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Adaptivity in reading literary texts;

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Table 1<br />

Cod<strong>in</strong>g scheme of students’ statements <strong>in</strong> the th<strong>in</strong>k aloud transcripts<br />

Read<strong>in</strong>g activity Description<br />

RET<br />

Retell<strong>in</strong>g<br />

INFER<br />

Mak<strong>in</strong>g<br />

<strong>in</strong>ferences<br />

PROB<br />

Detect<strong>in</strong>g<br />

problems<br />

ASSO<br />

Mak<strong>in</strong>g<br />

associations<br />

ANA<br />

Analyz<strong>in</strong>g<br />

EVA<br />

Evaluat<strong>in</strong>g<br />

EMO<br />

Respond<strong>in</strong>g<br />

emotionally<br />

META<br />

Respond<strong>in</strong>g<br />

metacognitively<br />

OTH<br />

Other activity<br />

Retell<strong>in</strong>g, paraphras<strong>in</strong>g or (almost<br />

literally) repeat<strong>in</strong>g the content of a<br />

story passage.<br />

Stat<strong>in</strong>g <strong>in</strong>formation not explicitly<br />

given by the text, fill<strong>in</strong>g <strong>in</strong> gaps,<br />

draw<strong>in</strong>g conclusions, mak<strong>in</strong>g<br />

predictive or explanatory <strong>in</strong>ferences.<br />

Detect<strong>in</strong>g a problem to <strong>in</strong>tegrate<br />

<strong>in</strong>formation; po<strong>in</strong>t<strong>in</strong>g out a knowledge<br />

gap or miscomprehension.<br />

Relat<strong>in</strong>g the story to personal<br />

experiences or knowledge of the<br />

world; giv<strong>in</strong>g associations or personal<br />

op<strong>in</strong>ions; mak<strong>in</strong>g <strong>in</strong>tertextual l<strong>in</strong>ks.<br />

Notic<strong>in</strong>g aspects of form, structure,<br />

style or genre; connect<strong>in</strong>g text parts.<br />

Provid<strong>in</strong>g positive or negative<br />

evaluative comments on (parts of) the<br />

story.<br />

Verbal and nonverbal emotional<br />

responses to (parts of) the story;<br />

exclamations.<br />

Monitor<strong>in</strong>g ones own read<strong>in</strong>g (e.g., by<br />

giv<strong>in</strong>g self-<strong>in</strong>structions) or reflect<strong>in</strong>g<br />

on ones own read<strong>in</strong>g habits or<br />

preferences.<br />

Responses that cannot be placed <strong>in</strong>to<br />

any of the previous categories.<br />

Flexibility <strong>in</strong> read<strong>in</strong>g <strong>literary</strong> <strong>texts</strong> -16-<br />

Sample responses to The three friends<br />

“So, there were three friends and they<br />

found another one.”<br />

“A palace. So they must be rich.”<br />

“I th<strong>in</strong>k someth<strong>in</strong>g strange is go<strong>in</strong>g<br />

to happen.”<br />

“I don’t understand what this means.”<br />

“What is ‘the wa<strong>in</strong>scott<strong>in</strong>g’?”<br />

“I have two friends myself. Together<br />

we went on a holiday.”<br />

“The three friends rem<strong>in</strong>d me of the<br />

three musketeers.”<br />

“It starts like a fairy tale.”<br />

“The author uses short sentences.”<br />

“I like how this is written (…).”<br />

“A bizarre story. I don’t like it at all.”<br />

Laugh<strong>in</strong>g, sigh<strong>in</strong>g, moan<strong>in</strong>g<br />

“How sad!”<br />

“Yuk!”<br />

“I’ll just have to reread this part.”<br />

“I am pretty used to read<strong>in</strong>g this k<strong>in</strong>d<br />

of stories.”<br />

E.g., read<strong>in</strong>g aloud, comment<strong>in</strong>g<br />

upon the th<strong>in</strong>k aloud task,<br />

<strong>in</strong>comprehensible statements.

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