AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
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<strong>AUT</strong> <strong>Master</strong> <strong>of</strong> <strong>Creative</strong> <strong>Writing</strong> 2008<br />
Shorty © Michael Botur 2009<br />
describes Pieman discovering a virility which will enable him to break out<br />
<strong>of</strong> this set <strong>of</strong> values.<br />
Go Ya Own Way<br />
‘Cute wee family overall really, a bit, well for Marrys they was<br />
anyway. I don’t have a s<strong>of</strong>t spot for they people much, considerin all<br />
the shit they done to me.’ - Narrator<br />
In New Zealand, skinhead subcultural identity is generally regarded<br />
as illegitimate because <strong>of</strong> its association with white supremacy and<br />
refutation by some Pakeha about the status <strong>of</strong> tangata whenua<br />
(McCreanor pp.52-68 from NZ Identities: Departures and Destinations<br />
2005.) The skinhead’s other pose, the pretension to be working class, is<br />
related to the original confliction <strong>of</strong> the racist skinhead subculture utilising<br />
the black West Indian music <strong>of</strong> ska (Stratton p.188.) These<br />
contradictions set up the conflict which forms the narrator’s character in<br />
Go Ya Own Way.<br />
Contemporary skinheads are typically a breed <strong>of</strong> white male who<br />
endorse brutality. The narrator <strong>of</strong> Go Ya Own Way is a Christchurch<br />
skinhead who unleashes his personal frustrations in the urban<br />
environment.<br />
The skinhead postures himself as working class. This stems from<br />
consumer markets catering to create different youth ‘styles’ following the<br />
end <strong>of</strong> WWII, when incomes rose for young workers’ (Stratton ibid); it<br />
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