Touch Me<br />
The Mystery of the Surface<br />
Edited by Gregor Eichinger and Eberhard Tröger<br />
Chair of <strong>Architecture</strong> and Design, Department of <strong>Architecture</strong>, ETH Zurich<br />
A book about the depth of the surface<br />
Like a living skin, the architectural surface provides an impression and expression of<br />
human needs, moods and time-related commitments of our designed environment.<br />
The surface is what we perceive with all our senses at the same time as spontaneous,<br />
synaesthetic, multi-dimensional experience. Working on the basis of his work in his<br />
department at the ETH in Zurich, in this publication Gregor Eichinger therefore shifts<br />
emotional relationships between people and architecture into the centre. Touch me’s<br />
associative switches between interdisciplinary texts and pictorial sequences create<br />
a cosmos of our perceptions of the built and designed environment.<br />
PROF. GREGOR EICHINGER runs an architecture practice in Vienna and was<br />
professor of architecture and design at the ETH Zurich from 2004 to 2010.<br />
EBERHARD TRöGER is an architect and taught in professor Eichinger’s department<br />
at the ETH Zurich until 2010.<br />
Josep Lluís Mateo<br />
Architectural Papers V<br />
After Crisis<br />
Post-Fordist Conditions for <strong>Architecture</strong><br />
Edited by the Chair of Josep Lluís Mateo, Department of <strong>Architecture</strong>, ETH Zurich,<br />
and Krunoslav Ivanisin<br />
Consequences for building after the credit crunch<br />
After Crisis concentrates around the new conditions for architectural practice<br />
and around the new epistemologies that may inform it in the next future. That is, in the<br />
period after the financial bubble has collapsed and living and working conditions<br />
have significantly changed. Essays, studies and interviews, along with a selection of<br />
indicative projects, tackle the actual issues of growth and shrinking, economy and<br />
ideology, craftsmanship and social space in the city, materiality and sustainability in<br />
architecture. In a logical sequence, they depict the current reality of architecture.<br />
JOSEP LLUíS MATEO born 1949, architect, since 2002 professor of the <strong>Architecture</strong><br />
Department at the Swiss Federal Polytechnic in Zurich (ETH)<br />
Available July 2010<br />
24 × 16.5 cm, 9 ½ × 6 ½ in, 128 pages<br />
approx. 150 illustrations, softcover<br />
ISBN 978-3-03778-204-0, English<br />
EUR 25.– GBP 19.99 USD / CAD 35.–<br />
Julie Lasky<br />
Bespoke: The Handbuilt Bicycle<br />
With contributions by Michael Maharam and Sacha White<br />
Photographs by D. James Dee<br />
Exhibition Bespoke at <strong>New</strong> York’s Museum of Arts and Design,<br />
opening May 2010<br />
Lavish photographs highlight every design detail<br />
Candid portraits about each builder’s inspirations and working methods<br />
The publication presents the designs of six internationally renowned bicycle builders<br />
whose embrace of the tradition of working in metal brings striking innovation to their<br />
craft. Through their manipulation of steel, aluminum and titanium, the builders of<br />
Bespoke produce racing bicycles that speed champion athletes to victory, mountain<br />
and cyclocross bicycles built to negotiate vertiginous terrain, urban bicycles that<br />
stylishly convey commuters, and randonneur bicycles elegantly stripped down for<br />
epic journeys. Candid portraits including builder’s inspirations, working methods and<br />
bicycles, lavishly photographed in great detail, highlight this exhibition at <strong>New</strong> york’s<br />
Museum of Arts and Design. Bespoke offers a rich and intimate view of objects that<br />
sit squarely at the intersection of art, design, craft and performance.<br />
Includes bicycles by the following builders: Mike Flanigan (A.N.T), Jeff Jones,<br />
Dario Pegoretti, Richard Sachs, J. Peter Weigle, Sacha White (Vanilla Bicycles)<br />
JULIE LASKy is a design writer and editor based in <strong>New</strong> york.<br />
10 11<br />
<strong>New</strong> T<strong>itles</strong> Design
<strong>New</strong> T<strong>itles</strong> Design<br />
Available September 2010<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages<br />
approx. 130 illustrations, softcover<br />
ISBN 978-3-03778-225-5, English<br />
EUR 19.90 GBP 19.99 USD / CAD 35.–<br />
RELATED TITLES<br />
Unimark International Page 25<br />
Massimo Vignelli<br />
The Vignelli Canon<br />
Manual for young designers<br />
Essential principles and rules for good design<br />
Designed by Massimo Vignelli<br />
The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding<br />
of good design in this book, its rules and criteria. He uses numerous examples<br />
to convey applications in practice — from product design via signaletics and<br />
graphic design to Corporate Design. By doing this he is making an important manual<br />
available to young designers that in its clarity both in terms of subject matter and<br />
visually is entirely committed to Vignelli’s modern design.<br />
MASSIMO VIGNELLI studied architecture in Milan, emigrated to the USA in 1961,<br />
co-founded UNIMARK in 1965. He works as a designer in the areas of graphic<br />
and corporate identity programs, publication designs, architectural graphics, and<br />
exhibition, interior, furniture, and consumer product designs for many leading<br />
American and European companies and institutions. With Lella Vignelli, he established<br />
the offices of Vignelli Associates in 1971.<br />
Available November 2010<br />
22.8 × 25 cm, 9 × 9 ¾ in, 400 pages<br />
approx. 300 illustrations, hardcover<br />
ISBN 978-3-03778-234-7<br />
English/French<br />
EUR 49.90 GBP 50.– USD / CAD 80.–<br />
RELATED TITLES<br />
Ruedi Baur Intégral Page 24<br />
Philippe Délis<br />
Integral Philippe Délis<br />
Matrix, impermanence, fantasy, design, support, body, and gaze<br />
Well-known scenographer Philippe Délis on his working methods<br />
With reference to seven concepts, Philippe Délis investigates the mechanisms<br />
governing the conception, preparation, and realization of exhibitions planned and<br />
implemented by the Atelier Integral Philippe Délis, which is active in the area of<br />
scenography and exhibition design. The exhibition designs of Philippe Délis have<br />
been much acclaimed for their deployment of the latest information technologies,<br />
with video projections and sound installations transforming exhibition spaces<br />
and our perceptions of them. With exhibitions in La Villette, in the Centre Pompidou,<br />
Paris, and the design of Egypt’s Sunken Treasures in the Martin-Gropius-Bau,<br />
Berlin in 2008, Délis has become one of the best-known scenographers<br />
internationally.<br />
Architect and scenographer PHILIPPE DéLIS, lives and works in Paris and<br />
Casablanca. He has led an interdisciplinary studio for exhibition design since 1984.<br />
Since 1993: Integral Concept. Since 2009, he has led the program Master Design<br />
Espace et Communication at the Haute école d’Art et de Design in Geneva.<br />
12 13<br />
<strong>New</strong> T<strong>itles</strong> Design
<strong>New</strong> T<strong>itles</strong> Design<br />
Available July 2010<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages<br />
approx. 150 illustrations, softcover<br />
ISBN 978-3-03778-231-6<br />
English / German<br />
EUR 19.90 GBP 19.99 USD / CAD 29.95<br />
RELATED TITLES<br />
A5 series Page 24<br />
Available September 2010<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages<br />
approx. 140 illustrations, softcover<br />
ISBN 978-3-03778-206-4<br />
English /German<br />
EUR 25.– GBP 25.– USD / CAD 35.–<br />
RELATED TITLES<br />
POSTER COLLECTION 1–21 Page 26<br />
A5/04: Kieler Woche<br />
History of a Design Contest<br />
Edited by Jens <strong>Müller</strong> and Karen Weiland<br />
The prestigious competition for designers presented in detail<br />
The fourth volume in the A5 series<br />
Designing the posters for the annual Kieler Woche sailing regatta has developed into<br />
one of the most prestigious European design competitions since it started in 1948.<br />
Since 1959 only five designers or design practices have been invited to take part in<br />
the competition, so that participation as such represents a distinction and has proved<br />
a crucial milestone in many designers’ careers. Winners and participants such as<br />
Ruedi Baur, Wim Crouwel, Willy Fleckhaus, Jan Lenica, Josef <strong>Müller</strong>-Brockmann and<br />
Odermatt+Tissi are outstanding European designers. The brief has remained unchanged<br />
for 60 years, and offers a unique survey of the development of European<br />
graphics.<br />
JENS MüLLER, 1982, and KAREN WEILAND, 1980, studies in Communication<br />
Design at the Fachhochschule Düsseldorf, Germany, since 2009 müller,weiland –<br />
Büro für Gestaltung und Kommunikation in Düsseldorf.<br />
Waldemar Swierzy<br />
1970<br />
Bruno K. Wiese<br />
1971<br />
Rolf <strong>Müller</strong><br />
1972<br />
POSTER COLLECTION 22<br />
Letters Only<br />
Edited by Museum of Design Zurich<br />
Script as a theme in poster design<br />
Hans Hillmann<br />
1976<br />
Armin Hofmann<br />
1972<br />
The new volume in the successful Poster Collection<br />
This publication casts light on the spectrum of the script poster, using consistent<br />
reduction to type and without any illustrative or geometrical elements. The script<br />
poster enjoyed its first heyday around 1915, with the discovery of the letter as<br />
a design element. Starting with examples influenced b the Bauhaus and its successors,<br />
the series continues to the present day. Technical developments in the spheres<br />
of design and printing also influence visual expression. The contemporary script<br />
poster offers a mixture of different trends showing effortless skill in handling different<br />
creative approaches.<br />
Pierre Mendell<br />
1986<br />
Helmut Schmid<br />
2003<br />
Niklaus Troxler<br />
1997<br />
Available September 2010<br />
30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages<br />
approx. 50 illustrations, hardcover<br />
ISBN 978-3-03778-226-2, English<br />
EUR 35.– GBP 35.– USD / CAD 49.95<br />
RELATED TITLES<br />
Protokoll Page 28<br />
From Somewhere to Nowhere Page 31<br />
Christian Lutz<br />
Tropical Gift<br />
The Business of Oil and Gas in Nigeria<br />
Impressive photographic volume on power structures in the world<br />
of the oil business<br />
A new photographic work by Christian Lutz to follow Protokoll<br />
Christian Lutz continues his photographic study of power structures with Tropical<br />
Gift. He took portraits in Nigeria of people who live by and with the economic force<br />
that dominates everything there, the oil and gas industry. The photographs observe<br />
the protagonists’ everyday lives and professional world from very close up, the rich<br />
profiteers in the capital and the indigenous population in the oil region, the Niger<br />
delta. The pictures tell their own story of business with these coveted raw materials<br />
subtly, but highly expressively.<br />
CHRISTIAN LUTZ, 1973, photographer, Nicolas Bouvier Prize, Switzerland, 2007,<br />
German Photobook Prize 2007, “The best in Swiss Photography of 2007.”<br />
14 15<br />
<strong>New</strong> T<strong>itles</strong> Photography
<strong>New</strong> T<strong>itles</strong> Art<br />
Available July 2010<br />
30 × 24 cm, 11 ¾ × 9 ½ in, 160 pages<br />
approx. 120 illustrations, hardcover<br />
ISBN 978-3-03778-227-9, English<br />
EUR 49.90 GBP 50.– USD / CAD 75.–<br />
Hamish Fulton<br />
The Uncarved Block<br />
“ Walking Artist ” Hamish Fulton’s artistic treatment of his ascent<br />
of Mount Everest<br />
Hamish Fulton’s photographic work focuses on nature and the way people experience<br />
nature. He has been hiking all over the world for 30 years, and translates what he experiences<br />
and sees into art. In 2009, Hamish Fulton and an expedition team climbed Mount<br />
Everest, the highest peak in the world. This publication presents this artist treatment of<br />
the ascent to the summit for the first time in a compendious pictorial volume in the form<br />
of collages of photographs and text, sculptures and works on paper.<br />
HAMISH FULTON, born 1946 in London, Walking Artist, lives and works in Canterbury.<br />
Available July 2010<br />
29 × 16.3, 11 ½ × 7 ½ in, 336 pages<br />
approx. 152 photographs, hardcover<br />
ISBN 978-3-03778-216-3<br />
English /French /German /Icelandic<br />
EUR 39.90 GBP 40.– USD / CAD 65.–<br />
RELATED TITLES<br />
das Page 30<br />
Lidschlag Page 30<br />
Silvia Bächli and Eric Hattan<br />
BLINDHÆÐIR<br />
16 17<br />
East Iceland<br />
Edited by Editions Attitudes, Geneva<br />
Artists’ book by Silvia Bächli and Eric Hattan<br />
Photographic volume with impressive shots of the Icelandic landscape<br />
Silvia Bächli and Eric Hatan spent four months, from March to June, in Seydisfjördur<br />
in eastern Iceland. The landscape they explored on their daily walks is dominated<br />
by snow, which shapes the atmosphere in and around the fjord with its changeable<br />
forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the<br />
whiteness, walls of snow by the edge of the road, drifts, icicles and at last the first<br />
brown snow-free places — things are slowly turning green. The artists create a unique<br />
portrait of Iceland’s magnificent landscapes with their photographs, in all its detail,<br />
thus chronicling the passage of time and the approach of the warmer season.<br />
SILVIA BäCHLI, 1956 born in Baden, Switzerland, is an artist and professor<br />
at the Kunstakademie Karlsruhe, Germany.<br />
ERIC HATTAN, 1955 born in Wettingen, Switzerland, is an artist.<br />
<strong>New</strong> T<strong>itles</strong> Art
<strong>New</strong> T<strong>itles</strong> Art<br />
Already published<br />
Not yet announced<br />
24 × 20 cm, 9 ½ × 7 ¾ in, 216 pages<br />
approx. 200 illustrations, hardcover<br />
ISBN 978-3-03778-211-8<br />
English /Japanese<br />
EUR 39.90 GBP 40.– USD / CAD 65.–<br />
RELATED TITLES<br />
SHIFT – SANAA and the <strong>New</strong> Museum Page 20<br />
Your Mobile Expectations Page 30<br />
Serpentine Gallery Pavilion 2007 Page 30<br />
Olafur Eliasson – Your Chance Encounter<br />
Recent publication about Olafur Eliasson<br />
Elaborate design in co-operation with the artist<br />
Exhibition in architecture by SANAA<br />
The acclaimed Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial<br />
experiments for his your Chance Encounter exhibition in the 21st Century Museum<br />
of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around<br />
and get their bearings, and stimulates them to see the museum as a public space for<br />
addressing art and reality critically.<br />
The installations were developed especially for the exhibition. They are arranged in<br />
a tight context with the spatial structure of the museum and extend the concept<br />
of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does<br />
not work only in the museum galleries, but also in the corridors in between and the<br />
adjacent courtyards, thus linking the indoor and outdoor areas closely and examining<br />
this museum’s unique qualities.<br />
The artist’s book was created in close co-operation with Olafur Eliasson’s studio.<br />
Its elaborate design with an extensive pictorial section offers a comprehensive record<br />
of the exhibition and an important analysis of this successful artist’s work. An essay<br />
by art historian Eve Blau interprets the exhibition in relation to its surroundings and<br />
contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator<br />
Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.<br />
OLAFUR ELIASSON is born in Copenhagen in 1967. Studies at the Royal Danish<br />
Academy of Fine Arts in Copenhagen from 1989 to 1995. Lives in Copenhagen and<br />
Berlin.<br />
These t<strong>itles</strong> are the reliable long-term sellers<br />
and no bookshop should be without them.<br />
The Face of Human Rights<br />
Kenya Hara<br />
Designing Design<br />
3rd edition<br />
Available September 2010<br />
All the gorgeous designs<br />
“ presented within ...<br />
none is more gorgeous<br />
than the book itself.<br />
square.MAGAZINE ”<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />
389 illustrations, hardcover<br />
2007, ISBN 978-3-03778-105-0, English<br />
EUR 39.90 GBP 35.– USD / CAD 55.–<br />
Naoto Fukasawa,<br />
Jasper Morrison<br />
Super Normal<br />
Sensations<br />
of the Ordinary<br />
“ It is usually the inconspicuous<br />
objects which<br />
really mean something<br />
to us. ” Naoto Fukasawa<br />
14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages<br />
264 illustrations, softcover<br />
2007, ISBN 978-3-03778-106-7, English<br />
EUR 24.90 GBP 24.99 USD / CAD 34.90<br />
Walter Kälin, <strong>Lars</strong> <strong>Müller</strong>, and Judith Wyttenbach (Eds.)<br />
“ The editors have fulfilled their task outstandingly.<br />
With their encyclopaedic knowledge they have<br />
presented human rights more powerfully than ever<br />
before. ” Der Bund<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages<br />
500 illustrations, hardcover<br />
2004, ISBN 978-3-03778-017-6, English<br />
2008, ISBN 978-3-03778-114-2, German (softcover)<br />
EUR 44.90 GBP 45.– USD / CAD 60.–<br />
Who Owns the Water<br />
<strong>Lars</strong> <strong>Müller</strong><br />
Helvetica<br />
Homage to a Typeface<br />
“ A declaration of love of a particular<br />
kind in a small but elegant<br />
format. No design library should<br />
be without it. ” Novum<br />
12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />
400 illustrations, softcover<br />
2005, ISBN 3-03778-046-6, English<br />
EUR 14.95 GBP 14.99 USD / CAD 25.–<br />
Herzog & de Meuron<br />
Natural History<br />
Philip Ursprung and the Canadian<br />
Centre for <strong>Architecture</strong> (Eds.)<br />
“ This book is an invitation to<br />
a wild journey: anyone who reads<br />
Natural History will feel they are<br />
on an association meter passing<br />
through the Basel architects’<br />
world of ideas. ” Hochparterre<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />
800 illustrations, softcover<br />
2003, ISBN 978-3-03778-049-7, English<br />
2005, ISBN 978-3-03778-050-3, German<br />
EUR 35.50 GBP 30.– USD / CAD 48.–<br />
<strong>Lars</strong> <strong>Müller</strong>, Klaus Lanz, Christian Rentsch,<br />
and René Schwarzenbach (Eds.)<br />
“ This book is simultaneously picture book and<br />
primer: at once informative, illuminating, disturbing,<br />
entertaining, and terrifying. ” Waterkant<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />
approx. 200 illustrations, hardcover<br />
2006, ISBN 978-3-03778-018-3, English<br />
2006, ISBN 978-3-03778-015-2, German<br />
EUR 44.90 GBP 45.– USD / CAD 60.–<br />
18 19<br />
Longseller
Backlist <strong>Architecture</strong><br />
Snøhetta Works<br />
Snøhetta (Eds.)<br />
22 × 28 cm, 8 ¾ × 11 in, 304 pages<br />
570 illustrations, hardcover<br />
2009, ISBN 978-3-03778-147-0, English<br />
EUR 49.90 GBP 45.– USD / CAD 74.90<br />
The SANAA Studios<br />
Learning from Japan:<br />
Single Story Urbanism<br />
Florian Idenburg and<br />
Princeton University, School<br />
of <strong>Architecture</strong> (Eds.)<br />
. . . stunning photography of<br />
“ Tokyo taken by Iwan Baan . . .<br />
regardingplace.com ”<br />
21.6 × 28 cm, 8 ½ × 11 in, 144 pages<br />
240 illustrations, softcover<br />
2010, ISBN 978-3-03778-190-6, English<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Ecological Urbanism<br />
Mohsen Mostafavi with Gareth<br />
Doherty, Harvard University<br />
Graduate School of Design (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 640 pages<br />
approx. 1000 illustrations, hardcover<br />
2010, ISBN 978-3-03778-189-0, English<br />
EUR 39.90 GBP 40.– USD / CAD 59.90<br />
Other Space Odysseys:<br />
Greg Lynn, Michael Maltzan,<br />
Alessandro Poli<br />
Giovanna Borasi, Mirko Zardini and<br />
Canadian Centre for <strong>Architecture</strong> (Eds.)<br />
15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />
113 illustrations, softcover<br />
2010, ISBN 978-3-03778-193-7, English<br />
2010, ISBN 978-3-03778-194-4, French<br />
EUR 24.95 GBP 22.99 USD / CAD 35.–<br />
Stephen Taylor, Ryue Nishizawa<br />
Some Ideas on Living<br />
in London and Tokyo<br />
Giovanna Borasi, Canadian Centre for<br />
<strong>Architecture</strong> CCA (Eds.)<br />
Alice Foxley<br />
Distance and Engagement<br />
The World’s Fairest City –<br />
Yours and Mine<br />
15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />
160 illustrations, softcover<br />
2008, ISBN 978-3-03778-150-0, English<br />
2008, ISBN 978-3-03778-152-4, French<br />
EUR 19.90 GBP 18.99 USD / CAD 29.90<br />
Walking, Thinking and Making Landscape<br />
Already announced<br />
Available June 2010<br />
24 × 16 cm, 9 ½ × 16 ¼ in, 480 pages<br />
approx. 1000 illustrations, hardcover<br />
ISBN 978-3-03778-196-8, English<br />
ISBN 978-3-03778-195-1, German<br />
EUR 49.90 GBP 50.– USD / CAD 80.–<br />
Features of Urban Living and Quality<br />
Ruedi Baur, Martin Feuz, Carmen Gasser Derungs,<br />
Andrea Gmünder, Thomas Hausheer, Martin Jann,<br />
Philipp Krass, Margarete von Lupin, Trond Maag,<br />
Ursula Tgetgel, Marcel Zwissler, Design2context (Eds.)<br />
12.8 × 18 cm, 5 × 7 in, 184 pages, 120 illustrations, softcover<br />
2010, ISBN 978-3-03778-186-9, English<br />
2010, ISBN 978-3-03778-185-2, German<br />
EUR 19.90 GBP 19.99 USD / CAD 29.90<br />
The SANAA architects Kazuyo Sejima and Ryue Nishizawa:<br />
2010 laureates of the Pritzker <strong>Architecture</strong> Prize!<br />
SHIFT<br />
SANAA and the <strong>New</strong> Museum<br />
Joseph Grima and Karen Wong (Eds.)<br />
24 × 30 cm, 9 × 11 ¾ in, 136 pages<br />
144 illustrations, softcover<br />
2008, ISBN 978-3-03778-140-1, English<br />
EUR 32.90 GBP 35.– USD / CAD 39.90<br />
Matthias Sauerbruch,<br />
Louisa Hutton<br />
Sauerbruch Hutton Archive<br />
24 × 30 cm, 9 × 11 ¾ in, 384 pages<br />
650 illustrations, hardcover<br />
2006, ISBN 978-3-03778-083-1<br />
English/German<br />
EUR 59.90 GBP 55.– USD / CAD 79.–<br />
Zaha Hadid<br />
Space for Art<br />
Contemporary Arts Center, Cincinnati<br />
21 × 33 cm, 8 ¼ × 13 in, 128 pages<br />
70 illustrations, hard cover<br />
2004, ISBN 978-3-03778-005-3, English<br />
EUR 37.38 GBP 40.– USD / CAD 49.90<br />
Petra Kempf<br />
You Are the City<br />
Observation, Organization<br />
and Transformation of Urban Settings<br />
“ You Are the City is a powerful antidote<br />
to most city-planning excercises, a conscious<br />
attempt to free up rigid spatial thinking and<br />
start thinking about networks and connections instead.<br />
” blog.buro-gds.com<br />
21 × 29.7 cm, 8 ¼ × 11 ¾ in<br />
22 transparent slides in folder, brochure, 16 pages<br />
2009, ISBN 978-3-03778-159-3, English<br />
EUR 29.90 GBP 30.– USD / CAD 49.90<br />
Herzog & de Meuron<br />
Natural History<br />
Philip Ursprung and the Canadian Centre<br />
for <strong>Architecture</strong> (Eds.)<br />
The natural history of this architecture is<br />
“ much more complex, the magnificent textual<br />
journeys reveal over a thousand plans.<br />
<strong>Architecture</strong> criticism as it should be.<br />
Architektur aktuell ”<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />
800 illustrations, softcover<br />
2003, ISBN 978-3-03778-049-7, English<br />
2005, ISBN 978-3-03778-050-3, German<br />
EUR 35.50 GBP 30.– USD / CAD 48.–<br />
Peter Eisenman<br />
Holocaust Memorial Berlin<br />
24 × 30 cm, 9 × 11 ¾ in, 120 pages<br />
65 illustrations, hardcover<br />
2005, ISBN 978-3-03778-056-5, English<br />
2005, ISBN 978-3-03778-059-6, German<br />
EUR 22.90 GBP 22.99 USD / CAD 34.40<br />
<strong>Architecture</strong> of Zaha Hadid<br />
In Photographs by Hélène Binet<br />
19 × 31 cm, 7 ½ × 12 ¼ in, 176 pages<br />
90 illustrations, hardcover<br />
2000, ISBN 978-3-907078-12-9, English<br />
EUR 19.90 GBP 18.– USD / CAD 29.90<br />
Moshe Safdie<br />
Yad Vashem<br />
The <strong>Architecture</strong> of Memory<br />
24 × 30 cm, 9 × 11 ¾ in, 136 pages<br />
90 illustrations, hardcover<br />
2006, ISBN 978-3-03778-070-1, English<br />
EUR 39.90 GBP 40.– USD / CAD 65.–<br />
Catherine de Smet<br />
Le Corbusier, Architect of Books<br />
24 × 30 cm, 9 × 11 ¾ in, 128 pages<br />
100 illustrations, hardcover<br />
2005, ISBN 978-3-03778-034-3, English<br />
2005, ISBN 978-3-03778-033-6, French<br />
2005, ISBN 978-3-03778-052-7, German<br />
EUR 32.90 GBP 30.– USD / CAD 50.–<br />
Peter Eisenman<br />
The Formal Basis of<br />
Modern <strong>Architecture</strong><br />
(1964)<br />
29 × 30.5 cm, 11 ½ × 12 in, 384 pages<br />
300 illustrations, hardcover<br />
2006, ISBN 978-3-03778-071-8, English<br />
EUR 49.90 GBP 50.– USD / CAD 69.90<br />
Günther Vogt<br />
Miniature and Panorama<br />
Vogt Landscape Architects<br />
Projects 2000–2006<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
575 pages, 950 illustrations, hardcover<br />
2007, ISBN 978-3-03778-069-5, English<br />
2006, ISBN 978-3-03778-068-8, German<br />
EUR 49.90 GBP 50.– USD / CAD 64.90<br />
Zaha Hadid<br />
Car Park and Terminus Strasbourg<br />
31 × 33 cm, 12 ¼ × 13 in, 100 pages<br />
70 illustrations, softcover<br />
2004, ISBN 978-3-03778-028-2<br />
German/English/French<br />
EUR 14.90 GBP 14.99 USD / CAD 35.–<br />
Catherine de Smet<br />
Vers une <strong>Architecture</strong> du Livre<br />
Le Corbusier: édition et mise<br />
en pages 1912 –1965<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 304 pages<br />
410 illustrations, softcover<br />
2007, ISBN 978-3-03778-067-1, French<br />
EUR 28.34 GBP 26.– USD / CAD 44.90<br />
20 21<br />
Backlist <strong>Architecture</strong>
Backlist <strong>Architecture</strong><br />
Your Private Sky<br />
R. Buckminster Fuller<br />
Design Art Science<br />
J. Krausse and C. Lichtenstein (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 524 pages<br />
600 illustrations, hardcover<br />
1999, ISBN 978-3-907044-88-9, English<br />
EUR 24.90 GBP 24.99 USD / CAD 65.–<br />
Sense of the City<br />
Mirko Zardini and the Canadian Centre of<br />
<strong>Architecture</strong> CCA, Montréal (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 352 pages<br />
200 illustrations, hardcover<br />
2005, ISBN 978-3-03778-060-2, English<br />
EUR 42.06 GBP 40.– USD / CAD 60.–<br />
As Found<br />
The Discovery of the Ordinary<br />
British <strong>Architecture</strong> and Art<br />
of the 1950s<br />
C. Lichtenstein and<br />
T. Schregenberger (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />
300 illustrations, hardcover<br />
2001, ISBN 978-3-907078-43-3, English<br />
2001, ISBN 978-3-907078-40-2, German<br />
EUR 29.50 GBP 27.– USD / CAD 44.90<br />
Federico Neder<br />
Fuller Houses<br />
R. Buckminster Fuller’s<br />
Dymaxion Dwellings<br />
and Other Domestic Adventures<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 240 pages<br />
170 illustrations, softcover<br />
2008, ISBN 978-3-03778-141-8, English<br />
EUR 29.90 GBP 30.– USD / CAD 39.90<br />
Construction Site<br />
Metamorphoses in the City<br />
Marie Antoinette Glaser, ETH Wohnforum<br />
(Eds.)<br />
23 × 28 cm, 9 × 11 in, 144 pages<br />
137 illustrations, hardcover<br />
2008, ISBN 978-3-03778-112-8, English<br />
2008, ISBN 978-3-03778-111-1, German<br />
EUR 39.90 GBP 40.– USD / CAD 54.90<br />
Alison and Peter Smithson<br />
AS IN DS<br />
An Eye on the Road<br />
Christian Sumi (Ed.)<br />
Reprint, original 1983<br />
10.5 × 21.7 cm, 4 ¼ × 8 ½ in, 164 pages<br />
70 illustrations, softcover<br />
2001, ISBN 978-3-907078-42-6, English<br />
EUR 14.50 GBP 14.99 USD / CAD 21.75<br />
Buckminster Fuller Reprints<br />
Jaime Snyder (Ed.)<br />
Ideas and Integrities<br />
A Spontaneous Autobiographical Disclosure<br />
Reprint, original 1963, 12 × 18 cm, 4 ¾ × 7 in, 416 pages, 50 illustrations in b/w, softcover<br />
2010, ISBN 978-3-03778-198-2, English<br />
EUR 24.90 GBP 19.99 USD / CAD 29.90<br />
Education Automation<br />
Comprehensive Learning for Emergent Humanity<br />
Reprint, originals 1962–1979, 12 × 18 cm, 4 ¾ × 7 in, 224 pages<br />
15 illustrations in b/w, softcover<br />
2010, ISBN 978-3-03778-199-9, English<br />
EUR 24.90 GBP 19.99 USD / CAD 29.90<br />
Operating Manual for Spaceship Earth<br />
Reprint, original 1969, 12 × 18 cm, 4 ¾ × 7 in, 152 pages, softcover<br />
2008, ISBN 978-3-03778-126-5, English 2010, ISBN 978-3-03778-188-3, French<br />
EUR 14.90 GBP 14.99 USD / CAD 19.90<br />
Utopia or Oblivion<br />
The Prospects for Humanity<br />
Reprint, original 1969, 12 × 18 cm, 4 ¾ × 7 in, 448 pages, 32 illustrations, softcover<br />
2008, ISBN 978-3-03778-127-2, English<br />
EUR 24.90 GBP 24.99 USD / CAD 29.90<br />
And It Came to Pass – Not to Stay<br />
Reprint, original 1976, 12 × 18 cm, 4 ¾ × 7 in, 192 pages, softcover<br />
2008, ISBN 978-3-03778-132-6, English<br />
EUR 14.90 GBP 14.99 USD / CAD 19.90<br />
The Image and the Region<br />
Making Mega-City Regions Visible<br />
Alain Thierstein and Agnes Förster (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 288 pages<br />
203 illustrations, softcover<br />
2008, ISBN 978-3-03778-131-9, English<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Jacques Schader<br />
Freudenberg<br />
A Masterpiece of European<br />
<strong>Architecture</strong><br />
Claude Lichtenstein (Ed.)<br />
With a film by Marc Schwarz<br />
14 × 12 cm, 5 ½ × 4 ¾ in, 194 pages<br />
280 illustrations, softcover with DVD<br />
2003, ISBN 978-3-907078-61-7<br />
English/German<br />
EUR 38.– GBP 35.– USD / CAD 55.–<br />
Gramazio & Kohler<br />
Digital Materiality in <strong>Architecture</strong><br />
19.5 × 30 cm, 7 ¾ × 11 ¾ in, 112 pages<br />
157 illustrations, hardcover<br />
2008, ISBN 978-3-03778-122-7, English<br />
EUR 34.90 GBP 35.– USD / CAD 44.90<br />
Theo Hotz<br />
<strong>Architecture</strong> 1949 – 2002<br />
Édition<br />
française<br />
18.5 × 28 cm, 7 ¼ × 11 in, 320 pages<br />
600 illustrations, hardcover<br />
2003, ISBN 978-3-03778-002-2<br />
English/German<br />
EUR 29.50 GBP 30.– USD / CAD 44.90<br />
Global Design<br />
International Perspectives and Individual Concepts<br />
Museum of Design Zurich, Angeli Sachs (Eds.)<br />
With contributions by Beatriz Colomina,<br />
Angeli Sachs, Philip Ursprung, and Jeroen van Rooijen<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />
approx. 300 illustrations, softcover<br />
2010, ISBN 978-3-03778-210-1, English<br />
2010, ISBN 978-3-03778-154-8, German<br />
EUR 34.90 GBP 35.– USD / CAD 60.–<br />
22 23<br />
Kenya Hara<br />
White<br />
This meditation on the complexity<br />
“ of simple things is wonderfully clear<br />
and inviting to read and transports<br />
you miles away from the sometimes<br />
overwhelmingly fast, multilayered,<br />
complicated reality of working life<br />
as a designer.<br />
Grafik Library, A Guide ” to Essential Reading<br />
13.5 × 19.5 cm, 5 ¼ × 7 ¾ in, 64 pages<br />
4 illustrations, hardcover<br />
2010, ISBN 978-3-03778-183-8, English<br />
2010, ISBN 978-3-03778-182-1, German<br />
EUR 19.90 GBP 15.99 USD / CAD 29.–<br />
Windfall Light<br />
The Visual Language of ECM<br />
<strong>Lars</strong> <strong>Müller</strong> (Ed.)<br />
“ There is more to this book than<br />
being just another piece of memorabilia.<br />
Windfall Light is a testament to a label<br />
that produced the ‘next best sound to<br />
silence’, and which has retained its distinctive<br />
visual identity with memorable<br />
cover designs to identify or color the<br />
music being listened to. allaboutjazz.com ”<br />
18.5 × 26 cm, 7 ¼ × 10 ¼ in, 448 pages<br />
1260 illustrations, softcover<br />
ISBN 978-3-03778-157-9, English<br />
ISBN 978-3-03778-197-5, German<br />
EUR 54.90 GBP 50.– USD / CAD 85.–<br />
Maharam Agenda<br />
Michael Maharam (Ed.)<br />
Already announced<br />
Available September 2010<br />
Cover design Hella Jongerius<br />
22 × 28 cm, 8 ¾ × 11 in, 8 ¾ × 11 in, approx. 256 pages<br />
approx. 200 illustrations, hardcover<br />
ISBN 978-3-03778-187-6, English<br />
EUR 59.90 GBP 60.– USD / CAD 90.–<br />
Kenya Hara<br />
Designing Design<br />
3rd edition<br />
Available September 2010<br />
. . . every page lovingly crafted. (. . .)<br />
“ It is a perfect balance of style and<br />
content, action and non-action.<br />
Eye Magazine ”<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />
389 illustrations, hardcover<br />
2007, ISBN 978-3-03778-105-0, English<br />
EUR 39.90 GBP 35.– USD / CAD 55.–<br />
Jasper Morrison<br />
A World Without Words<br />
Already announced<br />
Available August 2010<br />
11 × 15.5 cm, 4 ¼ × 6 in, 112 pages<br />
104 illustrations, softcover<br />
ISBN 978-3-03778-207-1, English<br />
EUR 16.50 GBP 14.99 USD / CAD 24.95<br />
Backlist Design
Backlist Design<br />
Ruedi Baur<br />
Ruedi Baur Intégral<br />
Anticipating, Questioning, Inscribing,<br />
Distinguishing, Irritating, Orienting,<br />
Translating<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 480 pages<br />
200 illustrations, hardcover<br />
2009, ISBN 978-3-03778-134-0, English<br />
2009, ISBN 978-3-03778-203-3, French<br />
2009, ISBN 978-3-03778-202-6, German<br />
EUR 49.90 GBP 50.– USD / CAD 80.–<br />
A5 Series<br />
Metahaven<br />
Uncorporate Identity<br />
Metahaven (Daniel van der<br />
Velden und Vinca Kruk)<br />
with Marina Vishmidt (Eds.)<br />
Co-published by<br />
Jan van Eyck Academie<br />
17 × 24 cm, 6 ¾ × 9 ½ in, 608 pages<br />
200 illustrations, hardcover<br />
2010, ISBN 978-3-03778-169-2, English<br />
EUR 44.90 GBP 45.– USD / CAD 80.–<br />
Jens <strong>Müller</strong>, labor visuell at the University of Applied Sciences<br />
Düsseldorf, Department of Design<br />
Ulrike Felsing<br />
Dynamic Identities<br />
in Cultural and Public<br />
Contexts<br />
Design2context (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 256 pages<br />
200 illustrations, softcover<br />
2009, ISBN 978-3-03778-163-0, English<br />
2009, ISBN 978-3-03778-162-3, German<br />
EUR 34.90 GBP 35.– USD / CAD 55.–<br />
Findings on Elasticity<br />
Pars Foundation (Ed.)<br />
20 × 27 cm, 7 ¾ × 10 ¾ in, 208 pages<br />
70 illustrations, softcover<br />
2010, ISBN 978-3-03778-148-7, English<br />
EUR 35.– GBP 35.– USD / CAD 55.–<br />
Hans Hillmann<br />
The Visual Works<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, 120 illustrations, softcover<br />
2009, ISBN 978-3-03778-179-1, English/German<br />
EUR 19.90 GBP 18.99 USD/CAD 29.90<br />
Philips – Twen<br />
Realism Is the Score<br />
2<br />
Orient-ierung/ation Des-/Dés-/Dis-/orient-ierung/ation<br />
Design2context<br />
Institute Design2context<br />
Zürich University of the Arts<br />
LARS MÜLLER PUBLISHERS<br />
Orientation/<br />
Disorientation 2<br />
Design2context, Ruedi Baur,<br />
Stefanie-Vera Kockot, Clemens Bellut<br />
and Andrea Gleiniger (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 384 pages<br />
50 illustrations, softcover<br />
2009, ISBN 978-3-03778-158-6, English/German/French<br />
EUR 29.90 GBP 30.– USD / CAD 50.–<br />
RELATED TITLE<br />
Orientation/Disorientation 1 Page 27<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 96 pages, 120 illustrations, softcover<br />
2009, ISBN 978-3-03778-180-7, English/German<br />
EUR 19.90 GBP 18.99 USD/CAD 29.90<br />
Celestino Piatti and dtv<br />
The Unity of the Program<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, 120 illustrations, softcover<br />
2009, ISBN 978-3-03778-178-4, English/German<br />
EUR 19.90 GBP 18.99 USD/CAD 29.90<br />
<strong>Lars</strong> <strong>Müller</strong><br />
Josef <strong>Müller</strong>-Brockmann<br />
Pioneer of Swiss Graphic Design<br />
19 × 27 cm, 7 ½ × 10 ¾ in, 262 pages<br />
369 illustrations, softcover<br />
1994, ISBN 978-3-906700-89-2, English<br />
1994, ISBN 978-3-907078-59-4, German<br />
EUR 39.90 GBP 40.– USD / CAD 49.90<br />
Corporate Diversity<br />
Swiss Graphic Design and Advertising<br />
by Geigy, 1940–1970<br />
Museum of Design Zurich,<br />
Andres Janser, Barbara Junod (Eds.)<br />
“ Sensitively designed by Norm, and<br />
thoroughly researched, this book<br />
has page after page of wonderful work<br />
that is given context by informative,<br />
academic essays. You can’t ask for<br />
more than that. ” Grafik<br />
19.4 × 26.8 cm, 7 ¾ × 10 ½ in, 208 pages<br />
385 illustrations, hardcover<br />
2009, ISBN 978-3-03778-160-9, English<br />
2009, ISBN 978-3-03778-161-6, German<br />
EUR 39.90 GBP 40.– USD / CAD 49.90<br />
Helvetica Forever<br />
Story of a Typeface<br />
<strong>Lars</strong> <strong>Müller</strong> and Victor Malsy (Eds.)<br />
Helvetica forever should be found on the<br />
“ bookshelf of every designer. Page ” This is the perfect book for design<br />
“ obsessives. Wallpaper ”<br />
19 × 26 cm, 7 ½ × 10 ¼ in, 160 pages<br />
150 illustrations, hardcover<br />
2009, ISBN 978-3-03778-121-0, English<br />
2008, ISBN 978-3-03778-120-3, German<br />
EUR 29.90 GBP 30.– USD / CAD 49.–<br />
<strong>Lars</strong> <strong>Müller</strong><br />
Helvetica<br />
Homage to a Typeface<br />
Helvetica is the perfume of the city. “ <strong>Lars</strong> <strong>Müller</strong><br />
”<br />
12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />
400 illustrations, softcover<br />
2005, ISBN 3-03778-046-6, English<br />
EUR 14.95 GBP 14.99 USD / CAD 25.–<br />
Nature Design<br />
From Inspiration to Innovation<br />
Museum of Design Zurich,<br />
Angeli Sachs (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />
318 illustrations, softcover<br />
2007, ISBN 978-3-03778-98-5, English<br />
2007, ISBN 978-3-03778-100-5, German<br />
EUR 29.90 GBP 30.– USD / CAD 49.–<br />
Naoto Fukasawa, Jasper Morrison<br />
Super Normal<br />
Sensations of the Ordinary<br />
14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages<br />
264 illustrations, softcover<br />
2007, ISBN 978-3-03778-106-7, English<br />
EUR 24.90 GBP 24.99 USD / CAD 34.90<br />
Jan Conradi<br />
Unimark International<br />
The Design of Business and<br />
the Business of Design<br />
Foreword by Massimo Vignelli<br />
19 × 26 cm, 7 ½ × 10 ¼ in, 250 pages<br />
150 illustrations, hardcover<br />
2010, ISBN 978-3-03778-184-5, English<br />
EUR 44.90 GBP 40.– USD / CAD 64.90<br />
Wolfgang Weingart<br />
Typography<br />
My Way to Typography<br />
22.5 × 27.5 cm, 8 ¾ × 10 ¾ in, 520 pages<br />
450 illustrations, hardcover<br />
2000, ISBN 978-3-907044-86-5<br />
English/German<br />
EUR 53.40 GBP 50.– USD / CAD 120.–<br />
Jasper Morrison<br />
Everything but the Walls<br />
22 × 28 cm, 8 ¾ × 11 in, 256 pages<br />
300 illustrations, softcover<br />
2006, ISBN 978-3-03778-064-0, English<br />
EUR 39.90 GBP 40.– USD / CAD 59.–<br />
24 25<br />
Backlist Design
Backlist Design POSTER COLLECTION<br />
POSTER COLLECTION 18<br />
Otto Baumberger<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 120 illus., softcover<br />
ISBN 978-3-03778-129-6<br />
English/German, 2008<br />
EUR 24.90 GBP 22.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 12<br />
Catherine Zask<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 54 illus., softcover<br />
ISBN 978-3-03778-054-1<br />
English/German/French<br />
2005<br />
EUR 19.50 GBP 14.99<br />
USD / CAD 20.–<br />
POSTER COLLECTION<br />
06<br />
Visual Strategies Against<br />
Aids<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 130 illus., softcover<br />
ISBN 978-3-907078-90-7<br />
English/German, 2003<br />
EUR 23.– GBP 19.99<br />
USD / CAD 26.–<br />
POSTER COLLECTION 21<br />
Paradise<br />
Switzerland<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 pages, 112 illustrations<br />
softcover<br />
ISBN 978-3-03778-205-7<br />
English/German<br />
EUR 24.90 GBP 24.99<br />
USD / CAD 35.–<br />
POSTER COLLECTION 17<br />
Photo Graphics<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 120 illus., softcover<br />
ISBN 978-3-03778-128-9<br />
English/German, 2008<br />
EUR 24.90 GBP 22.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 11<br />
Handmade<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 140 illus., softcover<br />
ISBN 978-3-03778-053-4<br />
English/German, 2005<br />
EUR 23.– GBP 19.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 05<br />
Typotektur<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 85 illus., softcover<br />
ISBN 978-3-907078-89-1<br />
English/German, 2003<br />
EUR 19.50 GBP 14.99<br />
USD / CAD 20.–<br />
POSTER COLLECTION 16<br />
Comix!<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 100 illus., softcover<br />
ISBN 978-3-03778-099-2<br />
English/German, 2008<br />
EUR 24.90 GBP 19.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 10<br />
Michael Engelmann<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 80 illus., softcover<br />
ISBN 978-3-03778-039-8<br />
English/German, 2004<br />
EUR 23.– GBP 19.99<br />
USD / CAD 20.–<br />
POSTER COLLECTION 04<br />
Hors-Sol<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 139 illus., softcover<br />
ISBN 978-3-907078-54-9<br />
English/German, 2001<br />
EUR 23.– GBP 19.99<br />
USD / CAD 26.–<br />
POSTER COLLECTION 15<br />
Breaking the Rules<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 104 illus., softcover<br />
ISBN 978-3-03778-094-7<br />
English/German, 2007<br />
EUR 24.90 GBP 19.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 09<br />
Ralph Schraivogel<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 70 illus., softcover<br />
ISBN 978-3-03778-016-9<br />
English/German, 2003<br />
EUR 19.50 GBP 14.99<br />
USD / CAD 20.–<br />
POSTER COLLECTION 03<br />
Posters for Exhibitions<br />
1980 – 2000<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 150 illus., softcover<br />
ISBN 978-3-907078-55-6<br />
English/German, 2001<br />
EUR 23.– GBP 19.99<br />
USD / CAD 26.–<br />
POSTER COLLECTION 20<br />
Help!<br />
Appeals to Social<br />
Conscience<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 pages, 120 illustrations<br />
softcover<br />
2009, ISBN 978-3-03778-174-6<br />
English/German<br />
EUR 24.90 GBP 24.99<br />
USD / CAD 35.–<br />
POSTER COLLECTION 14<br />
Zürich-Milano<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
96 p., 117 illus., softcover<br />
ISBN 978-3-03778-079-7<br />
English/German, 2006<br />
EUR 22.90 GBP 19.99<br />
USD / CAD 29.90<br />
POSTER COLLECTION 08<br />
Black and White<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
80 p., 107 illus., softcover<br />
ISBN 978-3-03778-014-5<br />
English/German, 2003<br />
EUR 20.– GBP 14.99<br />
USD / CAD 22.–<br />
POSTER COLLECTION 02<br />
Donald Brun<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 70 illus., softcover<br />
ISBN 978-3-907078-53-2<br />
English/German, 2001<br />
EUR 19.50 GBP 14.99<br />
USD / CAD 20.–<br />
POSTER COLLECTION 19<br />
Head to Head<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
192 p., 120 illus., softcover<br />
ISBN 978-3-03778-151-7<br />
English, 2009<br />
ISBN 978-3-03778-130-2<br />
German, 2009<br />
EUR 29.90 GBP 30.–<br />
USD / CAD 39.90<br />
POSTER COLLECTION 13<br />
Typo China<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 78 illus., softcover,<br />
ISBN 978-3-03778-078-7<br />
English/German, 2006<br />
EUR 19.90 GBP 14.99<br />
USD / CAD 24.90<br />
POSTER COLLECTION 07<br />
Armin Hofmann<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
80 p., 80 illus., softcover<br />
ISBN 978-3-03778-004-6<br />
English/German, 2003<br />
EUR 20.– GBP 14.99<br />
USD / CAD 22.–<br />
POSTER COLLECTION 01<br />
Revue 1926<br />
Museum of Design Zurich (Ed.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in<br />
64 p., 91 illus., softcover<br />
ISBN 978-3-907078-52-5<br />
English/German, 2001<br />
EUR 22.– GBP 19.99<br />
USD / CAD 20.–<br />
Karl Gerstner turns 80!<br />
Karl Gerstner<br />
Designing Programmes<br />
Harald Geisler and Jonas Pabst (Eds.)<br />
“ Karl Gerstner’s Designing Programmes<br />
of 1963 is a classic from the time of<br />
the beginning of the computer, which even<br />
now, in the digital age, has astonishing<br />
topicality. ” Form<br />
Revised reprint, original 1964<br />
19.5 × 25 cm, 7 ¾ × 9 ¾ in, 120 pages<br />
200 illustrations, hardcover<br />
2007, ISBN 978-3-03778-093-0, English<br />
2007, ISBN 978-3-03778-092-3, German<br />
EUR 29.90 GBP 30.– USD / CAD 39.90<br />
Pierre Bernard<br />
My Work is not my Work<br />
Design for the public domain<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />
270 illustrations, softcover<br />
2008, ISBN 978-3-03778-087-9, English<br />
2007, ISBN 978-3-03778-086-2, French<br />
2007, ISBN 978-3-03778-104-3, Dutch<br />
EUR 39.90 GBP 40.– USD / CAD 49.90<br />
Gerlinde Schuller<br />
Designing Universal Knowledge<br />
The World as Flatland – Report 1<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 304 pages<br />
650 illustrations, hardcover<br />
2009, ISBN 978-3-03778-149-4, English<br />
EUR 34.90 GBP 35.– USD / CAD 49.90<br />
Pars Foundation<br />
Findings on Ice<br />
Hester Aardse and Astrid van Baalen<br />
20 × 27 cm, 7 ¾ × 10 ¾ in, 190 pages<br />
126 illustrations, softcover<br />
2007, ISBN 978-3-03778-125-8, English<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Isabel Naegele and Ruedi Baur<br />
Scents of the City<br />
14 × 20 cm, 5 ½ × 7 ¾ in, 480 pages<br />
1500 illustrations, softcover<br />
2004, ISBN 978-3-03778-012-1<br />
English/French/German<br />
EUR 16.– GBP 14.99 USD / CAD 20.–<br />
Pierre Mendell<br />
Posters for the Opera<br />
15.5 × 22 cm, 6 × 8 ¾ in, 157 pages<br />
97 illustrations, hardcover<br />
2006, ISBN 978-3-03778-082-4<br />
English/German<br />
EUR 24.90 GBP 22.99 USD / CAD 32.90<br />
Edo Smitshuijzen<br />
Signage Design Manual<br />
16 × 26 cm, 6 ¼ × 10 ¼ in, 456 pages<br />
800 illustrations, hardcover<br />
2007, ISBN 978-3-03778-096-1, English<br />
EUR 44.90 GBP 40.– USD / CAD 59.90<br />
Orientation/Disorientation 1<br />
Design2context, Ruedi Baur (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 264 pages<br />
300 illustrations, softcover<br />
2008, ISBN 978-3-03778-133-3<br />
English/German/French<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Jack Masey and<br />
Conway Lloyd Morgan<br />
Cold War Confrontations<br />
“ The book’s illustrations are<br />
a feast for architectural historians.<br />
Art Review Online ”<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 400 pages<br />
200 illustrations, hardcover<br />
2008, ISBN 978-3-03778-123-4, English<br />
EUR 19.90 GBP 18.99 USD / CAD 29.90<br />
Das Gesetz und seine visuellen Folgen<br />
Research project of the Hochschule für<br />
Grafik und Buchkunst (HGB) and Instituts<br />
Design2context at the Zurich University of<br />
the Arts (ZHdK)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages<br />
650 illustrations, hardcover<br />
2005, ISBN 978-3-03778-043-5<br />
German/French<br />
EUR 45.– GBP 40.– USD / CAD 69.90<br />
26 27<br />
Pierre Mendell<br />
At first sight<br />
24 × 30 cm, 9 × 11 ¾ in, 149 pages<br />
200 illustrations, hardcover<br />
2001, ISBN 978-3-907044-49-0, English<br />
2001, ISBN 978-3-907078-64-8, German<br />
EUR 29.50 GBP 30.– USD / CAD 44.90<br />
Backlist Design
Backlist Design<br />
Backlist Photography<br />
Frédéric Dedelley<br />
Design Detective<br />
Ariana Pradal (Ed.)<br />
17 × 22 cm, 6 ¾ × 8 ¾ in, 258 pages<br />
210 illustrations, hardcover<br />
2008, ISBN 978-3-03778-137-1<br />
English/French/German<br />
EUR 29.90 GBP 30.– USD / CAD 39.90<br />
Thomas Flechtner<br />
Snow<br />
24 × 30 cm, 9 × 11 ¾ in, 120 pages<br />
100 photographs, hardcover<br />
2002, ISBN 978-3-907078-65-5, English<br />
EUR 58.– GBP 24.99 USD / CAD 39.90<br />
Hans Arp and El Lissitzky<br />
The Isms of Art<br />
1914–1924<br />
Reprint, original 1925<br />
14.5 × 26.5 cm, 5 ¾ × 10 ½ in, 60 pages<br />
75 illustrations, hardcover<br />
1990, ISBN 978-3-906700-28-1<br />
English/French/German<br />
EUR 14.90 GBP 14.99 USD / CAD 30.–<br />
Claude Lichtenstein<br />
Playfully Rigid<br />
Swiss <strong>Architecture</strong>, Graphic Design,<br />
Product Design, 1950 –2006<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 300 pages<br />
370 illustrations, hardcover<br />
2006, ISBN 978-3-03778-090-9, English<br />
2006, ISBN 978-3-03778-089-3, German<br />
EUR 24.50 GBP 24.99 USD / CAD 37.40<br />
Christian Lutz<br />
Protokoll<br />
The best in Swiss “ photography of 2007 ”<br />
30 × 24 cm, 11 ¾ × 9 ½ in, 90 pages<br />
54 photographs, hardcover<br />
2007, ISBN 978-3-03778-110-4<br />
English/French/German/Spanish<br />
EUR 34.90 GBP 35.– USD / CAD 44.90<br />
Klaus Merkel<br />
The Reading of Time<br />
in the Text of Nature<br />
24 × 30 cm, 9 × 11 ¾ in, 96 pages<br />
84 photographs, hardcover<br />
2000, ISBN 978-3-907044-97-1, English<br />
1997, ISBN 978-3-907044-40-7, German<br />
EUR 24.50 GBP 24.99 USD / CAD 37.40<br />
Mark Holt, Hamish Muir<br />
8vo<br />
On the Outside<br />
12 × 16 cm, 4 ¾ × 6 ¼ in, 532 pages<br />
395 illustrations, hardcover<br />
2005, ISBN 978-3-03778-019-0, English<br />
EUR 24.50 GBP 23.– USD / CAD 37.40<br />
Hans Richter<br />
<strong>New</strong> Living<br />
Andres Janser and Arthur Rüegg (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 128 pages<br />
500 illustrations, hardcover<br />
2001, ISBN 978-3-907078-22-8, English<br />
EUR 34.– GBP 35.– USD / CAD 28.–<br />
Jules Spinatsch<br />
Temporary Discomfort<br />
( TO GIVE YOU A HAND )<br />
Modern hand-yeroglyphs function as<br />
a sort of unofficial global communication<br />
system which effectly cross over the<br />
multiples barriers formed by diverse<br />
national languages.<br />
Even if sometimes, certain similar signs<br />
have different meanings from one<br />
culture to another, there is definitely<br />
a common hand sign language.<br />
This visual expression is intercultural.<br />
Created everywhere, by everyone, at<br />
any time, those signs belong to no one<br />
in particular and to all of us in general.<br />
The visual collection ( which you are<br />
holding in your hands ) is presenting<br />
hand signs in various situations and<br />
demonstrates how represented in<br />
different parts of the world, they are<br />
expressing symbolically and without<br />
words the unlimited actions of the<br />
human family.<br />
LARS MÜLLER PUBLISHERS<br />
24 × 30 cm, 9 × 11 ¾ in, 186 pages<br />
approx. 80 photographs, hardcover<br />
2005, ISBN 978-3-03778-047-3<br />
English/German<br />
EUR 29.50 GBP 30.– USD / CAD 44.90<br />
Klaus Merkel<br />
Album of Stones<br />
24 × 30 cm, 9 × 11 ¾ in, 160 pages<br />
110 photographs, hardcover<br />
2005, ISBN 978-3-03778-058-9, English<br />
2005, ISBN 978-3-03778-062-6, German<br />
EUR 24.50 GBP 23.– USD / CAD 37.40<br />
H A N D B O O K<br />
J E A N - B E N O Î T L É V Y<br />
H A N D<br />
Jean-Benoît Lévy<br />
Handbook<br />
B O O K<br />
( FROM ONE HAND TO THE OTHER )<br />
In the same collection:<br />
<strong>Lars</strong> <strong>Müller</strong><br />
HELVETICA<br />
Hommage to a typeface.<br />
ISBN 3-03778-046-0<br />
Isabel Naegele / Ruedi Baur<br />
SCENTS OF THE CITY<br />
ISBN 3-03778-012-6<br />
The stylized handsigns<br />
which are illustrating<br />
this book are available<br />
for Mac & Window<br />
as a sign system named<br />
H-AND-S<br />
at www.myfonts.com<br />
LARS MÜLLER PUBLISHERS<br />
12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />
ca. 400 illustrations, softcover<br />
2006, ISBN 978-3-03778-077-0, English<br />
EUR 18.90 GBP 14.99 USD / CAD 20.–<br />
Thomas Flechtner<br />
Bloom<br />
23 × 30 cm, 9 × 11 ¾ in, 128 pages<br />
82 photographs, hardcover<br />
2007, ISBN 978-3-03778-091-6, English<br />
EUR 29.50 GBP 30.– USD / CAD 44.90<br />
Jean-Pascal Imsand<br />
Photographer<br />
24 × 30 cm, 9 × 11 ¾ in, 200 pages<br />
120 photographs in b/w, hardcover<br />
ISBN 978-3-03778-037-4, English<br />
ISBN 978-3-03778-041-1, French<br />
ISBN 978-3-03778-040-4, German<br />
EUR 24.50 GBP 24.99 USD / CAD 37.35<br />
yann Mingard, Alban Kakulya<br />
East of a <strong>New</strong> Eden<br />
European External Borders<br />
A Documentary Account<br />
“ As a photo book, East of a <strong>New</strong> Eden is<br />
showing the way for what can be done beyond<br />
the usual format of a gallery exhibition on<br />
paper. But it also presents how documentary<br />
photo graphy (or maybe photojournalism)<br />
can use the format ‘ book ’ to talk about an<br />
issue in depth. ” jmcolberg.com<br />
25 × 33 cm, 9 × 13 in, 320 pages<br />
150 illustrations, hardcover<br />
2010, ISBN 978-3-03778-176-0, English/French<br />
EUR 59.90 GBP 60.– USD / CAD 99.–<br />
Lukas Felzmann<br />
Waters in Between<br />
With marginalia by Angelus Silesius<br />
and John Berger<br />
19 × 27 cm, 7 ½ × 10 ¾ in, 320 pages<br />
161 photographs, hardcover<br />
2009, ISBN 978-3-03778-138-8, English<br />
EUR 49.90 GBP 45.– USD / CAD 65.–<br />
Lukas Felzmann<br />
Landfall<br />
Essay by Peter Pfrunder<br />
13 × 18 cm, 5 × 7 in, 144 pages<br />
70 photographs, hardcover<br />
2004, ISBN 978-3-907078-92-1<br />
English/German<br />
EUR 28.– GBP 24.99 USD / CAD 35.–<br />
Barbara Heé<br />
Chaviolas<br />
A Landscape, so Intimate and Aloof<br />
“ Her photographs are evidence of a good eye<br />
that also understands landscape as sculptural<br />
landscape. ” WOZ<br />
29 × 19 cm, 11 ½ × 7 ½ in, 240 pages<br />
167 photographs, hardcover<br />
2010, ISBN 978-3-03778-165-4, English<br />
2010, ISBN 978-3-03778-171-5, German<br />
EUR 49.90 GBP 45.– USD / CAD 80.–<br />
Nadja Athanasiou, Michael Bühler, Peter Lüem<br />
The Dolder Grand<br />
“ This illustrated volume is a gift, an upswing in the<br />
mind, is the right sign at the right time . . . So much<br />
opulence in picture and material, so much exuberance<br />
in presentation and graphics and printing, so much<br />
foreground and background about the re-creation of<br />
a dream machine are evidence of vision in times<br />
without vision. ” Weltwoche<br />
25 × 27 cm, 9 ¾ × 10 ¾ in, 640 pages<br />
approx. 400 photographs, hardcover<br />
2009, ISBN 978-3-03778-166-1, English<br />
EUR 119.– GBP 108.– USD / CAD 179.–<br />
28 29<br />
Pete Davis<br />
In Wildwood<br />
Barbara Heé<br />
C H aviolas<br />
a landscape, so intimate and aloof<br />
lars <strong>Müller</strong> <strong>Publishers</strong><br />
30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages<br />
72 photographs, hardcover<br />
2008, ISBN 978-3-03778-142-5, English<br />
EUR 39.90 GBP 40.– USD / CAD 49.90<br />
Luciano Rigolini<br />
What you see<br />
Fotostiftung Schweiz (Ed.)<br />
12 × 16 cm, 4 ¾ × 6 ¼ in, 160 pages<br />
107 photographs, hardcover<br />
2008, ISBN 978-3-03778-139-5<br />
German/English/French/Japanese<br />
EUR 24.90 GBP 19.99 USD / CAD 34.90<br />
Backlist Photography
Backlist Art<br />
Paradoxes of Appearing<br />
Essays on Art, <strong>Architecture</strong><br />
and Philosophy<br />
Michael Asgaard Andersen<br />
and Henrik Oxvig (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 224 pages<br />
60 illustrations, softcover<br />
2009, ISBN 978-3-03378-192-0, English<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Olafur Eliasson<br />
Your mobile expectations:<br />
BMW H 2R project<br />
14.7 × 21 cm, 5 ¾ × 8 ¼ in, 336 pages<br />
415 illustrations, hardcover<br />
2008, ISBN 978-3-03778-117-3, English<br />
EUR 19.90 GBP 18.99 USD / CAD 29.90<br />
<strong>New</strong><br />
Price<br />
Olafur Eliasson<br />
and Kjetil Thorsen<br />
Serpentine Gallery Pavilion 2007<br />
17 × 24 cm, 6 ¾ × 9 ½ in, 128 pages<br />
186 illustrations, hardcover<br />
2007, ISBN 978-3-03778-116-6, English<br />
EUR 24.90 GBP 24.99 USD / CAD 34.90<br />
Silvia Bächli<br />
Lidschlag<br />
How It Looks<br />
Pipilotti Rist:<br />
Congratulations!<br />
Richard Julin and Tessa Praun,<br />
Magasin 3, Stockholm (Eds.)<br />
“ Rist rarely grants interviews.<br />
The occasion here is<br />
a ‘happy birthday’; this richly<br />
illustrated view into her world<br />
is singular. ” Buchjournal Schweiz<br />
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 160 pages<br />
103 illustrations, hardcover<br />
2007, ISBN 978-3-03778-108-1, English<br />
2007, ISBN 978-3-03778-107-4, German<br />
EUR 24.90 GBP 19.99 USD / CAD 34.90<br />
22 × 28 cm, 8 ¾ × 11 in, 304 pages<br />
211 illustrations, hardcover<br />
2004, ISBN 978-3-03778-013-8<br />
English/German<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Christian Moeller<br />
A Time and Place<br />
Media <strong>Architecture</strong><br />
12.5 × 19 cm, 5 × 4 ½ in, 240 pages<br />
288 illustrations, softcover<br />
2004, ISBN 978-3-907078-91-4, English<br />
EUR 19.50 GBP 18.– USD / CAD 29.90<br />
Katharina Grosse<br />
Wish<br />
I had a big studio in<br />
the center of the city <strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />
Until a couple of years ago,<br />
my idea was that<br />
I had no need for a residence.<br />
I spent most of my time in my studio<br />
or traveling.<br />
My apartment was just to sleep in.<br />
Katharina Grosse<br />
Now I’m going to plant<br />
a kitchen garden around the house.<br />
Only one window opens,<br />
and it’s violet.<br />
Wish<br />
I had a big studio in<br />
the center of the city<br />
<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />
Katharina Grosse<br />
Wish<br />
I Had a Big Studio in<br />
the Center of the City<br />
Katharina Grosse (Ed.)<br />
“ The result is not just outstanding<br />
architecture but also, in the<br />
shape of this book, a wonderful<br />
portrait of a highly individual<br />
house. ” architonic.com<br />
17 × 23 cm, 6 ¾ × 9 in, 144 pages<br />
73 illustrations, hardcover<br />
2009, ISBN 978-3-03778-170-8, English<br />
2009, ISBN 978-3-03778-168-5, German<br />
EUR 29.90 GBP 30.– USD / CAD 44.90<br />
Silvia Bächli<br />
das<br />
Swiss Federal Office<br />
of Culture, Bern (Ed.)<br />
13 × 19.5 cm, 5 × 7 ¾ in, 136 pages<br />
60 illustrations, softcover<br />
2009, ISBN 978-3-03778-155-5,<br />
English/German<br />
EUR 22.90 GBP 22.99 USD / CAD 39.90<br />
The Face<br />
of Human Rights<br />
Walter Kälin, <strong>Lars</strong> <strong>Müller</strong>,<br />
and Judith Wyttenbach (Eds.)<br />
“ . . . excellently designed cover. . .<br />
one of the best-designed<br />
non-design books of recent<br />
years. ” Grafik<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages<br />
500 illustrations, hardcover<br />
2004, ISBN 978-3-03778-017-6, English<br />
2008, ISBN 978-3-03778-114-2, German (softcover)<br />
EUR 44.90 GBP 45.– USD / CAD 60.–<br />
Andreas Seibert<br />
From Somewhere to Nowhere<br />
China’s Internal Migrants<br />
“ It’s a thoughtful, sometimes hopeful<br />
masterpiece of stolen moments and<br />
stunning portraiture. ” Monocle<br />
19 × 26 cm, 7 ½ × 10 ¼ in<br />
316 pages, 228 photographs, hardcover<br />
2008, ISBN 978-3-03778-146-3, English<br />
EUR 39.90 GBP 40.– USD / CAD 54.90<br />
Christina Kleineidam,<br />
Hans Peter Jost<br />
Cotton worldwide<br />
“ An impressive photographic<br />
portrait of cotton. ” DU<br />
19 × 26 cm, 7 ½ × 10 ¼ in, 320 pages<br />
220 illustrations, hardcover<br />
2009, ISBN 978-3-03778-201-9, English<br />
2009, ISBN 978-3-03778-200-2, German<br />
EUR 39.90 GBP 40.– USD / CAD 59.90<br />
Who Owns the Water<br />
<strong>Lars</strong> <strong>Müller</strong>, Klaus Lanz, Christian Rentsch, and<br />
René Schwarzenbach (Eds.)<br />
“ This book persuades, but not only through<br />
data and argumentation. Throughout its<br />
540 pages, the reader is overwhelmed first<br />
and foremost by the numerous and exceptionally<br />
striking photographs. ” Greenpeace<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />
ca. 200 illustrations, hardcover<br />
2006, ISBN 978-3-03778-018-3, English<br />
2006, ISBN 978-3-03778-015-2, German<br />
EUR 44.90 GBP 45.– USD / CAD 60.–<br />
All We Need<br />
Holzer Kobler Architekturen and<br />
iart interactive (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 271 pages<br />
255 illustrations, softcover<br />
2007, ISBN 978-3-03778-119-7<br />
English/French/German<br />
EUR 29.90 GBP 22.90 USD / CAD 39.95<br />
Science Suisse<br />
An Initiative of SRG SSR idée suisse<br />
Christian Eggenberger and<br />
<strong>Lars</strong> <strong>Müller</strong> (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 448 pages<br />
250 illustrations, hardcover, with DVD<br />
2009, ISBN 978-3-03778-145-6<br />
German/French/Italian/English (PAL)<br />
2009, ISBN 978-3-03778-156-2<br />
German/French/Italian/English (NTSC)<br />
EUR 29.90 GBP 24.99 USD / CAD 44.85<br />
30 31<br />
Faith Is.<br />
The Quest for Spirituality and Religion<br />
Lukas Niederberger and <strong>Lars</strong> <strong>Müller</strong> (Eds.)<br />
“ A text and illustrated book that is as multifaceted<br />
as it is stimulating. ” NZZ am Sonntag<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />
250 illustrations, hardcover<br />
2009, ISBN 978-3-03778-144-9, English<br />
2009, ISBN 978-3-03778-143-2, German<br />
EUR 39.90 GBP 35.– USD / CAD 54.90<br />
World of Giving<br />
Jeffrey Inaba and C-Lab,<br />
Columbia University GSAPP<br />
and <strong>New</strong> Museum of<br />
Contemporary Art (Eds.)<br />
16.5 × 24 cm, 6 ½ × 9 ½ in, 256 pages<br />
120 illustrations, softcover<br />
2010, ISBN 978-3-03778-181-4, English<br />
EUR 29.90 GBP 24.99 USD / CAD 44.90<br />
Backlist Society
<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong> GmbH<br />
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Switzerland<br />
Phone +41 (0)56 430 17 40<br />
Fax +41 (0)56 430 17 41<br />
info@lars-muller-<br />
publishers.com<br />
www.lars-muller-<br />
publishers.com<br />
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