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A film by Lavinia Currier Based on the memoir by Louis ... - FDb.cz

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Eyes shot entirely <strong>on</strong> locati<strong>on</strong> in H<strong>on</strong>g K<strong>on</strong>g.<br />

ABOUT THE CREW<br />

LAVINIA CURRIER – DIRECTOR, CO-WRITER, PRODUCER<br />

<str<strong>on</strong>g>Lavinia</str<strong>on</strong>g> <str<strong>on</strong>g>Currier</str<strong>on</strong>g> is a <str<strong>on</strong>g>film</str<strong>on</strong>g> director, screen writer, producer and envir<strong>on</strong>mentalist with a diverse<br />

interest in <strong>the</strong> interplay of <strong>the</strong> arts and ecology. She studied poetry at Harvard University with Professor<br />

Robert Fitzgerald, <strong>the</strong> renowned translator of Greek classics, and <strong>the</strong>n acting with Sanford Meisner at <strong>the</strong><br />

Neighborhood Playhouse in New York. While absorbing Meisner’s groundbreaking approach of "living<br />

truthfully under imaginary circumstances," <str<strong>on</strong>g>Currier</str<strong>on</strong>g> served as producti<strong>on</strong> assistant to director James Ivory<br />

for his <str<strong>on</strong>g>film</str<strong>on</strong>g> Jane Austen in Manhattan. This assignment led to Ivory, and his partners Ismail Merchant and<br />

Ruth Prawer Jhabvala becoming mentors both for <strong>the</strong>ir art and <strong>the</strong>ir remarkable working relati<strong>on</strong>ships.<br />

Her first formal directing was staging liturgical and passi<strong>on</strong> plays at New York’s Ca<strong>the</strong>dral of Saint<br />

John <strong>the</strong> Divine in collaborati<strong>on</strong> with John–Michael Tebelak, <strong>the</strong> award-winning writer of <strong>the</strong> musical<br />

Godspell. Then in Paris, <str<strong>on</strong>g>Currier</str<strong>on</strong>g> directed and acted in American plays in English at a <strong>the</strong>atre that her<br />

Harvard classmate founded in a building inherited from her great aunt Isadora Duncan.<br />

<str<strong>on</strong>g>Currier</str<strong>on</strong>g> wrote, directed and <str<strong>on</strong>g>film</str<strong>on</strong>g>ed her first feature Heart of <strong>the</strong> Garden at her family farm in<br />

Virginia. The producti<strong>on</strong>, shot <str<strong>on</strong>g>by</str<strong>on</strong>g> cinematographer Edward Lachman, included a sound track featuring her<br />

Harvard classmate cellist Yo Yo Ma, playing Bach underneath a tree. This professi<strong>on</strong>al debut w<strong>on</strong> a 1985<br />

Gold Eagle Cine award in <strong>the</strong> entertainment category.<br />

Her first full-length feature, Passi<strong>on</strong> in <strong>the</strong> Desert (1997), was inspired <str<strong>on</strong>g>by</str<strong>on</strong>g> H<strong>on</strong>ore de Balzac’s<br />

novella about a French army officer in Napole<strong>on</strong>’s 1798 invasi<strong>on</strong> of Egypt, played <str<strong>on</strong>g>by</str<strong>on</strong>g> award-winning actor<br />

Ben Daniels. Lost and al<strong>on</strong>e in <strong>the</strong> Saharan desert after Muslim warriors attack, <strong>the</strong> soldier finds himself in<br />

a mysterious relati<strong>on</strong>ship with a female leopard that has saved his life. <str<strong>on</strong>g>Currier</str<strong>on</strong>g> developed her now signature<br />

style of evoking vivid atmospheres and bringing <strong>the</strong> landscape alive in equal importance with <strong>the</strong> human<br />

characters. Following years of scouting and preparati<strong>on</strong>, she <str<strong>on</strong>g>film</str<strong>on</strong>g>ed <strong>the</strong> actors in Jordan, and shot <strong>the</strong><br />

dangerous and often unhappy leopards in Moab, Utah <strong>the</strong> following summer. A defining point in gaining<br />

c<strong>on</strong>fidence as a director came when <strong>the</strong> leopard cubs, that a trainer purchased and raised for <strong>the</strong> role,<br />

refused to cooperate. Her intuitive problem-solving that managed to complete <strong>the</strong> <str<strong>on</strong>g>film</str<strong>on</strong>g> also taught her a<br />

more flowing and receptive approach. The feature received special recogniti<strong>on</strong> for excellence in <str<strong>on</strong>g>film</str<strong>on</strong>g>-<br />

making from <strong>the</strong> Nati<strong>on</strong>al Board of Review and was widely acclaimed in Europe and <strong>the</strong> United States.<br />

Subsequently, she wrote and directed “Beautiful Swimmer,” a fable about <strong>the</strong> Chesapeake Bay.

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