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Be able to make and style a hair addition - VTCT

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VRQ<br />

Make <strong>and</strong> <strong>style</strong><br />

a <strong>hair</strong> <strong>addition</strong><br />

UV30500<br />

K/600/8638<br />

Learner name:<br />

Learner number:


Statement of unit achievement<br />

<strong>VTCT</strong> is the specialist awarding body for the Hairdressing, <strong>Be</strong>auty Therapy,<br />

Complementary Therapy <strong>and</strong> Sport <strong>and</strong> Active Leisure sec<strong>to</strong>rs, with over 45<br />

years of experience.<br />

<strong>VTCT</strong> is an awarding body regulated by national organisations including<br />

Ofqual, SQA, DCELLS <strong>and</strong> CCEA.<br />

<strong>VTCT</strong> is a registered charity investing in education <strong>and</strong> skills but also giving <strong>to</strong><br />

good causes in the area of facial disfigurement.<br />

By signing this statement of unit achievement you are confirming that all learning outcomes, assessment<br />

criteria <strong>and</strong> range statements have been achieved under specified conditions <strong>and</strong> that the evidence<br />

gathered is authentic.<br />

This statement of unit achievement t<strong>able</strong> must be completed prior <strong>to</strong> claiming certification.<br />

Unit code Date achieved Learner signature<br />

Assessor tracking t<strong>able</strong><br />

Assessor name Assessor signature<br />

Assessor<br />

initials<br />

Assessors<br />

initials<br />

IV signature<br />

(if sampled)<br />

All assessors using this Record of Assessment book must complete this t<strong>able</strong>. This is required for<br />

verification purposes.<br />

Assessor number<br />

(optional)


UV30500<br />

Make <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

The aim of this unit is <strong>to</strong> develop your skills <strong>to</strong> <strong>make</strong> a<br />

simple <strong>hair</strong> <strong>addition</strong> using the wig making technique of<br />

weaving a weft. This unit will take you through the planning<br />

stage of creating a mood board, producing your <strong>hair</strong><br />

<strong>addition</strong>, styling the weft using permanent techniques <strong>and</strong><br />

then incorporating it in<strong>to</strong> your <strong>hair</strong> design. This is a very<br />

intricate technique <strong>and</strong> will need a high degree of manual<br />

dexterity.<br />

This unit is suit<strong>able</strong> for both <strong>hair</strong>dressers <strong>and</strong> barbers.<br />

UV30500_v5


Level<br />

Credit value<br />

GLH<br />

3<br />

7<br />

60<br />

Observation(s)<br />

2<br />

External paper(s)<br />

0


Make <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

Learning outcomes Evidence requirements<br />

On completion of this unit you will:<br />

1. <strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

2. <strong>Be</strong> <strong>able</strong> <strong>to</strong> develop a mood board<br />

1. Environment<br />

Evidence for this unit must be gathered in a<br />

real or realistic working environment.<br />

2. Simulation<br />

Simulation is not allowed in this unit. All<br />

‘Observation’ outcomes must be on real<br />

clients.<br />

3. Observation outcomes<br />

Competent performance of ‘Observation’<br />

outcomes must be demonstrated <strong>to</strong> your<br />

assessor on at least two occasions.<br />

4. Range<br />

All ranges must be practically demonstrated<br />

or other forms of evidence produced <strong>to</strong><br />

show they have been covered.<br />

5. Knowledge outcomes<br />

There must be evidence that you possess<br />

all the knowledge <strong>and</strong> underst<strong>and</strong>ing<br />

listed in the ‘Knowledge’ section of this<br />

unit. This evidence may include projects,<br />

assignments, case studies, reflective<br />

accounts, oral/written questioning <strong>and</strong>/or<br />

other forms of evidence.<br />

6. Tu<strong>to</strong>r/Assessor guidance<br />

You will be guided by your tu<strong>to</strong>r/assessor<br />

on how <strong>to</strong> achieve learning outcomes <strong>and</strong><br />

ranges in this unit. All outcomes <strong>and</strong> ranges<br />

must be achieved.<br />

7. External paper<br />

There is no external paper requirement for<br />

this unit.<br />

UV30500<br />

3


4<br />

Achieving observations<br />

<strong>and</strong> range<br />

Achieving observation outcomes<br />

Your assessor will observe your performance<br />

of practical tasks. The minimum number<br />

of observations required is indicated in the<br />

evidence requirements section of this unit.<br />

Criteria may not always naturally occur during<br />

a practical observation. In such instances you<br />

will be asked questions <strong>to</strong> demonstrate your<br />

competence in this area. Your assessor will<br />

document the criteria that have been achieved<br />

through oral questioning.<br />

Your assessor will sign off an outcome when all<br />

criteria have been competently achieved in a<br />

single client service.<br />

Achieving range<br />

The range section indicates what must<br />

be covered. Ranges should be practically<br />

demonstrated as part of an observation. Where<br />

this is not possible other forms of evidence may<br />

be produced. All ranges must be covered.<br />

Your assessor will document the portfolio<br />

reference once a range has been competently<br />

achieved.<br />

UV30500<br />

Maximum service times<br />

There are no maximum service times that apply<br />

<strong>to</strong> this unit.


Outcome 1<br />

<strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

You can:<br />

a. Communicate <strong>and</strong> behave in a professional<br />

manner<br />

b. Select products, <strong>to</strong>ols, equipment <strong>and</strong><br />

accessories <strong>to</strong> achieve the desired effect<br />

c. Produce a woven weft of <strong>hair</strong> on a weaving<br />

frame<br />

d. Produce a final finished <strong>hair</strong> <strong>addition</strong><br />

e. Style the woven weft of <strong>hair</strong> using<br />

permanent styling techniques<br />

f. Present the final finished <strong>style</strong>d <strong>hair</strong><br />

<strong>addition</strong><br />

g. Provide suit<strong>able</strong> aftercare advice<br />

h. Record techniques, products, <strong>to</strong>ols,<br />

equipment <strong>and</strong> accessories used <strong>to</strong> achieve<br />

the finished <strong>hair</strong> design<br />

i. Follow safe <strong>and</strong> hygienic working practices<br />

j. Evaluate the finished <strong>hair</strong> design<br />

*May be assessed through oral questioning.<br />

Observations<br />

Observation 1 2 Optional<br />

Date achieved<br />

Criteria questioned orally<br />

Portfolio reference<br />

Assessor initials<br />

Learner signature<br />

UV30500 5


6<br />

*You must practically demonstrate that you have:<br />

Range<br />

Considered all influencing fac<strong>to</strong>rs Portfolio reference<br />

Desired finished result<br />

Haircut<br />

Hair length<br />

Hair texture<br />

Hair density<br />

Hair colour<br />

Degree of curl<br />

Head size <strong>and</strong> face shape <strong>and</strong> features<br />

Produced all types of weft Portfolio reference<br />

2 str<strong>and</strong><br />

3 str<strong>and</strong><br />

Short <strong>hair</strong> (minimum 15 cm)<br />

Long <strong>hair</strong> (minimum 20 cm)<br />

Given all types of advice Portfolio reference<br />

Suit<strong>able</strong> aftercare products <strong>and</strong> their use<br />

Maintenance of the <strong>style</strong><br />

*It is strongly recommended that all range items are practically demonstrated. Where this is not<br />

possible, other forms of evidence may be produced <strong>to</strong> demonstrate competence.<br />

UV30500


Achieving knowledge outcomes<br />

You will be guided by your tu<strong>to</strong>r <strong>and</strong> assessor<br />

on the evidence that needs <strong>to</strong> be produced.<br />

Your knowledge <strong>and</strong> underst<strong>and</strong>ing will be<br />

assessed using the assessment methods listed<br />

below:<br />

• Observed work<br />

• Witness statements<br />

• Audio-visual media<br />

• Evidence of prior learning or attainment<br />

• Written questions<br />

• Oral questions<br />

• Assignments<br />

• Case studies<br />

Developing knowledge<br />

Where possible your assessor will integrate<br />

knowledge outcomes in<strong>to</strong> practical observations<br />

through oral questioning.<br />

UV30500 7


8<br />

Knowledge<br />

Outcome 1<br />

<strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

You can:<br />

k. Describe how <strong>to</strong> maintain <strong>hair</strong> <strong>addition</strong>s<br />

l. Describe <strong>hair</strong> styling techniques for <strong>hair</strong> <strong>addition</strong>s for men <strong>and</strong><br />

women<br />

m. Describe the aftercare advice that should be provided<br />

n. Outline safe <strong>and</strong> hygienic working practices<br />

o. State how <strong>to</strong> communicate <strong>and</strong> behave within a salon environment<br />

*Assessor initials <strong>to</strong> be inserted if orally questioned.<br />

Requirements highlighted in white are assessed in the external paper.<br />

UV30500<br />

Portfolio reference /<br />

Assessor initials*


Outcome 2<br />

<strong>Be</strong> <strong>able</strong> <strong>to</strong> develop a mood board<br />

You can:<br />

a. Develop a mood board which incorporates woven <strong>hair</strong> <strong>addition</strong>s<br />

<strong>and</strong> accessories, <strong>and</strong> takes in<strong>to</strong> account influencing fac<strong>to</strong>rs<br />

b. Describe how <strong>to</strong> develop a mood board<br />

c. Outline the purpose of a mood board<br />

d. Outline how <strong>to</strong> present a mood board which incorporates <strong>hair</strong><br />

<strong>addition</strong>s, accessories <strong>and</strong> ornamentation<br />

e. Describe the main <strong>style</strong>s of wigs <strong>and</strong> <strong>hair</strong> <strong>addition</strong>s used in<br />

his<strong>to</strong>rical civilisations <strong>and</strong> cultures<br />

f. Explain how wigs <strong>and</strong> <strong>hair</strong> <strong>addition</strong>s are used in modern society<br />

g. Describe the employment opportunities for wig making <strong>and</strong> <strong>hair</strong><br />

<strong>addition</strong>s specialists<br />

h. Describe the influencing fac<strong>to</strong>rs that need <strong>to</strong> be considered when<br />

creating a <strong>hair</strong> <strong>addition</strong><br />

*Assessor initials <strong>to</strong> be inserted if orally questioned.<br />

Requirements highlighted in white are assessed in the external paper.<br />

Portfolio reference /<br />

Assessor initials*<br />

UV30500 9


10<br />

Unit content<br />

This section provides guidance on the recommended knowledge <strong>and</strong> skills required <strong>to</strong> en<strong>able</strong> you<br />

<strong>to</strong> achieve each of the learning outcomes in this unit. Your tu<strong>to</strong>r/assessor will ensure you have the<br />

opportunity <strong>to</strong> cover all of the unit content.<br />

Outcome 1: <strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong><br />

Professional communication in a salon<br />

environment: Try <strong>to</strong> avoid technical<br />

language, always respond, consider client<br />

confidentiality.<br />

Verbal – speaking (<strong>to</strong>ne of voice, the<br />

language you use, how quickly <strong>and</strong><br />

clearly), questioning (open, closed,<br />

probing).<br />

Non-verbal – body language, positive<br />

attitude (your posture, facial expressions,<br />

h<strong>and</strong> gestures, the distance you st<strong>and</strong>),<br />

listening (be patient, try <strong>to</strong> underst<strong>and</strong>).<br />

Written – visual aids, magazines, client<br />

records.<br />

<strong>Be</strong>have professionally in a salon<br />

environment: Follow health <strong>and</strong> safety<br />

practice <strong>and</strong> procedure, salon code of<br />

conduct, respect others, value client(s),<br />

co-operate with others (be sympathetic,<br />

fair, not aggressive), use appropriate<br />

language, avoid gossip, maintain<br />

confidentiality, polite/cheerful <strong>and</strong> friendly<br />

manner (friendly facial expressions, open<br />

body language, positive attitude, eye<br />

contact), sensible behaviour, team work,<br />

take pride in work, be punctual, employer<br />

<strong>and</strong> client loyalty.<br />

Products, <strong>to</strong>ols, equipment <strong>and</strong><br />

accessories used:<br />

Products – use manufacturers’ instructions<br />

for product use on wigs <strong>and</strong> <strong>hair</strong> pieces,<br />

using the wrong product can <strong>make</strong> the <strong>hair</strong><br />

look matted <strong>and</strong> lank or have no effect,<br />

avoid product build-up.<br />

Natural <strong>hair</strong> – cleaning fluids<br />

UV30500<br />

(tricholerthylene fluids), neutralising rinse,<br />

styling lotions/gels, mousse, setting lotion,<br />

<strong>hair</strong> spray, dressing cream.<br />

Synthetic <strong>hair</strong> – only use shampoo <strong>and</strong><br />

water <strong>to</strong> clean <strong>hair</strong>, (wax, serum or shine<br />

spray can be used).<br />

Tools <strong>and</strong> equipment – clamps, weaving<br />

sticks, drawing brushes, bees wax, jockey/<br />

clip, <strong>hair</strong>, brigoudi, jigger, pinching irons,<br />

postiche oven, heater, boiling water,<br />

drying cabinet, malle<strong>able</strong> blocks of varying<br />

sizes, polythene <strong>to</strong> cover the block, block<br />

holder, postiche pins, personal protective<br />

equipment (gloves, <strong>to</strong>wels), tape, rollers,<br />

clips, brushes, scissors, razor, cutting<br />

combs, hood dryer, h<strong>and</strong> dryer.<br />

Accessories – tissue paper, end paper,<br />

thread, weaving silk, paper, bowl, back<br />

mirror, <strong>hair</strong> net, wig box, neck brush,<br />

ornamentation (feathers, bows, but<strong>to</strong>ns,<br />

beads, ribbon, <strong>addition</strong>al <strong>hair</strong>, tiara,<br />

combs).<br />

How <strong>to</strong> produce a woven weft of <strong>hair</strong><br />

on a weaving frame: Set up the weaving<br />

frame, number the silks, place prepared<br />

<strong>hair</strong> in brushes, draw off a fine section, hold<br />

in one h<strong>and</strong>, the <strong>hair</strong> is woven in <strong>and</strong> out of<br />

the silks, alternating the odd number silks<br />

in one direction with even number silks in<br />

the opposite direction, slide the weaving<br />

close <strong>to</strong> previously woven <strong>hair</strong>, place the<br />

jockey clip close <strong>to</strong> the weft, starting <strong>and</strong><br />

finishing knots are required for all methods.<br />

Density of weft – number of times the <strong>hair</strong><br />

is woven.


Outcome 1: <strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong> (continued)<br />

2 string fly weft – the finest of all weaving,<br />

a neat finish.<br />

Twice in weaving – slightly thicker than<br />

once.<br />

Thrice in weaving – thickest of all.<br />

Diamond mesh – has a wire in the weft.<br />

Types of <strong>hair</strong> <strong>addition</strong>s:<br />

Pin curl weft – take a wire pin (looks like<br />

a roller pin), using pair of pliers bend up<br />

the ends, hook this in<strong>to</strong> the weaving at the<br />

finished knot end <strong>and</strong> thread a needle with<br />

length of silk, match <strong>hair</strong> colour, stitch the<br />

pin curl through centre of weft/pin wire,<br />

cover metal pin completely, finish off with a<br />

silk cap. The sewing thread is continually<br />

wound around so there is a smooth edge<br />

between wire <strong>and</strong> <strong>hair</strong>, cover with tissue<br />

paper <strong>and</strong> press the cap between heated<br />

pinching irons.<br />

The <strong>to</strong>rsade – piece of postiche that curls<br />

at 2 ends, secured in centre.<br />

Diamond mesh – normally worn on the<br />

crown, can be moulded <strong>and</strong> stitched in<strong>to</strong> a<br />

pattern.<br />

Pin wave – a flat weft stitched in by blanket<br />

stitch, <strong>and</strong> finished with 6 loops from one<br />

side <strong>to</strong> the other.<br />

The marteau weft – has 2 loops <strong>and</strong> is<br />

stitched flat, both ends attached by grips.<br />

Pin curls – attached by placing a grip<br />

through the loop.<br />

Torsades/double loop clusters – one<br />

loop is formed at either end so can be<br />

attached by a grip.<br />

Permanent styling techniques: Frisure<br />

force is the name given <strong>to</strong> permanent<br />

curling.<br />

Equipment required – bigoudis (wooden<br />

curlers various sizes), comb <strong>to</strong> assist with<br />

winding, pan of boiling water <strong>to</strong> <strong>make</strong><br />

the permanent curl, drawing brushes for<br />

holding the <strong>hair</strong>, drying cabinet for drying<br />

the curls, pre-heat before use, jigger <strong>to</strong><br />

hold the <strong>hair</strong>, end papers <strong>to</strong> protect <strong>hair</strong><br />

ends neatly, <strong>to</strong>wels <strong>to</strong> blot the <strong>hair</strong>, scissors<br />

<strong>and</strong> thread, when tying the <strong>hair</strong> in<strong>to</strong><br />

bundles, water jug.<br />

Method – secure the <strong>hair</strong> in the jigger,<br />

dampen <strong>hair</strong> with water (add small amount<br />

of acetatic acid, <strong>to</strong> help soften the <strong>hair</strong>),<br />

place end paper around the <strong>hair</strong> ends,<br />

evenly wind on<strong>to</strong> the bigoudi, secure<br />

the <strong>hair</strong> with the thread, place in a pan<br />

of boiling water for 30 minutes, remove<br />

carefully, blot on <strong>to</strong>wel <strong>to</strong> remove excess<br />

water, place in the postiche oven until dry,<br />

cut the thread <strong>and</strong> remove the paper, pin<br />

curls may be <strong>style</strong>d by placing in pinching<br />

irons, permanent crimping can also be<br />

achieved, this <strong>hair</strong> is used for crepe pads<br />

or pompadour rolls, present the curl on a<br />

piece of A4 card or by attaching wired weft/<br />

<strong>hair</strong> piece in<strong>to</strong> the <strong>hair</strong>.<br />

Provide suit<strong>able</strong> aftercare advice:<br />

Important part of service, avoid technical<br />

language, maintain eye contact, suggest/<br />

advise/recommend, provide information.<br />

Maintenance – frequency of visit, regular<br />

services, minimise chemical treatments,<br />

correct use of electrical equipment, product<br />

use <strong>and</strong> demonstration, s<strong>to</strong>ps them matting<br />

or loosening.<br />

Product information <strong>and</strong> use –<br />

demonstration, relevant literature/leaflet.<br />

Cleaning – after 12-15 wears synthetic or<br />

real <strong>hair</strong>.<br />

Styling tips – techniques, <strong>to</strong>ols, electrical<br />

UV30500 11


12<br />

Outcome 1: <strong>Be</strong> <strong>able</strong> <strong>to</strong> <strong>make</strong> <strong>and</strong> <strong>style</strong> a <strong>hair</strong> <strong>addition</strong> (continued)<br />

appliance settings.<br />

Life span of <strong>addition</strong> – approx 9 months.<br />

How <strong>to</strong> maintain <strong>hair</strong> <strong>addition</strong>s: Keep<br />

<strong>hair</strong> piece either pinned <strong>to</strong> a block or in<br />

a moth proof box, when not in use clean<br />

regularly, do not wear <strong>to</strong> bed, remove<br />

properly (avoid pulling on natural <strong>hair</strong>),<br />

attach safely <strong>to</strong> avoid damage <strong>to</strong> own <strong>hair</strong><br />

(remove grips gently), brush with correct<br />

<strong>to</strong>ols, clean with correct products.<br />

Complete client records: Manual or<br />

computer, contact information, type<br />

<strong>and</strong> colour of <strong>hair</strong>, the cost, <strong>hair</strong> piece<br />

required, <strong>to</strong>ols <strong>and</strong> equipment, product<br />

usage, date of service, changes <strong>to</strong><br />

service, contra-indications, problems,<br />

cost of service, test results, aftercare,<br />

requirements for <strong>hair</strong> piece or wig<br />

(measurements), <strong>style</strong> required, estimated<br />

price of work <strong>to</strong> be carried out, date of<br />

fitting, the colour (attach a sample).<br />

Salon health <strong>and</strong> safety legislation<br />

<strong>and</strong> regulations: Health <strong>and</strong> safety at<br />

work, control of substances hazardous<br />

<strong>to</strong> health, reporting of injuries, diseases<br />

<strong>and</strong> dangerous occurrences, personal<br />

protective equipment, electricity at work,<br />

manual h<strong>and</strong>ling, supply of goods <strong>and</strong><br />

services, trade description, data protection,<br />

employers’ liability (compulsory insurance),<br />

occupiers’ liability, local by-laws (set by<br />

council), salon rules, code of conduct,<br />

observance by all staff.<br />

Evaluate the service/results: What<br />

worked well/what did not, benefits,<br />

compare against original brief, end result,<br />

client satisfaction, draw conclusions.<br />

Hair styling techniques for <strong>hair</strong><br />

<strong>addition</strong>s:<br />

Synthetic <strong>hair</strong> – must only be washed in<br />

UV30500<br />

soapy water <strong>and</strong> left <strong>to</strong> dry naturally, they<br />

cannot be <strong>style</strong>d, as the <strong>hair</strong> will melt,<br />

pre-set <strong>style</strong> will bounce back when dry.<br />

Natural <strong>hair</strong>:<br />

Roller setting – pin the postiche on a soft<br />

block, choose roller size (for <strong>style</strong>), dampen<br />

<strong>hair</strong> lightly, use neutralising lotion (if<br />

working on white <strong>hair</strong>), take clean sections<br />

(avoid pulling the knots), set in the required<br />

<strong>style</strong>, secure the rollers (without pulling the<br />

foundation <strong>and</strong> causing dis<strong>to</strong>rtion), cover<br />

with a net, use tissue paper <strong>to</strong> prevent<br />

discolouration (if working on white <strong>hair</strong>),<br />

dry the postiche in a warm oven or hood<br />

dryer (white <strong>hair</strong> naturally or cool oven),<br />

after drying allow <strong>to</strong> cool, dressing out (with<br />

great care <strong>to</strong> avoid damage <strong>to</strong> the knots),<br />

carefully place net over the finished <strong>style</strong><br />

<strong>and</strong> return wig <strong>to</strong> the oven <strong>to</strong> set the <strong>style</strong>,<br />

dressing cream <strong>to</strong> control the <strong>hair</strong>. Hair<br />

<strong>addition</strong>s placed in <strong>style</strong> before the final<br />

dressing of the <strong>hair</strong>, <strong>make</strong> a large pin curl<br />

with slightly backcombed <strong>hair</strong> <strong>and</strong> slide the<br />

comb in which is attached <strong>to</strong> the weft, if<br />

the weft has no combs use grips <strong>to</strong> attach<br />

through the loops.<br />

Blow drying – may be used, be careful<br />

of disturbing the knots, dampen the <strong>hair</strong><br />

lightly, if working with white <strong>hair</strong> use a<br />

neutralising lotion, blow dry as normal<br />

(gently).


Outcome 2: <strong>Be</strong> <strong>able</strong> <strong>to</strong> develop a mood board<br />

Mood board: Presentation <strong>to</strong>ol used <strong>to</strong><br />

display ideas/thought process, a poster,<br />

collage, collection of ideas, s<strong>to</strong>ry behind<br />

an image, resources can include pictures,<br />

text, objects, materials, accessories, woven<br />

<strong>hair</strong>, (gives visual effect of design, ability <strong>to</strong><br />

identify texture/feel/colour of woven <strong>hair</strong>,<br />

<strong>to</strong>uches all senses).<br />

How <strong>to</strong> develop a mood board: Hard<br />

copy or electronic, begin with a brief/plan,<br />

focus on developing the sensory aspect,<br />

assemble a mosaic of source material,<br />

inspiring <strong>and</strong> relevant, create a collage,<br />

refer <strong>to</strong> brief, be creative, pho<strong>to</strong>graph large<br />

items that cannot be added, include <strong>hair</strong><br />

swatches, <strong>addition</strong>s, range of expressive<br />

visual media (magazines, newspapers,<br />

leaflets, pho<strong>to</strong>graphs, leaflets collected<br />

from shops, galleries, museums, your own<br />

sketches, copies from other artists <strong>and</strong><br />

designers), samples of (fabric, wallpaper,<br />

thread wool, sample cards from DIY<br />

s<strong>to</strong>res), natural materials (leaves, flowers,<br />

stems, seed, pods, shells, feathers,<br />

s<strong>to</strong>nes).<br />

Purpose of a mood board: Communicate<br />

<strong>to</strong> target audience, set the scene/s<strong>to</strong>ryline,<br />

share concept, express mood/feelings<br />

behind image, visual aid, launch a project.<br />

How <strong>to</strong> present a mood board: Formal/<br />

informal presentation, an actual board<br />

or via computer software, PowerPoint<br />

presentation, <strong>addition</strong>al props/clothes/<br />

<strong>make</strong>-up/accessories/jewellery, prepared<br />

speech/prompt cards, professionalism,<br />

varied communication skills (body<br />

language, <strong>to</strong>ne, clarity, projection of voice),<br />

interpersonal skills.<br />

The his<strong>to</strong>rical use of wigs <strong>and</strong> <strong>hair</strong><br />

<strong>addition</strong>s: Ancient cultures that used<br />

wigs (Assyrians, Phoenicians, Greeks <strong>and</strong><br />

Romans).<br />

Ancient Egyptians – used as a shield<br />

from sun (shaved head), all same <strong>style</strong>.<br />

Japanese – Geisha, elaborate <strong>style</strong>s using<br />

ornamentation, men’s wigs (Perukes/<br />

periwigs).<br />

King Louis XIII of France – Roman <strong>style</strong>.<br />

16th century – fair, wavy on the <strong>to</strong>p, tied in<br />

the neck (American colonials).<br />

Ramillies – smooth through <strong>to</strong>p, curly<br />

around sides, plaited in neck.<br />

17th century – extraordinarily elaborate,<br />

covering the back, shoulders, flowing<br />

down chest, shoulder length or longer,<br />

‘post-res<strong>to</strong>ration’, full bot<strong>to</strong>med wig,<br />

powdered, distinctive white/off-white colour.<br />

18th century – men’s wigs became<br />

smaller, more formal, adopted as part of<br />

official costumes, the bob wig (curled tied<br />

wig/campaign), women’s wigs (coiffure,<br />

built around large frames, elaborate<br />

designs).<br />

Barristers – favour the late 18th century<br />

<strong>style</strong>.<br />

Judges’ wigs – everyday use, court<br />

dress (short version), ceremonial occasion<br />

judges/QCs wear full-bot<strong>to</strong>med wigs.<br />

The use of wigs <strong>and</strong> <strong>hair</strong> <strong>addition</strong>s in<br />

modern society: Daily or occasional basis.<br />

Film, theatre, television – <strong>to</strong> create an<br />

image, disguise.<br />

Temporary change of image – used<br />

for lengthening, thickening, adding curls,<br />

colour, fun occasions (costume parties).<br />

Individuals experiencing <strong>hair</strong> loss –<br />

male patterned baldness, cancer, alopecia<br />

areata.<br />

UV30500 13


14<br />

Outcome 2: <strong>Be</strong> <strong>able</strong> <strong>to</strong> develop a mood board (continued)<br />

Orthodox Jewish law (Halakha) –<br />

requires married women <strong>to</strong> cover <strong>hair</strong> for<br />

reasons of modesty (sheitels).<br />

Employment opportunities for wig<br />

making <strong>and</strong> <strong>hair</strong> <strong>addition</strong>s specialists:<br />

Specialist subject, wig <strong>make</strong>rs (measure,<br />

fit <strong>and</strong> sell wigs), wig knotters (only knot<br />

<strong>hair</strong> on<strong>to</strong> a gauze <strong>to</strong> be further developed),<br />

repairing wigs, wig making for judges/<br />

barristers, fac<strong>to</strong>ry wig <strong>make</strong>r, working on<br />

machines (mass production), working in the<br />

theatre, film, television <strong>and</strong> music industry,<br />

<strong>hair</strong> stylist (<strong>to</strong> maintain wig).<br />

Fac<strong>to</strong>rs that influence services: Previous<br />

chemical services, percentage of grey,<br />

client requirements, <strong>to</strong>ols <strong>and</strong> equipment,<br />

presence of added <strong>hair</strong>, maintenance of<br />

<strong>style</strong> suitability.<br />

Hair condition – dry, greasy, normal,<br />

virgin, chemically treated, elasticity<br />

(strength of <strong>hair</strong>), porosity (damage <strong>to</strong><br />

cuticle layer, the ability <strong>to</strong> absorb moisture).<br />

Hair cut/<strong>style</strong> – uniform layer, one length,<br />

short graduation, long graduation.<br />

Temperature – body heat, salon<br />

temperature, added heat.<br />

Texture – fine, medium, coarse.<br />

Length – short, medium, long.<br />

Density – fine, medium, thick.<br />

Growth patterns – cowlick, widow’s peak,<br />

nape whorl, double crown, male pattern<br />

baldness.<br />

Skin <strong>to</strong>ne – fair, medium, olive, dark.<br />

Face shape – oval, round, square, oblong,<br />

heart, pear.<br />

Head size – large, medium, small.<br />

Existing curl – tight, soft, wave.<br />

UV30500<br />

Life<strong>style</strong> – job, family, financial, time.<br />

Test results – good, bad, caution, positive,<br />

negative.<br />

Hair <strong>and</strong> scalp contra-indications: Can<br />

prevent/alter service, product, technique.<br />

Type of conditions – skin disorders<br />

(disease, infestation, infection, defect,<br />

bacteria, virus, fungi, parasites).<br />

Skin sensitivities – reaction.<br />

Allergies – latex, nut, plasters, perfume,<br />

oil.<br />

His<strong>to</strong>ry of allergic reaction – positive<br />

reaction <strong>to</strong> skin test, colour service.<br />

Incompatible products – metallic salts,<br />

previous chemical treatments.<br />

Medication – prescription medication.<br />

Medical condition – high blood pressure,<br />

pregnancy, radiotherapy, cancer.<br />

Hair condition – chemical, heat damage,<br />

environmental.<br />

Hair disorder – contagious/<br />

non-contagious.<br />

Skin disorder – contagious/<br />

non-contagious, cross-infection (stylist <strong>to</strong><br />

client, client <strong>to</strong> stylist).<br />

Contagious:<br />

Bacterial – impetigo (blisters, weep, yellow<br />

crust), folliculitis (yellow pustules), sycosis<br />

(yellow, spot, follicle), furunculosis (pusfilled<br />

spot), sebaceous cyst (lump on <strong>to</strong>p or<br />

under skin).<br />

Viral – warts (raised, rough skin, brown),<br />

herpes (blisters).<br />

Fungal – tinea capitis/ringworm (patches,<br />

pink/grey, scaly, broken <strong>hair</strong>).


Outcome 2: <strong>Be</strong> <strong>able</strong> <strong>to</strong> develop a mood board (continued)<br />

Animal parasites – pediculosis capitis<br />

(head lice, parasite, 6 legs, suck blood),<br />

scabies (parasites, mites).<br />

Non-contagious:<br />

Psoriasis – over production of skin cells,<br />

dry, silvery, scales.<br />

Cicatrical alopecia – scarring.<br />

Alopecia <strong>to</strong>talis – complete <strong>hair</strong> loss.<br />

Male pattern baldness – <strong>hair</strong> recedes at<br />

<strong>hair</strong>line or loss crown.<br />

Traction alopecia – excessive pulling,<br />

brushing, curling <strong>and</strong> straightening.<br />

Alopecia areata – stress, bald patches<br />

Seborrhea (excessive oil).<br />

D<strong>and</strong>ruff – itchy, white, skin cells.<br />

Dry scalp – white, powdery.<br />

Eczema/dermatitis – allergic reaction <strong>to</strong><br />

detergent, red, irritation, swollen, weeping.<br />

Acne – raised bumps <strong>and</strong> spots.<br />

Defects of the <strong>hair</strong>:<br />

Fragilitas crinium – split, dry ends.<br />

Monilethrix – beaded <strong>hair</strong>.<br />

Trichorrhexis nodosa – rough, swollen,<br />

broken shaft.<br />

Sebaceous cyst – sebum filled lump.<br />

Damaged cuticle – dull <strong>hair</strong>.<br />

UV30500 15


16<br />

UV30500<br />

Notes<br />

Use this area for notes <strong>and</strong> diagrams

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