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New T itles Architecture - Lars Müller Publishers

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<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />

Autumn 2010<br />

<strong>Architecture</strong><br />

Design<br />

Photography<br />

Art<br />

Society<br />

Our program, in particular its most recent t<strong>itles</strong>, demonstrate just<br />

how irreplaceable the book is as a repository and conveyor of<br />

complex contents, how multifarious book design can be, and hence<br />

the appearance of the book as an object as well.<br />

Young photographer Iwan Baan’s extraordinary perspectives of<br />

Oscar Niemeyer’s Brasilia and of Le Corbusier’s Chandigarh – both<br />

icons of modernist architecture – provide a contrast with the tenacity<br />

of Louis Kahn’s design process for the Dominican Motherhouse in<br />

the 1960s, and with Andrea Palladio’s conceptions for the Venice of<br />

the Renaissance.<br />

In addition to these and other new publications on architecture, design,<br />

photography, and art, we are proud of the considerable number of<br />

t<strong>itles</strong> which enjoy the continued interest of the reading public. Our<br />

backlist forms the backbone of our activities as a publisher.<br />

We thank you for your interest, and we are gratified by your continuing<br />

and productive collaboration with us.<br />

<strong>Lars</strong> <strong>Müller</strong><br />

1


From: Thomas Flechtner, Indien – Sehen, 1997<br />

Available August 2010<br />

24 x 30 cm, 9 ½ × 11 ¾ in, 240 pages<br />

approx. 200 illustrations, softcover<br />

ISBN 978-3-03778-228-6, English<br />

EUR 39.90 GBP 40.– USD / CAD 60.–<br />

Everything is monumental, human,<br />

“ simple, grandiose, and ascetic<br />

in the purity of its forms, which are<br />

reduced to the necessary minimum.<br />

Lúcio Costa ”<br />

Iwan Baan<br />

Brasilia – Chandigarh<br />

Living with Modernity<br />

Edited by <strong>Lars</strong> <strong>Müller</strong><br />

With texts by Cees Nooteboom and Martino Stierli<br />

An illustrated book by acclaimed photographer Iwan Baan<br />

With an essay by Cees Nooteboom<br />

50 years<br />

Brasilia<br />

In 1960, Brasilia was celebrated as the realization of an urban planning vision based<br />

on designs by Lúcio Costa and Oscar Niemeyer. At the same time, the sectoral<br />

city of Chandigarh was rising according to plans by Le Corbusier. The “ test tube<br />

city” arose as an export of modernity from a Western planning euphoria that displayed<br />

utopian traits. In both cities, foreign architecture entered into a harmonious<br />

rela tionship with indigenous culture, forming new and independent identities.<br />

This publication addresses the question of how modernism has been appropriated<br />

in both cities, and how the people who live in them deal with it. Commonalities and<br />

differences are identified and images of everyday urban life showcased.<br />

On the initiative of the publisher, the young photographer Iwan Baan has taken<br />

stock of contemporary life in both cities.<br />

With commentary in the form of essays by Cees Nooteboom on the photographs<br />

and by Martino Stierli on the architectural and planning history.<br />

IWAN BAAN, architecture and documentary photographer, works in Domus,<br />

a+u, The <strong>New</strong> Yorker, NY Times, etc. He is working with SANAA, Koolhaas /OMA,<br />

Herzog & de Meuron, Toyo Ito, Steven Holl, Zaha Hadid.<br />

2 3<br />

<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>


<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />

Available September 2010<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

approx. 320 pages<br />

approx. 200 illustrations, softcover<br />

ISBN 978-3-03778-220-0, English<br />

EUR 35.– GBP 35.– USD / CAD 55.–<br />

Michael Merrill<br />

Louis Kahn:<br />

On the Thoughtful Making of Spaces<br />

The Dominican Motherhouse and a Modern Culture of Space<br />

In-depth study of Louis Kahn’s unbuilt masterpiece as an introduction<br />

to an evolving paradigm of architectural space<br />

Essential complement to Louis Kahn: Drawing to Find Out<br />

It was not by chance that Louis Kahn’s move into his profession’s spotlight coincided<br />

with the crisis of modern architecture: representing, as his work increasingly did,<br />

those aspects of space which modernism had so ambitiously removed from its program.<br />

Kahn’s rethinking of modern architecture’s paradigm of space belongs to<br />

his most important contributions to the métier. In tracing the genesis of the unbuilt<br />

project for the Dominican Motherhouse (1965–69), we are given a close-up view of<br />

Kahn at work on a few fundamental questions of architectural space: seeking the<br />

sources of its meaning in its social, morphological, landscape and contextual dimensions.<br />

This rich and multivalent project opens the way to a second section, which<br />

sheds new light on several of major works in a timely reappraisal of Kahn’s work.<br />

The result of extensive research, illustrated with unpublished archival material and<br />

new analytic drawings, this affordable volume is an indispensible companion to Louis<br />

Kahn: Drawing to Find Out.<br />

MICHAEL MERRILL, Dr.-Ing., is a practicing architect in the USA and Germany and<br />

assistant professor for Architectural Design at the Karlsruhe Institute of Technology.<br />

Available September 2010<br />

30 × 24 cm, 11 ¾ × 9 ½ in<br />

approx. 240 pages<br />

approx. 160 illustrations, hardcover<br />

ISBN 978-3-03778-221-7, English<br />

EUR 59.– GBP 60.– USD / CAD 85.–<br />

Louis Kahn, sketch for the Dominican Motherhouse<br />

Michael Merrill<br />

Louis Kahn:<br />

Drawing to Find Out<br />

Designing the Dominican Motherhouse<br />

An ideal introduction to Kahn’s thinking<br />

Over two hundred drawings, most published for the first time,<br />

in a generous, high-quality volume<br />

A narrative in drawings sheds light on a profound culture of designing<br />

Like few others, Louis Kahn cultivated the craft of drawing as a means to architecture.<br />

His personal design drawings – seen either as a method of discovery or for themselves<br />

– are unique in the twentieth century. Over two hundred – mostly unpublished –<br />

drawings by Kahn and his associates are woven together with a lively and informed<br />

commentary into an intimate biography of an architectural idea. Unfolding around the<br />

iconic project for the Dominican Motherhouse (1965 – 69) the drawings form a narrative<br />

which not only reveals the richness and hidden dimensions of this unbuilt masterpiece,<br />

but provides compelling insights into Louis Kahn’s mature culture of designing.<br />

Kahn – long considered an “architects’ architect” – emerges as a vivid and instructive<br />

guide, provoking reflection on questions which continue to remain relevant: on how<br />

works are conceived, on how they might be perceived, on how they become part<br />

of human experience. Fascinating not only in their beauty, the drawings open a new<br />

and stimulating perspective on one of the past century’s great architects.<br />

“ While drawing, I’m always waiting for something to happen.<br />

I don’t want it to happen too quickly, though. ” Louis Kahn<br />

4 5<br />

<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>


<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />

Available September 2010<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

approx. 480 pages<br />

approx. 250 illustrations, softcover<br />

ISBN 978-3-03778-219-4, English<br />

EUR 39.90 GBP 40.– USD / CAD 60.–<br />

MIT dormitory project by Steven Holl,<br />

sponge computer model<br />

Construction site of the Statue of Liberty<br />

Guy Nordenson<br />

Patterns and Structure<br />

Selected Writings 1973–2008<br />

This publication helps fill the void of writings regarding the field<br />

of engineering and its advances and collaborations<br />

Essays on structural engineering, architecture, design, and seismic research<br />

This rich collection of writings and criticisms by structural engineer and Princeton<br />

University professor Guy Nordenson, brings together previously published<br />

essays on structural engineering, architecture, design, and seismic research from<br />

1973 to 2008.<br />

Decade by decade, Nordenson’s essays provide the unique viewpoint of the<br />

struc tural engineer and design collaborator, adding context that relates not only<br />

to the history of architecture and engineering, but locates these fields in a larger<br />

network of cultural relevance. Originally commissioned by publications like The <strong>New</strong><br />

York Times, Domus, The Harvard Design Magazine, Perspecta, Lotus, Earthquake<br />

Spectra, and MoMA’s Tall Buildings exhibition catalog, Nordenson’s writings<br />

investigate a wide range of genres: from technical reports on seismicity, methods<br />

and technologies in structural engineering, architectural criticisms, the importance<br />

of collaboration in design, to the metaphor of tall buildings, design democracy<br />

at Ground Zero, and engineering history and theory. This compilation is a wonderful<br />

reflection on Nordenson’s career thus far and the changing pace and stature of<br />

structural engineering.<br />

GUy NORDENSON is a structural engineer and professor of architecture and<br />

structural engineering at Princeton University.<br />

Jubilee Church, Rome (Richard Meier) under construction<br />

Available August 2010<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages<br />

approx. 150 illustrations, hardcover<br />

ISBN 978-3-03778-214-9, English<br />

ISBN 978-3-03778-215-6, Norwegian<br />

ISBN 978-3-03778-213-2, German<br />

EUR 39.90 GBP 40.– USD / CAD 60.–<br />

RELATED TITLES<br />

Snøhetta Works Page 20<br />

Hamsun, Holl, Hamarøy<br />

Edited by Erik Fenstad Langdalen, Aaslaug Vaa, and Nina Frang Høyum<br />

Publication on Steven Holl’s architecture<br />

With photographs by Iwan Baan<br />

Steven Holl has set up a documentation centre for the Norwegian author Knut<br />

Hamsun (1859 –1952) on Hamarøy, in northern Norway. This unconventional building<br />

reflects the author's no less unusual personality.<br />

The centre in the barren landscape of Hamarøy, where Hamsun lived and worked, the<br />

silence and solitude, challenge visitors to involve themselves with him and his work.<br />

The book records the connection between Hamsun, the architecture and the landscape.<br />

Photographer Iwan Baan relates the landscape and the building to each other,<br />

and historical documents illustrate Hamsun's contradictory life and influential work,<br />

et al. the novel Hunger (1890), with which Hamsun achieved his fame. In 1920 the poet<br />

was awarded with the Nobel Prize for Literature.<br />

AASLAUG VAA, Art Historian<br />

NINA FRANG HøyUM, Historian<br />

ERIK FENSTAD LANGDALEN, Architect<br />

6 7<br />

English<br />

Norwegian<br />

<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>


<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />

Available September 2010<br />

15 × 24 cm, 6 × 9 ½ in<br />

approx. 208 pages<br />

approx. 200 illustrations, hardcover<br />

ISBN 978-3-03778-222-4, English<br />

EUR 39.90 GBP 40.– USD / CAD 60.–<br />

With contributions by Kurt W. Forster,<br />

Hubertus Adam, Gianni Jetzer, and the<br />

architects<br />

Available October 2010<br />

19 × 26 cm, 7 ½ × 10 ¼ in<br />

approx. 240 pages<br />

approx. 250 illustrations, hardcover<br />

ISBN 978-3-03778-240-8, English<br />

ISBN 978-3-03778-224-8, German<br />

EUR 35.– GBP 35.– USD / CAD 60.–<br />

English<br />

Antonio Foscari<br />

Andrea Palladio – Unbuilt Venice<br />

<strong>New</strong> research strands for the future<br />

A revolutionary proposition on Palladio<br />

After the successful conclusion of the centenary celebrations of Andrea Palladio’s<br />

birth, there are still many unanswered questions about his work. Antonio Foscari<br />

retraces Andrea Palladio’s life and offers new perspectives on the architects built and<br />

unbuilt work. The author reveals an image of Venice that differs from the one we<br />

all know: a city that projects herself into the modern age by abandoning the accepted<br />

principles of late medieval culture that had so profoundly influenced its formation.<br />

ANTONIO FOSCARI is an architect and professor of History of <strong>Architecture</strong> at the<br />

University IUAV of Venice since 1971.<br />

Santa Lucia in Venice (London R.I.B.A., XIV, 10 r) Project for Palazzo Porto in Vicenza (London R.I.B.A., XVII, 3)<br />

Fuhrimann Hächler<br />

Parallel of Life and <strong>Architecture</strong><br />

Edited by <strong>Lars</strong> <strong>Müller</strong><br />

First publication about Fuhrimann Hächler’s architecture<br />

A detailed presentation of eight residential buildings<br />

The Zürich architects Fuhrimann Hächler take on the most diverse building commissions.<br />

The present volume is devoted in particular to private residences, most of<br />

them realized for clients who are at home in the architectural and art scenes. These<br />

homes captivate by virtue of the clarity and simplicity of their constructive materials,<br />

their economically effective construction, and their haptic, sensual surfaces and<br />

flowing spatial transitions. Outstanding examples of their architecture include the<br />

Haus Presenhuber in Vnà (2007), the Haus <strong>Müller</strong> Gritsch in Lenzburg (2007) and their<br />

own residence in Zurich (2003). The text contributions take the reader beyond the<br />

featured residences while situating these within the overall oeuvres of the architects.<br />

Swiss architects GABRIELLE HäCHLER and ANDREAS FUHRIMANN cooperate<br />

since 1995 in Zurich. Visiting professors of Architectural Design, ETH Zurich.<br />

Available October 2010<br />

24 × 33 cm, 9 ½ × 13 in, 320 pages<br />

approx. 600 illustrations, softcover<br />

ISBN 978-3-03778-218-7, English<br />

ISBN 978-3-03778-217-0, German<br />

EUR 35.– GBP 35.– USD / CAD 55.–<br />

Dominique Ghiggi<br />

Tree Nurseries – Cultivating the Urban Jungle<br />

Plant production worldwide<br />

Edited by the Chair of Günther Vogt, Department of <strong>Architecture</strong>, ETH Zürich<br />

The relationship between man and the environment explained through<br />

plant production<br />

This publication reports on tree nurseries all over the world, their contexts, the historical<br />

backgrounds to their emergence, the ways in which they influence town and<br />

landscape planning and the relevant economic factors. Here the relationship between<br />

man and his environment is always in the foreground of the investigation; this has<br />

been shown from time immemorial in terms of plant production in all regions. The<br />

desire to produce and the ability to transform things, to be creative, have characterized<br />

human existence and man’s environment from the outset. Each chapter c ontains<br />

essays and travel reports with photographs of the present situation.<br />

DOMINIqUE GHIGGI, landscape architect, academic assistant at the Institute of<br />

Landscape <strong>Architecture</strong>, ETH Zurich. GüNTHER VOGT, landscape architect,<br />

associate professor of landscape architecture, ETH Zurich.<br />

8 9<br />

English<br />

<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong>


<strong>New</strong> T<strong>itles</strong> <strong>Architecture</strong><br />

Available October 2010<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

approx. 240 pages<br />

appox. 500 illustrations, softcover<br />

ISBN 978-3-03778-229-3, English<br />

EUR 29.90 GBP 30.– USD / CAD 49.95<br />

With contributions by Iñaki Ábalos,<br />

Solano Benitez, Alexander Brodsky,<br />

Isabel Concheiro, Frederick Cooper<br />

Llosa, Hans Ibelings, Krunoslav Ivanisin,<br />

Julio Martinez Calzon, Josep Lluís<br />

Mateo, Richard Sennett, Wang Shu,<br />

and Ramias Steinemann<br />

Available October 2010<br />

16.5 × 22 cm, 6 ½ × 8 ¾ in, 160 pages<br />

approx. 200 illustrations, softcover<br />

ISBN 978-3-03778-230-9, English<br />

EUR 25.– GBP 25.– USD / CAD 39.95<br />

Touch Me<br />

The Mystery of the Surface<br />

Edited by Gregor Eichinger and Eberhard Tröger<br />

Chair of <strong>Architecture</strong> and Design, Department of <strong>Architecture</strong>, ETH Zurich<br />

A book about the depth of the surface<br />

Like a living skin, the architectural surface provides an impression and expression of<br />

human needs, moods and time-related commitments of our designed environment.<br />

The surface is what we perceive with all our senses at the same time as spontaneous,<br />

synaesthetic, multi-dimensional experience. Working on the basis of his work in his<br />

department at the ETH in Zurich, in this publication Gregor Eichinger therefore shifts<br />

emotional relationships between people and architecture into the centre. Touch me’s<br />

associative switches between interdisciplinary texts and pictorial sequences create<br />

a cosmos of our perceptions of the built and designed environment.<br />

PROF. GREGOR EICHINGER runs an architecture practice in Vienna and was<br />

professor of architecture and design at the ETH Zurich from 2004 to 2010.<br />

EBERHARD TRöGER is an architect and taught in professor Eichinger’s department<br />

at the ETH Zurich until 2010.<br />

Josep Lluís Mateo<br />

Architectural Papers V<br />

After Crisis<br />

Post-Fordist Conditions for <strong>Architecture</strong><br />

Edited by the Chair of Josep Lluís Mateo, Department of <strong>Architecture</strong>, ETH Zurich,<br />

and Krunoslav Ivanisin<br />

Consequences for building after the credit crunch<br />

After Crisis concentrates around the new conditions for architectural practice<br />

and around the new epistemologies that may inform it in the next future. That is, in the<br />

period after the financial bubble has collapsed and living and working conditions<br />

have significantly changed. Essays, studies and interviews, along with a selection of<br />

indicative projects, tackle the actual issues of growth and shrinking, economy and<br />

ideology, craftsmanship and social space in the city, materiality and sustainability in<br />

architecture. In a logical sequence, they depict the current reality of architecture.<br />

JOSEP LLUíS MATEO born 1949, architect, since 2002 professor of the <strong>Architecture</strong><br />

Department at the Swiss Federal Polytechnic in Zurich (ETH)<br />

Available July 2010<br />

24 × 16.5 cm, 9 ½ × 6 ½ in, 128 pages<br />

approx. 150 illustrations, softcover<br />

ISBN 978-3-03778-204-0, English<br />

EUR 25.– GBP 19.99 USD / CAD 35.–<br />

Julie Lasky<br />

Bespoke: The Handbuilt Bicycle<br />

With contributions by Michael Maharam and Sacha White<br />

Photographs by D. James Dee<br />

Exhibition Bespoke at <strong>New</strong> York’s Museum of Arts and Design,<br />

opening May 2010<br />

Lavish photographs highlight every design detail<br />

Candid portraits about each builder’s inspirations and working methods<br />

The publication presents the designs of six internationally renowned bicycle builders<br />

whose embrace of the tradition of working in metal brings striking innovation to their<br />

craft. Through their manipulation of steel, aluminum and titanium, the builders of<br />

Bespoke produce racing bicycles that speed champion athletes to victory, mountain<br />

and cyclocross bicycles built to negotiate vertiginous terrain, urban bicycles that<br />

stylishly convey commuters, and randonneur bicycles elegantly stripped down for<br />

epic journeys. Candid portraits including builder’s inspirations, working methods and<br />

bicycles, lavishly photographed in great detail, highlight this exhibition at <strong>New</strong> york’s<br />

Museum of Arts and Design. Bespoke offers a rich and intimate view of objects that<br />

sit squarely at the intersection of art, design, craft and performance.<br />

Includes bicycles by the following builders: Mike Flanigan (A.N.T), Jeff Jones,<br />

Dario Pegoretti, Richard Sachs, J. Peter Weigle, Sacha White (Vanilla Bicycles)<br />

JULIE LASKy is a design writer and editor based in <strong>New</strong> york.<br />

10 11<br />

<strong>New</strong> T<strong>itles</strong> Design


<strong>New</strong> T<strong>itles</strong> Design<br />

Available September 2010<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages<br />

approx. 130 illustrations, softcover<br />

ISBN 978-3-03778-225-5, English<br />

EUR 19.90 GBP 19.99 USD / CAD 35.–<br />

RELATED TITLES<br />

Unimark International Page 25<br />

Massimo Vignelli<br />

The Vignelli Canon<br />

Manual for young designers<br />

Essential principles and rules for good design<br />

Designed by Massimo Vignelli<br />

The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding<br />

of good design in this book, its rules and criteria. He uses numerous examples<br />

to convey applications in practice — from product design via signaletics and<br />

graphic design to Corporate Design. By doing this he is making an important manual<br />

available to young designers that in its clarity both in terms of subject matter and<br />

visually is entirely committed to Vignelli’s modern design.<br />

MASSIMO VIGNELLI studied architecture in Milan, emigrated to the USA in 1961,<br />

co-founded UNIMARK in 1965. He works as a designer in the areas of graphic<br />

and corporate identity programs, publication designs, architectural graphics, and<br />

exhibition, interior, furniture, and consumer product designs for many leading<br />

American and European companies and institutions. With Lella Vignelli, he established<br />

the offices of Vignelli Associates in 1971.<br />

Available November 2010<br />

22.8 × 25 cm, 9 × 9 ¾ in, 400 pages<br />

approx. 300 illustrations, hardcover<br />

ISBN 978-3-03778-234-7<br />

English/French<br />

EUR 49.90 GBP 50.– USD / CAD 80.–<br />

RELATED TITLES<br />

Ruedi Baur Intégral Page 24<br />

Philippe Délis<br />

Integral Philippe Délis<br />

Matrix, impermanence, fantasy, design, support, body, and gaze<br />

Well-known scenographer Philippe Délis on his working methods<br />

With reference to seven concepts, Philippe Délis investigates the mechanisms<br />

governing the conception, preparation, and realization of exhibitions planned and<br />

implemented by the Atelier Integral Philippe Délis, which is active in the area of<br />

scenography and exhibition design. The exhibition designs of Philippe Délis have<br />

been much acclaimed for their deployment of the latest information technologies,<br />

with video projections and sound installations transforming exhibition spaces<br />

and our perceptions of them. With exhibitions in La Villette, in the Centre Pompidou,<br />

Paris, and the design of Egypt’s Sunken Treasures in the Martin-Gropius-Bau,<br />

Berlin in 2008, Délis has become one of the best-known scenographers<br />

internationally.<br />

Architect and scenographer PHILIPPE DéLIS, lives and works in Paris and<br />

Casablanca. He has led an interdisciplinary studio for exhibition design since 1984.<br />

Since 1993: Integral Concept. Since 2009, he has led the program Master Design<br />

Espace et Communication at the Haute école d’Art et de Design in Geneva.<br />

12 13<br />

<strong>New</strong> T<strong>itles</strong> Design


<strong>New</strong> T<strong>itles</strong> Design<br />

Available July 2010<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages<br />

approx. 150 illustrations, softcover<br />

ISBN 978-3-03778-231-6<br />

English / German<br />

EUR 19.90 GBP 19.99 USD / CAD 29.95<br />

RELATED TITLES<br />

A5 series Page 24<br />

Available September 2010<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages<br />

approx. 140 illustrations, softcover<br />

ISBN 978-3-03778-206-4<br />

English /German<br />

EUR 25.– GBP 25.– USD / CAD 35.–<br />

RELATED TITLES<br />

POSTER COLLECTION 1–21 Page 26<br />

A5/04: Kieler Woche<br />

History of a Design Contest<br />

Edited by Jens <strong>Müller</strong> and Karen Weiland<br />

The prestigious competition for designers presented in detail<br />

The fourth volume in the A5 series<br />

Designing the posters for the annual Kieler Woche sailing regatta has developed into<br />

one of the most prestigious European design competitions since it started in 1948.<br />

Since 1959 only five designers or design practices have been invited to take part in<br />

the competition, so that participation as such represents a distinction and has proved<br />

a crucial milestone in many designers’ careers. Winners and participants such as<br />

Ruedi Baur, Wim Crouwel, Willy Fleckhaus, Jan Lenica, Josef <strong>Müller</strong>-Brockmann and<br />

Odermatt+Tissi are outstanding European designers. The brief has remained unchanged<br />

for 60 years, and offers a unique survey of the development of European<br />

graphics.<br />

JENS MüLLER, 1982, and KAREN WEILAND, 1980, studies in Communication<br />

Design at the Fachhochschule Düsseldorf, Germany, since 2009 müller,weiland –<br />

Büro für Gestaltung und Kommunikation in Düsseldorf.<br />

Waldemar Swierzy<br />

1970<br />

Bruno K. Wiese<br />

1971<br />

Rolf <strong>Müller</strong><br />

1972<br />

POSTER COLLECTION 22<br />

Letters Only<br />

Edited by Museum of Design Zurich<br />

Script as a theme in poster design<br />

Hans Hillmann<br />

1976<br />

Armin Hofmann<br />

1972<br />

The new volume in the successful Poster Collection<br />

This publication casts light on the spectrum of the script poster, using consistent<br />

reduction to type and without any illustrative or geometrical elements. The script<br />

poster enjoyed its first heyday around 1915, with the discovery of the letter as<br />

a design element. Starting with examples influenced b the Bauhaus and its successors,<br />

the series continues to the present day. Technical developments in the spheres<br />

of design and printing also influence visual expression. The contemporary script<br />

poster offers a mixture of different trends showing effortless skill in handling different<br />

creative approaches.<br />

Pierre Mendell<br />

1986<br />

Helmut Schmid<br />

2003<br />

Niklaus Troxler<br />

1997<br />

Available September 2010<br />

30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages<br />

approx. 50 illustrations, hardcover<br />

ISBN 978-3-03778-226-2, English<br />

EUR 35.– GBP 35.– USD / CAD 49.95<br />

RELATED TITLES<br />

Protokoll Page 28<br />

From Somewhere to Nowhere Page 31<br />

Christian Lutz<br />

Tropical Gift<br />

The Business of Oil and Gas in Nigeria<br />

Impressive photographic volume on power structures in the world<br />

of the oil business<br />

A new photographic work by Christian Lutz to follow Protokoll<br />

Christian Lutz continues his photographic study of power structures with Tropical<br />

Gift. He took portraits in Nigeria of people who live by and with the economic force<br />

that dominates everything there, the oil and gas industry. The photographs observe<br />

the protagonists’ everyday lives and professional world from very close up, the rich<br />

profiteers in the capital and the indigenous population in the oil region, the Niger<br />

delta. The pictures tell their own story of business with these coveted raw materials<br />

subtly, but highly expressively.<br />

CHRISTIAN LUTZ, 1973, photographer, Nicolas Bouvier Prize, Switzerland, 2007,<br />

German Photobook Prize 2007, “The best in Swiss Photography of 2007.”<br />

14 15<br />

<strong>New</strong> T<strong>itles</strong> Photography


<strong>New</strong> T<strong>itles</strong> Art<br />

Available July 2010<br />

30 × 24 cm, 11 ¾ × 9 ½ in, 160 pages<br />

approx. 120 illustrations, hardcover<br />

ISBN 978-3-03778-227-9, English<br />

EUR 49.90 GBP 50.– USD / CAD 75.–<br />

Hamish Fulton<br />

The Uncarved Block<br />

“ Walking Artist ” Hamish Fulton’s artistic treatment of his ascent<br />

of Mount Everest<br />

Hamish Fulton’s photographic work focuses on nature and the way people experience<br />

nature. He has been hiking all over the world for 30 years, and translates what he experiences<br />

and sees into art. In 2009, Hamish Fulton and an expedition team climbed Mount<br />

Everest, the highest peak in the world. This publication presents this artist treatment of<br />

the ascent to the summit for the first time in a compendious pictorial volume in the form<br />

of collages of photographs and text, sculptures and works on paper.<br />

HAMISH FULTON, born 1946 in London, Walking Artist, lives and works in Canterbury.<br />

Available July 2010<br />

29 × 16.3, 11 ½ × 7 ½ in, 336 pages<br />

approx. 152 photographs, hardcover<br />

ISBN 978-3-03778-216-3<br />

English /French /German /Icelandic<br />

EUR 39.90 GBP 40.– USD / CAD 65.–<br />

RELATED TITLES<br />

das Page 30<br />

Lidschlag Page 30<br />

Silvia Bächli and Eric Hattan<br />

BLINDHÆÐIR<br />

16 17<br />

East Iceland<br />

Edited by Editions Attitudes, Geneva<br />

Artists’ book by Silvia Bächli and Eric Hattan<br />

Photographic volume with impressive shots of the Icelandic landscape<br />

Silvia Bächli and Eric Hatan spent four months, from March to June, in Seydisfjördur<br />

in eastern Iceland. The landscape they explored on their daily walks is dominated<br />

by snow, which shapes the atmosphere in and around the fjord with its changeable<br />

forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the<br />

whiteness, walls of snow by the edge of the road, drifts, icicles and at last the first<br />

brown snow-free places — things are slowly turning green. The artists create a unique<br />

portrait of Iceland’s magnificent landscapes with their photographs, in all its detail,<br />

thus chronicling the passage of time and the approach of the warmer season.<br />

SILVIA BäCHLI, 1956 born in Baden, Switzerland, is an artist and professor<br />

at the Kunstakademie Karlsruhe, Germany.<br />

ERIC HATTAN, 1955 born in Wettingen, Switzerland, is an artist.<br />

<strong>New</strong> T<strong>itles</strong> Art


<strong>New</strong> T<strong>itles</strong> Art<br />

Already published<br />

Not yet announced<br />

24 × 20 cm, 9 ½ × 7 ¾ in, 216 pages<br />

approx. 200 illustrations, hardcover<br />

ISBN 978-3-03778-211-8<br />

English /Japanese<br />

EUR 39.90 GBP 40.– USD / CAD 65.–<br />

RELATED TITLES<br />

SHIFT – SANAA and the <strong>New</strong> Museum Page 20<br />

Your Mobile Expectations Page 30<br />

Serpentine Gallery Pavilion 2007 Page 30<br />

Olafur Eliasson – Your Chance Encounter<br />

Recent publication about Olafur Eliasson<br />

Elaborate design in co-operation with the artist<br />

Exhibition in architecture by SANAA<br />

The acclaimed Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial<br />

experiments for his your Chance Encounter exhibition in the 21st Century Museum<br />

of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around<br />

and get their bearings, and stimulates them to see the museum as a public space for<br />

addressing art and reality critically.<br />

The installations were developed especially for the exhibition. They are arranged in<br />

a tight context with the spatial structure of the museum and extend the concept<br />

of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does<br />

not work only in the museum galleries, but also in the corridors in between and the<br />

adjacent courtyards, thus linking the indoor and outdoor areas closely and examining<br />

this museum’s unique qualities.<br />

The artist’s book was created in close co-operation with Olafur Eliasson’s studio.<br />

Its elaborate design with an extensive pictorial section offers a comprehensive record<br />

of the exhibition and an important analysis of this successful artist’s work. An essay<br />

by art historian Eve Blau interprets the exhibition in relation to its surroundings and<br />

contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator<br />

Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.<br />

OLAFUR ELIASSON is born in Copenhagen in 1967. Studies at the Royal Danish<br />

Academy of Fine Arts in Copenhagen from 1989 to 1995. Lives in Copenhagen and<br />

Berlin.<br />

These t<strong>itles</strong> are the reliable long-term sellers<br />

and no bookshop should be without them.<br />

The Face of Human Rights<br />

Kenya Hara<br />

Designing Design<br />

3rd edition<br />

Available September 2010<br />

All the gorgeous designs<br />

“ presented within ...<br />

none is more gorgeous<br />

than the book itself.<br />

square.MAGAZINE ”<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />

389 illustrations, hardcover<br />

2007, ISBN 978-3-03778-105-0, English<br />

EUR 39.90 GBP 35.– USD / CAD 55.–<br />

Naoto Fukasawa,<br />

Jasper Morrison<br />

Super Normal<br />

Sensations<br />

of the Ordinary<br />

“ It is usually the inconspicuous<br />

objects which<br />

really mean something<br />

to us. ” Naoto Fukasawa<br />

14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages<br />

264 illustrations, softcover<br />

2007, ISBN 978-3-03778-106-7, English<br />

EUR 24.90 GBP 24.99 USD / CAD 34.90<br />

Walter Kälin, <strong>Lars</strong> <strong>Müller</strong>, and Judith Wyttenbach (Eds.)<br />

“ The editors have fulfilled their task outstandingly.<br />

With their encyclopaedic knowledge they have<br />

presented human rights more powerfully than ever<br />

before. ” Der Bund<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages<br />

500 illustrations, hardcover<br />

2004, ISBN 978-3-03778-017-6, English<br />

2008, ISBN 978-3-03778-114-2, German (softcover)<br />

EUR 44.90 GBP 45.– USD / CAD 60.–<br />

Who Owns the Water<br />

<strong>Lars</strong> <strong>Müller</strong><br />

Helvetica<br />

Homage to a Typeface<br />

“ A declaration of love of a particular<br />

kind in a small but elegant<br />

format. No design library should<br />

be without it. ” Novum<br />

12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />

400 illustrations, softcover<br />

2005, ISBN 3-03778-046-6, English<br />

EUR 14.95 GBP 14.99 USD / CAD 25.–<br />

Herzog & de Meuron<br />

Natural History<br />

Philip Ursprung and the Canadian<br />

Centre for <strong>Architecture</strong> (Eds.)<br />

“ This book is an invitation to<br />

a wild journey: anyone who reads<br />

Natural History will feel they are<br />

on an association meter passing<br />

through the Basel architects’<br />

world of ideas. ” Hochparterre<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />

800 illustrations, softcover<br />

2003, ISBN 978-3-03778-049-7, English<br />

2005, ISBN 978-3-03778-050-3, German<br />

EUR 35.50 GBP 30.– USD / CAD 48.–<br />

<strong>Lars</strong> <strong>Müller</strong>, Klaus Lanz, Christian Rentsch,<br />

and René Schwarzenbach (Eds.)<br />

“ This book is simultaneously picture book and<br />

primer: at once informative, illuminating, disturbing,<br />

entertaining, and terrifying. ” Waterkant<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />

approx. 200 illustrations, hardcover<br />

2006, ISBN 978-3-03778-018-3, English<br />

2006, ISBN 978-3-03778-015-2, German<br />

EUR 44.90 GBP 45.– USD / CAD 60.–<br />

18 19<br />

Longseller


Backlist <strong>Architecture</strong><br />

Snøhetta Works<br />

Snøhetta (Eds.)<br />

22 × 28 cm, 8 ¾ × 11 in, 304 pages<br />

570 illustrations, hardcover<br />

2009, ISBN 978-3-03778-147-0, English<br />

EUR 49.90 GBP 45.– USD / CAD 74.90<br />

The SANAA Studios<br />

Learning from Japan:<br />

Single Story Urbanism<br />

Florian Idenburg and<br />

Princeton University, School<br />

of <strong>Architecture</strong> (Eds.)<br />

. . . stunning photography of<br />

“ Tokyo taken by Iwan Baan . . .<br />

regardingplace.com ”<br />

21.6 × 28 cm, 8 ½ × 11 in, 144 pages<br />

240 illustrations, softcover<br />

2010, ISBN 978-3-03778-190-6, English<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Ecological Urbanism<br />

Mohsen Mostafavi with Gareth<br />

Doherty, Harvard University<br />

Graduate School of Design (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 640 pages<br />

approx. 1000 illustrations, hardcover<br />

2010, ISBN 978-3-03778-189-0, English<br />

EUR 39.90 GBP 40.– USD / CAD 59.90<br />

Other Space Odysseys:<br />

Greg Lynn, Michael Maltzan,<br />

Alessandro Poli<br />

Giovanna Borasi, Mirko Zardini and<br />

Canadian Centre for <strong>Architecture</strong> (Eds.)<br />

15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />

113 illustrations, softcover<br />

2010, ISBN 978-3-03778-193-7, English<br />

2010, ISBN 978-3-03778-194-4, French<br />

EUR 24.95 GBP 22.99 USD / CAD 35.–<br />

Stephen Taylor, Ryue Nishizawa<br />

Some Ideas on Living<br />

in London and Tokyo<br />

Giovanna Borasi, Canadian Centre for<br />

<strong>Architecture</strong> CCA (Eds.)<br />

Alice Foxley<br />

Distance and Engagement<br />

The World’s Fairest City –<br />

Yours and Mine<br />

15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />

160 illustrations, softcover<br />

2008, ISBN 978-3-03778-150-0, English<br />

2008, ISBN 978-3-03778-152-4, French<br />

EUR 19.90 GBP 18.99 USD / CAD 29.90<br />

Walking, Thinking and Making Landscape<br />

Already announced<br />

Available June 2010<br />

24 × 16 cm, 9 ½ × 16 ¼ in, 480 pages<br />

approx. 1000 illustrations, hardcover<br />

ISBN 978-3-03778-196-8, English<br />

ISBN 978-3-03778-195-1, German<br />

EUR 49.90 GBP 50.– USD / CAD 80.–<br />

Features of Urban Living and Quality<br />

Ruedi Baur, Martin Feuz, Carmen Gasser Derungs,<br />

Andrea Gmünder, Thomas Hausheer, Martin Jann,<br />

Philipp Krass, Margarete von Lupin, Trond Maag,<br />

Ursula Tgetgel, Marcel Zwissler, Design2context (Eds.)<br />

12.8 × 18 cm, 5 × 7 in, 184 pages, 120 illustrations, softcover<br />

2010, ISBN 978-3-03778-186-9, English<br />

2010, ISBN 978-3-03778-185-2, German<br />

EUR 19.90 GBP 19.99 USD / CAD 29.90<br />

The SANAA architects Kazuyo Sejima and Ryue Nishizawa:<br />

2010 laureates of the Pritzker <strong>Architecture</strong> Prize!<br />

SHIFT<br />

SANAA and the <strong>New</strong> Museum<br />

Joseph Grima and Karen Wong (Eds.)<br />

24 × 30 cm, 9 × 11 ¾ in, 136 pages<br />

144 illustrations, softcover<br />

2008, ISBN 978-3-03778-140-1, English<br />

EUR 32.90 GBP 35.– USD / CAD 39.90<br />

Matthias Sauerbruch,<br />

Louisa Hutton<br />

Sauerbruch Hutton Archive<br />

24 × 30 cm, 9 × 11 ¾ in, 384 pages<br />

650 illustrations, hardcover<br />

2006, ISBN 978-3-03778-083-1<br />

English/German<br />

EUR 59.90 GBP 55.– USD / CAD 79.–<br />

Zaha Hadid<br />

Space for Art<br />

Contemporary Arts Center, Cincinnati<br />

21 × 33 cm, 8 ¼ × 13 in, 128 pages<br />

70 illustrations, hard cover<br />

2004, ISBN 978-3-03778-005-3, English<br />

EUR 37.38 GBP 40.– USD / CAD 49.90<br />

Petra Kempf<br />

You Are the City<br />

Observation, Organization<br />

and Transformation of Urban Settings<br />

“ You Are the City is a powerful antidote<br />

to most city-planning excercises, a conscious<br />

attempt to free up rigid spatial thinking and<br />

start thinking about networks and connections instead.<br />

” blog.buro-gds.com<br />

21 × 29.7 cm, 8 ¼ × 11 ¾ in<br />

22 transparent slides in folder, brochure, 16 pages<br />

2009, ISBN 978-3-03778-159-3, English<br />

EUR 29.90 GBP 30.– USD / CAD 49.90<br />

Herzog & de Meuron<br />

Natural History<br />

Philip Ursprung and the Canadian Centre<br />

for <strong>Architecture</strong> (Eds.)<br />

The natural history of this architecture is<br />

“ much more complex, the magnificent textual<br />

journeys reveal over a thousand plans.<br />

<strong>Architecture</strong> criticism as it should be.<br />

Architektur aktuell ”<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />

800 illustrations, softcover<br />

2003, ISBN 978-3-03778-049-7, English<br />

2005, ISBN 978-3-03778-050-3, German<br />

EUR 35.50 GBP 30.– USD / CAD 48.–<br />

Peter Eisenman<br />

Holocaust Memorial Berlin<br />

24 × 30 cm, 9 × 11 ¾ in, 120 pages<br />

65 illustrations, hardcover<br />

2005, ISBN 978-3-03778-056-5, English<br />

2005, ISBN 978-3-03778-059-6, German<br />

EUR 22.90 GBP 22.99 USD / CAD 34.40<br />

<strong>Architecture</strong> of Zaha Hadid<br />

In Photographs by Hélène Binet<br />

19 × 31 cm, 7 ½ × 12 ¼ in, 176 pages<br />

90 illustrations, hardcover<br />

2000, ISBN 978-3-907078-12-9, English<br />

EUR 19.90 GBP 18.– USD / CAD 29.90<br />

Moshe Safdie<br />

Yad Vashem<br />

The <strong>Architecture</strong> of Memory<br />

24 × 30 cm, 9 × 11 ¾ in, 136 pages<br />

90 illustrations, hardcover<br />

2006, ISBN 978-3-03778-070-1, English<br />

EUR 39.90 GBP 40.– USD / CAD 65.–<br />

Catherine de Smet<br />

Le Corbusier, Architect of Books<br />

24 × 30 cm, 9 × 11 ¾ in, 128 pages<br />

100 illustrations, hardcover<br />

2005, ISBN 978-3-03778-034-3, English<br />

2005, ISBN 978-3-03778-033-6, French<br />

2005, ISBN 978-3-03778-052-7, German<br />

EUR 32.90 GBP 30.– USD / CAD 50.–<br />

Peter Eisenman<br />

The Formal Basis of<br />

Modern <strong>Architecture</strong><br />

(1964)<br />

29 × 30.5 cm, 11 ½ × 12 in, 384 pages<br />

300 illustrations, hardcover<br />

2006, ISBN 978-3-03778-071-8, English<br />

EUR 49.90 GBP 50.– USD / CAD 69.90<br />

Günther Vogt<br />

Miniature and Panorama<br />

Vogt Landscape Architects<br />

Projects 2000–2006<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

575 pages, 950 illustrations, hardcover<br />

2007, ISBN 978-3-03778-069-5, English<br />

2006, ISBN 978-3-03778-068-8, German<br />

EUR 49.90 GBP 50.– USD / CAD 64.90<br />

Zaha Hadid<br />

Car Park and Terminus Strasbourg<br />

31 × 33 cm, 12 ¼ × 13 in, 100 pages<br />

70 illustrations, softcover<br />

2004, ISBN 978-3-03778-028-2<br />

German/English/French<br />

EUR 14.90 GBP 14.99 USD / CAD 35.–<br />

Catherine de Smet<br />

Vers une <strong>Architecture</strong> du Livre<br />

Le Corbusier: édition et mise<br />

en pages 1912 –1965<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 304 pages<br />

410 illustrations, softcover<br />

2007, ISBN 978-3-03778-067-1, French<br />

EUR 28.34 GBP 26.– USD / CAD 44.90<br />

20 21<br />

Backlist <strong>Architecture</strong>


Backlist <strong>Architecture</strong><br />

Your Private Sky<br />

R. Buckminster Fuller<br />

Design Art Science<br />

J. Krausse and C. Lichtenstein (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 524 pages<br />

600 illustrations, hardcover<br />

1999, ISBN 978-3-907044-88-9, English<br />

EUR 24.90 GBP 24.99 USD / CAD 65.–<br />

Sense of the City<br />

Mirko Zardini and the Canadian Centre of<br />

<strong>Architecture</strong> CCA, Montréal (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 352 pages<br />

200 illustrations, hardcover<br />

2005, ISBN 978-3-03778-060-2, English<br />

EUR 42.06 GBP 40.– USD / CAD 60.–<br />

As Found<br />

The Discovery of the Ordinary<br />

British <strong>Architecture</strong> and Art<br />

of the 1950s<br />

C. Lichtenstein and<br />

T. Schregenberger (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />

300 illustrations, hardcover<br />

2001, ISBN 978-3-907078-43-3, English<br />

2001, ISBN 978-3-907078-40-2, German<br />

EUR 29.50 GBP 27.– USD / CAD 44.90<br />

Federico Neder<br />

Fuller Houses<br />

R. Buckminster Fuller’s<br />

Dymaxion Dwellings<br />

and Other Domestic Adventures<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 240 pages<br />

170 illustrations, softcover<br />

2008, ISBN 978-3-03778-141-8, English<br />

EUR 29.90 GBP 30.– USD / CAD 39.90<br />

Construction Site<br />

Metamorphoses in the City<br />

Marie Antoinette Glaser, ETH Wohnforum<br />

(Eds.)<br />

23 × 28 cm, 9 × 11 in, 144 pages<br />

137 illustrations, hardcover<br />

2008, ISBN 978-3-03778-112-8, English<br />

2008, ISBN 978-3-03778-111-1, German<br />

EUR 39.90 GBP 40.– USD / CAD 54.90<br />

Alison and Peter Smithson<br />

AS IN DS<br />

An Eye on the Road<br />

Christian Sumi (Ed.)<br />

Reprint, original 1983<br />

10.5 × 21.7 cm, 4 ¼ × 8 ½ in, 164 pages<br />

70 illustrations, softcover<br />

2001, ISBN 978-3-907078-42-6, English<br />

EUR 14.50 GBP 14.99 USD / CAD 21.75<br />

Buckminster Fuller Reprints<br />

Jaime Snyder (Ed.)<br />

Ideas and Integrities<br />

A Spontaneous Autobiographical Disclosure<br />

Reprint, original 1963, 12 × 18 cm, 4 ¾ × 7 in, 416 pages, 50 illustrations in b/w, softcover<br />

2010, ISBN 978-3-03778-198-2, English<br />

EUR 24.90 GBP 19.99 USD / CAD 29.90<br />

Education Automation<br />

Comprehensive Learning for Emergent Humanity<br />

Reprint, originals 1962–1979, 12 × 18 cm, 4 ¾ × 7 in, 224 pages<br />

15 illustrations in b/w, softcover<br />

2010, ISBN 978-3-03778-199-9, English<br />

EUR 24.90 GBP 19.99 USD / CAD 29.90<br />

Operating Manual for Spaceship Earth<br />

Reprint, original 1969, 12 × 18 cm, 4 ¾ × 7 in, 152 pages, softcover<br />

2008, ISBN 978-3-03778-126-5, English 2010, ISBN 978-3-03778-188-3, French<br />

EUR 14.90 GBP 14.99 USD / CAD 19.90<br />

Utopia or Oblivion<br />

The Prospects for Humanity<br />

Reprint, original 1969, 12 × 18 cm, 4 ¾ × 7 in, 448 pages, 32 illustrations, softcover<br />

2008, ISBN 978-3-03778-127-2, English<br />

EUR 24.90 GBP 24.99 USD / CAD 29.90<br />

And It Came to Pass – Not to Stay<br />

Reprint, original 1976, 12 × 18 cm, 4 ¾ × 7 in, 192 pages, softcover<br />

2008, ISBN 978-3-03778-132-6, English<br />

EUR 14.90 GBP 14.99 USD / CAD 19.90<br />

The Image and the Region<br />

Making Mega-City Regions Visible<br />

Alain Thierstein and Agnes Förster (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 288 pages<br />

203 illustrations, softcover<br />

2008, ISBN 978-3-03778-131-9, English<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Jacques Schader<br />

Freudenberg<br />

A Masterpiece of European<br />

<strong>Architecture</strong><br />

Claude Lichtenstein (Ed.)<br />

With a film by Marc Schwarz<br />

14 × 12 cm, 5 ½ × 4 ¾ in, 194 pages<br />

280 illustrations, softcover with DVD<br />

2003, ISBN 978-3-907078-61-7<br />

English/German<br />

EUR 38.– GBP 35.– USD / CAD 55.–<br />

Gramazio & Kohler<br />

Digital Materiality in <strong>Architecture</strong><br />

19.5 × 30 cm, 7 ¾ × 11 ¾ in, 112 pages<br />

157 illustrations, hardcover<br />

2008, ISBN 978-3-03778-122-7, English<br />

EUR 34.90 GBP 35.– USD / CAD 44.90<br />

Theo Hotz<br />

<strong>Architecture</strong> 1949 – 2002<br />

Édition<br />

française<br />

18.5 × 28 cm, 7 ¼ × 11 in, 320 pages<br />

600 illustrations, hardcover<br />

2003, ISBN 978-3-03778-002-2<br />

English/German<br />

EUR 29.50 GBP 30.– USD / CAD 44.90<br />

Global Design<br />

International Perspectives and Individual Concepts<br />

Museum of Design Zurich, Angeli Sachs (Eds.)<br />

With contributions by Beatriz Colomina,<br />

Angeli Sachs, Philip Ursprung, and Jeroen van Rooijen<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />

approx. 300 illustrations, softcover<br />

2010, ISBN 978-3-03778-210-1, English<br />

2010, ISBN 978-3-03778-154-8, German<br />

EUR 34.90 GBP 35.– USD / CAD 60.–<br />

22 23<br />

Kenya Hara<br />

White<br />

This meditation on the complexity<br />

“ of simple things is wonderfully clear<br />

and inviting to read and transports<br />

you miles away from the sometimes<br />

overwhelmingly fast, multilayered,<br />

complicated reality of working life<br />

as a designer.<br />

Grafik Library, A Guide ” to Essential Reading<br />

13.5 × 19.5 cm, 5 ¼ × 7 ¾ in, 64 pages<br />

4 illustrations, hardcover<br />

2010, ISBN 978-3-03778-183-8, English<br />

2010, ISBN 978-3-03778-182-1, German<br />

EUR 19.90 GBP 15.99 USD / CAD 29.–<br />

Windfall Light<br />

The Visual Language of ECM<br />

<strong>Lars</strong> <strong>Müller</strong> (Ed.)<br />

“ There is more to this book than<br />

being just another piece of memorabilia.<br />

Windfall Light is a testament to a label<br />

that produced the ‘next best sound to<br />

silence’, and which has retained its distinctive<br />

visual identity with memorable<br />

cover designs to identify or color the<br />

music being listened to. allaboutjazz.com ”<br />

18.5 × 26 cm, 7 ¼ × 10 ¼ in, 448 pages<br />

1260 illustrations, softcover<br />

ISBN 978-3-03778-157-9, English<br />

ISBN 978-3-03778-197-5, German<br />

EUR 54.90 GBP 50.– USD / CAD 85.–<br />

Maharam Agenda<br />

Michael Maharam (Ed.)<br />

Already announced<br />

Available September 2010<br />

Cover design Hella Jongerius<br />

22 × 28 cm, 8 ¾ × 11 in, 8 ¾ × 11 in, approx. 256 pages<br />

approx. 200 illustrations, hardcover<br />

ISBN 978-3-03778-187-6, English<br />

EUR 59.90 GBP 60.– USD / CAD 90.–<br />

Kenya Hara<br />

Designing Design<br />

3rd edition<br />

Available September 2010<br />

. . . every page lovingly crafted. (. . .)<br />

“ It is a perfect balance of style and<br />

content, action and non-action.<br />

Eye Magazine ”<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages<br />

389 illustrations, hardcover<br />

2007, ISBN 978-3-03778-105-0, English<br />

EUR 39.90 GBP 35.– USD / CAD 55.–<br />

Jasper Morrison<br />

A World Without Words<br />

Already announced<br />

Available August 2010<br />

11 × 15.5 cm, 4 ¼ × 6 in, 112 pages<br />

104 illustrations, softcover<br />

ISBN 978-3-03778-207-1, English<br />

EUR 16.50 GBP 14.99 USD / CAD 24.95<br />

Backlist Design


Backlist Design<br />

Ruedi Baur<br />

Ruedi Baur Intégral<br />

Anticipating, Questioning, Inscribing,<br />

Distinguishing, Irritating, Orienting,<br />

Translating<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 480 pages<br />

200 illustrations, hardcover<br />

2009, ISBN 978-3-03778-134-0, English<br />

2009, ISBN 978-3-03778-203-3, French<br />

2009, ISBN 978-3-03778-202-6, German<br />

EUR 49.90 GBP 50.– USD / CAD 80.–<br />

A5 Series<br />

Metahaven<br />

Uncorporate Identity<br />

Metahaven (Daniel van der<br />

Velden und Vinca Kruk)<br />

with Marina Vishmidt (Eds.)<br />

Co-published by<br />

Jan van Eyck Academie<br />

17 × 24 cm, 6 ¾ × 9 ½ in, 608 pages<br />

200 illustrations, hardcover<br />

2010, ISBN 978-3-03778-169-2, English<br />

EUR 44.90 GBP 45.– USD / CAD 80.–<br />

Jens <strong>Müller</strong>, labor visuell at the University of Applied Sciences<br />

Düsseldorf, Department of Design<br />

Ulrike Felsing<br />

Dynamic Identities<br />

in Cultural and Public<br />

Contexts<br />

Design2context (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 256 pages<br />

200 illustrations, softcover<br />

2009, ISBN 978-3-03778-163-0, English<br />

2009, ISBN 978-3-03778-162-3, German<br />

EUR 34.90 GBP 35.– USD / CAD 55.–<br />

Findings on Elasticity<br />

Pars Foundation (Ed.)<br />

20 × 27 cm, 7 ¾ × 10 ¾ in, 208 pages<br />

70 illustrations, softcover<br />

2010, ISBN 978-3-03778-148-7, English<br />

EUR 35.– GBP 35.– USD / CAD 55.–<br />

Hans Hillmann<br />

The Visual Works<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, 120 illustrations, softcover<br />

2009, ISBN 978-3-03778-179-1, English/German<br />

EUR 19.90 GBP 18.99 USD/CAD 29.90<br />

Philips – Twen<br />

Realism Is the Score<br />

2<br />

Orient-ierung/ation Des-/Dés-/Dis-/orient-ierung/ation<br />

Design2context<br />

Institute Design2context<br />

Zürich University of the Arts<br />

LARS MÜLLER PUBLISHERS<br />

Orientation/<br />

Disorientation 2<br />

Design2context, Ruedi Baur,<br />

Stefanie-Vera Kockot, Clemens Bellut<br />

and Andrea Gleiniger (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 384 pages<br />

50 illustrations, softcover<br />

2009, ISBN 978-3-03778-158-6, English/German/French<br />

EUR 29.90 GBP 30.– USD / CAD 50.–<br />

RELATED TITLE<br />

Orientation/Disorientation 1 Page 27<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 96 pages, 120 illustrations, softcover<br />

2009, ISBN 978-3-03778-180-7, English/German<br />

EUR 19.90 GBP 18.99 USD/CAD 29.90<br />

Celestino Piatti and dtv<br />

The Unity of the Program<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, 120 illustrations, softcover<br />

2009, ISBN 978-3-03778-178-4, English/German<br />

EUR 19.90 GBP 18.99 USD/CAD 29.90<br />

<strong>Lars</strong> <strong>Müller</strong><br />

Josef <strong>Müller</strong>-Brockmann<br />

Pioneer of Swiss Graphic Design<br />

19 × 27 cm, 7 ½ × 10 ¾ in, 262 pages<br />

369 illustrations, softcover<br />

1994, ISBN 978-3-906700-89-2, English<br />

1994, ISBN 978-3-907078-59-4, German<br />

EUR 39.90 GBP 40.– USD / CAD 49.90<br />

Corporate Diversity<br />

Swiss Graphic Design and Advertising<br />

by Geigy, 1940–1970<br />

Museum of Design Zurich,<br />

Andres Janser, Barbara Junod (Eds.)<br />

“ Sensitively designed by Norm, and<br />

thoroughly researched, this book<br />

has page after page of wonderful work<br />

that is given context by informative,<br />

academic essays. You can’t ask for<br />

more than that. ” Grafik<br />

19.4 × 26.8 cm, 7 ¾ × 10 ½ in, 208 pages<br />

385 illustrations, hardcover<br />

2009, ISBN 978-3-03778-160-9, English<br />

2009, ISBN 978-3-03778-161-6, German<br />

EUR 39.90 GBP 40.– USD / CAD 49.90<br />

Helvetica Forever<br />

Story of a Typeface<br />

<strong>Lars</strong> <strong>Müller</strong> and Victor Malsy (Eds.)<br />

Helvetica forever should be found on the<br />

“ bookshelf of every designer. Page ” This is the perfect book for design<br />

“ obsessives. Wallpaper ”<br />

19 × 26 cm, 7 ½ × 10 ¼ in, 160 pages<br />

150 illustrations, hardcover<br />

2009, ISBN 978-3-03778-121-0, English<br />

2008, ISBN 978-3-03778-120-3, German<br />

EUR 29.90 GBP 30.– USD / CAD 49.–<br />

<strong>Lars</strong> <strong>Müller</strong><br />

Helvetica<br />

Homage to a Typeface<br />

Helvetica is the perfume of the city. “ <strong>Lars</strong> <strong>Müller</strong><br />

”<br />

12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />

400 illustrations, softcover<br />

2005, ISBN 3-03778-046-6, English<br />

EUR 14.95 GBP 14.99 USD / CAD 25.–<br />

Nature Design<br />

From Inspiration to Innovation<br />

Museum of Design Zurich,<br />

Angeli Sachs (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />

318 illustrations, softcover<br />

2007, ISBN 978-3-03778-98-5, English<br />

2007, ISBN 978-3-03778-100-5, German<br />

EUR 29.90 GBP 30.– USD / CAD 49.–<br />

Naoto Fukasawa, Jasper Morrison<br />

Super Normal<br />

Sensations of the Ordinary<br />

14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages<br />

264 illustrations, softcover<br />

2007, ISBN 978-3-03778-106-7, English<br />

EUR 24.90 GBP 24.99 USD / CAD 34.90<br />

Jan Conradi<br />

Unimark International<br />

The Design of Business and<br />

the Business of Design<br />

Foreword by Massimo Vignelli<br />

19 × 26 cm, 7 ½ × 10 ¼ in, 250 pages<br />

150 illustrations, hardcover<br />

2010, ISBN 978-3-03778-184-5, English<br />

EUR 44.90 GBP 40.– USD / CAD 64.90<br />

Wolfgang Weingart<br />

Typography<br />

My Way to Typography<br />

22.5 × 27.5 cm, 8 ¾ × 10 ¾ in, 520 pages<br />

450 illustrations, hardcover<br />

2000, ISBN 978-3-907044-86-5<br />

English/German<br />

EUR 53.40 GBP 50.– USD / CAD 120.–<br />

Jasper Morrison<br />

Everything but the Walls<br />

22 × 28 cm, 8 ¾ × 11 in, 256 pages<br />

300 illustrations, softcover<br />

2006, ISBN 978-3-03778-064-0, English<br />

EUR 39.90 GBP 40.– USD / CAD 59.–<br />

24 25<br />

Backlist Design


Backlist Design POSTER COLLECTION<br />

POSTER COLLECTION 18<br />

Otto Baumberger<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 120 illus., softcover<br />

ISBN 978-3-03778-129-6<br />

English/German, 2008<br />

EUR 24.90 GBP 22.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 12<br />

Catherine Zask<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 54 illus., softcover<br />

ISBN 978-3-03778-054-1<br />

English/German/French<br />

2005<br />

EUR 19.50 GBP 14.99<br />

USD / CAD 20.–<br />

POSTER COLLECTION<br />

06<br />

Visual Strategies Against<br />

Aids<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 130 illus., softcover<br />

ISBN 978-3-907078-90-7<br />

English/German, 2003<br />

EUR 23.– GBP 19.99<br />

USD / CAD 26.–<br />

POSTER COLLECTION 21<br />

Paradise<br />

Switzerland<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 pages, 112 illustrations<br />

softcover<br />

ISBN 978-3-03778-205-7<br />

English/German<br />

EUR 24.90 GBP 24.99<br />

USD / CAD 35.–<br />

POSTER COLLECTION 17<br />

Photo Graphics<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 120 illus., softcover<br />

ISBN 978-3-03778-128-9<br />

English/German, 2008<br />

EUR 24.90 GBP 22.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 11<br />

Handmade<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 140 illus., softcover<br />

ISBN 978-3-03778-053-4<br />

English/German, 2005<br />

EUR 23.– GBP 19.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 05<br />

Typotektur<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 85 illus., softcover<br />

ISBN 978-3-907078-89-1<br />

English/German, 2003<br />

EUR 19.50 GBP 14.99<br />

USD / CAD 20.–<br />

POSTER COLLECTION 16<br />

Comix!<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 100 illus., softcover<br />

ISBN 978-3-03778-099-2<br />

English/German, 2008<br />

EUR 24.90 GBP 19.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 10<br />

Michael Engelmann<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 80 illus., softcover<br />

ISBN 978-3-03778-039-8<br />

English/German, 2004<br />

EUR 23.– GBP 19.99<br />

USD / CAD 20.–<br />

POSTER COLLECTION 04<br />

Hors-Sol<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 139 illus., softcover<br />

ISBN 978-3-907078-54-9<br />

English/German, 2001<br />

EUR 23.– GBP 19.99<br />

USD / CAD 26.–<br />

POSTER COLLECTION 15<br />

Breaking the Rules<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 104 illus., softcover<br />

ISBN 978-3-03778-094-7<br />

English/German, 2007<br />

EUR 24.90 GBP 19.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 09<br />

Ralph Schraivogel<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 70 illus., softcover<br />

ISBN 978-3-03778-016-9<br />

English/German, 2003<br />

EUR 19.50 GBP 14.99<br />

USD / CAD 20.–<br />

POSTER COLLECTION 03<br />

Posters for Exhibitions<br />

1980 – 2000<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 150 illus., softcover<br />

ISBN 978-3-907078-55-6<br />

English/German, 2001<br />

EUR 23.– GBP 19.99<br />

USD / CAD 26.–<br />

POSTER COLLECTION 20<br />

Help!<br />

Appeals to Social<br />

Conscience<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 pages, 120 illustrations<br />

softcover<br />

2009, ISBN 978-3-03778-174-6<br />

English/German<br />

EUR 24.90 GBP 24.99<br />

USD / CAD 35.–<br />

POSTER COLLECTION 14<br />

Zürich-Milano<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

96 p., 117 illus., softcover<br />

ISBN 978-3-03778-079-7<br />

English/German, 2006<br />

EUR 22.90 GBP 19.99<br />

USD / CAD 29.90<br />

POSTER COLLECTION 08<br />

Black and White<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

80 p., 107 illus., softcover<br />

ISBN 978-3-03778-014-5<br />

English/German, 2003<br />

EUR 20.– GBP 14.99<br />

USD / CAD 22.–<br />

POSTER COLLECTION 02<br />

Donald Brun<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 70 illus., softcover<br />

ISBN 978-3-907078-53-2<br />

English/German, 2001<br />

EUR 19.50 GBP 14.99<br />

USD / CAD 20.–<br />

POSTER COLLECTION 19<br />

Head to Head<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

192 p., 120 illus., softcover<br />

ISBN 978-3-03778-151-7<br />

English, 2009<br />

ISBN 978-3-03778-130-2<br />

German, 2009<br />

EUR 29.90 GBP 30.–<br />

USD / CAD 39.90<br />

POSTER COLLECTION 13<br />

Typo China<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 78 illus., softcover,<br />

ISBN 978-3-03778-078-7<br />

English/German, 2006<br />

EUR 19.90 GBP 14.99<br />

USD / CAD 24.90<br />

POSTER COLLECTION 07<br />

Armin Hofmann<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

80 p., 80 illus., softcover<br />

ISBN 978-3-03778-004-6<br />

English/German, 2003<br />

EUR 20.– GBP 14.99<br />

USD / CAD 22.–<br />

POSTER COLLECTION 01<br />

Revue 1926<br />

Museum of Design Zurich (Ed.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in<br />

64 p., 91 illus., softcover<br />

ISBN 978-3-907078-52-5<br />

English/German, 2001<br />

EUR 22.– GBP 19.99<br />

USD / CAD 20.–<br />

Karl Gerstner turns 80!<br />

Karl Gerstner<br />

Designing Programmes<br />

Harald Geisler and Jonas Pabst (Eds.)<br />

“ Karl Gerstner’s Designing Programmes<br />

of 1963 is a classic from the time of<br />

the beginning of the computer, which even<br />

now, in the digital age, has astonishing<br />

topicality. ” Form<br />

Revised reprint, original 1964<br />

19.5 × 25 cm, 7 ¾ × 9 ¾ in, 120 pages<br />

200 illustrations, hardcover<br />

2007, ISBN 978-3-03778-093-0, English<br />

2007, ISBN 978-3-03778-092-3, German<br />

EUR 29.90 GBP 30.– USD / CAD 39.90<br />

Pierre Bernard<br />

My Work is not my Work<br />

Design for the public domain<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages<br />

270 illustrations, softcover<br />

2008, ISBN 978-3-03778-087-9, English<br />

2007, ISBN 978-3-03778-086-2, French<br />

2007, ISBN 978-3-03778-104-3, Dutch<br />

EUR 39.90 GBP 40.– USD / CAD 49.90<br />

Gerlinde Schuller<br />

Designing Universal Knowledge<br />

The World as Flatland – Report 1<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 304 pages<br />

650 illustrations, hardcover<br />

2009, ISBN 978-3-03778-149-4, English<br />

EUR 34.90 GBP 35.– USD / CAD 49.90<br />

Pars Foundation<br />

Findings on Ice<br />

Hester Aardse and Astrid van Baalen<br />

20 × 27 cm, 7 ¾ × 10 ¾ in, 190 pages<br />

126 illustrations, softcover<br />

2007, ISBN 978-3-03778-125-8, English<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Isabel Naegele and Ruedi Baur<br />

Scents of the City<br />

14 × 20 cm, 5 ½ × 7 ¾ in, 480 pages<br />

1500 illustrations, softcover<br />

2004, ISBN 978-3-03778-012-1<br />

English/French/German<br />

EUR 16.– GBP 14.99 USD / CAD 20.–<br />

Pierre Mendell<br />

Posters for the Opera<br />

15.5 × 22 cm, 6 × 8 ¾ in, 157 pages<br />

97 illustrations, hardcover<br />

2006, ISBN 978-3-03778-082-4<br />

English/German<br />

EUR 24.90 GBP 22.99 USD / CAD 32.90<br />

Edo Smitshuijzen<br />

Signage Design Manual<br />

16 × 26 cm, 6 ¼ × 10 ¼ in, 456 pages<br />

800 illustrations, hardcover<br />

2007, ISBN 978-3-03778-096-1, English<br />

EUR 44.90 GBP 40.– USD / CAD 59.90<br />

Orientation/Disorientation 1<br />

Design2context, Ruedi Baur (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 264 pages<br />

300 illustrations, softcover<br />

2008, ISBN 978-3-03778-133-3<br />

English/German/French<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Jack Masey and<br />

Conway Lloyd Morgan<br />

Cold War Confrontations<br />

“ The book’s illustrations are<br />

a feast for architectural historians.<br />

Art Review Online ”<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 400 pages<br />

200 illustrations, hardcover<br />

2008, ISBN 978-3-03778-123-4, English<br />

EUR 19.90 GBP 18.99 USD / CAD 29.90<br />

Das Gesetz und seine visuellen Folgen<br />

Research project of the Hochschule für<br />

Grafik und Buchkunst (HGB) and Instituts<br />

Design2context at the Zurich University of<br />

the Arts (ZHdK)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages<br />

650 illustrations, hardcover<br />

2005, ISBN 978-3-03778-043-5<br />

German/French<br />

EUR 45.– GBP 40.– USD / CAD 69.90<br />

26 27<br />

Pierre Mendell<br />

At first sight<br />

24 × 30 cm, 9 × 11 ¾ in, 149 pages<br />

200 illustrations, hardcover<br />

2001, ISBN 978-3-907044-49-0, English<br />

2001, ISBN 978-3-907078-64-8, German<br />

EUR 29.50 GBP 30.– USD / CAD 44.90<br />

Backlist Design


Backlist Design<br />

Backlist Photography<br />

Frédéric Dedelley<br />

Design Detective<br />

Ariana Pradal (Ed.)<br />

17 × 22 cm, 6 ¾ × 8 ¾ in, 258 pages<br />

210 illustrations, hardcover<br />

2008, ISBN 978-3-03778-137-1<br />

English/French/German<br />

EUR 29.90 GBP 30.– USD / CAD 39.90<br />

Thomas Flechtner<br />

Snow<br />

24 × 30 cm, 9 × 11 ¾ in, 120 pages<br />

100 photographs, hardcover<br />

2002, ISBN 978-3-907078-65-5, English<br />

EUR 58.– GBP 24.99 USD / CAD 39.90<br />

Hans Arp and El Lissitzky<br />

The Isms of Art<br />

1914–1924<br />

Reprint, original 1925<br />

14.5 × 26.5 cm, 5 ¾ × 10 ½ in, 60 pages<br />

75 illustrations, hardcover<br />

1990, ISBN 978-3-906700-28-1<br />

English/French/German<br />

EUR 14.90 GBP 14.99 USD / CAD 30.–<br />

Claude Lichtenstein<br />

Playfully Rigid<br />

Swiss <strong>Architecture</strong>, Graphic Design,<br />

Product Design, 1950 –2006<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 300 pages<br />

370 illustrations, hardcover<br />

2006, ISBN 978-3-03778-090-9, English<br />

2006, ISBN 978-3-03778-089-3, German<br />

EUR 24.50 GBP 24.99 USD / CAD 37.40<br />

Christian Lutz<br />

Protokoll<br />

The best in Swiss “ photography of 2007 ”<br />

30 × 24 cm, 11 ¾ × 9 ½ in, 90 pages<br />

54 photographs, hardcover<br />

2007, ISBN 978-3-03778-110-4<br />

English/French/German/Spanish<br />

EUR 34.90 GBP 35.– USD / CAD 44.90<br />

Klaus Merkel<br />

The Reading of Time<br />

in the Text of Nature<br />

24 × 30 cm, 9 × 11 ¾ in, 96 pages<br />

84 photographs, hardcover<br />

2000, ISBN 978-3-907044-97-1, English<br />

1997, ISBN 978-3-907044-40-7, German<br />

EUR 24.50 GBP 24.99 USD / CAD 37.40<br />

Mark Holt, Hamish Muir<br />

8vo<br />

On the Outside<br />

12 × 16 cm, 4 ¾ × 6 ¼ in, 532 pages<br />

395 illustrations, hardcover<br />

2005, ISBN 978-3-03778-019-0, English<br />

EUR 24.50 GBP 23.– USD / CAD 37.40<br />

Hans Richter<br />

<strong>New</strong> Living<br />

Andres Janser and Arthur Rüegg (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 128 pages<br />

500 illustrations, hardcover<br />

2001, ISBN 978-3-907078-22-8, English<br />

EUR 34.– GBP 35.– USD / CAD 28.–<br />

Jules Spinatsch<br />

Temporary Discomfort<br />

( TO GIVE YOU A HAND )<br />

Modern hand-yeroglyphs function as<br />

a sort of unofficial global communication<br />

system which effectly cross over the<br />

multiples barriers formed by diverse<br />

national languages.<br />

Even if sometimes, certain similar signs<br />

have different meanings from one<br />

culture to another, there is definitely<br />

a common hand sign language.<br />

This visual expression is intercultural.<br />

Created everywhere, by everyone, at<br />

any time, those signs belong to no one<br />

in particular and to all of us in general.<br />

The visual collection ( which you are<br />

holding in your hands ) is presenting<br />

hand signs in various situations and<br />

demonstrates how represented in<br />

different parts of the world, they are<br />

expressing symbolically and without<br />

words the unlimited actions of the<br />

human family.<br />

LARS MÜLLER PUBLISHERS<br />

24 × 30 cm, 9 × 11 ¾ in, 186 pages<br />

approx. 80 photographs, hardcover<br />

2005, ISBN 978-3-03778-047-3<br />

English/German<br />

EUR 29.50 GBP 30.– USD / CAD 44.90<br />

Klaus Merkel<br />

Album of Stones<br />

24 × 30 cm, 9 × 11 ¾ in, 160 pages<br />

110 photographs, hardcover<br />

2005, ISBN 978-3-03778-058-9, English<br />

2005, ISBN 978-3-03778-062-6, German<br />

EUR 24.50 GBP 23.– USD / CAD 37.40<br />

H A N D B O O K<br />

J E A N - B E N O Î T L É V Y<br />

H A N D<br />

Jean-Benoît Lévy<br />

Handbook<br />

B O O K<br />

( FROM ONE HAND TO THE OTHER )<br />

In the same collection:<br />

<strong>Lars</strong> <strong>Müller</strong><br />

HELVETICA<br />

Hommage to a typeface.<br />

ISBN 3-03778-046-0<br />

Isabel Naegele / Ruedi Baur<br />

SCENTS OF THE CITY<br />

ISBN 3-03778-012-6<br />

The stylized handsigns<br />

which are illustrating<br />

this book are available<br />

for Mac & Window<br />

as a sign system named<br />

H-AND-S<br />

at www.myfonts.com<br />

LARS MÜLLER PUBLISHERS<br />

12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages<br />

ca. 400 illustrations, softcover<br />

2006, ISBN 978-3-03778-077-0, English<br />

EUR 18.90 GBP 14.99 USD / CAD 20.–<br />

Thomas Flechtner<br />

Bloom<br />

23 × 30 cm, 9 × 11 ¾ in, 128 pages<br />

82 photographs, hardcover<br />

2007, ISBN 978-3-03778-091-6, English<br />

EUR 29.50 GBP 30.– USD / CAD 44.90<br />

Jean-Pascal Imsand<br />

Photographer<br />

24 × 30 cm, 9 × 11 ¾ in, 200 pages<br />

120 photographs in b/w, hardcover<br />

ISBN 978-3-03778-037-4, English<br />

ISBN 978-3-03778-041-1, French<br />

ISBN 978-3-03778-040-4, German<br />

EUR 24.50 GBP 24.99 USD / CAD 37.35<br />

yann Mingard, Alban Kakulya<br />

East of a <strong>New</strong> Eden<br />

European External Borders<br />

A Documentary Account<br />

“ As a photo book, East of a <strong>New</strong> Eden is<br />

showing the way for what can be done beyond<br />

the usual format of a gallery exhibition on<br />

paper. But it also presents how documentary<br />

photo graphy (or maybe photojournalism)<br />

can use the format ‘ book ’ to talk about an<br />

issue in depth. ” jmcolberg.com<br />

25 × 33 cm, 9 × 13 in, 320 pages<br />

150 illustrations, hardcover<br />

2010, ISBN 978-3-03778-176-0, English/French<br />

EUR 59.90 GBP 60.– USD / CAD 99.–<br />

Lukas Felzmann<br />

Waters in Between<br />

With marginalia by Angelus Silesius<br />

and John Berger<br />

19 × 27 cm, 7 ½ × 10 ¾ in, 320 pages<br />

161 photographs, hardcover<br />

2009, ISBN 978-3-03778-138-8, English<br />

EUR 49.90 GBP 45.– USD / CAD 65.–<br />

Lukas Felzmann<br />

Landfall<br />

Essay by Peter Pfrunder<br />

13 × 18 cm, 5 × 7 in, 144 pages<br />

70 photographs, hardcover<br />

2004, ISBN 978-3-907078-92-1<br />

English/German<br />

EUR 28.– GBP 24.99 USD / CAD 35.–<br />

Barbara Heé<br />

Chaviolas<br />

A Landscape, so Intimate and Aloof<br />

“ Her photographs are evidence of a good eye<br />

that also understands landscape as sculptural<br />

landscape. ” WOZ<br />

29 × 19 cm, 11 ½ × 7 ½ in, 240 pages<br />

167 photographs, hardcover<br />

2010, ISBN 978-3-03778-165-4, English<br />

2010, ISBN 978-3-03778-171-5, German<br />

EUR 49.90 GBP 45.– USD / CAD 80.–<br />

Nadja Athanasiou, Michael Bühler, Peter Lüem<br />

The Dolder Grand<br />

“ This illustrated volume is a gift, an upswing in the<br />

mind, is the right sign at the right time . . . So much<br />

opulence in picture and material, so much exuberance<br />

in presentation and graphics and printing, so much<br />

foreground and background about the re-creation of<br />

a dream machine are evidence of vision in times<br />

without vision. ” Weltwoche<br />

25 × 27 cm, 9 ¾ × 10 ¾ in, 640 pages<br />

approx. 400 photographs, hardcover<br />

2009, ISBN 978-3-03778-166-1, English<br />

EUR 119.– GBP 108.– USD / CAD 179.–<br />

28 29<br />

Pete Davis<br />

In Wildwood<br />

Barbara Heé<br />

C H aviolas<br />

a landscape, so intimate and aloof<br />

lars <strong>Müller</strong> <strong>Publishers</strong><br />

30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages<br />

72 photographs, hardcover<br />

2008, ISBN 978-3-03778-142-5, English<br />

EUR 39.90 GBP 40.– USD / CAD 49.90<br />

Luciano Rigolini<br />

What you see<br />

Fotostiftung Schweiz (Ed.)<br />

12 × 16 cm, 4 ¾ × 6 ¼ in, 160 pages<br />

107 photographs, hardcover<br />

2008, ISBN 978-3-03778-139-5<br />

German/English/French/Japanese<br />

EUR 24.90 GBP 19.99 USD / CAD 34.90<br />

Backlist Photography


Backlist Art<br />

Paradoxes of Appearing<br />

Essays on Art, <strong>Architecture</strong><br />

and Philosophy<br />

Michael Asgaard Andersen<br />

and Henrik Oxvig (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 224 pages<br />

60 illustrations, softcover<br />

2009, ISBN 978-3-03378-192-0, English<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Olafur Eliasson<br />

Your mobile expectations:<br />

BMW H 2R project<br />

14.7 × 21 cm, 5 ¾ × 8 ¼ in, 336 pages<br />

415 illustrations, hardcover<br />

2008, ISBN 978-3-03778-117-3, English<br />

EUR 19.90 GBP 18.99 USD / CAD 29.90<br />

<strong>New</strong><br />

Price<br />

Olafur Eliasson<br />

and Kjetil Thorsen<br />

Serpentine Gallery Pavilion 2007<br />

17 × 24 cm, 6 ¾ × 9 ½ in, 128 pages<br />

186 illustrations, hardcover<br />

2007, ISBN 978-3-03778-116-6, English<br />

EUR 24.90 GBP 24.99 USD / CAD 34.90<br />

Silvia Bächli<br />

Lidschlag<br />

How It Looks<br />

Pipilotti Rist:<br />

Congratulations!<br />

Richard Julin and Tessa Praun,<br />

Magasin 3, Stockholm (Eds.)<br />

“ Rist rarely grants interviews.<br />

The occasion here is<br />

a ‘happy birthday’; this richly<br />

illustrated view into her world<br />

is singular. ” Buchjournal Schweiz<br />

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 160 pages<br />

103 illustrations, hardcover<br />

2007, ISBN 978-3-03778-108-1, English<br />

2007, ISBN 978-3-03778-107-4, German<br />

EUR 24.90 GBP 19.99 USD / CAD 34.90<br />

22 × 28 cm, 8 ¾ × 11 in, 304 pages<br />

211 illustrations, hardcover<br />

2004, ISBN 978-3-03778-013-8<br />

English/German<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Christian Moeller<br />

A Time and Place<br />

Media <strong>Architecture</strong><br />

12.5 × 19 cm, 5 × 4 ½ in, 240 pages<br />

288 illustrations, softcover<br />

2004, ISBN 978-3-907078-91-4, English<br />

EUR 19.50 GBP 18.– USD / CAD 29.90<br />

Katharina Grosse<br />

Wish<br />

I had a big studio in<br />

the center of the city <strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />

Until a couple of years ago,<br />

my idea was that<br />

I had no need for a residence.<br />

I spent most of my time in my studio<br />

or traveling.<br />

My apartment was just to sleep in.<br />

Katharina Grosse<br />

Now I’m going to plant<br />

a kitchen garden around the house.<br />

Only one window opens,<br />

and it’s violet.<br />

Wish<br />

I had a big studio in<br />

the center of the city<br />

<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong><br />

Katharina Grosse<br />

Wish<br />

I Had a Big Studio in<br />

the Center of the City<br />

Katharina Grosse (Ed.)<br />

“ The result is not just outstanding<br />

architecture but also, in the<br />

shape of this book, a wonderful<br />

portrait of a highly individual<br />

house. ” architonic.com<br />

17 × 23 cm, 6 ¾ × 9 in, 144 pages<br />

73 illustrations, hardcover<br />

2009, ISBN 978-3-03778-170-8, English<br />

2009, ISBN 978-3-03778-168-5, German<br />

EUR 29.90 GBP 30.– USD / CAD 44.90<br />

Silvia Bächli<br />

das<br />

Swiss Federal Office<br />

of Culture, Bern (Ed.)<br />

13 × 19.5 cm, 5 × 7 ¾ in, 136 pages<br />

60 illustrations, softcover<br />

2009, ISBN 978-3-03778-155-5,<br />

English/German<br />

EUR 22.90 GBP 22.99 USD / CAD 39.90<br />

The Face<br />

of Human Rights<br />

Walter Kälin, <strong>Lars</strong> <strong>Müller</strong>,<br />

and Judith Wyttenbach (Eds.)<br />

“ . . . excellently designed cover. . .<br />

one of the best-designed<br />

non-design books of recent<br />

years. ” Grafik<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages<br />

500 illustrations, hardcover<br />

2004, ISBN 978-3-03778-017-6, English<br />

2008, ISBN 978-3-03778-114-2, German (softcover)<br />

EUR 44.90 GBP 45.– USD / CAD 60.–<br />

Andreas Seibert<br />

From Somewhere to Nowhere<br />

China’s Internal Migrants<br />

“ It’s a thoughtful, sometimes hopeful<br />

masterpiece of stolen moments and<br />

stunning portraiture. ” Monocle<br />

19 × 26 cm, 7 ½ × 10 ¼ in<br />

316 pages, 228 photographs, hardcover<br />

2008, ISBN 978-3-03778-146-3, English<br />

EUR 39.90 GBP 40.– USD / CAD 54.90<br />

Christina Kleineidam,<br />

Hans Peter Jost<br />

Cotton worldwide<br />

“ An impressive photographic<br />

portrait of cotton. ” DU<br />

19 × 26 cm, 7 ½ × 10 ¼ in, 320 pages<br />

220 illustrations, hardcover<br />

2009, ISBN 978-3-03778-201-9, English<br />

2009, ISBN 978-3-03778-200-2, German<br />

EUR 39.90 GBP 40.– USD / CAD 59.90<br />

Who Owns the Water<br />

<strong>Lars</strong> <strong>Müller</strong>, Klaus Lanz, Christian Rentsch, and<br />

René Schwarzenbach (Eds.)<br />

“ This book persuades, but not only through<br />

data and argumentation. Throughout its<br />

540 pages, the reader is overwhelmed first<br />

and foremost by the numerous and exceptionally<br />

striking photographs. ” Greenpeace<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />

ca. 200 illustrations, hardcover<br />

2006, ISBN 978-3-03778-018-3, English<br />

2006, ISBN 978-3-03778-015-2, German<br />

EUR 44.90 GBP 45.– USD / CAD 60.–<br />

All We Need<br />

Holzer Kobler Architekturen and<br />

iart interactive (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 271 pages<br />

255 illustrations, softcover<br />

2007, ISBN 978-3-03778-119-7<br />

English/French/German<br />

EUR 29.90 GBP 22.90 USD / CAD 39.95<br />

Science Suisse<br />

An Initiative of SRG SSR idée suisse<br />

Christian Eggenberger and<br />

<strong>Lars</strong> <strong>Müller</strong> (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 448 pages<br />

250 illustrations, hardcover, with DVD<br />

2009, ISBN 978-3-03778-145-6<br />

German/French/Italian/English (PAL)<br />

2009, ISBN 978-3-03778-156-2<br />

German/French/Italian/English (NTSC)<br />

EUR 29.90 GBP 24.99 USD / CAD 44.85<br />

30 31<br />

Faith Is.<br />

The Quest for Spirituality and Religion<br />

Lukas Niederberger and <strong>Lars</strong> <strong>Müller</strong> (Eds.)<br />

“ A text and illustrated book that is as multifaceted<br />

as it is stimulating. ” NZZ am Sonntag<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages<br />

250 illustrations, hardcover<br />

2009, ISBN 978-3-03778-144-9, English<br />

2009, ISBN 978-3-03778-143-2, German<br />

EUR 39.90 GBP 35.– USD / CAD 54.90<br />

World of Giving<br />

Jeffrey Inaba and C-Lab,<br />

Columbia University GSAPP<br />

and <strong>New</strong> Museum of<br />

Contemporary Art (Eds.)<br />

16.5 × 24 cm, 6 ½ × 9 ½ in, 256 pages<br />

120 illustrations, softcover<br />

2010, ISBN 978-3-03778-181-4, English<br />

EUR 29.90 GBP 24.99 USD / CAD 44.90<br />

Backlist Society


<strong>Lars</strong> <strong>Müller</strong> <strong>Publishers</strong> GmbH<br />

Stadtturmstrasse 19<br />

CH-5400 Baden<br />

Switzerland<br />

Phone +41 (0)56 430 17 40<br />

Fax +41 (0)56 430 17 41<br />

info@lars-muller-<br />

publishers.com<br />

www.lars-muller-<br />

publishers.com<br />

INTERNATIONAL<br />

DISTRIBUTION<br />

Prestel Publishing Limited<br />

EUROPE AND WORLD<br />

(excluding USA)<br />

UK Office<br />

Prestel Publishing Limited<br />

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London WC1A 2qA<br />

Phone +44 (0)20 7323 5004<br />

Fax +44 (0)20 7636 8004<br />

sales@prestel-uk.co.uk<br />

www.prestel.com<br />

Andrew Hansen – Managing<br />

Director<br />

ahansen@prestel-uk.co.uk<br />

Oliver Barter – UK Sales<br />

Manager<br />

oliverbarter@prestel-uk.co.uk<br />

Anna Kenning – Sales, Marketing<br />

and Publicity Executive<br />

annakenning@prestel-uk.co.uk<br />

Distribution<br />

Macmillan Distribution (MDL)<br />

Brunel Road, Houndmills<br />

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Phone 0845 070 5656<br />

(UK Customer Services)<br />

Phone +44 (0)1256 302692<br />

(European Customer Services)<br />

Phone +44 (0)1256 329242<br />

(Non European Customer<br />

Services)<br />

Fax +44 (0) 1256 812558/<br />

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Sales Representatives:<br />

UK<br />

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Phone +44 (0)20 8882-7389<br />

Mobile +44 (0)7770 796088<br />

henry@<br />

henrythompsonbooks.co.uk<br />

South East, East Anglia and<br />

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Signature Book Representation<br />

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Phone +44 (0)845 862 1730<br />

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32<br />

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University Presses Marketing<br />

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Phone +44 (0)117 9020275<br />

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Phone +44 (0)845 862 1730<br />

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Germany<br />

Phone +49 (0) 40 55 54 04 46<br />

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Libridis Group/<br />

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Phone +31 (0)294 49 49 49<br />

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FRANCE<br />

Interart<br />

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Phone +33 (0)1 434 93 660<br />

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Sandro Salucci<br />

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PORTUGAL, SPAIN<br />

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Phone +34 952 151 462/<br />

952 151 387<br />

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<strong>Publishers</strong>’ Representative<br />

Rauthstrasse 65<br />

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Phone +43 (0) 424 62 90 60<br />

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Book Bird <strong>Publishers</strong><br />

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IMA InterMediaAmericana<br />

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Zytek Publishing<br />

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Gardenview<br />

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All prices and title details are<br />

subject to change without<br />

notice. All prices are excluded<br />

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