- Page 1 and 2: INFORMATION TO USERS This dissertat
- Page 3 and 4: THE OPERA-BALLET: OPERA AS LITERATU
- Page 5 and 6: PLEASE NOTE: Some pages may have in
- Page 7 and 8: TO MY GRANDFATHER ROLLIN PEASE So o
- Page 9 and 10: TABLE OF CONTENTS Page ABSTRACT vii
- Page 11 and 12: ABSTRACT Since the seventeenth cent
- Page 13 and 14: These works, combining insouciant l
- Page 15 and 16: poets such as Benserade and great d
- Page 17 and 18: opera to the literature of their pe
- Page 19 and 20: written to be sung, and that a full
- Page 21 and 22: Most of these royal entertainments
- Page 23 and 24: "Academie de poesie et de musique,
- Page 25 and 26: The first work in which all the dev
- Page 27 and 28: Participating in this ballet with t
- Page 29 and 30: Les Cris de Paris, show that the un
- Page 31 and 32: outlined, more or less in detail, t
- Page 33 and 34: songs related to the action of the
- Page 35 and 36: the whole spirit of this period: lo
- Page 37 and 38: primary importance in the ballets:
- Page 39: Je rougis, je palis, je sofipire of
- Page 43 and 44: Le Balet est icy espece de Poeme Dr
- Page 45 and 46: purpose, as had the ancient tragedy
- Page 47 and 48: number of entrees be limited: "Quan
- Page 49 and 50: Menestrier begins by praising the b
- Page 51 and 52: ancient history or mythology, or fr
- Page 53 and 54: French court, but also as an expres
- Page 55 and 56: These intermSdes often had nothing
- Page 57 and 58: usually in a situation where the yo
- Page 59 and 60: a appele le concours de la musique,
- Page 61 and 62: about her own feelings. The stratag
- Page 63 and 64: me m£prise! Non, non, je sais bien
- Page 65 and 66: oreilles; elles sont cause que tout
- Page 67 and 68: necessary to such verses of love, a
- Page 69 and 70: mention the poetry, suffered from t
- Page 71 and 72: ordinaires n'en permettent. Cette p
- Page 73 and 74: Aux sujets qu'a traites Quinault, 5
- Page 75 and 76: l'opera a pour objet, en utilisant
- Page 77 and 78: subjects ridiculous. Rochemont prai
- Page 79 and 80: his life, since the spectacle almos
- Page 81 and 82: pour que, dans nos moeurs regues, l
- Page 83 and 84: 16 veritablement un ideal, un plais
- Page 85 and 86: pastorale, and in the court ballet.
- Page 87 and 88: ne se plait 5. donner qu'aux heros
- Page 89 and 90: This pleasure, this easy diversion,
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de faste et le plus fin poison, ses
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Lies doux emportments de vos coeurs
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But Boileau and his supporters kept
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The two are of necessity different,
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mis dans son Alexandre, nous faisan
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eighteenth century, and became a po
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La BruySre, who was fascinated by t
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Des machines d'abord le surprenant
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Boileau was not the only one to fin
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l'ordre rigoureux des proportions,
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criticize it than to work hard at d
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On the subject of the literary valu
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Quinault's operas throughout her le
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CHAPTER 5 THE END OF THE REIGN OF L
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to contradict the whole sensual spi
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the society of Paris lived in the m
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-the rest of the Regency court, how
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maitre; et Philippe d'Orleans allai
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114 The arts adapt to the new atmos
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of the late seventeenth and early e
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new society much more than the clas
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L'essentiel de la volupte est bien
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death of Lully in 1687, and during
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As the large group of courtiers gat
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p. 89). Hypocrisy is certainly pres
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128 do in the simple life represent
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130 This new form of opera, the ope
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•Dissertation sur Hom&re' de Terr
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symmetry and simplicity of form and
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In the third entree, or that of Aut
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anciens and the modernes, but as a
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140 Folie, 1703); and though these
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ather than the grandeur of classica
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as the true expression of their des
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propounded ideas that would be bett
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This art of pleasing, according to
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comme je l'ai dit, le sentiment sup
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152 J'ai fait regner l'Amour dans t
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n'emousse pas le moins du monde l'i
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time. In his best moments, he sough
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Campra, having become very popular
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opera-ballet very well: "Nous irons
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162 charms. Not only do we see the
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Si vous voulez que les Graces Vous
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to prove to Discord that she has lo
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which heretofore has taken second p
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the fete before declaring himself.
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Lorsque Doris me parut belle, Je ne
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174 will continue the game. In acce
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176 Although the main characters ma
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of the Regency originated. Italy wi
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180 and a Troupe of Masques enters
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follow the Masque offstage, and we
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Olimpia, while she calmly pursues h
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186 Je sens les plus vives allarmes
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Des beautes de ces lieux j'emprunto
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Qu'il reunisse en lui la force et l
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seulement que dfes l'slge de vingt-
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CHAPTER 7 THE OPERA-BALLET: DEFINIT
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the opera-ballet was not the predec
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again explains this need: "Quelles
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elaxing entertainment, which requir
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They consisted mostly of airs (many
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assure the success of Rameau in the
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206 II existe tout un courant, au X
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Memoires of Barbarigo, who died in
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sc&nes de veritable comedie. A ce p
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expressed by. charming and unrealis
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opera-ballet, which begins again to
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dry to touch the heart profoundly,
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is overwhelmed, and lets the two go
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One of the most interesting of the
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222 Les Fetes venitiennes, in all i
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le jeu, et tout ce qui y avoit rapp
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are charming and pert, and even in
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qualities her daughter lacks. Cleon
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in love with her. She promised to m
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eautiful, commands the sailors and
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only way to interest the society of
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written the entrees of "Les Jours"
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discussed at greater length in the
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240 It is finally revealed that Luc
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•Oronte might marry again, thus m
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theatres of the Foire, where he con
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Venus, will triumph over the evil T
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The sparring between Eraste and Luc
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CHAPTER 8 THE PROLOGUE Due to the f
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entertainment prepared for the grea
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le merveilleux still alive in this
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But poor old Time is also expelled
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(L'Ete vient dans un char) L'ETE Je
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260 Because the purpose of the prol
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262 governed by dance rhythms, that
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youth and to love without ceasing a
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Les Fetes de l'ete is a good exampl
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268 Des Ris et des Jeux; Et l'aimab
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safety of anonymity: Pour cacher un
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272 When folly was praised so highl
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Veilles Bacchus, veilles Amour, End
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CHAPTER 9 THE PASTORALE Although th
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however, the author of the pastoral
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almost voluptuously or they shrug t
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Ciel! c'est pour la premiere fois Q
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with an inconstant lover prevents o
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we feel distinctly that, though she
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Votre douleur vous est trop chere,
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Quel triomphe pour vous! quelle glo
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up his inability to keep silent abo
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win her over, and Iphise, Isabelle'
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The rondeau will be a favorite form
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Probably Pellegrin's best accomplis
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ut a rather peaceful and unhurried
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Fuyons done .... ISABELLE LEANDRE Q
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Lisidor, she knows he flees any per
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of the opera, it is a gentle expres
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new idea. The repetition of the fir
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for the games of the Carte de Tendr
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312 The comparison with the Goddess
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She also shows strength and spirit,
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L'Amour est un enfant qui ne cherch
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however, in her fears and in her ch
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In two entrees, "Les Devins de la P
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II va s'enfuir avec les graces Que
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La Laideur se perd par mon fard, La
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LEANDRE Croyez-vous que bientot je
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LEONORE Faudra-t-il toujours vous e
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330 of many comic devices, this sce
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There are some comic entrees in Les
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After singing the praises of reason
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Frenchman, is again ridiculed as he
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COLOMBINE Pourquoi detournes-tu les
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LUCILE Vous avez icy devance Le che
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The lines in the preceding passage
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upon each other, the two cannot hol
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LEONTINE L'amour, que dans mes chan
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LEONTINE "C'est Flore qui t'appelle
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350 It is in Les Fetes de Thalie th
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more central to the interest of the
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ACASTE L'Hymen ne servira jamais qu
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many suitors, finding that being a
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358 Caliste merite mes soins, A reg
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ZERBIN Elle est prude, bizarre, inc
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CALISTE Quoi jamais ? DORANTE Jamai
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e all the greater because of the es
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of her ugliness). In the scene with
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HORTENSE Je regarde partout, et ne
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Au seul nom de l 1 Amour, d'oii vie
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Que le calme le plus heureux Regne
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Lucinde) or indulgent (for Belise)
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OCTAVE Je n'aime pas assez? Cruelle
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than admirable, including young peo
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Ma Soeur se plaint de son partage,
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to profit from the springtime of th
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satiety and langor has not yet desc
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Oil ne volent les Amours. Plaignons
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LEANDRE Florise m'aimez-vous .. . F
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J'aime, lorsque je voi la beaute qu
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the first to desert Lucinde, it bei
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characters, the satire of their old
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Quel seroit le triste entretien, D'
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Silvanire is the man the real Silva
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Triomphez charmante Folie, Chez vou
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sensibilite" in France, which led t
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The Regency man believed in this re
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406 single-minded--unable to change
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oth. The accompaniment of music and
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disapproval, seldom ridiculed or cr
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SELECTED BIBLIOGRAPHY Texts of ball
- Page 427 and 428:
Boileau-Despreaux, Nicolas. Les pre
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Galli de Bibiena, Jean. Histoire de
- Page 431 and 432:
Parfaict, Claude and Fran$ois. Hist
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Brunetifere, Ferdinand. Etudes crit
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Rolland, Romain. Lies Origines du t