AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
AUT Master of Creative Writing Thesis Exegesis - Scholarly ...
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<strong>AUT</strong> <strong>Master</strong> <strong>of</strong> <strong>Creative</strong> <strong>Writing</strong> 2008<br />
Shorty © Michael Botur 2009<br />
specific individual. Many characters are the shorty in a difficult<br />
relationship with loved ones, colleagues or neighbours. These characters<br />
are people who are not well educated, confident or articulate, because<br />
they do not value these qualities. Some <strong>of</strong> these characters are stifled by<br />
the roles they have grown into, although ‘It is a game that (the subcultural<br />
person) can succeed in, unlike (that person)’s involvement in the world<br />
that you represent’ (Martin, ibid.) However, in their stories, my characters<br />
are sometimes redeemed by some nobility inherent in their humanity, a<br />
nobility which is recognised across all cultures. Humanity – a quality<br />
common in everyday life – satisfies the reader.<br />
The characters describe their environment with difficulty and conflict,<br />
in a style similar to Alan Duff’s Once Were Warriors characters. This style<br />
is anathema to authors such as Ian McEwan whose characters are<br />
articulate and culturally refined. Shorty aims to balance the expression <strong>of</strong><br />
inarticulate characters against those empowered by articulation, and<br />
investigate this (im)balance.<br />
In Shorty, archetypal characters have engaged with an environment,<br />
and their character is refined because <strong>of</strong> this engagement. Rough<br />
descriptions <strong>of</strong> some subcultural archetypes in Shorty are as follows:<br />
- Socialist advocate (‘hippie’)<br />
- confused teenage voyeur<br />
- spunky personal trainer<br />
- bumpkin farmer<br />
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