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AUT Master of Creative Writing Thesis Exegesis - Scholarly ...

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<strong>AUT</strong> <strong>Master</strong> <strong>of</strong> <strong>Creative</strong> <strong>Writing</strong> 2008<br />

Shorty © Michael Botur 2009<br />

‘Community Watch’<br />

Extruding the Cultural Characters in Shorty<br />

‘We’d forgive most things if we knew the facts.’<br />

- Graham Greene, The Heart <strong>of</strong> the Matter<br />

1. Introduction<br />

The eight short stories in Shorty examine themes including racism,<br />

oppression, conflict, social perception, miscommunication, struggles over<br />

meaning, truth and ethnic identity. New Zealand is a country reinventing<br />

itself from its colonial past (Wyn 2004 p. 277); identity-making in this<br />

country is a ‘dynamic process’ (Liu et al. 2005 p.11) which generates new<br />

cultural forms and practices. The concept <strong>of</strong> culture and subculture links<br />

the aforementioned themes in Shorty.<br />

These short stories are the ‘shorty’ (see definition page 6) <strong>of</strong> novel-<br />

length stories. As the author, I have used the short story form to construct<br />

characters that explore themes <strong>of</strong> identity and culture. Through<br />

imaginative fiction based on everyday experiences I have endeavoured to<br />

own the characters and manipulate them to explore dilemmas <strong>of</strong> being a<br />

New Zealander. The success or failure <strong>of</strong> the characters to embody their<br />

cultures and find meaning in a fluid social context generates tension, and<br />

tension provides storyline.<br />

4

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